Encaustic Paintings (288)

Page 8 of 10
Aleksandr Trachishin, Johnnie Belinda Ramey, Kohlene Hendrickson, Boban Dosic, Christopher Gerber, Bridget Busutil, William Dick, Zoltan Janvary, Sergio Olivosm, Jorge Espinosa, Alberto Martorana, Jessie Fritsch, Jan Harrison offering original Encaustic Paintings artworks.


Contemporary Art / Painting Categories / Encaustic Paintings / Previous / Next
Aleksandr Trachishin: 'Wisdom of King Solomon', 2007 Encaustic Painting, Mythology. Artist Description:   Modern Biblical. ...
Mythology - Painting
36 x 30 inches (91.4 x 76.2 cm)
Johnnie Belinda Ramey: 'I come to the garden alone', 2008 Encaustic Painting, Abstract. Artist Description:  This was created with thoughts to my Mother who has lung cancer.' I COME TO THE GARDEN ALONE' makes me feel as if the rains are upon me, I get a sense of well being with the bright red flowers  blowing in a rainy breeze. Light fluffy clouds ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Johnnie Belinda Ramey: 'Roses of Remembrance', 2008 Encaustic Painting, Abstract. Artist Description:  First in my red series. This series  is being created after learning of my Mothers diagnosisses of lung cancer. The black stems symbolize the cancer that is bound to the living beauty of the rose, choking out it' s life source. The four circles symbolize her four siblings ...
Abstract - Painting
8 x 10 inches (20.3 x 25.4 cm)
Kohlene Hendrickson: 'Veils of Conciousness', 2008 Encaustic Painting, Inspirational. Artist Description:  Mixed media, aquarelle on paper, metallic gauche mounted on wood and over painted with encaustic paint. ...
Inspirational - Painting
80 x 115 cm (31.5 x 45.3 inches)
Like It   indepth artwork information   Add To Shopping Cart
Kohlene Hendrickson: 'Calling All Angels', 2007 Encaustic Painting, Abstract Figurative. Artist Description:  Mixed media, aquarelle on paper mounted on wood and over painted with transparent encaustic medium. ...
Abstract Figurative - Painting
80 x 115 cm (31.5 x 45.3 inches)
Like It   indepth artwork information   Add To Shopping Cart
Boban Dosic: 'Rusty Pole', 2008 Encaustic Painting, Abstract.
, 2008
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Boban Dosic: 'Blue Stone', 2008 Encaustic Painting, Abstract.
, 2008
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Christopher Gerber: 'Hiesenbergs Beach', 2007 Encaustic Painting, Abstract Landscape. Artist Description:  Beeswax encaustic on wood. Rich textures and holographic depth in an ancient medium. ...
Abstract Landscape - Painting
70 x 12 inches (177.8 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Christopher Gerber: 'Copper Woman', 2007 Encaustic Painting, Marine. Artist Description:  Beeswax encaustic on wood panel. Kelp forest vision. ...
Marine - Painting
70 x 24 inches (177.8 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Christopher Gerber: 'Wave or Particle', 2007 Encaustic Painting, Beach. Artist Description:  Beeswax encaustic on wood panel. Richly textured , Northwest American Palet, Irridesent hues create holographic depth. ...
Beach - Painting
70 x 12 inches (177.8 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Christopher Gerber: 'Home', 2007 Encaustic Painting, Gestalt. Artist Description:  Beeswax encaustic on panel ...
, 2007
Gestalt - Painting
36 x 84 inches (91.4 x 213.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Bridget Busutil: 'Mermaid2', 2006 Encaustic Painting, Abstract Figurative. Artist Description:  Encaustic on wood.Follow leavingThis Mermaid reflects her sadness of leaving.  She is bent under the weight of the suffering, , , , ...
, 2006
Abstract Figurative - Painting
60 x 50 inches (152.4 x 127.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
William Dick: 'BREAMORE II', 2006 Encaustic Painting, Abstract. Artist Description:  he painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
