Oil Paintings

Page 5 of 661
Marsha Bowers, Ron Ogle, Maja Djokic Mihajlovic, Isaac Brown, Emilio Merlina, Becky Soria, Philip Hallawell, Kristin Garrow, Manuela Facchin Varalda, William Christopherson, Carlos Camus, Carlos Pardo, Yuming Zhu, James Hill, Kathryn Arnold, Edna Schonblum, John Sims offering original Oil Paintings artworks.


Contemporary Art / Painting Categories / Oil Paintings / Previous / Next
Ron Ogle: 'those mountains to the west', 2019 Oil Painting, Landscape.
Landscape - Painting
39 x 12 inches (99.1 x 30.5 cm)
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Ron Ogle: 'dee', 2019 Oil Painting, Portrait.
, 2019
Portrait - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Maja Djokic Mihajlovic: 'landscape of tuscany', 2019 Oil Painting, Landscape. Artist s descriptionOil on a stretched canvas 2019Materials usedoil on a stretched canvas...
Landscape - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Isaac Brown: 'static rhythm', 2015 Oil Painting, Abstract.
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Isaac Brown: 'the secret', 2002 Oil Painting, Abstract.
, 2002
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Isaac Brown: 'cosmic dawn', 2018 Oil Painting, Abstract.
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Emilio Merlina: 'the mooring', 2018 Oil Painting, Fantasy. on laminated panel...
Fantasy - Painting
51 x 26 cm (20.1 x 10.2 inches)
Emilio Merlina: 'the source', 2018 Oil Painting, Fantasy. canvas...
, 2018
Fantasy - Painting
90 x 20 cm (35.4 x 7.9 inches)
Emilio Merlina: 'the bench', 2018 Oil Painting, Fantasy. canvas...
, 2018
Fantasy - Painting
64 x 15 cm (25.2 x 5.9 inches)
Maja Djokic Mihajlovic: 'mediterranean seascape', 2005 Oil Painting, Seascape. Oil on canvas.This is a unique, one of a kind original oil painting. The painting is sold unframed. It is signed on the back and comes with a Certificate of Authenticity. The painting will be carefully packed in cardboard box with layers of bubble wrap and sent out to ...
Seascape - Painting
91 x 72 cm (35.8 x 28.3 inches)
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Maja Djokic Mihajlovic: 'seascape 2', 2005 Oil Painting, Seascape. seascapeseaskzseascape, sea, blue, sky...
, 2005
Seascape - Painting
25 x 35 cm (9.8 x 13.8 inches)
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Emilio Merlina: 'open city', 2018 Oil Painting, Fantasy. canvas...
, 2018
Fantasy - Painting
44 x 64 cm (17.3 x 25.2 inches)
Becky Soria: 'SHE OF the FOREST', 2015 Oil Painting, Abstract Figurative. From the collectionWoman and her Symbols ...
Abstract Figurative - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Maja Djokic Mihajlovic: 'yellow street 2', 2012 Oil Painting, Architecture. Urban landscape.Original oil on canvas .This is a unique, one of a kind original oil painting. The painting is sold unframed. It is signed on the front and comes with a Certificate of Authenticity. The painting will be carefully packed in cardboard box with layers of bubble wrap and ...
Architecture - Painting
70 x 90 cm (27.6 x 35.4 inches)
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Philip Hallawell: 'behold the lilies of the field', 2002 Oil Painting, Spiritual. Inspired by the sermon on the mount...
Spiritual - Painting
120 x 150 cm (47.2 x 59.1 inches)
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Kristin  Garrow: 'across the pond', 2015 Oil Painting, Landscape. A peaceful setting in the woods surrounded by nature set on canvas no need for frame...
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Manuela Facchin Varalda: 'due papaveri', 2019 Oil Painting, Floral. original artwork unique piece oil on canvas 50 x 60 cm coquelicots poppies orange red water landscape floral france annecy light wind...
Floral - Painting
23.6 x 19.7 inches (59.9 x 50.0 cm)
William Christopherson: '20th Century Ice fisherman', 2007 Oil Painting, Landscape. I completed this painting as a record of the days when the northern rivers were frozen solid in winter, and temperatures regularly fell 20 degrees below zero throughout winter in the Thousand Islands.  The experience of ice fishing, in the remote still solitude.  This is a large artwork, professionally framed ...
Landscape - Painting
44 x 34 inches (111.8 x 86.4 cm)
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William Christopherson: 'sisters island lighthouse', 2018 Oil Painting, Landscape. Original oil artwork on stretched canvas from the St.  Lawrence River, 4 miles north of Alexandria Bay, in the Thousand Islands.  Historic lighthouse on the US- Canadian international boundary.  Completed in broad- brush oil stroke technique.  Professionally framed in beechwood, wall ready. ...
Landscape - Painting
26 x 14 inches (66.0 x 35.6 cm)
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Carlos Camus: 'alhue', 2016 Oil Painting, Cityscape. Pintura original de ArtistaCarlos Camus...
, 2016
Cityscape - Painting
4 x 14.8 inches (10.2 x 37.6 cm)
Carlos Pardo: 'a few spots in creation', 2018 Oil Painting, Family.  Just a few little spots in Creation  Oil on Canson paper 140 lbs 11. 8x15. 7 inches Carlos Pardo 2018Sometimes we forget we just are only a few spots in the Creation, Nature. . . but we are very important as we are unique in this World. Please avoid stupid false...
Family - Painting
15.7 x 11.8 inches (39.9 x 30.0 cm)
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Yuming Zhu: 'Aquatic Beauty', 2017 Oil Painting, Landscape. Plein air, oil on canvas, framed and ready to hang.  Lyrical impression.   A patch of water reflects the fresh sky.  Wondering who is working in the barn.  Serene and birds singing in distance.  A scene from Bellevue Park.  Painting from live scene is always challenging and fun.  Will be shipped ...
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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James Hill: 'tranquil sunset', 2007 Oil Painting, Sky. Sunset, Sunrise, Marsh, Wetlands, Charleston, South Carolina, SouthEast, Sky, Skyscape, Romance, Ocean, Lowcountry, Water, Sea, Seascape, River...
Sky - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Kathryn Arnold: 'perception 3', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Kathryn Arnold: 'perception 2', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Kathryn Arnold: 'perception 1', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Edna Schonblum: 'the big one', 2018 Oil Painting, Seascape.
Seascape - Painting
100 x 50 cm (39.4 x 19.7 inches)
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John Sims: 'may painting', 2018 Oil Painting, Abstract Landscape. After walking in the countryside here in Kent, late May, getting hot. Small oil on paper...
Abstract Landscape - Painting
21 x 21 cm (8.3 x 8.3 inches)
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John Sims: 'heat', 2018 Oil Painting, Abstract. Small oil on paper. . . it s all about the heatwave we have been enjoying here in the UK and my reaction to it. ...
, 2018
Abstract - Painting
21 x 21 cm (8.3 x 8.3 inches)
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Nicholas Down: 'embracing the wild', 2018 Oil Painting, Abstract Landscape. Oil on Gesso panel with Acrylic texture medium...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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(Page 5 of 661) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Marsha Bowers - Maja Djokic Mihajlovic - Maja AokiA++ MihajloviA++ is an Academic , award- winning painter , full-time professional artist . Her work is widely collected both nationally and internationally and may be found in numerous private and corporate collections all around the world. Maja AokiA++ MihajloviA++,born in Belgrade in December 1971.,graduated from The Faculty of Fine Arts in Belgrade,Painting Department,in the class of professor Milica StevanoviA++.She completed her postgraduate studies,with the same professor as her mentor,in 1999. She has been a member of the ULUS since 1997., and obtained the status of the independent artist in 2000. -Seventeen individual exhibitions. -Participated in more than hundred group exhibitions in our country and around,as well as activities of a number of painting colonies. -Five prizes for painting. ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Kristin Garrow - Dream..Imagine..Inspire..Heal These words are a daily must in the life of my creations. Suffering from several disorders including Bipolar and Fibromyalgia I am constantly changing my routine to accommodate my own Art Therapy. What does this mean for you Who doesnaEURtmt like a little variety in their lives Through my works I am able to create many forms of art and utilize multiple mediums. I offer you the chance to have a piece of my world join yours in hopes it brings you as much joy as it did for me while creating. I am always trying something new and exploring my mind to give you a piece that reaches you on many levels. My work is an examination of the different paths life takes, and the ways we work through our everyday lives always searching for something. I hope to provide you with whatever you are searching for. To have that one work that truly speaks to you or simply makes you smile. ...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    William Christopherson - Carlos Pardo - IN SHORT: INSPIRATION: Concious and unconcious perceptions, my background, all circunstances of my life, experiences, past and present, books and newspapers that I read, films, Internet aEUR|feelings, emotions and a fertile imagination sometimes, all them aid to weave a story that will change alongside the execution of a piece. In my opinion our tradition, for thousands of years, the Arts reflect the vision of a trascendent life beyond our tangible life. THEME: Unreal cityscapes let us a special kind of plasticity. The imagination and feelings are active agents that are modeling the perceptible reality. Transcendent and oniric themes entered and remain in my artwork. In my imaginary urban landscapes there are overlaid elements of towns he has visited, some imagined, and maybe dreamed, but all with a unique feminine soul. The Town is a mother, lover, or daughter of the actions, dreams and passions of those who dwell in them or recall them in the distance. It is an idea in which wander those who have been caught up in its infinite labyrinth. PROCESS: I usually have not idea about what I will show on the surface. There is a lack of a script or previous sketch. Forms are born...

