Oil Paintings

Page 12 of 655
Hyacinthe Kuller-baron, Stephen Mead, Heather Hyatt, Franziska Turek, Jose Luis Lazaro Ferre, Ghassan Rached, Noel Stavropoulos, Pilar Pérez-prado, Ko Bhamra, Judith Smith Wilson, Jovica Vucinic, Yoli Salmona, Lorrie Williamson offering original Oil Paintings artworks.


Contemporary Art / Painting Categories / Oil Paintings / Previous / Next
Stephen Mead: 'Salutations', 1991 Oil Painting, Visionary.  Evocative mural size work, part of the DVD
Visionary - Painting
36 x 54 inches (91.4 x 137.2 cm)
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Stephen Mead: 'Swim', 1990 Oil Painting, nature. A large oval mural piece, part of the DVD collection
, 1990
nature - Painting
36 x 78 inches (91.4 x 198.1 cm)
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Hyacinthe Kuller-baron: 'Martha Raye Portrait ', 1972 Oil Painting, Portrait. Portrait of superstar Martha Raye commissioned by producer Lee Guber. Is currently in Martha' s private collection of Hyacinthe' s art curated by the late star' s widower Mark Harris. This is the first time the Portrait has been made available and offered for sale. The value of $342,000 ...
Portrait - Painting
2 x 3 feet (0.61 x 0.91 m)
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Heather Hyatt: 'Red Chinese Boxers', 2008 Oil Painting, Still Life.  'Red Chinese Boxers' is oil on canvas mounted in a shadow box.  The style is trompe l' oeil. ...
Still Life - Painting
9 x 17 inches (22.9 x 43.2 cm)
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Franziska Turek: 'morning view', 2008 Oil Painting, Abstract.
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Jose Luis Lazaro Ferre: 'The Drunks', 1990 Oil Painting, Figurative.
, 1990
Figurative - Painting
195 x 130 cm (76.8 x 51.2 inches)
Ghassan Rached: 'Single Rose', 2002 Oil Painting, Floral.  Oil painting by Ghassan Rached ...
Floral - Painting
12 x 10 inches (30.5 x 25.4 cm)
Ghassan Rached: 'Five Poppies', 2005 Oil Painting, Floral.  Oil Painting by Ghassan Rached on Canvas Panel ...
Floral - Painting
10 x 12 inches (25.4 x 30.5 cm)
Noel Stavropoulos: 'Aphotic Zenith', 2008 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
28 x 40 inches (71.1 x 101.6 cm)
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Noel Stavropoulos: 'Perpetual Prism', 2007 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
28 x 40 inches (71.1 x 101.6 cm)
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Pilar Pérez-prado: 'Sensations', 2003 Oil Painting, undecided.   80. 0 ...
, 2003
undecided - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Pilar Pérez-prado: 'Flower', 2003 Oil Painting, Abstract.   63. 0 ...
, 2003
Abstract - Painting
63 x 80 cm (24.8 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory I Memory', 2004 Oil Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory I Reality', 2004 Oil Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Ko Bhamra: 'Untitled ', 2008 Oil Painting, Figurative.
, 2008
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Ko Bhamra: 'Untitled ', 2008 Oil Painting, Abstract Figurative.
, 2008
Abstract Figurative - Painting
18 x 36 inches (45.7 x 91.4 cm)
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Judith Smith Wilson: 'Mallards in the Marsh', 1971 Oil Painting, Wildlife.  Wild Mallard Ducks landing on marsh.This is an Original Oil owned by the Curriden family of Seattle Washington and is not for sale. However we do have Open Edition Prints available.  $45. 00...
Wildlife - Painting
12 x 13 inches (30.5 x 33.0 cm)
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Jovica Vucinic: 'Getting Better 3', 2007 Oil Painting, nature.
nature - Painting
41 x 48 inches (104.1 x 121.9 cm)
Jovica Vucinic: 'Getting better2', 2007 Oil Painting, Ecological.
Ecological - Painting
41 x 48 inches (104.1 x 121.9 cm)
Jovica Vucinic: 'La Salle Church', 2007 Oil Painting, Landscape.
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Jovica Vucinic: 'Church in Adriatic', 2007 Oil Painting, Landscape.
Landscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
Ko Bhamra: 'Field of Flowers ', 2004 Oil Painting, Abstract.
Abstract - Painting
36 x 18 inches (91.4 x 45.7 cm)
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Noel Stavropoulos: 'Celestial Equator', 2007 Oil Painting, Surrealism.
Surrealism - Painting
20 x 28 inches (50.8 x 71.1 cm)
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Noel Stavropoulos: 'Depth of Soul', 2006 Oil Painting, Surrealism.  A journey within the colors of the soul. ...
Surrealism - Painting
24 x 28 inches (61.0 x 71.1 cm)
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Yoli Salmona: ' All hands taken something is cooking', 2004 Oil Painting, Portrait.  A woman' s task. . . This is a self portrait of my daily life, inspired by a small sketch by an unknown Australian artist.My grey cat wouldn' t stay in place, each time I stepped away to photograph her, she followed me. . . So I painted my white cat...
Portrait - Painting
102 x 102 cm (40.2 x 40.2 inches)
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Jose Luis Lazaro Ferre: 'Dietrich Smoking Lucky', 2007 Oil Painting, Figurative.
Figurative - Painting
48 x 122 cm (18.9 x 48.0 inches)
Ko Bhamra: 'Untitled', 2006 Oil Painting, Abstract.
, 2006
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Lorrie Williamson: 'Growing Up', 2001 Oil Painting, Figurative.  A little girl no longer - - now becoming a woman. ...
, 2001
Figurative - Painting
18 x 36 inches (45.7 x 91.4 cm)
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Lorrie Williamson: 'Mystery of the Red Canoe', 2003 Oil Painting, Scenic.  A narrative that' s best unspoken.  A South Florida land and sea scape for the viewer' s pleasure. ...
Scenic - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Lorrie Williamson: 'Fresh Air and Sunshine', 2000 Oil Painting, nature.  Relax with your favorite pasttime and enjoy the fresh air and the warmth on the sun.  A compliment to any home.   ...
nature - Painting
36 x 36 inches (91.4 x 91.4 cm)
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(Page 12 of 655) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Ghassan Rached - I am a geoscientist. I paint, but painting is only a hobby. I paint, whenever I can spare the time, what is relaxing, touches my heart and pleasant to me for enjoyment. I love to use oil and watercolor as media to express beauty. Comments of visitors would be appreciated....

