Oil Paintings

Page 11 of 655
James Gwynne, Jessica Dunn, Lorrie Williamson, Alice Murdoch, Leo Evans, Roz Zinns, Hyacinthe Kuller-baron, Yuming Zhu, Lucille Coleman, Wayne Wilcox, Jerry Di Falco, Lois Di Cosola, Lucille Rella, Kyle Foster, Sarah Longlands, Yoli Salmona offering original Oil Paintings artworks.


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Jessica Dunn: 'Fairway at Benamour', 2012 Oil Painting, Figurative.  Oil painting, golfer in an Algarve landscape, Benamour Golf. ...
Figurative - Painting
150 x 120 cm (59.1 x 47.2 inches)
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Lorrie Williamson: 'Relics from the Past', 2008 Oil Painting, Still Life.  A Still Life painting of objects made from earth products; iron, glass, and clay. Oil glazed and rubbed to give the effect of an antique painting. ...
Still Life - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Alice Murdoch: 'Angel', 2011 Oil Painting, Figurative.     Girl on Priest's lap with lollipop                               ...
, 2011
Figurative - Painting
48 x 62 inches (121.9 x 157.5 cm)
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Leo Evans: '4 SALE YEAR END OIL ON CANVAS', 2005 Oil Painting, Inspirational.
Inspirational - Painting
24 x 36 inches (61.0 x 91.4 cm)
Roz Zinns: 'Greek Doorway', 2011 Oil Painting, Religious.  Doorway of Greek church from 1600's ...
Religious - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Roz Zinns: 'Waiting', 2011 Oil Painting, World Culture.   Man waiting in a doorway in a hot climate   ...
, 2011
World Culture - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Roz Zinns: 'Meteora', 2011 Oil Painting, Religious.  Monasteries on hilltops in Greece    ...
, 2011
Religious - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Hyacinthe Kuller-baron: 'TZARIST DREAM', 2011 Oil Painting, Figurative.   Tzarist Dream by Hyacinthe Kuller Baron.Inspired by images from the classic Sergei Eisenstein film,
Figurative - Painting
2 x 3 feet (0.61 x 0.91 m)
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Roz Zinns: 'Greek Inlet', 2010 Oil Painting, Landscape.  One of thousands of inlets along Greek coast ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Jessica Dunn: 'Cabanas I', 2011 Oil Painting, Figurative.   Ria Formosa nature reserve   ...
, 2011
Figurative - Painting
60 x 60 cm (23.6 x 23.6 inches)
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Yuming Zhu: 'All Lines and Forms', 2016 Oil Painting, Landscape. Original Plein Air oil on canvas.  I saw the world with lines and forms interwoven into each other.  Skagit valley where tulips will bloom.In this world, we snap shot the scene, I call for people to take a moment to look, feel the environment.Floating framed 16 x 20, ...
Landscape - Painting
16 x 8 inches (40.6 x 20.3 cm)
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Lucille Coleman: 'Runaways', 2011 Oil Painting, Children.  This is an original oil painting of a dream I had of hopping a train and running away to throw caution to the wind. I would go to who knows where to do who knows what when I hear the sound of a train but I put two children in...
, 2011
Children - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Lucille Coleman: 'Running Man', 2011 Oil Painting, Figurative.  This is an original oil painting of a man running. It is meant for the viewer to ask questions and glean what they will from the energy emanating from the man running. This artwork is also a greeting card and bookmark under the theme of love with an established greeting...
Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Jessica Dunn: 'Ninety', 2010 Oil Painting, Figurative.  Clive Dunn at ninety, oil painting. , man and faithful dog, golden retriever. ...
, 2010
Figurative - Painting
120 x 150 cm (47.2 x 59.1 inches)
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Wayne Wilcox: 'Beale Street Barmaid Study', 2011 Oil Painting, Figurative.
Figurative - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Wayne Wilcox: 'Beale Street Juke Joint', 2011 Oil Painting, Cityscape.  Beale Street Memphis    ...
Cityscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Wayne Wilcox: 'Blues Man', 2010 Oil Painting, Figurative.   Beale Street Blues Player  ...
, 2010
Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Jessica Dunn: 'Coragem', 2010 Oil Painting, Figurative.
, 2010
Figurative - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Hyacinthe Kuller-baron: 'ALICE FLOWERS GICLEE', 2010 Oil Painting, Children.   ALICE AMONG THE FLOWERS IS AVAILABLE AS A GICLEE HAND TOUCHED BY HYACINTHE. Limited edition of 100 only. $2500. 00. Contact us for preferred size, canvas or paper and to order specifications. barongallery@ aol. com.Painting featured for the
Children - Painting
2 x 3 feet (0.61 x 0.91 m)
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Jerry  Di Falco: 'Black Madonna with Poem', 2010 Oil Painting, Mystical. The full title is, The Black Madonna of Quantum Physics with String Poem.  This work is meant to function as a meditation tool and as a looking glass into the viewers own SUBSTANCE.  .  .  the substance that fills the universe and fuels it, knows it, and continues to create it.  I ...
Mystical - Painting
36 x 43 inches (91.4 x 109.2 cm)
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Lois Di Cosola: 'Fiorenza', 1961 Oil Painting, Abstract.  Oil painting on canvas ...
, 1961
Abstract - Painting
30 x 34 inches (76.2 x 86.4 cm)
Lucille Rella: 'Rebirth', 2009 Oil Painting, Theater.
, 2009
Theater - Painting
7 x 5 inches (17.8 x 12.7 cm)
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Lucille Rella: 'Glass Candies', 2009 Oil Painting, Still Life.
Still Life - Painting
7 x 5 inches (17.8 x 12.7 cm)
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Kyle Foster: 'Boutique', 2009 Oil Painting, Beauty.  Oil and 23. 5K Gold ...
, 2009
Beauty - Painting
14 x 18 inches (35.6 x 45.7 cm)
Sarah Longlands: 'Marani sur la Chaise', 1999 Oil Painting, Philosophy.   Mariani violin on my Regency chair.         ...
Philosophy - Painting
40 x 40 cm (15.7 x 15.7 inches)
Kyle Foster: 'Assoluta', 2009 Oil Painting, Dance.
, 2009
Dance - Painting
20 x 20 inches (50.8 x 50.8 cm)
Kyle Foster: 'Flamenco', 2009 Oil Painting, Dance.
, 2009
Dance - Painting
12 x 16 inches (30.5 x 40.6 cm)
Yoli Salmona: 'Suzy at Maroubra Beach', 1992 Oil Painting, Beach.  A winter day at the beach, and a red dress ...
Beach - Painting
50 x 38 cm (19.7 x 15.0 inches)
Leo Evans: 'C CLASS 6', 2008 Oil Painting, Abstract.  A collection of painting both Acrylic and Oils on canvas painted in 2008 in the mind set of the spirit realm that I couldn't justify with titles but classified as class C paintingsnot a grade but a classification, maybe someday I'll add sub- titles. . . enjoy. Leo Evans...
, 2008
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
Leo Evans: 'C CLASS 5', 2008 Oil Painting, Abstract.  A collection of painting both Acrylic and Oils on canvas painted in 2008 in the mind set of the spirit realm that I couldn't justify with titles but classified as class C paintingsnot a grade but a classification, maybe someday I'll add sub- titles. . . enjoy. Leo Evans...
, 2008
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
(Page 11 of 655) - MORE ARTWORKS
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  • Artists Describing Their Art:

