Oil Paintings

Page 11 of 661
Roz Zinns, Jessica Dunn, Lucille Coleman, Wayne Wilcox, Hyacinthe Kuller-baron, Jerry Di Falco, Lucille Rella, Kyle Foster, Sarah Longlands, Yoli Salmona, Leo Evans, Hana Grosova, Stephen Mead, Heather Hyatt, Franziska Turek, Jose Luis Lazaro Ferre offering original Oil Paintings artworks.


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Jessica Dunn: 'Cabanas I', 2011 Oil Painting, Figurative.   Ria Formosa nature reserve   ...
, 2011
Figurative - Painting
60 x 60 cm (23.6 x 23.6 inches)
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Lucille Coleman: 'Runaways', 2011 Oil Painting, Children.  This is an original oil painting of a dream I had of hopping a train and running away to throw caution to the wind. I would go to who knows where to do who knows what when I hear the sound of a train but I put two children in...
, 2011
Children - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Lucille Coleman: 'Running Man', 2011 Oil Painting, Figurative.  This is an original oil painting of a man running. It is meant for the viewer to ask questions and glean what they will from the energy emanating from the man running. This artwork is also a greeting card and bookmark under the theme of love with an established greeting...
Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Jessica Dunn: 'Ninety', 2010 Oil Painting, Figurative.  Clive Dunn at ninety, oil painting. , man and faithful dog, golden retriever. ...
, 2010
Figurative - Painting
120 x 150 cm (47.2 x 59.1 inches)
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Wayne Wilcox: 'Beale Street Juke Joint', 2011 Oil Painting, Cityscape.  Beale Street Memphis    ...
Cityscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Wayne Wilcox: 'Blues Man', 2010 Oil Painting, Figurative.   Beale Street Blues Player  ...
, 2010
Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Jessica Dunn: 'Coragem', 2010 Oil Painting, Figurative.
, 2010
Figurative - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Hyacinthe Kuller-baron: 'ALICE FLOWERS GICLEE', 2010 Oil Painting, Children.   ALICE AMONG THE FLOWERS IS AVAILABLE AS A GICLEE HAND TOUCHED BY HYACINTHE. Limited edition of 100 only. $2500. 00. Contact us for preferred size, canvas or paper and to order specifications. barongallery@ aol. com.Painting featured for the
Children - Painting
2 x 3 feet (0.61 x 0.91 m)
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Jerry  Di Falco: 'Black Madonna with Poem', 2010 Oil Painting, Mystical. The full title is, The Black Madonna of Quantum Physics with String Poem.  This work is meant to function as a meditation tool and as a looking glass into the viewers own SUBSTANCE.  .  .  the substance that fills the universe and fuels it, knows it, and continues to create it.  I ...
Mystical - Painting
36 x 43 inches (91.4 x 109.2 cm)
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Lucille Rella: 'Rebirth', 2009 Oil Painting, Theater.
, 2009
Theater - Painting
7 x 5 inches (17.8 x 12.7 cm)
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Lucille Rella: 'Glass Candies', 2009 Oil Painting, Still Life.
Still Life - Painting
7 x 5 inches (17.8 x 12.7 cm)
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Kyle Foster: 'Boutique', 2009 Oil Painting, Beauty.  Oil and 23. 5K Gold ...
, 2009
Beauty - Painting
14 x 18 inches (35.6 x 45.7 cm)
Sarah Longlands: 'Marani sur la Chaise', 1999 Oil Painting, Philosophy.   Mariani violin on my Regency chair.         ...
Philosophy - Painting
40 x 40 cm (15.7 x 15.7 inches)
Kyle Foster: 'Assoluta', 2009 Oil Painting, Dance.
, 2009
Dance - Painting
20 x 20 inches (50.8 x 50.8 cm)
Kyle Foster: 'Flamenco', 2009 Oil Painting, Dance.
, 2009
Dance - Painting
12 x 16 inches (30.5 x 40.6 cm)
Yoli Salmona: 'Suzy at Maroubra Beach', 1992 Oil Painting, Beach.  A winter day at the beach, and a red dress ...
Beach - Painting
50 x 38 cm (19.7 x 15.0 inches)
Leo Evans: 'C CLASS 5', 2008 Oil Painting, Abstract.  A collection of painting both Acrylic and Oils on canvas painted in 2008 in the mind set of the spirit realm that I couldn't justify with titles but classified as class C paintingsnot a grade but a classification, maybe someday I'll add sub- titles. . . enjoy. Leo Evans...
, 2008
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
Leo Evans: 'C CLASS 4', 2008 Oil Painting, Abstract.  A collection of painting both Acrylic and Oils on canvas painted in 2008 in the mind set of the spirit realm that I couldn't justify with titles but classified as class C paintingsnot a grade but a classification, maybe someday I'll add sub- titles. . . enjoy. Leo Evans...
, 2008
Abstract - Painting
30 x 36 inches (76.2 x 91.4 cm)
Wayne Wilcox: 'Study in Orange', 2009 Oil Painting, Still Life.
Still Life - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Wayne Wilcox: 'Applebrush', 2009 Oil Painting, Still Life.
, 2009
Still Life - Painting
26 x 17 inches (66.0 x 43.2 cm)
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Kyle Foster: 'Communication Number 1', 2009 Oil Painting, Abstract.
Abstract - Painting
22 x 28 inches (55.9 x 71.1 cm)
Hana Grosova: 'Holy family', 2005 Oil Painting, Children.  Jesus Child with his family and persons around. ...
Children - Painting
24 x 28 cm (9.4 x 11.0 inches)
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Hyacinthe Kuller-baron: 'CASSANDRA and WHITE HORSE', 1980 Oil Painting, Figurative.   Artist, Author, Poet, Hyacinthe Kuller Baron creates her own mythology in a series of iconic paintings, Giclee prints and published books that comprise Cassandra's Tear
Figurative - Painting
4 x 4 feet (1.22 x 1.22 m)
Stephen Mead: 'Salutations', 1991 Oil Painting, Visionary.  Evocative mural size work, part of the DVD
Visionary - Painting
36 x 54 inches (91.4 x 137.2 cm)
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Stephen Mead: 'Swim', 1990 Oil Painting, nature. A large oval mural piece, part of the DVD collection
, 1990
nature - Painting
36 x 78 inches (91.4 x 198.1 cm)
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Hyacinthe Kuller-baron: 'Martha Raye Portrait ', 1972 Oil Painting, Portrait. Portrait of superstar Martha Raye commissioned by producer Lee Guber. Is currently in Martha' s private collection of Hyacinthe' s art curated by the late star' s widower Mark Harris. This is the first time the Portrait has been made available and offered for sale. The value of $342,000 ...
Portrait - Painting
2 x 3 feet (0.61 x 0.91 m)
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Heather Hyatt: 'Red Chinese Boxers', 2008 Oil Painting, Still Life.  'Red Chinese Boxers' is oil on canvas mounted in a shadow box.  The style is trompe l' oeil. ...
Still Life - Painting
9 x 17 inches (22.9 x 43.2 cm)
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Franziska Turek: 'morning view', 2008 Oil Painting, Abstract.
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Jose Luis Lazaro Ferre: 'The Drunks', 1990 Oil Painting, Figurative.
, 1990
Figurative - Painting
195 x 130 cm (76.8 x 51.2 inches)
Ghassan Rached: 'Single Rose', 2002 Oil Painting, Floral.  Oil painting by Ghassan Rached ...
Floral - Painting
12 x 10 inches (30.5 x 25.4 cm)
(Page 11 of 661) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Jessica Dunn -

