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Encaustic Paintings (303)

Page 10 of 11
William Dick, Gudrun Ploetz, Bridget Busutil offering original Encaustic Paintings artworks.


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William Dick: 'SVORADA', 1999 Encaustic Painting, Abstract.
, 1999
Abstract - Painting
250 x 250 cm (98.4 x 98.4 inches)
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Gudrun Ploetz: 'Beauty on black', 2002 Encaustic Painting, Abstract. Artist Description: Encaustic and acrylics on harboard...
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Gudrun Ploetz: 'Flower in the night', 2002 Encaustic Painting, Abstract. Artist Description: Encaustic and acrylics on hatdboard...
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Gudrun Ploetz: 'Colours of erotic 3', 2003 Encaustic Painting, Abstract. Artist Description: Encaustic on thick aquarell paper...
Abstract - Painting
10 x 13 inches (25.4 x 33.0 cm)
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Gudrun Ploetz: 'Bed of roses', 2002 Encaustic Painting, Abstract. Artist Description: Encaustic on special cardboard...
Abstract - Painting
16 x 24 inches (40.6 x 61.0 cm)
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Gudrun Ploetz: 'colours of erotic 1', 2003 Encaustic Painting, Abstract. Artist Description: Encaustic on thick aquarell paper...
Abstract - Painting
13 x 0 inches (33.0 x 0.0 cm)
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Gudrun Ploetz: 'Wild roses', 2002 Encaustic Painting, Abstract. Artist Description: Encaustic on spezial cardboard...
, 2002
Abstract - Painting
16 x 24 inches (40.6 x 61.0 cm)
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Gudrun Ploetz: 'The darkness is far away 2', 2002 Encaustic Painting, Abstract. Artist Description: Encaustic and acrylic paint on canvas...
Abstract - Painting
16 x 40 inches (40.6 x 101.6 cm)
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Gudrun Ploetz: 'Someone is watching you', 2003 Encaustic Painting, Abstract. Artist Description: Encaustic on thick aquarell paper...
Abstract - Painting
14 x 10 inches (35.6 x 25.4 cm)
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Gudrun Ploetz: 'The darkness is far away 1', 2002 Encaustic Painting, Abstract. Artist Description: Encaustic and acrylic paint on canvas...
Abstract - Painting
20 x 40 inches (50.8 x 101.6 cm)
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Gudrun Ploetz: 'The green and the colours 2', 2002 Encaustic Painting, Abstract. Artist Description: Encaustic and acryl paints on canvas...
Abstract - Painting
16 x 40 inches (40.6 x 101.6 cm)
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William Dick: 'ELDRITCH', 2003 Encaustic Painting, Abstract. Artist Description: he painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2003
Abstract - Painting
250 x 250 cm (98.4 x 98.4 inches)
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William Dick: 'STEFROCHE', 2002 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2002
Abstract - Painting
250 x 250 cm (98.4 x 98.4 inches)
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William Dick: 'FIFLOOER', 2003 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2003
Abstract - Painting
100 x 100 cm (39.4 x 39.4 inches)
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William Dick: 'HEETURI', 2003 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2003
Abstract - Painting
100 x 100 cm (39.4 x 39.4 inches)
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William Dick: 'FEIFT', 2003 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2003
Abstract - Painting
100 x 100 cm (39.4 x 39.4 inches)
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William Dick: 'CASSANI', 2001 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'DEKKER', 2001 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'FAGNINI', 2001 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'JAKSCHE', 2001 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'BOOGERD', 2002 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2002
Abstract - Painting
170 x 170 cm (66.9 x 66.9 inches)
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William Dick: 'VANBON', 2001 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'NAZON', 2001 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'BALOYI', 1998 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 1998
Abstract - Painting
100 x 100 cm (39.4 x 39.4 inches)
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William Dick: 'TUIM', 2002 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2002
Abstract - Painting
250 x 250 cm (98.4 x 98.4 inches)
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William Dick: 'SASKRE', 2002 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2002
Abstract - Painting
170 x 170 cm (66.9 x 66.9 inches)
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William Dick: 'OXTOA', 2001 Encaustic Painting, Abstract. Artist Description: The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2001
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'PEUCHLE', 1996 Encaustic Painting, Abstract. Artist Description: The work draws from ancient symbols and patterns found in Celtic/ Pictish art to convey something of the magic and religious function that art once held in that culture. The unreal spiritual quality of an icon is achieved through the element of shifting images/ symbols....
, 1996
Abstract - Painting
250 x 250 cm (98.4 x 98.4 inches)
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Bridget Busutil: 'Blood River', 2003 Encaustic Painting, Abstract. Artist Description: suffering. . a bleeding heart, but hope is at the end. . .Technically challenging. innumerable layers of transparent coloured wax to create the complex pattern. About 40 layers-Ther is one Iris print of this work:40x40 : 6000$...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Bridget Busutil: 'The Tree Within', 2002 Encaustic Painting, Inspirational. Artist Description: When i look inside myself, I find a tree. . . . spiritual experience. to obtain this richness in blue. It is multi- layered...
Inspirational - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Artists Describing Their Art:

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

Gudrun Ploetz - My paintings are all "wanted" paintings. That's a base thing I believe in. I think paintings and art in general is good if the artist wanted it and it came from his inside. Some artist "want" to do arts when they are down, some other paint when they feel well. I belong to the last ones. My paintings show the times my soul felt good. I can't paint when I'm down. Then I need music. But the more paintings I do in my good times, the longer I feel good. A good feeling, people I meet who touch my soul, warm words and good talks can inspire me a lot. And I want to transfer those, my good feelings to other people. Art is kind of healing, art can give you the power for the next step into the hard daily life process. That's why artists are necessary in this world, to make people happy, to give their eyes and their souls a gentle touch, to inspire them to try it themselves, to come in contact with paint and drawing pen. My paintings are all around colour, the first thing I notice myself at a painting ...

Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...