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    Jessica Dunn -

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Alice Murdoch - Originally from the South, Alice Murdoch lives in Charlotte and maintains her studio in Burlington, Vermont. She studied at the University of Vermont, the Vermont Studio Center and the Art Students League in New York. She has exhibited extensively throughout the East coast and the South, and is in many corporate and private collections throughout the United States. She paints in oil and has a penchant for portraying a certain social class, as well as general and canine portraiture. I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artist's statement....

    Alice Murdoch - Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Roz Zinns - Yuming Zhu - I land my brush with the force of a giant rock splashing into the ocean. I am not looking for a beautiful painting, but to express Life itself. Painting is just like a stacking of passions. Painting is a method of striping myself naked and facing the truth of my inner emotion. I invite the viewer to experience through my paintings the joy of being alive right at this moment. I believe I can do lots of things, but painting and poetry are the best beloved channels to express my complicated emotions. Originally from Shanghai, Yuming began studying under the masters at a young age. After his BA from China, Yuming came to the States and graduated from Sonoma State University with his MA in 1991. Working in oils, pastels and ChineseSumi Watercolors, Yumings work is a unique blend of East meets West artistry. It is a style that Yuming refers to as Transism, in reference to the constantly evolving interests, which include observations on modern life, a love of music, and an exploration of his own unique heritage. I paint to achieve balance and harmony. Once I reach that, I will for sure break itaEUR aEURoeMy art is just...

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Wayne Wilcox - Artist's statements have always seemed redundant to me. The work generally speaks for itself. But here goes For me it's about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective; they're all the same. Light against dark, color against color, line intersecting line. I'm as comfortable with super realism as I am with abstract expressionism. Then, of course, there's the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on it's own. It's like magic. With one stroke something appears before your eyes that wasn't there before. An image. An emotion. With each stroke or drip it changes. It's an amazing experience. I highly recommend it. And then there's image. I am a visual artist. I'm after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength . I want the painting or drawing to stand on it's own. I am a painter. I cannot escape that fact. There have been times I've tried but I always return. It's not what I do. It'...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Jerry Di Falco - Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Kyle Foster - For a more complete look at Kyle Foster's work:

    Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA (hons) and completed my post-graduate studies at University College London (Slade School of Art). In the words of one of my collectors: "Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational: it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that." Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants "Onderneming & Kunst" to do six oil paintings for the penthouses on board the new "Queen Mary 2", launched in ...

    Yoli Salmona - I paint to capture an experience, a feeling, and strive to share it through colour, form, and light. AERIAL LANDSCAPES It's a different beauty from the air, more poignant and more objective in its apparent immobility. Whether formal or natural, the landscapes seen from the air become become more abstract. I can playfully re-order and move around details and elements of reality- mostly trees and shadows- like tesserae in a mosaic. PORTRAITS To portray is for me to express an unequivocal presence, a feeling for an actual person. Sometimes, there can be an ambivalence, an invitation to a question, particularly fascinating when painting young people. For me, a successful portrait has an element of timelessness, while revealing something about the subject's present circumstance. BACKGROUND Born in France, I was a child who was drawing all the time. But for various reasons, I was unable to attend Art school growing up, and became a clothes/costume designer for ten years before studying (section Communication Visuelle) at the Paris Ecole Nationale Superieure des Arts Decoratifs. My aim then was to reach a wide audience trough Print, and Paris Art Publisher Flammarion gave me the first of a...