Ink Paintings

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Alexey Klimov offering original Ink Paintings artworks.


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Alexey Klimov: 'SPRING QUARTET in GRAY', 2014 Ink Painting, Abstract.     This double collection of four paintings each see also FOUR STAR, like quite a few of my other works, is inspired by the beauty of string instrumentsaEURtm architecture. They interplay with each other and blend harmoniously into both, residential and corporate environments. Please see interior images.Components here are priced...
Abstract - Painting
19 x 25 inches (48.3 x 63.5 cm)
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Alexey Klimov: 'FOUR STAR in GRAY', 2014 Ink Painting, Abstract. This double collection of four paintings each see also SPRING QUARTET, like quite a few of my other works, is inspired by the beauty of string instrumentsaEURtm architecture. They interplay with each other and blend harmoniously into both, residential and corporate environments. Please see interior images. Components here are priced ...
Abstract - Painting
19 x 25 inches (48.3 x 63.5 cm)
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Alexey Klimov: 'ALPHABET', 2015 Ink Painting, Abstract.  To me playing with digits and letters is a game that never ends. Singling them out, or crowding, separating or blending together, with or without obvious meaningaEUR
, 2015
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Alexey Klimov: 'PERPETUAL CALENDAR IN RED', 2013 Ink Painting, Abstract.  I have a life- long fascination with digits and figures: their visual shapes, their meanings and the infinite number of combinations their interplay generates. These two paintings is a diptych. The grid in front is part of the same background, except it is positioned at a slightly different angle and...
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Alexey Klimov: 'PERPETUAL CALENDAR IN BLUE', 2013 Ink Painting, Abstract.  I have a life- long fascination with digits and figures: their visual shapes, their meanings and the infinite number of combinations their interplay generates. These two paintings is a diptych. The grid in front is part of the same background, except it is positioned at a slightly different angle and...
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Alexey Klimov: 'TATLINGS QUARTET', 2014 Ink Painting, Abstract.   This collection is my homage to one of the giants of 20- th Century avant- garde, Vladimir Tatlin, whose famous larger than life sculpture, the Tower, remains a great inspiration to me. I consider my quite numerous Tatlings, both two and tree dimensional, a follow- up to his ideas a...
Abstract - Painting
19 x 25 inches (48.3 x 63.5 cm)
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Alexey Klimov: 'FOUR TATLINGS: COLLECTION ONE', 1914 Ink Painting, Abstract.  This collection is my homage to one of the giants of 20- th Century avant- garde, Vladimir Tatlin, whose famous larger than life sculpture, the Tower, remains a great inspiration to me. I consider my quite numerous Tatlings, both two and tree dimensional, a follow- up to his ideas a...
Abstract - Painting
19 x 25 inches (48.3 x 63.5 cm)
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Alexey Klimov: 'FOUR TATLINGS: COLLECTION ONE', 2014 Ink Painting, Abstract.  This collection is my homage to one of the giants of 20- th Century avant- garde, Vladimir Tatlin, whose famous larger than life sculpture, the Tower, remains a great inspiration to me. I consider my quite numerous Tatlings, both two and tree dimensional, a follow- up to his ideas a...
Abstract - Painting
19 x 25 inches (48.3 x 63.5 cm)
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Alexey Klimov: 'FOUR TATLINGS: COLLECTION ONE', 2014 Ink Painting, Abstract.  This collection is my homage to one of the giants of 20- th Century avant- garde, Vladimir Tatlin, whose famous larger than life sculpture, the Tower, remains a great inspiration to me. I consider my quite numerous Tatlings, both two and tree dimensional, a follow- up to his ideas a...
Abstract - Painting
19 x 25 inches (48.3 x 63.5 cm)
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Alexey Klimov: 'FOUR TATLINGS: COLLECTION ONE', 2014 Ink Painting, Abstract. This collection of 4 paintings on paper is my homage to one of the giants of 20- th Century avant- garde, Vladimir Tatlin, whose famous larger than life sculpture, the Tower, remains a great inspiration to me. I consider my quite numerous Tatlings, both two and tree dimensional, a follow- ...
