Oil Paintings

Page 2 of 665
Charles Cham, Peter Seminck, George Grant, Terri Higgins, Marsha Bowers, Wendy Lippincott, Guy Octaaf Moreaux, Lou Posner, David Larkins, Yuming Zhu, Michael Fornadley, Youri Messen-jaschin, Pol Ledent, Stefan Fiedorowicz, Johann Van Den Noort, Judith Fritchman offering original Oil Paintings artworks.


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Peter Seminck: 'on the beach with mom and dad', 2020 Oil Painting, People. Until these scenes are possible again after the Covid- 19 has been beaten...
People - Painting
47.2 x 31.5 inches (119.9 x 80.0 cm)
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George Grant: 'mona lisas inner essence', 2020 Oil Painting, Figurative. Oil on canvas. Metaphysical interpretation of the famous artwork.  Inside is Emptiness, Nothing ...
Figurative - Painting
30 x 45 cm (11.8 x 17.7 inches)
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George Grant: 'mountain valley', 2020 Oil Painting, Landscape. Oil on canvas, worked with pallet knife. ...
Landscape - Painting
30 x 30 cm (11.8 x 11.8 inches)
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George Grant: 'yellow mountain', 2020 Oil Painting, Landscape. Oil on polyurethane sheet. ...
Landscape - Painting
25 x 25 cm (9.8 x 9.8 inches)
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Terri Higgins: 'marie antoinettes chicken 4', 2020 Oil Painting, Birds. This is painting number 4 and part of a series of  Marie Antoinette s chickens in Versailles. Oil on Linen. ...
Birds - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Terri Higgins: 'marie antoinettes chicken 3', 2020 Oil Painting, Birds. This is painting number 3 and part of a series of Marie Antoinette s chickens. Oil on Linen. ...
Birds - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Marsha Bowers: 'hope', 2020 Oil Painting, Floral. Painted during Covid 19. Flowers symbolize growth, renewing and hope and I wanted to express this through this piece. Painted in oil on canvas. ...
, 2020
Floral - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Wendy Lippincott: 'biting the hand that feeds you', 2019 Oil Painting, Activism. Government Welfare, Ingratitude, Control, ...
Activism - Painting
18 x 24 inches (45.7 x 61.0 cm)
Guy Octaaf Moreaux: 'sunrise on mount kenya', 2020 Oil Painting, Nature. 6. 30 am, the sun rose above the horizon 5 minutes ago.  Looking west you see the highest peak of Mount Kenya, Kirinyaga in Gikuyu.  For the Gikuyu people it is a holy mountain, the abode of Ngai, the supreme creator.This view is seen from Point Lenata, 4985 mts ...
Nature - Painting
60 x 40 cm (23.6 x 15.7 inches)
Lou Posner: 'Baghdad', 2020 Oil Painting, War. The strange beauty of destruction. ...
, 2020
War - Painting
22 x 14 inches (55.9 x 35.6 cm)
David Larkins: 'lake michigan cold front', 2020 Oil Painting, Seascape. Snow squalls pass and the brisk cold air advances from the northwest across thr big lake.Capturing the cold clean atmosphere was my goal when I painted this amazing scene in Elberta, Michigan. ...
Seascape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Peter Seminck: 'late afternoon on the beach', 2020 Oil Painting, People. Elderly couple enjoying the late afternoon sun on the beach...
People - Painting
39.4 x 39.4 inches (100.1 x 100.1 cm)
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Wendy Lippincott: 'disease', 2019 Oil Painting, Science. Representation of Disease, Sickness, CoronaVirus, Medicine, Testtube, Virus, Corona, Suffering...
, 2019
Science - Painting
20 x 24 inches (50.8 x 61.0 cm)
Peter Seminck: 'moms and kids on the beach', 2020 Oil Painting, People. When winter takes too long to move on, I paint summer.Oil on canvas, brushes and knives were used.First of a new series  on the beach scenes . ...
People - Painting
47.2 x 31.5 inches (119.9 x 80.0 cm)
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Yuming Zhu: 'valentines irregularity', 2019 Oil Painting, Still Life. flowers for the lovely day, yet lots of uncertainties this year. Bring bless to life. Tired of only way of painting, I like blend my sumi art into my oil painting. Lines, and movements are the motifs expessing emotions. Still life but not still. ...
Still Life - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Peter Seminck: 'forever waiting for bonnie', 2020 Oil Painting, People. Third painting of the  Waiting for Bonnie  series...
People - Painting
31.5 x 39.4 inches (80.0 x 100.1 cm)
