Marzia Dottarelli - Awakening My art emanates from the intensive study of ancient inspirational mosaic techniques. Over the past few years, I have immersed myself in them, studying and interpreting them. Initially, I followed the route of the craftsmen, analysing and deepening, where possible, both old and new methods. Whilst working with glass materials, I realised that, if used abiding to certain criteria, I could create very modern works of contemporary art. Primary objectives of softness and paintings During the course of my studies, I set myself several goals to streamline the static and rigid impact of traditional mosaics. My first challenge was to follow drawing methods to soften a mosaic's coldness and inflexibility, to make it look as much as possible like a painting, removing the peculiarities inherent to the mosaic's very technique. Working on nude models, I attained two objectives. First of all, I improved my knowledge of proportions by studying human physiology. Secondly, I created soft works of art with flexible alignments, inventing new dynamic models. I subsequently fulfilled my overarching goal of creating my unique pictorial mosaic. Movement and volume Notwithstanding the results I obtained, I still felt dissatisfied with the stillness of my work. I thus ...
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