Acrylic Paintings

Page 9 of 544
Lucille Rella, William Christopherson, Jyoti Thomas, Pol Ledent, Margaret Stone, Lynda Lehmann, Royane Caldwell, Jerry Di Falco, Hyacinthe Kuller-baron, Sarah Longlands, Eve Co, Hope Brooks, Wayne Wilcox offering original Acrylic Paintings artworks.


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William Christopherson: 'Singer Castle Thousand Islands Saint Lawrence', 2011 Acrylic Painting, Seascape.  Titled
Seascape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Jyoti Thomas: 'Home', 2010 Acrylic Painting, Abstract Landscape.   Part of the
, 2010
Abstract Landscape - Painting
100 x 100 cm (39.4 x 39.4 inches)
Pol Ledent: 'abstract 1811502', 2010 Acrylic Painting, Abstract.   original oil on canvas stretched on a wooden frame 39. 37 x 31. 5 inches ( 100 x 80 cm)can be shipped worldwide ( insurance)price :     1000 usd payment via paypal    ...
Abstract - Painting
100 x 80 cm (39.4 x 31.5 inches)
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Margaret Stone: 'Night Gathering', 2016 Acrylic Painting, Abstract Figurative.  What began as a gathering in the light turned into a gathering in the night where darkness has a sense of substance that can connect us at non- conscious levels.  Painted on a 12x16in panel mounted on a 16x20in canvas, gallery wrapped. ...
Abstract Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Lucille Rella: 'City Garden', 2011 Acrylic Painting, Cityscape.
Cityscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
Lynda Lehmann: 'Pragmatic Red', 2011 Acrylic Painting, Abstract.   A bright, intense and joyful abstract painting with a playful, whimsical quality, and a complex under- painting showing through the top surface. Keywords: abstract, intense, bright, cheerful, whimsical, playful, childlike, acrylic, modern, ovals, quasi- geometric, Constructivism, red, active, energy, complex, layered ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Lynda Lehmann: 'Byzantine Blues', 2011 Acrylic Painting, Abstract.  Multicolored abstract acrylic painting with rich blue, green, and amber hues and bold, energetic curves. Keywords: abstract, bold, multicolored, gesture, energy, movement, active, animated, blue, green, amber, line, expressionism, rich, glowing ...
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Lynda Lehmann: 'Fire and Stone', 2011 Acrylic Painting, Abstract.     This is an abstract acrylic painting with gestural curves and emotional intensity, which is to me, evocative of elemental forces.  Keywords: fire, stone, flame, organic, curves, abstract, expressionism, sensuous, drama, emotional, moody, elemental, intense, lines, black, white, orange, blue, warm and cool, metaphoric, acrylic, painting, energy, movement, active, gestural         ...
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Lynda Lehmann: 'Bird of Paradise', 2011 Acrylic Painting, Abstract. Active and energetic, original abstract, multicolored with curvilinear elements, evocative of a lush tropic landscape and possibly, a bird.  Keywords: abstract, acrylic, multicolored, gestural, curves, lines, active, energy, movement, expressionism, evocative, bird, exotic, tropics, optical, intense...
Abstract - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Margaret Stone: 'The Traveler', 2016 Acrylic Painting, Abstract Figurative.  The travelor returns, filled with stories waiting to be told.  Stories of mystery and magic.  Painting is acrylic on canvas and is gallery wrapped. ...
Abstract Figurative - Painting
28 x 45 inches (71.1 x 114.3 cm)
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Royane Caldwell: 'Serene ', 2010 Acrylic Painting, Figurative.   to be edited later  ...
, 2010
Figurative - Painting
48 x 24 inches (121.9 x 61.0 cm)
Royane Caldwell: 'Victoria Diner', 2010 Acrylic Painting, Food.     to be edited later    ...
Food - Painting
48 x 60 inches (121.9 x 152.4 cm)
Royane Caldwell: 'Reclining Nude 3', 2010 Acrylic Painting, Figurative.     This painting is up for giclee/ print, please order size: 16x20=US$200. 00    ...
Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Lucille Rella: 'Recesses of the Mind 2', 2010 Acrylic Painting, Figurative.
