Undecided Medium Art

Page 14 of 23
Nina Mindova, Taha Alhashim, Julie Kondi, Marina Novikova, Richard Vanderiet, Alexander Kwesi, Shribas Adhikary, Otar Chakvetadze, Devon Harris, Federica Ripani, Stefano Gaetano, Shahzaib Khan, Jim Lively offering original Undecided artworks.


Contemporary Art / Undecided / Previous / Next
Nina Mindova: 'actress', 2017 , Undecided.
, 2017
Undecided -
7.7 x 6.6 inches (19.6 x 16.8 cm)
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Nina Mindova: 'ellie', 2017 , People.
, 2017
People -
5.5 x 6.6 inches (14.0 x 16.8 cm)
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Nina Mindova: 'lilac', 2017 , Undecided.
, 2017
Undecided -
7.7 x 8.8 inches (19.6 x 22.4 cm)
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Nina Mindova: 'gerda', 2017 , Undecided.
, 2017
Undecided -
3.3 x 5.5 inches (8.4 x 14.0 cm)
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Nina Mindova: 'french gentleman', 2017 , Undecided.
Undecided -
8.8 x 6.6 inches (22.4 x 16.8 cm)
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Nina Mindova: 'grande', 2017 , Culture. Balzak hero...
, 2017
Culture -
4.4 x 4.4 inches (11.2 x 11.2 cm)
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Taha Alhashim: 'Pumpkin Robot', 2007 Other, Surrealism.  This Pumpkin Robot was made by multiple colors of velvet, and it was made in 2007. It is nice to have especially these days for Halloween. ...
Surrealism - Other
18 x 24 cm (7.1 x 9.4 inches)
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Julie Kondi: 'kina shells', 2014 Other, Culture.       Papua New Guinea rural lifestyle     ...
Culture - Other
28.5 x 22 cm (11.2 x 8.7 inches)
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Julie Kondi: 'lime pots', 2014 Other, Culture.      Papua New Guinea rural lifestyle    ...
, 2014
Culture - Other
28.5 x 22 cm (11.2 x 8.7 inches)
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Marina Novikova: 'rice of the gogs', 2013 Other, Fantasy. People pray that the gods living in heaven send them their rice that gives a great harvest of huge grains. ...
Fantasy - Other
19 x 27 cm (7.5 x 10.6 inches)
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Richard Vanderiet: 'promise land', 2018 Other, Erotic. Nude male under blacklight painting photo...
Erotic - Other
10 x 12 inches (25.4 x 30.5 cm)
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Richard Vanderiet: 'rocket man', 2018 Other, Erotic. Nude male blacklight painting digital inhansment with phot...
, 2018
Erotic - Other
9 x 12 inches (22.9 x 30.5 cm)
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Alexander Kwesi: 'a statement about my art', 2018 Other, Other. Words about what my art means to me...
Other - Other
210 x 297 mm ( x )
Alexander Kwesi: 'an abstract art of colors', 2018 Other, Abstract. A representation of an abstract art of colors...
Abstract - Other
210 x 297 mm ( x )
Shribas Adhikary: 'bengali village woman', 2015 Other, Undecided. creative and realistic Indian style. ...
Undecided - Other
18 x 22 inches (45.7 x 55.9 cm)
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Otar Chakvetadze: 'georgian poems', 2019 Other, Activism. Original Art...
Activism - Other
71.1 x 102.2 cm (28.0 x 40.2 inches)
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Devon Harris: 'The tiles missing piece', 2015 Other, Automotive.  There are two pieces of tile and they are both missing one little part  ...
Automotive - Other
6.6 x 6.6 inches (16.8 x 16.8 cm)
Federica Ripani: 'BEBIKE', 2015 Other, undecided.  iron, wood, plastic....
, 2015
undecided - Other
0 x 0 cm (0.0 x 0.0 inches)
Stefano Gaetano: 'wars', 2015 Other, Activism.  stop wars ...
, 2015
Activism - Other
30 x 60 cm (11.8 x 23.6 inches)
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Stefano Gaetano: 'Under the ground', 2007 Other, Abstract.
Abstract - Other
25 x 50 cm (9.8 x 19.7 inches)
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Shahzaib Khan: 'customize embroider your photo', 2022 Other, People. I am specialized in EMBROIDERY.  With experience of over 15 years.  I draw real people, animals, and create character design.  Clients Satisfaction is our top priority.  Chat Support 24 7...
People - Other
6.6 x 6.6 inches (16.8 x 16.8 cm)
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Jim Lively: 'In Zinfandel Veritas', 2014 Other, Abstract.  Zinfandel Wine on canvas. Part of
Abstract - Other
30 x 40 inches (76.2 x 101.6 cm)
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Jim Lively: 'In Merlot Veritas', 2014 Other, Abstract.  Merlot Wine on canvas. Part of
Abstract - Other
30 x 40 inches (76.2 x 101.6 cm)
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Jim Lively: 'In Pinot Noir Veritas', 2014 Other, Abstract.  Pinot Noir Wine on canvas. Part of
Abstract - Other
30 x 40 inches (76.2 x 101.6 cm)
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Jim Lively: 'In Cabernet Sauvignon Veritas', 2014 Other, Abstract.  Cabernet Sauvignon Wine on canvas. Part of
Abstract - Other
30 x 40 inches (76.2 x 101.6 cm)
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Jim Lively: 'Perplexed Angel', 2014 Other, Abstract Figurative.   Cabernet Sauvignon Wine, Newspaper, Magazine and Acrylic on panel. Part of
Abstract Figurative - Other
30 x 40 inches (76.2 x 101.6 cm)
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Jim Lively: 'Dallas Skyline and Cabernet', 2014 Other, Abstract Figurative.  Cabernet Sauvignon Wine, Newspaper, Magazine and Acrylic on panel. Part of
Abstract Figurative - Other
16 x 12 inches (40.6 x 30.5 cm)
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Jim Lively: 'Elephant Crossing the Calatrava Bridge', 2014 Other, Abstract Figurative.   Pinot Noir Wine, Newspaper and Acrylic on panel. Part of The Red Wine series                                                                    ...
Abstract Figurative - Other
20 x 16 inches (50.8 x 40.6 cm)
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Jim Lively: 'Redemption', 2014 Other, Abstract Figurative.  Australian Shiraz Wine and Acrylic on panel. Part of
, 2014
Abstract Figurative - Other
24 x 18 inches (61.0 x 45.7 cm)
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Jim Lively: 'Cabernet Merlot Shiraz', 2014 Other, Abstract.  Cabernet Wine on one canvas, Merlot Wine on the second canvas and Shiraz Wine on the third canvas. Part of
Abstract - Other
18 x 36 inches (45.7 x 91.4 cm)
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(Page 14 of 23) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...