Oil Paintings

Artists Describing Their Art:

Rumen Sazdov - aEURoeI was five years old, my friendA's grandmother who was a prewar academic painter, taught us how to draw and paint human body and animals. Since that time I always liked to create aEURz My Own Things aEURoe. Later, at the secondary school and at the Academy I cared to learn everything about the anatomy of the eye, hand, horse as well as how to mix colors and how to make a composition. After my Master Degree I was so excited to be aEURoefree painteraEUR Finally, I had the aEURoefreedomaEUR to paint, sculpt, cut, fix, and compose all my experiences and dreams with every material, which came through my hands. Many years later in Paris, a French Art dealer and a wise man told me about my work aEURoeRumen itA's a good Lyric Cubism collectionaEUR. Nice words, however for me they are still aEURoeMy Own ThingsaEURaEUR Author is registered in MAYER auction catalogue 1995 and 1996 today artnet.com, member of ADGAP since 1995...

Claire Petit - In my work, beings of dream and intimacy migrate slowly to the merry-go-round of birth, death, and rebrith. Different periods and series rub shoulders in my decades of paintings. Duality breathes deeply, and from one life to the next, powerful feminine energy dominates moving, introspective, multiple, often wrapped in a gentle violence. Since 1989, I have been traveling and working between France and the United States. I had my first solo show in 1999 at the 24 Gallery in New York City. In 2004 my work was represented and exhibited at the Grant Gallery. In 2005 I left for Mexico, where I maintained a studio for three months in Oaxaca. From 2005 to 2010, my work was represented and exhibited by the Opera Gallery in New York City. During those years I regularly painted in New York. Since 2010 my work has been exhibited in Paris, Brussels, Luxembourg, Metz, and Nancy, where I live. A beautiful 140pages book on my painting has just been released If youd like to purchase a copy please go to the News page of my website. ...

George Grant - In my works I try to mold invisible ideas into visible forms. Merging of the invisible and visible in surreal themes and objects, or in coded geometrical shapes in my art is the way I establish the purpose of breaking through the conventional statuses of material life, into the dream world of human subconscious, where the infinite universes are hiding. So the objects and beings in my works are often appearing as symbols pointing to that which can hardly be talked about in words, allowing the viewer to get the hunch on deeper non-verbal level. Apart of surrealism, abstraction and abstract expressionism, my second fav is a realistic classic painting, where I endeavor to follow the principles and techniques of Renaissance artists. ...

George Grant - Boyko Asparuhov - An imaginative expressionist,Boyko,s oil paintings are a treat to the eye and the soul with their strong brilliant colors,fantasy characters and symbolic elements fused into a bold,graphic style."My work conveys the positive energy of the universe-love,romance,dreams,music,nature,beauty and freedom,"says Boyko. Born in Pleven,Bulgaria in1959,Boyko began painting at age six.After graduating from the Bulgarian Academy Of Fine Art,he muved to Prague in the Czech Republic where he operated his own gallery until 2005 year. Boyko lives and works in Chicago,United States...

Marilia Lutz - The act of creation is holy and profound in all its manifestations - not only the natural world surrounding us, but also the artistic manifestations representing life. Through my art, I try to represent and communicate visually what I believe illustrates the beauty of life and nature - from special moments or places, and from small things, whether symbolic or not. I find inspiration for my compositions in my surroundings, in moments that are for one reason or another important to me. I look deeply into my feelings to express what I believe is meaningful. Being an artist has been an exciting and overwhelming experience that enriches my life and gives me the opportunity to share with others some of my experiences, views and feelings. My preferred medium is oil on canvas; sometimes I explore other mediums such as pastel, charcoal, and graphite. I explore three basic themes in my compositions that I call: Trilogy; Insights in Forms and Shapes; and Visions of Places. "Trilogy" is a study where I represent what I believe to be the essence of life: the eternal and constant presence of three elements in many aspects of life and nature. "Insights in Forms and Shapes" it is...

John Tierney - The paintings I make are charts of wanderings; what I mean by that is: you can wander around a painting and have, at least sometimes, a feeling of recognition of the place where you are. But the place can shift into a new location, you lose your bearings and then find yourself by intuition. You don't know how you got there, but you know where you are. There are well-beaten tracks and waymarkings that appear familiar. When I set off on a new canvas, white, pristine, in the morning, I often think why should I want to mess this up? It's like an empty mirror, but when the first few marks are made, it changes. It has direction, it begins to beckon you. Making the decision to start is the important thing, it doesn't seem to matter what you do. Disparate things can be united, related somehow. Dialogue begins. You're conscious of what is going on in one direction, but a lot is happening along the wayside. Contrasts are important: for example, organic versus geometric. Organic forms arise from memory. There is the energy of the life form against the rectangle of geometric space. Color...

Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes aEUR| the Rhythm of an epoch, its{his} power, always D1/2DuD3/4ND3/4D*D1/2DdegD1/2D1/2D3/4 are reflected in music, the literary statement, is freakish and D?D3/4N,DdegN'D1/2D1/2D3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled ND,D1/4NfD>>NDoNEURN<, allocated D,D1/2N,,DuNEURD1/2DdegD>>NOED1/2N>NOED1/2D3/4NN,NOE emphasized D,NN++DuNEURD?DdegD1/2D1/2D3/4NN,NOE searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time aEUR| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...

Mert Ulcay - Mert Ulcay was born in Istanbul, Turkey in 1974. After studying to obtain a Bachelor of Economics in Istanbul, he moved to Italy and successfully completed a Masters Degree in International Economics and Management in Milan. He started his painting studies in 1996 with Mehmet Guleryuz (one of Turkey's leading contemporary painters) at his Bilsak Atelier in Istanbul. He moved Sevinc Altan in 2000, who was a former assistant to Mehmet Guleryuz, opening two exhibitions with her atelier. His works were chosen by the Cagdas Sanat Committee in 2001, for an exhibition with other "up and coming artists" at the Contemporary Art Center in Istanbul. In 2003, he participated in the "International Art Action for Peace" exhibition, with several leading painters in Turkey and moved to Stuttgart, Germany, where he now lives and works, painting from his own atelier. Mert Ulcay's paintings can be described as being emotional, somewhat introvert and very figurative. Always being interested in different expressions of people and of hidden feelings shown from behind "the mask". MERT ULCAY- www.mertulcay.com ...