Oil Paintings

Page 6 of 608
Peter Seminck, Michael Fornadley, Judith Fritchman, Ron Anderson, Candice Rongyu, Luiz Henrique Azevedo, Tom Lund-lack, Marino Chanlatte, Harris Gulko, William Christopherson, Terri Higgins, Valda Fitzpatrick, Isaac Brown, Emilio Merlina offering original Oil Paintings artworks.


Contemporary Art / Painting Categories / Oil Paintings / Previous / Next
Michael Fornadley: 'exodus 2', 2020 Oil Painting, Political. Parables with unscripted conclusions, balancing illustrative with intellect- opposites through thoughts and emotions, figures in motion eccentric objectsman carrying gold nugget, party hats, birthday cakes, man with staffleading the eye through theatrical space, enticing viewer to ponder a logical conclusion, when there is none. ...
, 2020
Political - Painting
48 x 38 inches (121.9 x 96.5 cm)
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Michael Fornadley: 'water jugs', 2019 Oil Painting, People. Unscripted narrative, theme of work vs play, main scene of children playing paper football and men toiling to carry heavy objects...
, 2019
People - Painting
57 x 38 inches (144.8 x 96.5 cm)
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Michael Fornadley: 'Boat People 2', 2020 Oil Painting, Figurative. Oils and Casein on wood, Style- expressionism, figurative images- people- boats, that convey societal themes within a seascape...
Figurative - Painting
48 x 38 inches (121.9 x 96.5 cm)
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Judith Fritchman: 'spring greening', 2018 Oil Painting, Landscape. The long awaited promise of April in the village. ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Judith Fritchman: 'january sunrise', 2018 Oil Painting, Landscape. A January sunrise in Bucks County gilds the neighbors  farm with gold. ...
Landscape - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Judith Fritchman: 'silver and gold', 2015 Oil Painting, Still Life. A study of white roses and silver. ...
Still Life - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Judith Fritchman: 'thespian dreams', 1997 Oil Painting, Portrait. A young theater director dreams of her next play. ...
Portrait - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Ron Anderson: 'Harlequins Dream', 1998 Oil Painting, Figurative. Original oil painting by Ohio artist Ron Anderson.  Painting entitled Harlequins Dream.  Painting is priced and sold unframed.  Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties.  Artist reserves all rights to reproduction and copyright.  ...
Figurative - Painting
217 x 69 inches (551.2 x 175.3 cm)
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Candice Rongyu: 'Bouquet', 2019 Oil Painting, Still Life. Introduction of Craft Hand- made Embroidery It is a more than 2000 years traditional handicraft combining art and craftFeature of handicraft The procedure of making is embroider pattern image with various thinness color silk threads on high density silk, satin fabrics or woolen textilesp.  s.  the thinnest filament is ...
, 2019
Still Life - Painting
40 x 60 cm (15.7 x 23.6 inches)
Luiz Henrique Azevedo: 'reclining nude', 2019 Oil Painting, Nudes. This picture is parte of a oil painting collection of oil painting scenes of womam nudes or not that challenge the beauty and harmony of colour flesh tones.  I work to make the viewers see a well done work, under the limits of my performance, not only art forms but ...
Nudes - Painting
30 x 40 cm (11.8 x 15.7 inches)
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Candice Rongyu: 'still life', 2019 Oil Painting, Floral. Introduction of Craft Hand- made Embroidery, It is a more than 2000 years traditional handicraft combining art and craftFeature of handicraft The procedure of making is embroider pattern image with various thinness color silk threads on high density silk, satin fabrics or woolen textilesp.  s.  the thinnest filament is ...
, 2019
Floral - Painting
50 x 65 cm (19.7 x 25.6 inches)
Luiz Henrique Azevedo: 'lying nude', 2019 Oil Painting, Nudes. A lying nude sun exposed depicted first in charcoal and then in oil painting over board. ...
, 2019
Nudes - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Tom Lund-lack: 'colour form', 2019 Oil Painting, Abstract. Abstract colours used to create forms of clouds or sea - you decide.  Impasto technique laid on deep frame canvas. ...
Abstract - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Marino Chanlatte: 'water lilies 15', 2019 Oil Painting, Abstract. I love to observe water lilies in the water and in the canvas or paper, these are my water lilies.Oil on paper...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Marino Chanlatte: 'two figures', 2019 Oil Painting, Abstract. Two figures, retaking the abstract figure in new setting and meaning.Oil on paper...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Harris Gulko: 'Bless them all The long the short and the tall', 2005 Oil Painting, Travel. Peoples personalities, like buildings, have various facades, some pleasant to view, some notaEUR.  Francois de La Rochefoucauld...
Travel - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Harris Gulko: 'A Childish View of Downtown', 2004 Oil Painting, Fantasy. I guided and supervised a grandchild who said she wants to i? 1/2paint like a grown- upi? 1/2...
Fantasy - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Harris Gulko: 'mechanical man', 2009 Oil Painting, Abstract Figurative. Number 1115...