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Michael Fornadley: 'exodus 2', 2020 Oil Painting, Political. Parables with unscripted conclusions, balancing illustrative with intellect- opposites through thoughts and emotions, figures in motion eccentric objectsman carrying gold nugget, party hats, birthday cakes, man with staffleading the eye through theatrical space, enticing viewer to ponder a logical conclusion, when there is none. ...
, 2020
Political - Painting
48 x 38 inches (121.9 x 96.5 cm)
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Michael Fornadley: 'water jugs', 2019 Oil Painting, People. Unscripted narrative, theme of work vs play, main scene of children playing paper football and men toiling to carry heavy objects...
, 2019
People - Painting
57 x 38 inches (144.8 x 96.5 cm)
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Michael Fornadley: 'Boat People 2', 2020 Oil Painting, Figurative. Oils and Casein on wood, Style- expressionism, figurative images- people- boats, that convey societal themes within a seascape...
Figurative - Painting
48 x 38 inches (121.9 x 96.5 cm)
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Marsha Bowers: 'pansies', 2020 Oil Painting, Floral. Pansies, rendered in fine artist oil on bristol paper. Sold Unframed. Frame and matting options available upon request, please contact the artist...
, 2020
Floral - Painting
14 x 17 inches (35.6 x 43.2 cm)
Youri Messen-jaschin: 'blue two', 2020 Oil Painting, Optical. A(c) Youri Messen- JaschinA(r) Prolitteris ZA1/4rich Very complicated to photograph in digital or similar, possibility of distortion...
, 2020
Optical - Painting
180 x 180 cm (70.9 x 70.9 inches)
Lou Posner: 'holocaust transportation', 2020 Oil Painting, Holocaust. oil on canvas, work period was 2- 1- 13 to 2- 3- 20. Res ipsa loquitur. Needs a holocaust museum home. ...
Holocaust - Painting
28 x 72 inches (71.1 x 182.9 cm)
Pol Ledent: 'spring in normandy', 2020 Oil Painting, Landscape. Original oil on canvas stretched on a wooden frame...
Landscape - Painting
70 x 70 cm (27.6 x 27.6 inches)
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Pol Ledent: 'wild blue flowers in provence', 2020 Oil Painting, Abstract Landscape. South of France    Original oil on canvas stretched on a wooden frame...
Abstract Landscape - Painting
70 x 70 cm (27.6 x 27.6 inches)
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Stefan Fiedorowicz: 'subliminal suggestion', 2020 Oil Painting, Abstract. We tend to see what we want to see.  We judge according to who were are and not who they are. ...
Abstract - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Stefan Fiedorowicz: 'texture of memory', 2020 Oil Painting, Abstract. ontinuation of my previous series called Pure Memory. Back to basics. Tabula Rasa: theory developed by John Locke, philosopher that individuals are born without built- in mental content and that therefore all knowledge comes from experience or perception. Your heart is schackled to memory. ...
Abstract - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Johann Van Den Noort: 'zonder titel 19181', 2020 Oil Painting, Abstract. Expressionistic abstract gouache painting...
Abstract - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Wendy Lippincott: 'board angels', 2017 Oil Painting, Magical. Double Meanings are Fun...
Magical - Painting
18 x 24 inches (45.7 x 61.0 cm)
Judith Fritchman: 'end of day october', 2018 Oil Painting, Landscape. An October sunset illuminates a Bucks County barn. ...
Landscape - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Judith Fritchman: 'spring greening', 2018 Oil Painting, Landscape. The long awaited promise of April in the village. ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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(Page 2 of 665) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Pol Ledent - George Grant - In my works I try to mold invisible ideas into visible forms. Merging of the invisible and visible in surreal themes and objects, or in coded geometrical shapes in my art is the way I establish the purpose of breaking through the conventional statuses of material life, into the dream world of human subconscious, where the infinite universes are hiding. So the objects and beings in my works are often appearing as symbols pointing to that which can hardly be talked about in words, allowing the viewer to get the hunch on deeper non-verbal level. Apart of surrealism, abstraction and abstract expressionism, my second fav is a realistic classic painting, where I endeavor to follow the principles and techniques of Renaissance artists. ...

