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Encaustic Paintings (302)

Page 8 of 11
Vaishnavi Desai, Birgit Huttemann Holz, Paul Boyne, Sebastian Boniforti, Lauren Lipinski Eisen, Johnnie Belinda Ramey, Aleksandr Trachishin, Kohlene Hendrickson, Boban Dosic, Bridget Busutil, Christopher Gerber, William Dick, Zoltan Janvary offering original Encaustic Paintings artworks.


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Birgit Huttemann Holz: 'Wherever you are', 2008 Encaustic Painting, Abstract Landscape. Artist Description: encasutic landscape, abstract landscape,  landscape, encaustic painting on braced luan, yellow ochre, done with beeswax, pigments, fire, razorblade ...
Abstract Landscape - Painting
100 x 100 cm (39.4 x 39.4 inches)
Birgit Huttemann Holz: 'Come Away with Me', 2008 Encaustic Painting, Abstract Figurative. Artist Description:  done with beeswax, pigments, on braced luan ...
Abstract Figurative - Painting
80 x 80 cm (31.5 x 31.5 inches)
Paul Boyne: 'the traveller', 2008 Encaustic Painting, Abstract.
Abstract - Painting
12 x 8 inches (30.5 x 20.3 cm)
Sebastian Boniforti: 'Sioux', 2005 Encaustic Painting, Abstract. Artist Description:  Year 2005 100x140 Encaustic ...
, 2005
Abstract - Painting
140 x 100 cm (55.1 x 39.4 inches)
Sebastian Boniforti: 'Monasterio', 2007 Encaustic Painting, Abstract. Artist Description:  Year 2007 100x155 Encaustic on MDF ...
, 2007
Abstract - Painting
100 x 155 cm (39.4 x 61.0 inches)
Lauren Lipinski Eisen: 'Nori Forest', 2005 Encaustic Painting, Landscape. Artist Description:   Encaustic, wire, nori, peppercorns on wood panel with copper edging  ...
Landscape - Painting
18 x 18 inches (45.7 x 45.7 cm)
Johnnie Belinda Ramey: 'Spirits In The Night', 2008 Encaustic Painting, Abstract. Artist Description:  SPIRITS IN THE NIGHT shows three beings released from the body, one night creature stands guard while the three  spirit astral travel durning sleep. Colors are red, black and white. Shipping & Handling for the painting: Each item is processed, packed & shipped carefully, to guarantee you get your order ...
Abstract - Painting
12 x 16 inches (30.5 x 40.6 cm)
Johnnie Belinda Ramey: 'Violets Are forever ', 2008 Encaustic Painting, Visionary. Artist Description:  16x20 Encaustic Dreamy florals of violet with spirits dancing upon it' s petals. Violets, greens and blue dominate this vision of happiness. Shipping & Handling for the painting: Each item is processed, packed & shipped carefully, to guarantee you get your order in good condition! Item will be delivered by ...
Visionary - Painting
16 x 20 inches (40.6 x 50.8 cm)
Johnnie Belinda Ramey: 'Violets Are Fover 3', 2008 Encaustic Painting, Visionary. Artist Description:  9x12 ecaustic A bouquet of freshly picked violets, from my dream of gathering flowers for those who have past over.Shipping & Handling for the painting: Each item is processed, packed & shipped carefully, to guarantee you get your order in good condition! Item will be delivered by DHL/ UPS/ ...
Visionary - Painting
9 x 12 inches (22.9 x 30.5 cm)
Aleksandr Trachishin: 'Dance 1', 2007 Encaustic Painting, Abstract Figurative.
, 2007
Abstract Figurative - Painting
24 x 18 inches (61.0 x 45.7 cm)
Aleksandr Trachishin: 'Almost relaxed women 1', 2007 Encaustic Painting, Abstract Figurative.
Abstract Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
Aleksandr Trachishin: 'Almost relaxed women 2', 2007 Encaustic Painting, Abstract Figurative.
Abstract Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
Aleksandr Trachishin: 'Wisdom of King Solomon', 2007 Encaustic Painting, Mythology. Artist Description:   Modern Biblical. ...
Mythology - Painting
36 x 30 inches (91.4 x 76.2 cm)
Johnnie Belinda Ramey: 'I come to the garden alone', 2008 Encaustic Painting, Abstract. Artist Description:  This was created with thoughts to my Mother who has lung cancer.' I COME TO THE GARDEN ALONE' makes me feel as if the rains are upon me, I get a sense of well being with the bright red flowers  blowing in a rainy breeze. Light fluffy clouds ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Johnnie Belinda Ramey: 'Roses of Remembrance', 2008 Encaustic Painting, Abstract. Artist Description:  First in my red series. This series  is being created after learning of my Mothers diagnosisses of lung cancer. The black stems symbolize the cancer that is bound to the living beauty of the rose, choking out it' s life source. The four circles symbolize her four siblings ...
