Oil Paintings

Page 5 of 665
Lora Vannoord, Manuela Facchin Varalda, William Christopherson, Carlos Camus, Carlos Pardo, John Gamache, Yuming Zhu, James Hill, Kathryn Arnold, Edna Schonblum, John Sims, Lou Posner, Justin Lefty Lefkowitz, Nicholas Down, Raphael Perez Israeli Painter , Michael Garr, Youri Messen-jaschin, Tom Irizarry Studio, Michael Schaffer offering original Oil Paintings artworks.


Contemporary Art / Painting Categories / Oil Paintings / Previous / Next
Manuela Facchin Varalda: 'due papaveri', 2018 Oil Painting, Floral. original artwork unique piece oil on canvas 50 x 60 cm coquelicots poppies orange red water landscape floral france annecy light wind...
Floral - Painting
23.6 x 19.7 inches (59.9 x 50.0 cm)
William Christopherson: '20th Century Ice fisherman', 2007 Oil Painting, Landscape. I completed this painting as a record of the days when the northern rivers were frozen solid in winter, and temperatures regularly fell 20 degrees below zero throughout winter in the Thousand Islands.  The experience of ice fishing, in the remote still solitude.  This is a large artwork, professionally framed ...
Landscape - Painting
44 x 34 inches (111.8 x 86.4 cm)
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William Christopherson: 'sisters island lighthouse', 2018 Oil Painting, Landscape. Original oil artwork on stretched canvas from the St.  Lawrence River, 4 miles north of Alexandria Bay, in the Thousand Islands.  Historic lighthouse on the US- Canadian international boundary.  Completed in broad- brush oil stroke technique.  Professionally framed in beechwood, wall ready. ...
Landscape - Painting
26 x 14 inches (66.0 x 35.6 cm)
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Carlos Camus: 'alhue', 2016 Oil Painting, Cityscape. Pintura original de ArtistaCarlos Camus...
, 2016
Cityscape - Painting
4 x 14.8 inches (10.2 x 37.6 cm)
Carlos Pardo: 'a few spots in creation', 2018 Oil Painting, Family.  Just a few little spots in Creation  Oil on Canson paper 140 lbs 11. 8x15. 7 inches Carlos Pardo 2018Sometimes we forget we just are only a few spots in the Creation, Nature. . . but we are very important as we are unique in this World. Please avoid stupid false...
Family - Painting
15.7 x 11.8 inches (39.9 x 30.0 cm)
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John Gamache: 'Interview with the artiest', 2018 Oil Painting, Representational. Artist on Couch- Paintings on wall ...
Representational - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Yuming Zhu: 'Aquatic Beauty', 2017 Oil Painting, Landscape. Plein air, oil on canvas, framed and ready to hang.  Lyrical impression.   A patch of water reflects the fresh sky.  Wondering who is working in the barn.  Serene and birds singing in distance.  A scene from Bellevue Park.  Painting from live scene is always challenging and fun.  Will be shipped ...
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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James Hill: 'tranquil sunset', 2007 Oil Painting, Sky. Sunset, Sunrise, Marsh, Wetlands, Charleston, South Carolina, SouthEast, Sky, Skyscape, Romance, Ocean, Lowcountry, Water, Sea, Seascape, River...
Sky - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Lora Vannoord: 'peach orchids', 2018 Oil Painting, Floral. An original oil painting on canvas.  Inspired by my new love of orchids since living in Florida...
Floral - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Kathryn Arnold: 'perception 3', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Kathryn Arnold: 'perception 2', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Kathryn Arnold: 'perception 1', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Edna Schonblum: 'the big one', 2018 Oil Painting, Seascape.
Seascape - Painting
100 x 50 cm (39.4 x 19.7 inches)
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John Sims: 'may painting', 2018 Oil Painting, Abstract Landscape. After walking in the countryside here in Kent, late May, getting hot. Small oil on paper...
Abstract Landscape - Painting
21 x 21 cm (8.3 x 8.3 inches)
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John Sims: 'heat', 2018 Oil Painting, Abstract. Small oil on paper. . . it s all about the heatwave we have been enjoying here in the UK and my reaction to it. ...
, 2018
Abstract - Painting
21 x 21 cm (8.3 x 8.3 inches)
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Lou Posner: 'The Nautical Room', 2018 Oil Painting, Interior. Inspired by an eccentric rooming house in New Harmony, Indiana, where each room had a theme. ...
Interior - Painting
34 x 34 inches (86.4 x 86.4 cm)