Abstract - Painting
19 x 25 inches (48.3 x 63.5 cm)
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Alexey Klimov: 'TATLINGS QUARTET', 2014 Ink Painting, Abstract.    This collection is my homage to one of the giants of 20- th Century avant- garde, Vladimir Tatlin, whose famous larger than life sculpture, the Tower, remains a great inspiration to me. I consider my quite numerous Tatlings, both two and tree dimensional, a follow- up to his ideas a...
Abstract - Painting
19 x 25 inches (48.3 x 63.5 cm)
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Alexey Klimov: 'TATLINGS QUARTET', 2014 Ink Painting, Abstract.    This collection is my homage to one of the giants of 20- th Century avant- garde, Vladimir Tatlin, whose famous larger than life sculpture, the Tower, remains a great inspiration to me. I consider my quite numerous Tatlings, both two and tree dimensional, a follow- up to his ideas a...
Abstract - Painting
19 x 25 inches (48.3 x 63.5 cm)
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Alexey Klimov: 'TATLINGS QUARTET', 2014 Ink Painting, Abstract.    This collection is my homage to one of the giants of 20- th Century avant- garde, Vladimir Tatlin, whose famous larger than life sculpture, the Tower, remains a great inspiration to me. I consider my quite numerous Tatlings, both two and tree dimensional, a follow- up to his ideas a...
Abstract - Painting
19 x 25 inches (48.3 x 63.5 cm)
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Alexey Klimov: 'ASKING TRIPTYCH S', 2014 Ink Painting, Abstract.   I have a life- long fascination with digits and figures: their visual shapes, their meanings and the infinite number of words their interplay generates. Coincidentally my own initials add up into the word ASK, an extremely important word, the one that guides me through my life. And I don't...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Alexey Klimov: 'ASKING x FOUR in BLUE', 2014 Ink Painting, Abstract.  Part of the collection of 4. I have a life- long fascination with digits and figures: their visual shapes, their meanings and the infinite number of words their interplay generates. Coincidentally my own initials add up into the word ASK, an extremely important word, the one that guides me through...
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Alexey Klimov: 'ASKING x FOUR in BLACK and WHITE', 2014 Ink Painting, Abstract.  Part of the collection of 4. I have a life- long fascination with digits and figures: their visual shapes, their meanings and the infinite number of words their interplay generates. Coincidentally my own initials add up into the word ASK, an extremely important word, the one that guides me through...
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Alexey Klimov: 'ASKING x FOUR in RED', 2014 Ink Painting, Abstract.  Part of the collection of 4. I have a life- long fascination with digits and figures: their visual shapes, their meanings and the infinite number of words their interplay generates. Coincidentally my own initials add up into the word ASK, an extremely important word, the one that guides me through...
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Alexey Klimov: 'ASKING x FOUR in YELLOW', 2014 Ink Painting, Abstract.  Part of the collection of 4. I have a life- long fascination with digits and figures: their visual shapes, their meanings and the infinite number of words their interplay generates. Coincidentally my own initials add up into the word ASK, an extremely important word, the one that guides me through...
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Alexey Klimov: 'ASKING TRIPTYCH K', 2014 Ink Painting, Abstract.  I have a life- long fascination with digits and figures: their visual shapes, their meanings and the infinite number of words their interplay generates. Coincidentally my own initials add up into the word ASK, an extremely important word, the one that guides me through my life. And I don' ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Alexey Klimov: 'FIGURING IN RED', 2014 Ink Painting, Abstract.  These two paintings on paper are closely related to one another, though I do not think of them as a
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Alexey Klimov: 'FIGURING IN ORANGE', 2014 Ink Painting, Abstract.   These two paintings on paper are closely related to one another, though I do not think of them as a
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Alexey Klimov: 'SHELVING IN BLUE', 2014 Ink Painting, Abstract.  This is a triptych of 3 paintings on paper. IaEURtmve always admired the way an object, any object at all, being instantly glorified once placed inside book shelves. They provide a kind of 3- dimensional housing adding significance to otherwise mundane, very much the same way a proper frame...
