Oil Paintings

Page 10 of 661
Rickie Dickerson, Hans-ruedi Kammermann, Andrew Bartosz, Maciej Hoffman, Hana Grosova, Marcia Freedman, James Gwynne, Jessica Dunn, Lorrie Williamson, Alice Murdoch, Leo Evans, Roz Zinns, Hyacinthe Kuller-baron offering original Oil Paintings artworks.


Contemporary Art / Painting Categories / Oil Paintings / Previous / Next
Rickie Dickerson: 'Abduction', 1994 Oil Painting, Abstract.
, 1994
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Hans-ruedi Kammermann: 'WATERSHINE', 2013 Oil Painting, People.
, 2013
People - Painting
180 x 150 cm (70.9 x 59.1 inches)
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Hans-ruedi Kammermann: 'SUMMER SECRETS', 2013 Oil Painting, People.
People - Painting
110 x 100 cm (43.3 x 39.4 inches)
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Hans-ruedi Kammermann: 'SUMMERS FLAIR', 2010 Oil Painting, People.
People - Painting
100 x 90 cm (39.4 x 35.4 inches)
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Hans-ruedi Kammermann: 'FRAMMISCHI DI INCONTRO', 2012 Oil Painting, Gestalt.
Gestalt - Painting
100 x 90 cm (39.4 x 35.4 inches)
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Andrew Bartosz: '1640', 2006 Oil Painting, nudes.        Figurative art       ...
, 2006
nudes - Painting
150 x 100 cm (59.1 x 39.4 inches)
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Andrew Bartosz: '1808', 2013 Oil Painting, nudes.     Figurative art    ...
, 2013
nudes - Painting
120 x 140 cm (47.2 x 55.1 inches)
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Andrew Bartosz: '1807', 2013 Oil Painting, nudes.    Figurative art   ...
, 2013
nudes - Painting
120 x 140 cm (47.2 x 55.1 inches)
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Andrew Bartosz: '1812', 2013 Oil Painting, nudes.   Figurative art  ...
, 2013
nudes - Painting
153 x 138 cm (60.2 x 54.3 inches)
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Maciej Hoffman: 'WARRIORS', 2013 Oil Painting, undecided.
, 2013
undecided - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Maciej Hoffman: 'blue bird', 2013 Oil Painting, undecided.
, 2013
undecided - Painting
68 x 158 cm (26.8 x 62.2 inches)
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Maciej Hoffman: 'heavy rain', 2012 Oil Painting, undecided.
, 2012
undecided - Painting
61 x 45 cm (24.0 x 17.7 inches)
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Maciej Hoffman: 'leaves, burned', 2012 Oil Painting, undecided.
undecided - Painting
61 x 45 cm (24.0 x 17.7 inches)
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Hana Grosova: 'North Bohemian landscape', 2012 Oil Painting, Landscape.  Souvenirs from North Bohemia.   ...
Landscape - Painting
61 x 50 cm (24.0 x 19.7 inches)
Marcia Freedman: 'JT 8', 2010 Oil Painting, Abstract.    JT_ 8 is an abstract oil painting that was informed by landscape.  Not Yet is an abstract oil painting on canvas that was informed by the figure.                             ...
, 2010
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Marcia Freedman: 'JT 16', 2012 Oil Painting, Abstract.   JT_ 16 is an abstract oil painting that was informed by landscape. .                            ...
, 2012
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Marcia Freedman: 'Not Yet', 2012 Oil Painting, Abstract Figurative.   Not Yet is an abstract oil painting that was informed by the figure.                         ...
, 2012
Abstract Figurative - Painting
84 x 72 inches (213.4 x 182.9 cm)
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Marcia Freedman: 'CUZ', 2012 Oil Painting, Abstract Figurative.   CUZ is an abstract oil painting on canvas that was informed by the figure.                          ...
, 2012
Abstract Figurative - Painting
96 x 72 inches (243.8 x 182.9 cm)
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James Gwynne: 'Soaring', 2012 Oil Painting, Birds.  Bald Eagle soaring high among clouds ...
, 2012
Birds - Painting
38 x 42 inches (96.5 x 106.7 cm)
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James Gwynne: 'Model back view', 2009 Oil Painting, nudes. Sunlit view of models hair and back ...
nudes - Painting
42 x 36 inches (106.7 x 91.4 cm)
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James Gwynne: 'Evening Fog with Telephone Pole', 2012 Oil Painting, Landscape.  Foggy grey conditions with silhouettes of telephone pole and roof tops and highlighted background clouds ...
Landscape - Painting
42 x 48 inches (106.7 x 121.9 cm)
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Jessica Dunn: 'Fairway at Benamour', 2012 Oil Painting, Figurative.  Oil painting, golfer in an Algarve landscape, Benamour Golf. ...
Figurative - Painting
150 x 120 cm (59.1 x 47.2 inches)
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Lorrie Williamson: 'Relics from the Past', 2008 Oil Painting, Still Life.  A Still Life painting of objects made from earth products; iron, glass, and clay. Oil glazed and rubbed to give the effect of an antique painting. ...
Still Life - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Alice Murdoch: 'Angel', 2011 Oil Painting, Figurative.     Girl on Priest's lap with lollipop                               ...
, 2011
Figurative - Painting
48 x 62 inches (121.9 x 157.5 cm)
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Leo Evans: '4 SALE YEAR END OIL ON CANVAS', 2005 Oil Painting, Inspirational.
Inspirational - Painting
24 x 36 inches (61.0 x 91.4 cm)
Roz Zinns: 'Greek Doorway', 2011 Oil Painting, Religious.  Doorway of Greek church from 1600's ...
Religious - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Roz Zinns: 'Waiting', 2011 Oil Painting, World Culture.   Man waiting in a doorway in a hot climate   ...
, 2011
World Culture - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Roz Zinns: 'Meteora', 2011 Oil Painting, Religious.  Monasteries on hilltops in Greece    ...
, 2011
Religious - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Hyacinthe Kuller-baron: 'TZARIST DREAM', 2011 Oil Painting, Figurative.   Tzarist Dream by Hyacinthe Kuller Baron.Inspired by images from the classic Sergei Eisenstein film,
Figurative - Painting
2 x 3 feet (0.61 x 0.91 m)
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Roz Zinns: 'Near 680', 2010 Oil Painting, Landscape.  Near San Francisco Bay ...
, 2010
Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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(Page 10 of 661) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Andrew Bartosz - One of the critics wrote: 'Andrew's gift for portraying the woman's body is inspiring. With master strokes Andrew captures both the beauty and complexity of a woman's nature. Andrew strikes us first with the evocative, soft, dreamy and colourful expression of a woman's body. But then he skilfully contrasts it, through structured elements and toned down colours of the background, with sharper, less perfect and darker images or moods. As result we have a unique experience of a sensual fusion between the abstract and the real. This theme of contrast continues in Andrew's stunning impressions of Australian majestic rock landscapes.' ...

