Artwork Description:
SHE ALREADY LOOKS BEAUTIFUL.. WITH THE BREAKTHROUGHS THE FIRE OFFERS IN SURPRISING BURSTS OF COLORS - UNISION OF/ IN ALL KINDS OF ENTRANCING LITTLE SHAPES..
THIS LUSTER, THE WORK HAS.. NOW, I JUST HAVE TO BE A LITTLE BIT MORE PATIENT WITH THE HEAT, EMERSING WHAT I LAY ON THERE WITH PURPOSE OF DESIGN INTO THE DEPTH OF THE WORKS CORE AND COME OUT LATER AS BREAK THROUGH.. I NEED IT TO BE VISIBLE, WHERE I INTENT TO .. SO.. THE COLOR OUTLINE.. DONE PARTIALLY WITH GRAPE HUED GLASS WILL BE RE INTRODUCED, UNTIL IT STAYS.. WILL BE A CHORE.. A CONSTANT NUDGING.. WHY.. BECAUSE THIS ARTIST IS STUBBORN AND CHOSE TRANSPARENT COLORED GLASS.. AND THE OPAQUES ABSORB IT.. I TELL MYSELF, CAN ONLY ABSORB SO MUCH..
AND IT WILL SHOW.. WHAT I WANT TO SHOW.. SO.. THIS PIECE MUST BE AT LEAST 2 POUNDS.. DOLLY, OUR MUCH APPRECIATED AND NEEDED TECHNICAL INSTRUCTOR, HELPED ME PUT IT IN THE KILN.. AS WELL AS GLENN BRIGGS, THE GREAT GLASS ARTIST.. YOU NOTICE, THE WHITE?? WELL.. I USED QUILL WHITE.. THE AVASIVE KIND OF WHITE, I LIKE.. IN SOO MANY LAYERS.. AND IT LOOKS COOL NOW. THAT !!! IS THE WHITE THIS ARTIST WANTS. and i think, i treat the back to another coat of glass too.. next Wednesday
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