Justin Lefty Lefkowitz: 'americana graffiti', 2017 Oil Painting, Abstract. Acrylic domestic paint original by Justin lefty lefkowitz. This is an original piece 1 - 1 from my americana series. This piece is framedDonaEURtmt forget to add meJLeftyArt on Social Media 22of proceeds will be donated to building for AmericaaEURtms bravest program ...
Abstract - Painting
26 x 32 inches (66.0 x 81.3 cm)
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Nicholas Down: 'embracing the wild', 2018 Oil Painting, Abstract Landscape. Oil on Gesso panel with Acrylic texture medium...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Manuela Facchin Varalda: 'apres la pluie', 2018 Oil Painting, Floral. landscape red blue poppy coquelicot reflects water annecy drops rain flower soir evening...
Floral - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Nicholas Down: 'rising from the plateau', 2018 Oil Painting, Abstract Landscape. Oil on gesso on Arches Watercolor paper...
Abstract Landscape - Painting
28 x 22 inches (71.1 x 55.9 cm)
Raphael Perez  Israeli Painter : 'homosexual art paintings', 2018 Oil Painting, Peace. homosexual art paintings queer artist raphael perez homoerotic painter gay artists painters ...
Peace - Painting
100 x 150 cm (39.4 x 59.1 inches)
Raphael Perez  Israeli Painter : 'homoerotic painters artists', 2018 Oil Painting, nudes. homoerotic painters queer artists  homo erotic artworks paintings homosexual painter queer art paintings erotic nude painting...
nudes - Painting
100 x 200 cm (39.4 x 78.7 inches)
Michael Garr: 'lorena in her studio', 2018 Oil Painting, Interior. Lorena Pugh working on her big wave...
Interior - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Michael Garr: 'in the neighborhood', 2018 Oil Painting, Landscape. A plein air painting during the evening monday night painting group session at Lorena Pugh s studio...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Edna Schonblum: 'arpoador beach', 2018 Oil Painting, Seascape.
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Youri Messen-jaschin: 'white rhinoceros', 2018 Oil Painting, Optical. Op artOil painting - cotton canvasA(c) Youri Messen- JaschinA(r) Prolitteris CH 8032 Zurich...
Optical - Painting
160 x 160 cm (63.0 x 63.0 inches)
Lou Posner: 'Gourds', 2018 Oil Painting, Visionary. A backyard patio filled with plants, books, painting gear, white lattice, gardening tools, homemade cabinet and GOURDS. ...
, 2018
Visionary - Painting
18 x 18 inches (45.7 x 45.7 cm)
Tom Irizarry Studio: 'things as they are', 2018 Oil Painting, Abstract Landscape.
Abstract Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Michael Schaffer: 'Hitting My Target', 1987 Oil Painting, Expressionism. One of my first self portraits. ...
Expressionism - Painting
40 x 36 inches (101.6 x 91.4 cm)
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Michael Schaffer: 'The Chase', 1988 Oil Painting, Expressionism. From my Figurative Expressionism period. ...
, 1988
Expressionism - Painting
30 x 40 inches (76.2 x 101.6 cm)
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(Page 5 of 665) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association, the Palm Harbor Art Club, the Creative Artists Guild, Artists of the Adirondacks, Strand Center for the Arts and the NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL.. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    William Christopherson - Carlos Pardo - IN SHORT: INSPIRATION: Concious and unconcious perceptions, my background, all circunstances of my life, experiences, past and present, books and newspapers that I read, films, Internet aEUR|feelings, emotions and a fertile imagination sometimes, all them aid to weave a story that will change alongside the execution of a piece. In my opinion our tradition, for thousands of years, the Arts reflect the vision of a trascendent life beyond our tangible life. THEME: Unreal cityscapes let us a special kind of plasticity. The imagination and feelings are active agents that are modeling the perceptible reality. Transcendent and oniric themes entered and remain in my artwork. In my imaginary urban landscapes there are overlaid elements of towns he has visited, some imagined, and maybe dreamed, but all with a unique feminine soul. The Town is a mother, lover, or daughter of the actions, dreams and passions of those who dwell in them or recall them in the distance. It is an idea in which wander those who have been caught up in its infinite labyrinth. PROCESS: I usually have not idea about what I will show on the surface. There is a lack of a script or previous sketch. Forms are born...