Figurative - Painting
40 x 60 inches (101.6 x 152.4 cm)
Lucille Rella: 'Ocean Beach', 2010 Acrylic Painting, Figurative.
Figurative - Painting
40 x 30 inches (101.6 x 76.2 cm)
Jyoti Thomas: 'Two worlds with New Life', 2010 Acrylic Painting, Abstract Landscape.     part of the Night Sea Journey series             ...
Abstract Landscape - Painting
75 x 45 cm (29.5 x 17.7 inches)
William Christopherson: '20th Century Ice Fisherman', 2009 Acrylic Painting, Landscape. This award winning major oil artwork of the artist captures ice fishing on an expansive frozen ice cover of New Yorks North Country. Eel Bay, among the Thousand Islands of the Saint Lawrence. Breathtaking in its winter remoteness, and natural beauty of the coldness. This fisherman is in his element. ...
Landscape - Painting
47 x 35 inches (119.4 x 88.9 cm)
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William Christopherson: 'Saint Lawrence River Skiff Christopherson', 2010 Acrylic Painting, Seascape.  This is a large original acrylic on canvas panel.Title: Skiff At Rest. Beautifully framed in a gold- leaf 2- 1/ 2 margin deep frame. Completed in Golden Co. brand professional acrylics. Artwork shipped USPS Priority, fully protected and securely packaged. ...
Seascape - Painting
35 x 25 inches (88.9 x 63.5 cm)
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Jerry  Di Falco: 'House of The Blood Drinker', 2011 Acrylic Painting, Abstract. This abstract, geometric acrylic painting on canvas is related to Anne Rices novel, Blood and Gold, a story about Marius the Vampire. The work also relates to Shakespeares play Henry IV, Part 1, ACT III, SCENE I. My abstracted narrative examines the existence of real magic and liturgical magic. The ...
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Hyacinthe Kuller-baron: 'BLUE WHALE from ANIMAL NATURE EXHIBIT', 2010 Acrylic Painting, Animals.  BLUE WHALE IS 4'X5' OIL ON CANVAS AND IS AVAILABLE AS A FINE ART GICLEE ...
Animals - Painting
4 x 5 feet (1.22 x 1.52 m)
Sarah Longlands: 'Undecided Tulip by Full Moon', 2006 Acrylic Painting, Philosophy.   Which Way Now?                 ...
Philosophy - Painting
85 x 130 cm (33.5 x 51.2 inches)
William Christopherson: 'Syracuse Strathmore Belleview Reservoir', 2009 Acrylic Painting, Landscape.  Original 24 x 30 inch acrylic on canvas by New York artist William Christopherson. Title: 2009 Strathmore Series # 1 - The Res. The Woodland Reservoir, in the Strathmore area of Syracuses, the artists'boyhood home. A place of solitude and exercise, where one can escape the neighborhood bustle and the noise...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Eve Co: 'Lift Off Challenger', 1992 Acrylic Painting, Space.  Lift Off ChallengerAcrylic on Canvas 48
Space - Painting
48 x 36 inches (121.9 x 91.4 cm)
Eve Co: 'Horsehead Nebula', 1989 Acrylic Painting, Astronomy. Please request a commission on this piece - The original was my fathers favorite painting and I can not sell it because its a memory I want to keep with me to touch and feel since my father was taken away from us. . .Horsehead Nebula16 x 20The Horsehead Nebula is ...
Astronomy - Painting
16 x 20 inches (40.6 x 50.8 cm)
Margaret Stone: 'A Thousand Doorways', 2012 Acrylic Painting, Archetypal.  Much to ponder and connect to in ones psyche.  A dyptich, acrylic and ink on masonite, each painting is 16 12 inches by 60 inches and totals 33 inches by 60 inches.  Can be hung together or spaced as pleased.  Strip- framed with dark stained wood. ...
Archetypal - Painting
33 x 60 inches (83.8 x 152.4 cm)
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Hope Brooks: 'Where There is no Light', 2008 Acrylic Painting, Abstract Landscape.  Formerly titled
Abstract Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Hope Brooks: 'The Sargasso Sea', 2008 Acrylic Painting, Abstract Landscape.  16 panels each 15 inches square painted in acrylic and depicting the mysterious area between the Caribbean, Europe and AFrica known as the Sargasso Sea.  It is important in slave cultures because it represents the unknown the world into which the slaves were taken and from which they would never...