    Maciej Hoffman - First there is always a concept, an idea. Sometimes, I have an impression that the painting is painting itself, an intuition is guiding me while painting. The subjects which interest me result from my experience, from everyday life, from the everyday problems, and the issues that puzzle us throughout the years, forming our way of looking at the world, changing us. My observations are directed to catch the moments of tension, drama, and the clashes in the everyday life. I am formally interested in contrasts of textures, colors and the means of presentation. Sometimes, one line or one spot influences the entire painting. If there is no feeling of suspense, it means that it is not done yet. I like to work at a fast rate, I paint as if I were throwing out of me a painting hidden inside. In painting, I appreciate the courage of opinion and the freedom in the means of expression. I do not like decorativeness and submission to trends or fashion. I do not place emphasis on means of expression or artistic techniques &...

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    Jessica Dunn -

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Alice Murdoch - Originally from the South, Alice Murdoch lives in Charlotte and maintains her studio in Burlington, Vermont. She studied at the University of Vermont, the Vermont Studio Center and the Art Students League in New York. She has exhibited extensively throughout the East coast and the South, and is in many corporate and private collections throughout the United States. She paints in oil and has a penchant for portraying a certain social class, as well as general and canine portraiture. I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artist's statement....

    Alice Murdoch - Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Roz Zinns -