Oil Paintings

Page 6 of 656
Manuela Facchin Varalda, Nicholas Down, Raphael Perez Israeli Painter , Michael Garr, Edna Schonblum, Lou Posner, Tom Irizarry Studio, Michael Schaffer, Ron Ogle, Tom Lund-lack, John Sims, Shoshannah Brombacher, Michael Fornadley, Donna Gallant, John Gamache offering original Oil Paintings artworks.


Contemporary Art / Painting Categories / Oil Paintings / Previous / Next
Nicholas Down: 'rising from the plateau', 2018 Oil Painting, Abstract Landscape. Oil on gesso on Arches Watercolor paper...
Abstract Landscape - Painting
28 x 22 inches (71.1 x 55.9 cm)
Raphael Perez  Israeli Painter : 'homosexual art paintings', 2018 Oil Painting, Peace. homosexual art paintings queer artist raphael perez homoerotic painter gay artists painters ...
Peace - Painting
100 x 150 cm (39.4 x 59.1 inches)
Raphael Perez  Israeli Painter : 'homoerotic painters artists', 2018 Oil Painting, nudes. homoerotic painters queer artists  homo erotic artworks paintings homosexual painter queer art paintings erotic nude painting...
nudes - Painting
100 x 200 cm (39.4 x 78.7 inches)
Michael Garr: 'lorena in her studio', 2018 Oil Painting, Interior. Lorena Pugh working on her big wave...
Interior - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Michael Garr: 'in the neighborhood', 2018 Oil Painting, Landscape. A plein air painting during the evening monday night painting group session at Lorena Pugh s studio...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Edna Schonblum: 'arpoador beach', 2018 Oil Painting, Seascape.
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Lou Posner: 'Gourds', 2018 Oil Painting, Visionary. A backyard patio filled with plants, books, painting gear, white lattice, gardening tools, homemade cabinet and GOURDS. ...
, 2018
Visionary - Painting
18 x 18 inches (45.7 x 45.7 cm)
Tom Irizarry Studio: 'things as they are', 2018 Oil Painting, Abstract Landscape.
Abstract Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Michael Schaffer: 'Hitting My Target', 1987 Oil Painting, Expressionism. One of my first self portraits. ...
Expressionism - Painting
40 x 36 inches (101.6 x 91.4 cm)
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Michael Schaffer: 'The Chase', 1988 Oil Painting, Expressionism. From my Figurative Expressionism period. ...
, 1988
Expressionism - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Ron Ogle: 'duncanson landscape detail', 2018 Oil Painting, Cityscape.
Cityscape - Painting
17 x 4 inches (43.2 x 10.2 cm)
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Nicholas Down: 'awakening', 2018 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
, 2018
Abstract Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
Tom Lund-lack: 'fiord', 2018 Oil Painting, Landscape. Using a palette knife is a great way to get the feeling of the mountainside running down into a fiord.  The intense cold was created using cobalt, prussian and manganese blue.  I love the way the paint picks up the ridges and forms of the rock. ...
, 2018
Landscape - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Tom Lund-lack: 'headland breaker', 2018 Oil Painting, Seascape. Expressionist seascape of a wave breaking against a cliff.  Rock and water back lit endeavours to find the heart of the image. ...
Seascape - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Nicholas Down: 'giving way to spring', 2018 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
Abstract Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
John Sims: 'a place in my head', 2018 Oil Painting, Abstract. A small oil on paper painting about nothing, just an open mind letting in shapes and colours...
Abstract - Painting
20 x 20 cm (7.9 x 7.9 inches)
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John Sims: 'about the weather', 2018 Oil Painting, Abstract. Small oil on paper painting about looking outside through a snow storm, just starting to settle the colours becoming muted and hidden...
Abstract - Painting
20 x 20 cm (7.9 x 7.9 inches)
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Shoshannah Brombacher: 'between heaven and earth', 2000 Oil Painting, Judaic. Said the Karliner Rebbe:  A Jew should be like the ladder of Jacob, with his head in Heaven and his feet firmly planted on the ground.  In other words, a Jew should study Torah and think of spiritual things while taking care of his livelihood, business and family, etc. here ...
Judaic - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Shoshannah Brombacher: 'miriam dancing', 1997 Oil Painting, Biblical. This is one of my paintings bout Biblical women. Miriam, Moses  sister, took her tambourine after the Jews got safely on dry land and escaped Pharaoh s heir, and sang an song of praise. All the Jewish women sang and danced with her. ...