Abstract Landscape - Painting
60 x 60 inches (152.4 x 152.4 cm)
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Wayne Wilcox: 'River Runs Through It', 2009 Acrylic Painting, Abstract Landscape.
Abstract Landscape - Painting
55 x 64 inches (139.7 x 162.6 cm)
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Wayne Wilcox: 'Restless Horizon', 2009 Acrylic Painting, Abstract Landscape.
Abstract Landscape - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Andree Lisette Herz: 'purpledayz', 2009 Acrylic Painting, Landscape.  snowey stream on canvas with wrapped sides. ...
, 2009
Landscape - Painting
30 x 24 inches (76.2 x 61.0 cm)
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(Page 9 of 544) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Jyoti Thomas - I feel passionate about creating in many different forms and mediums but I'm predominantly a painter. My art comes from my inner world giving a voice to thoughts and emotions that can't always be adequately expressed in other ways. I am always in awe of the deep power of creativity to heal and bring deep insight. Most of my works are rich in colour and symbols and are an emotional and soul felt interpretation of the world within me and around me. The works shown here are from several bodies of work those being Meet Anita, Gifts of Descent, Below the Surface, Fragments, Oceans of Choice. and Night Sea Journey. My artwork has been a constantly changing river of works following the journey of my life, through good times and difficult times and has always been a refuge and a deep love. While the artwork just IS in its own right I also hope that it taps into others experiences of life and links us together in our common humanity. I love art just for its own sake and nothing else in my world has the ability to lift my heart and soul like making art does. I ...

    Pol Ledent - I am a self-taught artist. I was born in Belgium o, 23rd October 1952. I started painting in 1995 . I took some drawing lessons in the art academy in Dinant. I try to paint the landscapes of the countryside where I am living : the southern part of Belgium. Firts I took part in many collective exhibitions . Than, I had personal exhibitions in Rochehaut (Galerie La Potele), in Dinant (Galerie L'impression), in Paris (Rive Gauche Galerie Artimus) in Brussels (Galerie G-Loft).In 2004, I had three exhibitions, again In Rochehaut, galerie La Potele in May. Then, in September Exhibition Libr'art in Libramont. In November, Galerie Impression in Dinant. What people like most in my paintings are the colours. My art doesn't speak to the intellect but to the soul and to the feelings. Talink the risk to seem old fashioned , I would say it is rather romantic. I wish you much pleasure looking at my paintings. Pol Ledent ...

    Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Royane Caldwell - Artist Statement At present, I am almost completely absorbed in visual arts. My academic education consists of western and non-western art, philosophy, music, anatomy, physiology and holistic medicine. I am extremely interested in exploring the relationship between dreams and the collective unconscious and their intuitive reflection expressed in my art. Both my paintings and photography have been shown in a number of venues over the past few years, and are in private as well as corporate collections in Canada and the United States. My search for meaning and my attempts to illustrate contemporary mythology are based on a central certainty of stored remembrances, genetic memories that resonate at our deepest levels. I use organic forms, anatomical structures, icons, and symbolism to draw obscure truths. Art to me is a conduit, crossing the boundaries of seen and unseen, feeling and memory. ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Jerry Di Falco - Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA (hons) and completed my post-graduate studies at University College London (Slade School of Art). In the words of one of my collectors: "Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational: it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that." Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants "Onderneming & Kunst" to do six oil paintings for the penthouses on board the new "Queen Mary 2", launched in ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Wayne Wilcox - Artist's statements have always seemed redundant to me. The work generally speaks for itself. But here goes For me it's about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective; they're all the same. Light against dark, color against color, line intersecting line. I'm as comfortable with super realism as I am with abstract expressionism. Then, of course, there's the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on it's own. It's like magic. With one stroke something appears before your eyes that wasn't there before. An image. An emotion. With each stroke or drip it changes. It's an amazing experience. I highly recommend it. And then there's image. I am a visual artist. I'm after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength . I want the painting or drawing to stand on it's own. I am a painter. I cannot escape that fact. There have been times I've tried but I always return. It's not what I do. It'...