Encaustic Paintings (286)

Artists Describing Their Art:

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

Knut Pani - Knut Pani nace en la ciudad de Mexico. Asiste al tealler de escultura de la Escuela Nacional de Bellas Artes en San Miguel Allende, Mexico. Estudia la licenciatura en pintura e ilistracion en el Art Center College of Design, en Pasadena, Ca. E.U.A. Edita la revista Arquitectura/Mexico y trabaja con el Dr. Mathias Goeritz en su seccion de arte. Ha colaborado como director de arte en el museo Rufino Tamayo. Fundan el taller experimental de grafica El Pez Soluble, en Tequisquiapan, Qro.,Mexico, donde imparte clinicas de grabado y cursos de expresion grafica y experimentecion de materiales. Ha expuesto su obra en forma individual y colectiva en prestigiadas sedes del pais y el extranjero, haciendo posible que su obra forme parte de mas de 90 colecciones, publicas y privadas, al rededor del mundo. Fue ganador de la medalla Lorenzo el Magnifico, en la Bienal del Arte Contemporaneo 2001, en Florencia, Italia....