Biblical - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Shoshannah Brombacher: 'the jewish cemetery of prague', 1996 Oil Painting, Kabbalah. For years I have been working on thebthem of the Golem of Prague, which resulted in many paintings and drawings, like this one.  The Hoykhe Rabbi Loeb contemplates his golem. See:
Kabbalah - Painting
40 x 42 inches (101.6 x 106.7 cm)
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Shoshannah Brombacher: 'study', 2007 Oil Painting, Education. I was born in Amsterdam and researched the 17th century Sephardic community of Amsterdam. This resulted in a series of historical paintings, like this one, a rabbi studying a text. I have many more historical paintings.  ...
, 2007
Education - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Michael Fornadley: 'My Day in the Village', 2018 Oil Painting, Undecided. Still in transition, subject to change. ...
Undecided - Painting
57 x 38 inches (144.8 x 96.5 cm)
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Michael Fornadley: 'the curator', 2018 Oil Painting, Expressionism.
Expressionism - Painting
80 x 55 inches (203.2 x 139.7 cm)
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Michael Fornadley: 'Water Jugs', 2018 Oil Painting, Figurative.
, 2018
Figurative - Painting
57 x 37 inches (144.8 x 94.0 cm)
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Michael Fornadley: 'Go Ask Alice', 2018 Oil Painting, Figurative.
Figurative - Painting
57 x 38 inches (144.8 x 96.5 cm)
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Donna Gallant: 'glimpse', 2017 Oil Painting, Floral. This piece is part of a large series called Close UP. ...
, 2017
Floral - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Tom Lund-lack: 'the complaining sea', 2018 Oil Painting, Seascape. The full title of this piece is - The Sea Complains on a Thousand Shores, but that was too long for the title box algorithm.A sunny day along the shore line. I feel that the groynes are like fingers leading your gaze out into sea. Sometimes like the ones in ...
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Donna Gallant: 'cool trees', 2016 Oil Painting, Landscape. A monochrome color scheme portraying cool evergreen trees. ...
, 2016
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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John Gamache: 'Rubens copy by john gamache', 2017 Oil Painting, Portrait. Life size copy - Rubens self portrait - Oil Painting - Framed...
Portrait - Painting
18 x 24 inches (45.7 x 61.0 cm)
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John Gamache: 'the lighthouse guard', 2017 Oil Painting, Representational. Light house Falmouth Cape Cod - Seagull - Window...
Representational - Painting
16 x 20 inches (40.6 x 50.8 cm)
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(Page 6 of 656) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Raphael Perez Israeli Painter - Pride and Prejudice: on Raphael Perez's Artwork Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries. In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films. Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration ...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity (I have a day job). My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons' music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. I've done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorena's studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to peruse. In 2003, I legally changed my name back to my original name, Michael Garr, so ...

    Lou Posner - After you reach the main or first Posner portfolio page, please click on an image to enlarge it and bring up further details about the piece of art, including THE PRICE and a description or story of it. Once you have done this, you may also click on zoom-in, a function which may or may not work. At the bottom of Posners main portfolio page Page No.1 you will see instructions for navigating to the rest of my art. There are presently a total of about 237 pieces of art to be viewed. Most are oil paintings, and the rest are charcoal and pencil drawings, watercolors, prints, etc. The first set of images will tell you if the piece is NFS Not For Sale or SOLD. I include these on the website to give viewers a sense of the scope of my work. Prices for each piece USED TO BE SHOWN next to the initial encounter with the image. NOW...all my prices are gone from the intial images, and the words REQUEST PRICE appear for all pieces that are still for sale. NOTE YOU DO NOT HAVE TO CONTACT ME TO REQUEST ANY PRICES. IF YOU CLICK ...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Michael Schaffer - Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    John Sims - Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...