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Alexey Klimov: 'SHELVING TRIPTYCH', 2014 Ink Painting, Abstract.  This is a triptych of 3 paintings on paper. IaEURtmve always admired the way an object, any object at all, being instantly glorified once placed inside book shelves. They provide a kind of 3- dimensional housing adding significance to otherwise mundane, very much the same way a proper frame...
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Alexey Klimov: 'SHELVING IN RED', 2014 Ink Painting, Abstract.  This is a triptych of 3 paintings on paper. IaEURtmve always admired the way an object, any object at all, being instantly glorified once placed inside book shelves. They provide a kind of 3- dimensional housing adding significance to otherwise mundane, very much the same way a proper frame...
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Alexey Klimov: 'SHELVING IN GRAY', 2014 Ink Painting, Abstract.  This is a triptych of 3 paintings on paper. IaEURtmve always admired the way an object, any object at all, being instantly glorified once placed inside book shelves. They provide a kind of 3- dimensional housing adding significance to otherwise mundane, very much the same way a proper frame...
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Alexey Klimov: 'GRIDDING IN BLACK 1', 2014 Ink Painting, Abstract.  GRIDDINGS is a collection of three same size paintings on paper. They are totally abstract and bound together by being images of some dreamlike  similar shapes vaguely reminiscent of a grid.Could be displayed on the wall closely spaced to one another ( see opening  image) Could be displayed on the...
Abstract - Painting
22 x 22 inches (55.9 x 55.9 cm)
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Alexey Klimov: 'GRIDDINGS IN BLACK 2', 2014 Ink Painting, Abstract.  GRIDDINGS is a collection of three same size paintings on paper. They are totally abstract and bound together by being images of some dreamlikesimilar shapes vaguely reminiscent of a grid. Could be displayed on the wall closely spaced to one another ( see openingimage)...
Abstract - Painting
22 x 22 inches (55.9 x 55.9 cm)
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Alexey Klimov: 'GRIDDING IN YELLOW', 2014 Ink Painting, Abstract.   GRIDDINGS is a collection of three same size paintings on paper. They are totally abstract and bound together by being images of some dreamlike  similar shapes vaguely reminiscent of a grid.Could be displayed on the wall closely spaced to one another ( see opening  image)  ...
Abstract - Painting
22 x 22 inches (55.9 x 55.9 cm)
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Alexey Klimov: 'SQUARING IN GRAY', 2014 Ink Painting, Abstract.   This is the collection of four paintings on paper. Choosing some loosely geometrical forms I destroy them with abundant properties of painting. It is in a way deconstruction within a rigid construction framework. ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Alexey Klimov: 'SQUARING COLLECTION', 2014 Ink Painting, Abstract. This is the collection of four paintings on paper. Choosing some loosely geometrical forms I destroy them with abundant properties of painting. It is in a way deconstruction within a rigid construction framework....
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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(Page 7 of 10) - MORE ARTWORKS

Artists Describing Their Art:

Alexey Klimov - ARTIST STATEMENT I think that absolute freedom in art is no more than a mirage. Like a vanishing point, not only it is not achievable, but also constant strive for being totally uninhibited fundamentally contradicts the very nature of art. I discovered that by trying to free myself I instead only created un-freedom within, but at the same time I recognized it as a blessing because this un-freedom, to my great surprise, flowered into my very own freedom. I built my personal space inside it, I fenced in all I was made of and then I gladly confined myself into this space and opened all the windows to share whataEURtms inside with others. This is the moment of great joy for me because this space has never existed before I have created it. Not unlike theater, my work attempts to counterpart outside reality with no ambition to compete with it. It is just a window into my parallel world, my very own, not so little Universe. ...