Encaustic Paintings (292)

Page 3 of 11
Roberto Trigas, T.e. Siewert, William Dick, Margaret Stone, Thomas Mcconnell offering original Encaustic Paintings artworks.


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Roberto Trigas: 'Portrait of my mother', 2016 Encaustic Painting, Portrait. Artist Description:  This is a portrait of my mother. The face image is an old photograph, pasted onto the board by a process known as encaustic transfer. Then I paint the soroundings to recreate my mothers room, the air, her hairbrush, the atmosphere. I DO PORTRAITS ON COMMISSION. You only ...
Portrait - Painting
35 x 45 cm (13.8 x 17.7 inches)
Roberto Trigas: 'Fruit bowl', 2016 Encaustic Painting, Still Life. Artist Description:  beautiful colourful fruits in a bowl on top of a black table ...
, 2016
Still Life - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Roberto Trigas: 'High Noon', 2016 Encaustic Painting, Cityscape. Artist Description:  view of my old town in blazing sun light ...
, 2016
Cityscape - Painting
42 x 32 cm (16.5 x 12.6 inches)
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Roberto Trigas: 'Midafternoon', 2016 Encaustic Painting, Cityscape. Artist Description:  The light of a sunny mid afternoon difusses the forms and colours. . . all is empty ...
Cityscape - Painting
42 x 32 cm (16.5 x 12.6 inches)
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T.e. Siewert: 'i love thee', 2015 Encaustic Painting, Abstract. Artist Description:           encaustic, painting, encaustic art         ...
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
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T.e. Siewert: 'autumn into winter', 2015 Encaustic Painting, Abstract. Artist Description: encaustic, painting, encaustic art ...
Abstract - Painting
12 x 8 inches (30.5 x 20.3 cm)
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T.e. Siewert: 'celadon skies', 2015 Encaustic Painting, Abstract. Artist Description:           encaustic, painting, encaustic art         ...
Abstract - Painting
6 x 6 inches (15.2 x 15.2 cm)
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William Dick: 'YALLAE I', 2015 Encaustic Painting, Abstract. Artist Description:                                            Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'LEERIE II', 2015 Encaustic Painting, Abstract. Artist Description:                                               Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'LEERIE IV', 2015 Encaustic Painting, Abstract. Artist Description:                                             Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'LINN', 2015 Encaustic Painting, Abstract. Artist Description:                                                 Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2015
Abstract - Painting
240 x 240 cm (94.5 x 94.5 inches)
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William Dick: 'YALLAE III', 2015 Encaustic Painting, Abstract. Artist Description:                                        Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'YALLAE II', 2015 Encaustic Painting, Abstract. Artist Description:                                          Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'LEERIE I', 2015 Encaustic Painting, Abstract. Artist Description:                                       Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'LEERIE V', 2015 Encaustic Painting, Abstract. Artist Description:                                           Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'JUMMLIE', 2015 Encaustic Painting, Abstract. Artist Description:                                                Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2015
Abstract - Painting
240 x 240 cm (94.5 x 94.5 inches)
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William Dick: 'LEERIE III', 2015 Encaustic Painting, Abstract. Artist Description:                                              Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Margaret Stone: 'Another Sighting', 2016 Encaustic Painting, Outer Space. Artist Description: This painting is Encaustic and Ink.  Traveling along one night they look up into the night sky and see a bright orb they cannot identify.  Can it beCould it beYes, it probably is.  The Encaustic media has a translucent quality filled with light.  ...
Outer Space - Painting
8.5 x 10 inches (21.6 x 25.4 cm)
Thomas Mcconnell: 'Hint of Green', 2014 Encaustic Painting, Abstract. Artist Description:  Encaustic, bees wax, abstract painting by emerging artist Thomas Charles McConnell Titled Hint of Green.  Measures 24x30 and includes hanging device. ...
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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William Dick: 'SYPE III', 2011 Encaustic Painting, Abstract. Artist Description:               Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2011
Abstract - Painting
240 x 240 cm (94.5 x 94.5 inches)
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William Dick: 'SYPE IV', 2011 Encaustic Painting, Abstract. Artist Description:                Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2011
Abstract - Painting
240 x 240 cm (94.5 x 94.5 inches)
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William Dick: 'SYVER IV', 2013 Encaustic Painting, Abstract. Artist Description:                        Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2013
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'SKIDDLE', 2012 Encaustic Painting, Abstract. Artist Description:                         Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2012
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'SYVER II', 2011 Encaustic Painting, Abstract. Artist Description:                      Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2011
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'SYVER III', 2013 Encaustic Painting, Abstract. Artist Description:                       Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2013
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'VAINISH I', 2013 Encaustic Painting, Abstract. Artist Description:                 Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2013
Abstract - Painting
100 x 100 cm (39.4 x 39.4 inches)
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William Dick: 'VAINISH II', 2013 Encaustic Painting, Abstract. Artist Description:                  Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2013
Abstract - Painting
100 x 100 cm (39.4 x 39.4 inches)
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William Dick: 'SYPE II', 2011 Encaustic Painting, Abstract. Artist Description:              Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2011
Abstract - Painting
240 x 240 cm (94.5 x 94.5 inches)
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William Dick: 'SYPE I', 2011 Encaustic Painting, Abstract. Artist Description:             Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2011
Abstract - Painting
240 x 240 cm (94.5 x 94.5 inches)
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William Dick: 'VAINISH III', 2013 Encaustic Painting, Abstract. Artist Description:                   Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
Abstract - Painting
100 x 100 cm (39.4 x 39.4 inches)
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(Page 3 of 11) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Roberto Trigas - Art has been practiced by humans since thousands of years ago; we have remaining samples of paintings in caves and walls, stone carvings and many objects. The main characteristic of Art as opposed to the manufacture of everyday objects is that, were those have a definite USEFUL purpose, Art doesn`t seem to. I`ll explain.Making a tool to obtain food is an obvious useful activity. Spending a great deal of time and effort in "decorating" that tool doesn`t seem to have an obvious purpose. And yet, humans have been doing so for thousands of years.Why? Probably we shall never know. But there is something inherent in human beings that make us do so.There is magic in creating, in transforming a piece of clay into a "thing" that resembles something else, in spreading paint over a stone wall and making images appear,images that other members of the tribe recognise and relate to. That is why I paint. Because painting appeals to the magic unknown of human nature. In European Art, mainly since the Renaissance (XV c. onwards), Artists strived to attain a representation of the visual reality as close to an optical view as possible; ...

    T.e. Siewert - I found myself at that place in time where you know you must do what you were meant to do and do it now or it will never happen. For me, that meant creating art - taking the experiences and feelings of my life and placing them on a surface to try and capture meanings that I can share with others. My hope is that the viewer of my art will share these experiences in a way that will move them, that they will take something with them that will be remembered. I liken it to a dance where I invite them to share a moment of time with me and we will together explore thoughts of nature, secrets, times and places that we dream of or wish for. Or at times to simply reflect serenity - a feeling of everything in its place and as it should be. Sometimes the dance is samba-like, joyous and colorful - sometimes its a waltz, slow and purposeful. But always it is moving and requires thought and invokes emotion. I have used many mediums over the years but none has captured my imagination like encaustic - an inspired blend of beeswax and damar resin. Placed in ...

    William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

    Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....

    Margaret Stone -