Abstract Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Harris Gulko: 'Happy Clouds', 2002 Oil Painting, Clouds.  I have always loved clouds.  As a child I marveled at their many intricate, ever- changing shapes.  I used to think how wonderful it would be to be a cloud - free to wander at will, reshape oneself, travel on the wind, have a better than birds eye view of the...
Clouds - Painting
22 x 14 inches (55.9 x 35.6 cm)
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William Christopherson: 'dawn at clayton docks', 2019 Oil Painting, Landscape. A sunrise scene in the Thousand Islands of Upstate NY.  Remindfull of those important slower days to relax and enjoy the beauty of the earth.  Completed in Grumbacher oils, in hardwood professional floater frame.  Wall ready.  Award winning artwork at 2019 Along the Rivers Edge, TI Arts Center.  Ships UPS, ...
Landscape - Painting
26 x 26 inches (66.0 x 66.0 cm)
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Terri Higgins: 'marie antoinettes chicken 2', 2019 Oil Painting, Birds. Marie Antoinette s Chicken number 2, Chicken, Marie Antoinette s chickens, French chickens, poultry, birds, Actual background color is more blue than it photographed as a gray. ...
Birds - Painting
13 x 21 inches (33.0 x 53.3 cm)
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Valda Fitzpatrick: 'red poppies', 2019 Oil Painting, Floral. Small miniature painting of poppies in vase. original floral still life. The poppies are painted impressionistic style, added texture with a palette knife. copyright symbol will not appear on painting. The 5x5 inch painting is great to decorate small area spaces and is ready for hanging. The flowers are painted ...
Floral - Painting
5 x 5 ( x )
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Marino Chanlatte: 'the dream', 2019 Oil Painting, Abstract. The Dream, retaking the abstract figure in new setting and meaning.Canvas edge 1. 5 depth, painted to match. Ready to hang.Abstract figurative...
, 2019
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Marino Chanlatte: 'water lilies 14', 2019 Oil Painting, Abstract. I love to observe water lilies in the water and in the canvas, these are my water lilies.Ready to hang. ...
Abstract - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Isaac Brown: 'static rhythm', 2015 Oil Painting, Abstract.
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Isaac Brown: 'the secret', 2002 Oil Painting, Abstract.
, 2002
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Isaac Brown: 'cosmic dawn', 2018 Oil Painting, Abstract.
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Emilio Merlina: 'the mooring', 2018 Oil Painting, Fantasy. on laminated panel...
Fantasy - Painting
51 x 26 cm (20.1 x 10.2 inches)
Emilio Merlina: 'the source', 2018 Oil Painting, Fantasy. canvas...
, 2018
Fantasy - Painting
90 x 20 cm (35.4 x 7.9 inches)
Emilio Merlina: 'the bench', 2018 Oil Painting, Fantasy. canvas...
, 2018
Fantasy - Painting
64 x 15 cm (25.2 x 5.9 inches)
(Page 6 of 608) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Candice Rongyu - This is a supplier of hand-made embroidery, it has taken nearly 2000 years history. Hand-made embroidery belongs to handicraft, each artwork are making by hundreds and thousands needlework. those artworks not only bring aesthetic enjoyment, but also display a cultural heritage. In order to satisfy different aesthetic demands, we supply bespoke service. If you are interested in and would like to get sample before place an order, please feel free to contact me. Thanks ...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Harris Gulko - Rather than giving technical details concerning my paintings, I take the liberty to convey, in fewer than 150 words, the philosophy of life that influences all my paintings. My artwork cuts across artistic barriers, displaying many themes landscapes, seascapes, cloud formations, abstracts, childhood games, religious compositions and more. If there is one constant in my work, it is my inconsistency When I am at my easel I try to create on canvas what I am seeing. But often I go off on a tangent, and what ends up often bears little resemblance to what I was attempting to paint. My formula for success consists of ambition, drive, hard work, effort, energy, fear of failure, patience, perspiration and persistence. Life and love are made of time. Privileged those who find love in time. Wise those who express love, before life runs out of time....

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    Valda Fitzpatrick - In earlier years, my dream was to become a doctor, or an artist, unfortunately I was unable to tolerate the site of blood. In order to save the patents , I made a wise decision to study art . I love every aspect of art and explore with all medias. my favorite is the French artist Monet, who was my inspiration with his incredible impressionistic style which I love to paint with oils. For a change , designing contemporary art with paper, ,interesting found objects to let my imagination go. When I am in my large studio I am in heaven. When I was still a student , I went to many art shows and did commissions. Which I financed 1 000 percent of my college expenses, and my own studios , which my husband build through the sale of my art work, a career experience that demonstrates the great practical worth of art studies and education. EDUCATION The Ohio State University , master of Arts, Supervision and Education Administration, December 1986 . The Ohio State University, Bachelor of art Education , August 1980 . The Ohio State University, Bachelor of Fine Arts, Painting And Drawing, June 1978. I further followed up my education at the Columbus of Art ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...