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Wayne Wilcox - Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Kyle Foster - For a more complete look at Kyle Foster's work:

    Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA hons and completed my post-graduate studies at University College London Slade School of Art. In the words of one of my collectors Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that. Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants Onderneming Kunst to do six oil paintings for the penthouses on board the new Queen Mary 2, launched in ...

    Yoli Salmona - I paint to capture an experience, a feeling, and strive to share it through colour, form, and light. AERIAL LANDSCAPES It's a different beauty from the air, more poignant and more objective in its apparent immobility. Whether formal or natural, the landscapes seen from the air become become more abstract. I can playfully re-order and move around details and elements of reality- mostly trees and shadows- like tesserae in a mosaic. PORTRAITS To portray is for me to express an unequivocal presence, a feeling for an actual person. Sometimes, there can be an ambivalence, an invitation to a question, particularly fascinating when painting young people. For me, a successful portrait has an element of timelessness, while revealing something about the subject's present circumstance. BACKGROUND Born in France, I was a child who was drawing all the time. But for various reasons, I was unable to attend Art school growing up, and became a clothes/costume designer for ten years before studying (section Communication Visuelle) at the Paris Ecole Nationale Superieure des Arts Decoratifs. My aim then was to reach a wide audience trough Print, and Paris Art Publisher Flammarion gave me the first of a...

    Yoli Salmona - Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...