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

    Guy Octaaf Moreaux - One of the biggest luxuries in life, is to live surrounded by beauty. This is what I am trying to do. Harmony is an integral part of beauty, this is what I am trying to convey in my work. It is indeed a necessity for me to create. It has always been this way for as far as I can remember. Not creating makes me feel empty and unfulfilled. In every day life it pervades all my actions, from cooking to finding different places to visit, walk, etc....Have a look at the furniture I created lower in my portfolio. The architects who sold my furniture were the first ones to sell my paintings. For painting, nature inspires me a lot, many other sights or thoughts as well. If I end up painting a landscape, a portrait or something else, it is because I felt a strong emotion and an urge to do it. Hopefully my paintings inspire other people and radiate harmony in the home or office where they hang. Living in Africa now and having lived in North and South America and in northern and southern Europe, I picked up bits of cultures all over. During my stay ...

    Lou Posner - Dear Art Friends, Yes, we are living in trying times, and my heart goes out to all who are suffering or have suffered from the COVID-19 virus or the other effects of it the social isolation, loss of paychecks and jobs, etc., etc. We all know the list. I know I am biased, but what better way is there to soften the harshness of quarantine than by bringing a new piece of art into your home Therefore, I am open to negotiating prices for any works of mine for sale here that are priced at about 1500 or lower. I know money is tight these days, but art can provide a relief, a permanent cultural enjoyment, a luxury instead of the normal dinners out and vacations, during this restrictive time. Please do not feel timid about suggesting your own price for the works mentioned above. As I an artist, I too, am suffering economic hardship, so you would be helping ME as well as helping yourself. I do not accept charge cards or paypal, but a personal check or a cashiers check would be fine. I cannot offer extended time-payment plans for any of my work. I am ...

    David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

    Yuming Zhu - I land my brush with the force of a giant rock splashing into the ocean. I am not looking for a beautiful painting, but to express Life itself. Painting is just like a stacking of passions. Painting is a method of striping myself naked and facing the truth of my inner emotion. I invite the viewer to experience through my paintings the joy of being alive right at this moment. I believe I can do lots of things, but painting and poetry are the best beloved channels to express my complicated emotions. Originally from Shanghai, Yuming began studying under the masters at a young age. After his BA from China, Yuming came to the States and graduated from Sonoma State University with his MA in 1991. Working in oils, pastels and ChineseSumi Watercolors, Yumings work is a unique blend of East meets West artistry. It is a style that Yuming refers to as Transism, in reference to the constantly evolving interests, which include observations on modern life, a love of music, and an exploration of his own unique heritage. I paint to achieve balance and harmony. Once I reach that, I will for sure break itaEUR aEURoeMy art is just...

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

    Pol Ledent - I am a self-taught artist. I was born in Belgium o, 23rd October 1952. I started painting in 1995 . I took some drawing lessons in the art academy in Dinant. I try to paint the landscapes of the countryside where I am living : the southern part of Belgium. Firts I took part in many collective exhibitions . Than, I had personal exhibitions in Rochehaut (Galerie La Potele), in Dinant (Galerie L'impression), in Paris (Rive Gauche Galerie Artimus) in Brussels (Galerie G-Loft).In 2004, I had three exhibitions, again In Rochehaut, galerie La Potele in May. Then, in September Exhibition Libr'art in Libramont. In November, Galerie Impression in Dinant. What people like most in my paintings are the colours. My art doesn't speak to the intellect but to the soul and to the feelings. Talink the risk to seem old fashioned , I would say it is rather romantic. I wish you much pleasure looking at my paintings. Pol Ledent ...

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    Johann Van Den Noort - Dutch native, painter and artist JOHANN VAN DEN NOORT (Kampen 1940) has an undeniable bond with the sea and therefore maintains a unique position within the modern art world. His passion for the sea and the way this passion is visualized through his original art form, secures him a position in the ranks of today's art world. JOHANN VAN DEN NOORT's paintings summon feelings of sovereignty. An exuberance arising from meeting the elements and visually capturing an abstract image into an emotoinal reality. Wim van der Beek, arteditor. JOHANN VAN DEN NOORT dominates all technics in the art like: oilpaintings, watercolours, gouache, graphics, ceramics and sculptures. His total oeuvre consists of over 5000 pieces of art. There are a lot of publications from him by radio, TV, newspapers, artmagazines and catalogues. Most of his work found a way to important art-collections all over the world. In 2005 Johann van den Noort was decorated by the Dutch Queen as Knight of the Dutch Lion for his complete works ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...