Oil Paintings

Page 10 of 656
Luise Andersen, Heather Hyatt, Franziska Turek, Geo Sipp, Marie-france Busset, Rickie Dickerson, Cathy Dobson, Hans-ruedi Kammermann, Andrew Bartosz, Maciej Hoffman, Hana Grosova, Marcia Freedman offering original Oil Paintings artworks.


Contemporary Art / Painting Categories / Oil Paintings / Previous / Next
Heather Hyatt: 'Daydream', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
16 x 18 inches (40.6 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Heather Hyatt: 'Glance', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
16 x 18 inches (40.6 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Franziska Turek: 'flowing', 2014 Oil Painting, Abstract.
, 2014
Abstract - Painting
100 x 80 cm (39.4 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Geo Sipp: 'Firefight in the Casbah', 2014 Oil Painting, War.  Image depicts a firefight in the Casbah of Algiers.         ...
War - Painting
72 x 44 inches (182.9 x 111.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marie-france Busset: 'LE COQ REVE DU TAJ MAHAL', 2012 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
81 x 100 inches (205.7 x 254.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marie-france Busset: 'LE COQ AU PAYS DU SOLEIL LEVANT', 2013 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
81 x 100 inches (205.7 x 254.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Geo Sipp: 'Gone Fishin', 2014 Oil Painting, Figurative.   Painting including the Queen of England       ...
Figurative - Painting
38 x 32 inches (96.5 x 81.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rickie Dickerson: 'Dark', 1999 Oil Painting, Abstract Figurative.  This was the first painting that ever won a ribbon. . . I was surprised that someone liked it as much as I do. . . . ...
, 1999
Abstract Figurative - Painting
14 x 11 inches (35.6 x 27.9 cm)
Franziska Turek: 'appearing memories 2', 2013 Oil Painting, Abstract.
Abstract - Painting
80 x 100 cm (31.5 x 39.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Rickie Dickerson: 'Farther From the Light', 1994 Oil Painting, Visionary.    A happy face plastered on our heads, we are all petrified inside as we get further from our source. . . ...
Visionary - Painting
16 x 12 inches (40.6 x 30.5 cm)
Cathy Dobson: 'Magic Unicorn', 2013 Oil Painting, Magical. Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection. Rare Magic Unicorn in the snow Glows in the dark.Incredible gold and white wooden frame.      ...
Magical - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rickie Dickerson: 'EzraPoundOnTheDayHeWasCommitted', 1996 Oil Painting, Portrait.    Ezra Pound was an American poet who lived in Italy during WWII. He agreed with Mussolini and was the Tokyo Rose of Europe. He attracted very little attention because he was considered a bad poet. An American politician went to Italy, heard a broadcast and had Pound extradited and prosecuted...
Portrait - Painting
16 x 20 inches (40.6 x 50.8 cm)
Rickie Dickerson: 'Abduction', 1994 Oil Painting, Abstract.
, 1994
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Hans-ruedi Kammermann: 'PINK AFTERNOON', 2012 Oil Painting, Gestalt.
Gestalt - Painting
100 x 90 cm (39.4 x 35.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Hans-ruedi Kammermann: 'LUNA VIOLETA', 2012 Oil Painting, Gestalt.
Gestalt - Painting
90 x 60 cm (35.4 x 23.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Hans-ruedi Kammermann: 'coming of shade into light', 2013 Oil Painting, Gestalt.
Gestalt - Painting
100 x 92 cm (39.4 x 36.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Hans-ruedi Kammermann: 'Onde del Tramonto', 2013 Oil Painting, Abstract Landscape.  wood or bush spirit - secret of underbush vis. subconscious labyrinth ...
Abstract Landscape - Painting
50 x 52 cm (19.7 x 20.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Andrew Bartosz: '1640', 2006 Oil Painting, nudes.        Figurative art       ...
, 2006
nudes - Painting
150 x 100 cm (59.1 x 39.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Andrew Bartosz: '1808', 2013 Oil Painting, nudes.     Figurative art    ...
, 2013
nudes - Painting
120 x 140 cm (47.2 x 55.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Andrew Bartosz: '1807', 2013 Oil Painting, nudes.    Figurative art   ...
, 2013
nudes - Painting
120 x 140 cm (47.2 x 55.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Andrew Bartosz: '1812', 2013 Oil Painting, nudes.   Figurative art  ...
, 2013
nudes - Painting
153 x 138 cm (60.2 x 54.3 inches)
Like It   indepth artwork information   Add To Shopping Cart
Maciej Hoffman: 'WARRIORS', 2013 Oil Painting, undecided.
, 2013
undecided - Painting
60 x 50 cm (23.6 x 19.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Maciej Hoffman: 'blue bird', 2013 Oil Painting, undecided.
, 2013
undecided - Painting
68 x 158 cm (26.8 x 62.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Maciej Hoffman: 'heavy rain', 2012 Oil Painting, undecided.
, 2012
undecided - Painting
61 x 45 cm (24.0 x 17.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Maciej Hoffman: 'leaves, burned', 2012 Oil Painting, undecided.
undecided - Painting
61 x 45 cm (24.0 x 17.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Hana Grosova: 'North Bohemian landscape', 2012 Oil Painting, Landscape.  Souvenirs from North Bohemia.   ...
Landscape - Painting
61 x 50 cm (24.0 x 19.7 inches)
Marcia Freedman: 'JT 8', 2010 Oil Painting, Abstract.    JT_ 8 is an abstract oil painting that was informed by landscape.  Not Yet is an abstract oil painting on canvas that was informed by the figure.                             ...
, 2010
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marcia Freedman: 'JT 16', 2012 Oil Painting, Abstract.   JT_ 16 is an abstract oil painting that was informed by landscape. .                            ...
, 2012
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marcia Freedman: 'Not Yet', 2012 Oil Painting, Abstract Figurative.   Not Yet is an abstract oil painting that was informed by the figure.                         ...
, 2012
Abstract Figurative - Painting
84 x 72 inches (213.4 x 182.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Marcia Freedman: 'CUZ', 2012 Oil Painting, Abstract Figurative.   CUZ is an abstract oil painting on canvas that was informed by the figure.                          ...
, 2012
Abstract Figurative - Painting
96 x 72 inches (243.8 x 182.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 10 of 656) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Andrew Bartosz - One of the critics wrote: 'Andrew's gift for portraying the woman's body is inspiring. With master strokes Andrew captures both the beauty and complexity of a woman's nature. Andrew strikes us first with the evocative, soft, dreamy and colourful expression of a woman's body. But then he skilfully contrasts it, through structured elements and toned down colours of the background, with sharper, less perfect and darker images or moods. As result we have a unique experience of a sensual fusion between the abstract and the real. This theme of contrast continues in Andrew's stunning impressions of Australian majestic rock landscapes.' ...

    Maciej Hoffman - First there is always a concept, an idea. Sometimes, I have an impression that the painting is painting itself, an intuition is guiding me while painting. The subjects which interest me result from my experience, from everyday life, from the everyday problems, and the issues that puzzle us throughout the years, forming our way of looking at the world, changing us. My observations are directed to catch the moments of tension, drama, and the clashes in the everyday life. I am formally interested in contrasts of textures, colors and the means of presentation. Sometimes, one line or one spot influences the entire painting. If there is no feeling of suspense, it means that it is not done yet. I like to work at a fast rate, I paint as if I were throwing out of me a painting hidden inside. In painting, I appreciate the courage of opinion and the freedom in the means of expression. I do not like decorativeness and submission to trends or fashion. I do not place emphasis on means of expression or artistic techniques &...

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...