Oil Paintings

Page 10 of 666
Hana Grosova, Youri Messen-jaschin, Heather Hyatt, Luise Andersen, Judith Fritchman, Franziska Turek, Geo Sipp, Marie-france Busset, Rickie Dickerson, Cathy Dobson, Hans-ruedi Kammermann, Andrew Bartosz offering original Oil Paintings artworks.


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Youri Messen-jaschin: 'Perpetuum mobile VI', 2014 Oil Painting, Optical.  Different optical illusions according to the angle of your look, the brain complete these illusions by sliding non- existent geometrical forms in the work. What you do not see in the pictures is the fourth dimension.Op art | 4 dimensional | oil painting | Plexiglas | (c) 2014 | Youri Messen- Jaschin (c) 2014 | photography | Pierre...
Optical - Painting
70.5 x 103 cm (27.8 x 40.6 inches)
Heather Hyatt: 'Night', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Luise Andersen: 'in Continuance V July 14 2014 The Tomorrow of Now n', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. - Luise H Andersen/ Facebook  -google page will come up most likely. . click on the one that mentions laselectart underneath my name, usually in green print. . . . there are several name ' alikes...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Luise Andersen: 'in Continuance IV July 14 2014 The Tomorrow of Now ', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. Luise H Andersen/ Facebook   google page will come up most likely. . click on the one that mentions laselecart in green print usually. . . there are several name ' alikes'Try to...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Luise Andersen: 'in Continuance III July 14 2014 The Tomorrow of Now ', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. Luise H Andersen/ Facebook   google page will come up most likely. . click on the one that mentions laselectart underneath, usually in green print. . . . there are several name' alikes'Try...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Luise Andersen: 'in Continuance II  July 14 2014 The Tomorrow of Now ', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. Luise H Andersen/ Facebook   google page will come up most likely. . click on the one that mentions laselectart, usually in green print. . . . there are several name ' alikes'Try to...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Heather Hyatt: 'Daydream', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
16 x 18 inches (40.6 x 45.7 cm)
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Heather Hyatt: 'Glance', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
16 x 18 inches (40.6 x 45.7 cm)
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Judith Fritchman: 'Rise', 2014 Oil Painting, Figurative.          Young girl lifts a delighted child up from the waves.       ...
, 2014
Figurative - Painting
16 x 36 inches (40.6 x 91.4 cm)
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Franziska Turek: 'flowing', 2014 Oil Painting, Abstract.
, 2014
Abstract - Painting
100 x 80 cm (39.4 x 31.5 inches)
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Geo Sipp: 'Firefight in the Casbah', 2014 Oil Painting, War.  Image depicts a firefight in the Casbah of Algiers.         ...
War - Painting
72 x 44 inches (182.9 x 111.8 cm)
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Marie-france Busset: 'LE COQ REVE DU TAJ MAHAL', 2012 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
81 x 100 inches (205.7 x 254.0 cm)
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Marie-france Busset: 'LE COQ AU PAYS DU SOLEIL LEVANT', 2013 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
81 x 100 inches (205.7 x 254.0 cm)
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Geo Sipp: 'Gone Fishin', 2014 Oil Painting, Figurative.   Painting including the Queen of England       ...
Figurative - Painting
38 x 32 inches (96.5 x 81.3 cm)
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Rickie Dickerson: 'Dark', 1999 Oil Painting, Abstract Figurative.  This was the first painting that ever won a ribbon. . . I was surprised that someone liked it as much as I do. . . . ...
, 1999
Abstract Figurative - Painting
14 x 11 inches (35.6 x 27.9 cm)
Franziska Turek: 'appearing memories 2', 2013 Oil Painting, Abstract.
Abstract - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Rickie Dickerson: 'Farther From the Light', 1994 Oil Painting, Visionary.    A happy face plastered on our heads, we are all petrified inside as we get further from our source. . . ...