Abstract - Painting
8 x 10 inches (20.3 x 25.4 cm)
Kohlene Hendrickson: 'Veils of Conciousness', 2008 Encaustic Painting, Inspirational. Artist Description:  Mixed media, aquarelle on paper, metallic gauche mounted on wood and over painted with encaustic paint. ...
Inspirational - Painting
80 x 115 cm (31.5 x 45.3 inches)
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Kohlene Hendrickson: 'Calling All Angels', 2007 Encaustic Painting, Abstract Figurative. Artist Description:  Mixed media, aquarelle on paper mounted on wood and over painted with transparent encaustic medium. ...
Abstract Figurative - Painting
80 x 115 cm (31.5 x 45.3 inches)
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Boban Dosic: 'Rusty Pole', 2008 Encaustic Painting, Abstract.
, 2008
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Boban Dosic: 'Blue Stone', 2008 Encaustic Painting, Abstract.
, 2008
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Bridget Busutil: 'on the footsteps', 2007 Encaustic Painting, . Artist Description:  Encaustic piece on wood.relates to prehistorical rock walls I used bleached beeswax as well as natural beeswax for the colours. I wanted to recreate the feel of rock shapes inside a cave, with all their fragments and drawing illusionsthe surface has a relief which contributes to ...
- Painting
30 x 30 inches (76.2 x 76.2 cm)
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Christopher Gerber: 'Hiesenbergs Beach', 2007 Encaustic Painting, Abstract Landscape. Artist Description:  Beeswax encaustic on wood. Rich textures and holographic depth in an ancient medium. ...
Abstract Landscape - Painting
70 x 12 inches (177.8 x 30.5 cm)
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Christopher Gerber: 'Copper Woman', 2007 Encaustic Painting, Marine. Artist Description:  Beeswax encaustic on wood panel. Kelp forest vision. ...
Marine - Painting
70 x 24 inches (177.8 x 61.0 cm)
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Christopher Gerber: 'Wave or Particle', 2007 Encaustic Painting, Beach. Artist Description:  Beeswax encaustic on wood panel. Richly textured , Northwest American Palet, Irridesent hues create holographic depth. ...
Beach - Painting
70 x 12 inches (177.8 x 30.5 cm)
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Christopher Gerber: 'Home', 2007 Encaustic Painting, Gestalt. Artist Description:  Beeswax encaustic on panel ...
, 2007
Gestalt - Painting
36 x 84 inches (91.4 x 213.4 cm)
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Bridget Busutil: 'Mermaid2', 2006 Encaustic Painting, Abstract Figurative. Artist Description:  Encaustic on wood.Follow : leavingThis Mermaid reflects her sadness of leaving. She is bent under the weight of the suffering, , , , ...
, 2006
Abstract Figurative - Painting
60 x 50 inches (152.4 x 127.0 cm)
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William Dick: 'BREAMORE II', 2006 Encaustic Painting, Abstract. Artist Description:  he painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
Abstract - Painting
250 x 250 cm (98.4 x 98.4 inches)
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William Dick: 'BREAMORE I', 2006 Encaustic Painting, Abstract. Artist Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
, 2006
Abstract - Painting
250 x 250 cm (98.4 x 98.4 inches)
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William Dick: 'BREAMORE I detail', 2006 Encaustic Painting, Abstract. Artist Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and ...
Abstract - Painting
250 x 250 cm (98.4 x 98.4 inches)
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Zoltan Janvary: 'Water from the sky', 2006 Encaustic Painting, Architecture.
Architecture - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Sergio Olivosm: 'Cenizas', 2007 Encaustic Painting, Abstract. Artist Description:  Ashes, scorpion, wood and sand ...
, 2007
Abstract - Painting
24 x 42 inches (61.0 x 106.7 cm)
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Artists Describing Their Art:

Vaishnavi Desai - Artist Statement: Vaishnavi Desai My artistic evolution has moved from my engineering degree in Pigment chemistry and Textile design into the fine arts in graphic design. The art that I primarily work with is that of abstraction, Mixed media , fabric, Wood and found objects. My favorite artists who have influenced My expression include Diebenkorn, Frankenthaler, De Kooning, and Rauschenberg, Judy Pfaff. I am currently exploring with hand - cast paper as well as hand embossed production. Nature is such a beautiful thing and the challenge that I am confronted with, as an artist is to reproduce this beauty and exotic's and to make it my own. Looking at it through my Own eyes. Charcoal drawing, printmaking techniques, oil painting and ceramic sculptures are some of the mediums I have been working with for the past ten years. I am constantly engaged by the pleasurable act of initiate the natural world and I am currently Incorporating this influence with my past work. One of my objectives is to learn and develop new and original techniques through which I can express my ideas further in my career as an artist. I believe that the artists are the essential threads in the cultural...

Birgit Huttemann Holz - For me the art of encaustic is the scent of memories and dreams, sweet and eternal. I paint with beeswax mixed with pigments, fuse each layer with fire (blowtorch), even paint sometimes with the destroying hungry flame. I love the physical impact of the blowtorch, the evolving mountains and valleys, possibilities, lost designs in the mixing and melting beeswax. The inner voice - fire is literally the tool. The use of the razorblade is thoughtful, thorough, controlled. Scratching away the layers, to get to the truth of a feeling, to reveal, to find the history of a painting is my greatest joy. Encaustic is known as one of the most difficult mediums to work with. It is constant loss and restauration. It opens routes of seeing you would have never guessed. The beauty of an encaustic paintings lies in its luminosity, transparent layers let you see through the surface- and you bounce back with light and awe. -of an illiterate poet. ...

Lauren Lipinski Eisen - laureneisenart.com My work explores the relationships between landscape, architecture, agriculture the displacement of indigenous species. In my encaustic works, references to each of these subjects are integrated into the surface of the paintings as dimensional collage elements. Branches, reeds, grasses, seeds and other plant materials, as well as processed food items, are embedded into a wax medium to showcase their fragile nature in various stages of plant life, from embryos to post-harvest products processed for mass consumption. Copper, metal wire and mesh underlying and surrounding the paintings suggest a mechanical / industrial presence infiltrating and isolating the natural landscape. This series of mixed media works comments on our consumption of natural resources, utilizing produce and patterns of planting to reference agricultural development of the landscape, and alludes to a variety of interactions between man-made structures and the natural environment: inspiration and imitation, digestion and destruction, cultivation and captivity....

Johnnie Belinda Ramey - My art has evolved out of a need to nuture self. A journal with out words to betray me, only images flowing from inks and paints to tell where my thoughts have been. I am lost in a zone where there is no thought only a creative force driving my hands to create. ...

Boban Dosic - My work is inspired by archaeology, both thematically and technically. It is about both building and uncovering layers, using acrylics, plaster, sand, cement and wax, as well as found or constructed elements made of metal and wood. Through this process of constructing and deconstructing the story hidden in the layers is gradually revealed....

Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

Zoltan Janvary - I grew up in 20th century Hungary. Our political leaders were in fear of new art movements, so that there was nothing available but the teaching and studying of classical art. In addition to this training, find inspiration in history, literature and mythology, and these forces blend with my current experience. It is the challenge of this tension between the well-known and that which must be discovered that provides me with the greatest joy in both teaching and in my own private practice. ...