    Yuming Zhu - I land my brush with the force of a giant rock splashing into the ocean. I am not looking for a beautiful painting, but to express Life itself. Painting is just like a stacking of passions. Painting is a method of striping myself naked and facing the truth of my inner emotion. I invite the viewer to experience through my paintings the joy of being alive right at this moment. I believe I can do lots of things, but painting and poetry are the best beloved channels to express my complicated emotions. Originally from Shanghai, Yuming began studying under the masters at a young age. After his BA from China, Yuming came to the States and graduated from Sonoma State University with his MA in 1991. Working in oils, pastels and ChineseSumi Watercolors, Yumings work is a unique blend of East meets West artistry. It is a style that Yuming refers to as Transism, in reference to the constantly evolving interests, which include observations on modern life, a love of music, and an exploration of his own unique heritage. I paint to achieve balance and harmony. Once I reach that, I will for sure break itaEUR aEURoeMy art is just...

    James Hill - My work explores the use of color and rhythm to create moving images that seek to provoke a particular mood or emotion by invoking a memory or moment that is meaningful to the viewer. My latest works include a study of the massive power inside thunderstorms and lightning strikes including a 6x10 oil of a storm entitled Tempest. These new paintings reflect the change in the weather patterns throughout our world thanks to global warming, which no well-educated person can deny these days. My paintings are intended to glorify the Masters Works and The awe of Creation, the Universe, the Stars and Planets, and our own incredible Earthly Skies and Lands. My other works include Fantasy, Gothic, Steampunk and Science Fiction of Utopian design cities of the future that require no use of fossil fuels at all as I look to give humanity hope for a better future of free power and sustainable living on this planet as we look to preserve it and encourage the rebuilding of nature across the world as we are but shepherds of Gods creation. ...

    Kathryn Arnold - Artist Statement Kathryn Arnold c2018 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...