Oil Paintings

Page 13 of 605
Storm Hammond, Lucia Timis, Micha Nussinov, Richard Lazzara, Bessie Papazafiriou, George Oommen, Robert H. Stockton, Philip Hallawell, Andree Lisette Herz, Franziska Turek, Ghassan Rached, Stephen Mead offering original Oil Paintings artworks.


Contemporary Art / Painting Categories / Oil Paintings / Previous / Next
Storm Hammond: 'Evening Sky', 2005 Oil Painting, Inspirational.
Inspirational - Painting
16 x 12 inches (40.6 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Storm Hammond: 'Fragile Transitions', 2005 Oil Painting, Representational.
Representational - Painting
12 x 16 inches (30.5 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lucia Timis: 'Quinta Essentia', 1950 Oil Painting, Abstract.
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
Lucia Timis: 'Forest 03', 1950 Oil Painting, Landscape.
, 1950
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
Lucia Timis: 'Forest 02', 2004 Oil Painting, Landscape.
, 2004
Landscape - Painting
30 x 25 inches (76.2 x 63.5 cm)
Lucia Timis: 'Forest 01', 2004 Oil Painting, Landscape.
, 2004
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
Micha Nussinov: 'Movement 2', 2004 Oil Painting, Abstract. Color, light and movements are sponteniously expressed reflecting on the artist mood. ...
, 2004
Abstract - Painting
510 x 410 mm ( x )
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'today is art everlasting', 1972 Oil Painting, History. today is art everlasting 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'studio space still life in oil paint', 1972 Oil Painting, History. studio space still life in oil paint 1972  from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Painting
24 x 36 inches (61.0 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'space around the goal', 1972 Oil Painting, History. space around the goal 1972   from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING   by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'seeing is knowledge', 1972 Oil Painting, History. seeing is knowledge 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING   by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Bessie Papazafiriou: 'Two Swimmers II', 2005 Oil Painting, Seascape.
Seascape - Painting
40 x 30 inches (101.6 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Bessie Papazafiriou: 'Two Swimmers I', 2004 Oil Painting, Seascape. This painting depicts two young swimmers undaunted by the power of the sea....
Seascape - Painting
36 x 30 inches (91.4 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Micha Nussinov: 'On the beach', 2004 Oil Painting, Fantasy. An ambigious interaction between male and female. All alone on  the beach as the waves washes over skin. Surrounded by textured rocks that creats a sense of encloser.  ...
Fantasy - Painting
70 x 80 cm (27.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Micha Nussinov: 'Movement 4', 2004 Oil Painting, Landscape. An imaginery landscape. The artist expresses his feelings through color light and movement....
, 2004
Landscape - Painting
410 x 510 mm ( x )
Like It   indepth artwork information   Add To Shopping Cart
Micha Nussinov: 'Departure 2', 2004 Oil Painting, Fantasy. The notion of departure as we leave a place, going through a transit to another world.  A journey from life to a spiritual world. ...
Fantasy - Painting
410 x 510 mm ( x )
Like It   indepth artwork information   Add To Shopping Cart
George Oommen: 'kanjeevaram 6', 2004 Oil Painting, Culture. kanjeevaram is inspired from the sarees that are woven from the town of Kanjeevaram ...
Culture - Painting
24 x 36 inches (61.0 x 91.4 cm)
George Oommen: 'sunset at mankotta', 2004 Oil Painting, Landscape.
Landscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
Robert H. Stockton: 'The Sun At Three Penny Ridge', 2000 Oil Painting, Abstract. The idea for this small oil painting came from hiking in the Cascade Mountains of the Pacific Northwest on a beautiful summer day....
Abstract - Painting
8 x 10 inches (20.3 x 25.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'The Hand of Ares', 1986 Oil Painting, Mythology. Part of the Iliad series, this one of the drawings that focuses on the Gods of the ancient Greeks, namely Ares ( Mars) the God of war. The triangular composition represents the danger of war. Done in oil on canvas over wood....
Mythology - Painting
40 x 50 cm (15.7 x 19.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'Zeus', 1988 Oil Painting, Mythology. This painting in oils on canvas over wood was initially a sketch for
, 1988
Mythology - Painting
39 x 49 cm (15.4 x 19.3 inches)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'Paris and Helen', 1986 Oil Painting, Mythology. This painting is also part of the Iliad series, and depicts Helen and Paris being swept up by their passion for one another. It is done in oils on canvas over wood....
Mythology - Painting
60 x 80 cm (23.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
George Oommen: 'sacred places within you 3', 1997 Oil Painting, Abstract.
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
George Oommen: 'sacred places within you 1', 1997 Oil Painting, Abstract.
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
Andree Lisette Herz: 'Appletime 2', 2002 Oil Painting, Still Life. oil on board...
Still Life - Painting
10 x 8 inches (25.4 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Franziska Turek: 'strange place', 2002 Oil Painting, Abstract.
Abstract - Painting
41 x 49 inches (104.1 x 124.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Ghassan Rached: 'Desolete Waman', 2002 Oil Painting, Figurative. Oil painting by Ghassan Rached...
Figurative - Painting
16 x 12 inches (40.6 x 30.5 cm)
Stephen Mead: 'WhoIsBigger', 1991 Oil Painting, Marine. A meditation on environmental conservation, part of film series
Marine - Painting
32 x 68 inches (81.3 x 172.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Ghassan Rached: 'Desolate Girl-Portrait', 2002 Oil Painting, Figurative. Oil Painting by Ghassan Rached, 2002...
Figurative - Painting
12 x 16 inches (30.5 x 40.6 cm)
Raphael Perez  Israeli Painter : 'couple in bed', 1998 Oil Painting, Love. red room...
Love - Painting
170 x 140 cm (66.9 x 55.1 inches)
(Page 13 of 605) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    George Oommen - George Oommen: The Image as the key Born in Munnar, Kerala, India, and educated in India, Mexico, and the United States, George Oommen continues to derive artistic inspiration from the lush green landscapes of his homeland. Every winter, Oommen visits Mankotta, a small island in the inland waters of Kerala in southwestern India, ten miles from Oommen's ancestral home. The weeks spent there fuel his painting year round. What follows is a series of questions and answers by Oommen about his work. The conversation took place over a series of days but reflects a lifetime of thinking about the meaning of his art. Q: What is the goal of your art? What inspires and motivates you as an artist? A: My painting is fundamentally about communicating what I see in my mind's eye. While verbal expression is the predominant form of communication, from early childhood, I have had a facility with visual expression. Painting is my vehicle for this. The specific goal of my art changes with each series I embark upon, but the general objective is always to transfer the image in my mind to the canvas There are many sources of inspiration for me--it could ...

    George Oommen - Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Ghassan Rached - I am a geoscientist. I paint, but painting is only a hobby. I paint, whenever I can spare the time, what is relaxing, touches my heart and pleasant to me for enjoyment. I love to use oil and watercolor as media to express beauty. Comments of visitors would be appreciated....

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...