Visionary - Painting
16 x 12 inches (40.6 x 30.5 cm)
Cathy Dobson: 'Magic Unicorn', 2013 Oil Painting, Magical. Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection. Rare Magic Unicorn in the snow Glows in the dark.Incredible gold and white wooden frame.      ...
Magical - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Rickie Dickerson: 'EzraPoundOnTheDayHeWasCommitted', 1996 Oil Painting, Portrait.    Ezra Pound was an American poet who lived in Italy during WWII. He agreed with Mussolini and was the Tokyo Rose of Europe. He attracted very little attention because he was considered a bad poet. An American politician went to Italy, heard a broadcast and had Pound extradited and prosecuted...
Portrait - Painting
16 x 20 inches (40.6 x 50.8 cm)
Rickie Dickerson: 'Abduction', 1994 Oil Painting, Abstract.
, 1994
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Hans-ruedi Kammermann: 'PINK AFTERNOON', 2012 Oil Painting, Gestalt.
Gestalt - Painting
100 x 90 cm (39.4 x 35.4 inches)
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Hans-ruedi Kammermann: 'LUNA VIOLETA', 2012 Oil Painting, Gestalt.
Gestalt - Painting
90 x 60 cm (35.4 x 23.6 inches)
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Hans-ruedi Kammermann: 'coming of shade into light', 2013 Oil Painting, Gestalt.
Gestalt - Painting
100 x 92 cm (39.4 x 36.2 inches)
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Hans-ruedi Kammermann: 'Onde del Tramonto', 2013 Oil Painting, Abstract Landscape.  wood or bush spirit - secret of underbush vis. subconscious labyrinth ...
Abstract Landscape - Painting
50 x 52 cm (19.7 x 20.5 inches)
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Judith Fritchman: 'Ponderings', 2010 Oil Painting, Biblical. LUKE 219  But Mary kept all these things and pondered them in her heart.  Mothers have always had hopes, dreams, and sometimes fears for their children Mary certainly had cause to ponder about her extraordinary child. Here she is pictured, cradling her infant son, Jesus. He holds in His hands ...
, 2010
Biblical - Painting
12 x 16 inches (30.5 x 40.6 cm)
Judith Fritchman: 'Leahs Hope', 2013 Oil Painting, Figurative.   In the book of Genesis, when the Lord saw Leah was not loved by Jacob, He blessed her with children, and with each child, her hope for love from Jacob grew stronger. She winds the wool spun by her sister, Rachel, which encircles her children and leads them into the...
, 2013
Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
Judith Fritchman: 'Rachels Sorrow', 2013 Oil Painting, Figurative.     The story of Rachel' s marriage to Jacob is related in the book of Genesis.  Rachel was much loved by Jacob, but she was deeply grieved by her inability to have children, and consumed with her envy of her sister Leah' s many children in her marriage to...
Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
Andrew Bartosz: '1640', 2006 Oil Painting, nudes.        Figurative art       ...
, 2006
nudes - Painting
150 x 100 cm (59.1 x 39.4 inches)
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Andrew Bartosz: '1808', 2013 Oil Painting, nudes.     Figurative art    ...
, 2013
nudes - Painting
120 x 140 cm (47.2 x 55.1 inches)
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Andrew Bartosz: '1807', 2013 Oil Painting, nudes.    Figurative art   ...
, 2013
nudes - Painting
120 x 140 cm (47.2 x 55.1 inches)
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(Page 10 of 666) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Andrew Bartosz - One of the critics wrote: 'Andrew's gift for portraying the woman's body is inspiring. With master strokes Andrew captures both the beauty and complexity of a woman's nature. Andrew strikes us first with the evocative, soft, dreamy and colourful expression of a woman's body. But then he skilfully contrasts it, through structured elements and toned down colours of the background, with sharper, less perfect and darker images or moods. As result we have a unique experience of a sensual fusion between the abstract and the real. This theme of contrast continues in Andrew's stunning impressions of Australian majestic rock landscapes.' ...