Abstract - Painting
250 x 250 cm (98.4 x 98.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
William Dick: 'BREAMORE I', 2006 Encaustic Painting, Abstract. Artist Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2006
Abstract - Painting
250 x 250 cm (98.4 x 98.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
William Dick: 'BREAMORE I detail', 2006 Encaustic Painting, Abstract. Artist Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
Abstract - Painting
250 x 250 cm (98.4 x 98.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Zoltan Janvary: 'Water from the sky', 2006 Encaustic Painting, Architecture.
Architecture - Painting
24 x 36 inches (61.0 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sergio Olivosm: 'Cenizas', 2007 Encaustic Painting, Abstract. Artist Description:  Ashes, scorpion, wood and sand ...
, 2007
Abstract - Painting
24 x 42 inches (61.0 x 106.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jorge Espinosa: 'blue landscape', 2006 Encaustic Painting, . Artist Description: Landscape jorgeespn@ yahoo. com...
- Painting
90 x 150 cm (35.4 x 59.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Alberto Martorana: 'Pregnant madonna', 1996 Encaustic Painting, Mythology.
Mythology - Painting
38 x 46 inches (96.5 x 116.8 cm)
Jessie Fritsch: 'DC Fruitstand', 2006 Encaustic Painting, Cityscape.
Cityscape - Painting
13 x 16 inches (33.0 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jessie Fritsch: 'Charlie Parker and Dizzy Gillespie NYC 1949', 2005 Encaustic Painting, Portrait.
Portrait - Painting
24 x 18 inches (61.0 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jessie Fritsch: 'Japan Rice Field', 2006 Encaustic Painting, Landscape.
Landscape - Painting
20 x 24 inches (50.8 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jessie Fritsch: 'Marina', 2006 Encaustic Painting, Seascape.
, 2006
Seascape - Painting
13 x 16 inches (33.0 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jan Harrison: 'Scratcher', 2006 Encaustic Painting, Animals. Artist Description: encaustic, pastel and charcoal on twenty wood panels...
, 2006
Animals - Painting
48 x 60 inches (121.9 x 152.4 cm)
Jan Harrison: 'Fuser', 2006 Encaustic Painting, Animals. Artist Description: encaustic, pastel and charcoal on twenty wood panels...
, 2006
Animals - Painting
48 x 60 inches (121.9 x 152.4 cm)
Jan Harrison: 'Tiny Tuxcat', 2005 Encaustic Painting, Cats. Artist Description: encaustic, pastel and charcoal on wood . ( From an ongoing series of Tiny animals. )...
Cats - Painting
5 x 5 inches (12.7 x 12.7 cm)
Jan Harrison: 'Tiny DOGdog', 2005 Encaustic Painting, Animals. Artist Description: encaustic, pastel and charcoal on wood. ( From an ongoing series of Tiny animals. )...
Animals - Painting
5 x 5 inches (12.7 x 12.7 cm)
Jan Harrison: 'Laughing Dog', 2005 Encaustic Painting, Dogs. Artist Description: encaustic, pastel and charcoal on wood. ( From an ongoing series of Dog/ Cat hybrids. )...
Dogs - Painting
12 x 12 inches (30.5 x 30.5 cm)
Jan Harrison: 'Smiling Dog', 2005 Encaustic Painting, Animals. Artist Description: encaustic, pastel and charcoal on wood. ( From an ongoing series of Dog/ Cat hybrids. )...
Animals - Painting
12 x 12 inches (30.5 x 30.5 cm)
Jan Harrison: 'Dogcats', 2004 Encaustic Painting, Animals. Artist Description: Diptych, encaustic, pastel and charcoal on two panels. ...
, 2004
Animals - Painting
24 x 12 inches (61.0 x 30.5 cm)
(Page 8 of 10) - MORE ARTWORKS

Artists Describing Their Art:

Johnnie Belinda Ramey - My art has evolved out of a need to nuture self. A journal with out words to betray me, only images flowing from inks and paints to tell where my thoughts have been. I am lost in a zone where there is no thought only a creative force driving my hands to create. ...