    Noel Stavropoulos - There is great power being an artist. They have influenced and recorded every culture's histories. Much of our knowledge of ancient and modern history today is taken from artifacts (art-i-facts). To have the ability to translate the growth of our civilization today is a gift. I want to give future generations tangible evidence from their history to contemplate and compare to the world we built for them, all the good times as well as the bad. They may learn from our mistakes and take the human race another step in the eternal journey of progression toward "Unity." I seek exhibitions in different countries and cities around the world. This allows me to see how wide, or limited my visual vocabulary really is. Not just from one cultural point of view, but from the masses of the Earth, the people. I then learn from the "Earth's Public" what ideas to expand or abandon. However, in the end, I am still the one who decides the direction of my works. When I create works I am conscious of the world around, so political and social undertone is imminent. I don't think about this while I'm working...

    Ko Bhamra - The most beautiful part is that it invents itself. Simultaneoulsy, it re-invents us. The most intriguing part is that it is re-occuring: continuously becoming - therefore necessarily evolving and revealing. It is shameless because it reveals itself through us without permission, without the necessity of qualification and without the consent of choice. It is bold because it will simply arrive. Its existence is self-sustaining because its essence transcends us. It hungers only for our presence. When its passion beings to dance-we become its frenzy. When we dance in its frenzy we become its fantasy. When the energy becomes synergy-we transmit chaotic bursts. These bursts fuse into pulses that emanate and illuminate the impulses and intuitions that guide us. The visions are moments that actually exist. They transcend time so they are actual glimpses of a timelessness. When we free ourselves to submission we become one with creation. It is here that art and life merge and become one and the same moment. It is here that art will breathe with us and inform us of itself and ourselves. It's like magic. Art. Art is like magic. KKB 1999...

    Judith Smith Wilson - Welcome to the world of exotic animals and culture as seen through the eyes of this extraordinary artist. Follow the mood as Ms. Wilson leads you to the darkest regions of Africa and beyond.....She has been specializing in Animal Wildlife Paintings and portraits of people for over 40 years. She is a will known animal ecologist, and belongs to many wildlife organizations, including the East African Wildlife Society. Ms. Wilson has traveled to Kenya East Africa, and Rwanda East Africa, three times. She also has had the privilege to observe the endangered Mountain Gorillas in the Virunga Mountains, and all of Africa's wonderful wildlife. Ms. Wilson has cared for many injured wild animals, eventually releasing them back to their native habitat. One of these animals, a bobcat named "Precious" was not able to be released, and remained a beloved friend to her family for over twenty years. She has shown her work in Nairobi and Rwanda East Africa, and many Galleries in the United States over her 40 year career. Her work is currently being shown in San Diego, Los Angeles California and The Fine Art museum in Owensboro Kentucky. Also in Owensboro at'Gallery 412' and'Grey ...

    Yoli Salmona - I paint to capture an experience, a feeling, and strive to share it through colour, form, and light. AERIAL LANDSCAPES It's a different beauty from the air, more poignant and more objective in its apparent immobility. Whether formal or natural, the landscapes seen from the air become become more abstract. I can playfully re-order and move around details and elements of reality- mostly trees and shadows- like tesserae in a mosaic. PORTRAITS To portray is for me to express an unequivocal presence, a feeling for an actual person. Sometimes, there can be an ambivalence, an invitation to a question, particularly fascinating when painting young people. For me, a successful portrait has an element of timelessness, while revealing something about the subject's present circumstance. BACKGROUND Born in France, I was a child who was drawing all the time. But for various reasons, I was unable to attend Art school growing up, and became a clothes/costume designer for ten years before studying (section Communication Visuelle) at the Paris Ecole Nationale Superieure des Arts Decoratifs. My aim then was to reach a wide audience trough Print, and Paris Art Publisher Flammarion gave me the first of a...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....