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Yuming Zhu - I land my brush with the force of a giant rock splashing into the ocean. I am not looking for a beautiful painting, but to express Life itself. Painting is just like a stacking of passions. Painting is a method of striping myself naked and facing the truth of my inner emotion. I invite the viewer to experience through my paintings the joy of being alive right at this moment. I believe I can do lots of things, but painting and poetry are the best beloved channels to express my complicated emotions. Originally from Shanghai, Yuming began studying under the masters at a young age. After his BA from China, Yuming came to the States and graduated from Sonoma State University with his MA in 1991. Working in oils, pastels and ChineseSumi Watercolors, Yumings work is a unique blend of East meets West artistry. It is a style that Yuming refers to as Transism, in reference to the constantly evolving interests, which include observations on modern life, a love of music, and an exploration of his own unique heritage. I paint to achieve balance and harmony. Once I reach that, I will for sure break itaEUR aEURoeMy art is just...

    James Hill - My work explores the use of color and rhythm to create moving images that seek to provoke a particular mood or emotion by invoking a memory or moment that is meaningful to the viewer. My latest works include a study of the massive power inside thunderstorms and lightning strikes including a 6'x10' oil of a storm entitled "Tempest". These new paintings reflect the change in the weather patterns throughout our world thanks to global warming, which no well-educated person can deny these days. My paintings are intended to glorify God and the awe of creation, the universe, the stars and planets, and our own incredible Earthly skies and lands. My other works include Fantasy, Gothic, Steampunk and Science Fiction of Utopian design cities of the future that require no use of fossil fuels at all as I look to give humanity hope for a better future of free power and sustainable living on this planet as we look to preserve it and encourage the rebuilding of nature across the world as we are but shepherds of God's creation. ...

    Kathryn Arnold - Artist Statement Kathryn Arnold c2018 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Lou Posner - After you reach the main or first Posner portfolio page, please click on an image to enlarge it and bring up further details about the piece of art, including THE PRICE and a description or story of it. Once you have done this, you may also click on zoom-in, a function which may or may not work. At the bottom of Posners main portfolio page Page No.1 you will see instructions for navigating to the rest of my art. There are presently a total of about 237 pieces of art to be viewed. Most are oil paintings, and the rest are charcoal and pencil drawings, watercolors, prints, etc. The first set of images will tell you if the piece is NFS Not For Sale or SOLD. I include these on the website to give viewers a sense of the scope of my work. Prices for each piece USED TO BE SHOWN next to the initial encounter with the image. NOW...all my prices are gone from the intial images, and the words REQUEST PRICE appear for all pieces that are still for sale. NOTE YOU DO NOT HAVE TO CONTACT ME TO REQUEST ANY PRICES. IF YOU CLICK ...

    Justin Lefty Lefkowitz - Lifes full of tales that have yet to be written they say... well this one has yet to be fully painted. Although born in Staten Island in 1991, Justin did not start perfecting his craft until mid 2016 when faced with horrific health issues at the time. Starting early 2016 down over 30 pounds, eventually put back on with the assistance of steroidal injections, things didnt seem to be going well for Justin at all. According to friends close to the artist, he was surviving on Powerade and Gatorade in the beginning - unable to bring himself to eat anything, he was getting his calorie intake from the drink and staying hydrated as well. He was too weak to even open up the bottles himself. These bottles would go on to serve as partial inspiration for one of Justins first pieces Although it would not be learned until several months later when he would officially be diagnosed with chronic Lyme Disease, Justin continued experimenting, creating, and producing new pieces of art that would expand boundaries and push his artistic limits as if there were no issues. Painting was the perfect outlet for Justin as he was unable to process audio and ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Raphael Perez Israeli Painter - Pride and Prejudice: on Raphael Perez's Artwork Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries. In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films. Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration ...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity (I have a day job). My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons' music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. I've done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorena's studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to peruse. In 2003, I legally changed my name back to my original name, Michael Garr, so ...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....