Boban Dosic - My work is inspired by archaeology, both thematically and technically. It is about both building and uncovering layers, using acrylics, plaster, sand, cement and wax, as well as found or constructed elements made of metal and wood. Through this process of constructing and deconstructing the story hidden in the layers is gradually revealed....

Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

Zoltan Janvary - I grew up in 20th century Hungary. Our political leaders were in fear of new art movements, so that there was nothing available but the teaching and studying of classical art. In addition to this training, find inspiration in history, literature and mythology, and these forces blend with my current experience. It is the challenge of this tension between the well-known and that which must be discovered that provides me with the greatest joy in both teaching and in my own private practice. ...

Sergio Olivosm - Investigating themes of humanity and human nature ... is what my pieces are a reflection of--an imprint...a memoir and a motive for reflection about my life and times. The presence and absence of objects (bullets, knives, teeth) play an important part in'rememberance' and the act of'provoking thought'. Being in the presence of an object we know is used to wound, to the print marking the obvious absence of the same- leaves one with thoughts of our own certain reality: our every day knowledge of the violence around me directly and/or indirectly. Iraq, Lebanon, Palestine, Israel, Ciudad Juarez- from my Mexico , My new home: Washington DC (this summer 2006--- 15+ murders.. and counting). Realities can also be simple as they surround me. My constant fascination with the beauty of insects and other found objects leads me to memorialize them on my canvases (btw: I only keep them when dead). In Mexico it was scorpions.... now in the Washington DC area, I am turning to wasps and cicadas. ...

Alberto Martorana - Each of my projects corresponds to a thread in my life. Each of them is related to how my sense of reality is impacted by what I'm living. There's an intimate connection between the drama in my life and the drama in my work. The connection is not necessarily an obvious one, but a symbolic one. The symbols are drawn from different traditions; their insertion into my projects has a lot to do on how they provide support and connection to the reality I live. Conceptually, my art is an expression associated to my personal circumstances but not a representation of them. It is a quest for wholeness, especially at moments in which my emotions and reason antagonize. Art for me is neither a ritual nor an opportunity for psychoanalysis. A ritual implies a covenant; psychoanalysis implies a search for a remedy. Art for me, is neither a negotiation nor a solution, it's a process of realization. I think, I draw, I paint, I play It's my way of finding sense to life. What is that fuels of my art? My mortality does. It's possible to forget my inadequacies as long as I'm here ...

Jessie Fritsch - My work represents moments in my life that I am certain about. I have found that producing art is a way of processing people and places that have impacted me in some way. I work from photographs that have captured an experience that has influenced me in a positive or negative way. While I am painting I am sorting through the emotions, the moods, and the opinions I have about that subject. When the image is finished it reflects the understanding and content I have with that subject matter. I began primarily using encaustics because I wanted a challenge and I was fascinated with its ancient history. Encaustic differs from other paints in the fact that the molten wax begins to harden the moment it leaves the heat source. To fight the essential character is to be defeated. In encaustic painting one needs to literally go with the flow. That means working quickly to place your stroke, even if you have to contemplate for twenty minutes on precisely where to place it. This medium reflects the process my mind is beginning to take. Encaustic is a layering process. Layering the surface of the painting with beeswax is much like the ...

Jan Harrison - A close connection with the animal nature has helped me to have more empathy with all manifestations of the life force, and to express the complex experience of what it is to be here as a flesh and blood being. As long as I can remember, I have loved animals and felt a kinship with them. I live with five cats, all rescued strays, and one feral. They are an inspiration to me, and I learn from them. Emotion has always played a part in my work, as well as the kind of mythology that comes from the body's sensual and spiritual desires, something felt in the bones and cells. I am concerned about the need for love in a world that does not respect vulnerability. I am also concerned about the need for self respect in a world that seems to disrespect the power of the life force. I am working for my character, and my work is concerned with the paradox of the power of nature with regard to our own sense of order or justice. Through communion with the animal nature, I am interested in the integration of instinct and intellect, knowledge and innocence, power and ...