Oil Paintings

Page 6 of 637
William Christopherson, Terri Higgins, Marino Chanlatte, Ron Ogle, Isaac Brown, Emilio Merlina, Becky Soria, Philip Hallawell, Kristin Garrow, Carlos Camus, Kathryn Arnold, John Sims, Nicholas Down, Manuela Facchin Varalda, Raphael Perez Israeli Painter , Tom Irizarry Studio offering original Oil Paintings artworks.


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Terri Higgins: 'marie antoinettes chicken 2', 2019 Oil Painting, Birds. Marie Antoinette s Chicken number 2, Chicken, Marie Antoinette s chickens, French chickens, poultry, birds, Actual background color is more blue than it photographed as a gray. ...
Birds - Painting
13 x 21 inches (33.0 x 53.3 cm)
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Marino Chanlatte: 'the dream', 2019 Oil Painting, Abstract. The Dream, retaking the abstract figure in new setting and meaning.Canvas edge 1. 5 depth, painted to match. Ready to hang.Abstract figurative...
, 2019
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Marino Chanlatte: 'water lilies 14', 2019 Oil Painting, Abstract. I love to observe water lilies in the water and in the canvas, these are my water lilies.Ready to hang. ...
Abstract - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Terri Higgins: 'My Thoughts Took Hold', 2019 Oil Painting, Abstract. Thoughts.  They can stay forever fluttering away in our mind and are never known by anyone other than ourself, other times our thoughts thunder out and all is revealed.  Thoughts can make sense or be complete nonsense.  Positive, negative, exciting, monotonous, they do not stop.  Oil on Canvas, Reds, blues, ...
Abstract - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Ron Ogle: 'dee', 2019 Oil Painting, Portrait.
, 2019
Portrait - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Isaac Brown: 'static rhythm', 2015 Oil Painting, Abstract.
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Isaac Brown: 'the secret', 2002 Oil Painting, Abstract.
, 2002
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Isaac Brown: 'cosmic dawn', 2018 Oil Painting, Abstract.
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Emilio Merlina: 'the mooring', 2018 Oil Painting, Fantasy. on laminated panel...
Fantasy - Painting
51 x 26 cm (20.1 x 10.2 inches)
Emilio Merlina: 'the source', 2018 Oil Painting, Fantasy. canvas...
, 2018
Fantasy - Painting
90 x 20 cm (35.4 x 7.9 inches)
Emilio Merlina: 'the bench', 2018 Oil Painting, Fantasy. canvas...
, 2018
Fantasy - Painting
64 x 15 cm (25.2 x 5.9 inches)
Emilio Merlina: 'open city', 2018 Oil Painting, Fantasy. canvas...
, 2018
Fantasy - Painting
44 x 64 cm (17.3 x 25.2 inches)
Becky Soria: 'SHE OF the FOREST', 2015 Oil Painting, Abstract Figurative. From the collectionWoman and her Symbols ...
Abstract Figurative - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Philip Hallawell: 'behold the lilies of the field', 2002 Oil Painting, Spiritual. Inspired by the sermon on the mount...
Spiritual - Painting
120 x 150 cm (47.2 x 59.1 inches)
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Kristin  Garrow: 'across the pond', 2015 Oil Painting, Landscape. A peaceful setting in the woods surrounded by nature set on canvas no need for frame...
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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William Christopherson: '20th Century Ice fisherman', 2007 Oil Painting, Landscape. I completed this painting as a record of the days when the northern rivers were frozen solid in winter, and temperatures regularly fell 20 degrees below zero throughout winter in the Thousand Islands.  The experience of ice fishing, in the remote still solitude.  This is a large artwork, professionally framed ...
Landscape - Painting
44 x 34 inches (111.8 x 86.4 cm)
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William Christopherson: 'sisters island lighthouse', 2018 Oil Painting, Landscape. Original oil artwork on stretched canvas from the St.  Lawrence River, 4 miles north of Alexandria Bay, in the Thousand Islands.  Historic lighthouse on the US- Canadian international boundary.  Completed in broad- brush oil stroke technique.  Professionally framed in beechwood, wall ready. ...
Landscape - Painting
26 x 14 inches (66.0 x 35.6 cm)
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Carlos Camus: 'alhue', 2016 Oil Painting, Cityscape. Pintura original de ArtistaCarlos Camus...
, 2016
Cityscape - Painting
4 x 14.8 inches (10.2 x 37.6 cm)
Kathryn Arnold: 'perception 3', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Kathryn Arnold: 'perception 2', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Kathryn Arnold: 'perception 1', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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John Sims: 'may painting', 2018 Oil Painting, Abstract Landscape. After walking in the countryside here in Kent, late May, getting hot. Small oil on paper...
Abstract Landscape - Painting
21 x 21 cm (8.3 x 8.3 inches)
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John Sims: 'heat', 2018 Oil Painting, Abstract. Small oil on paper. . . it s all about the heatwave we have been enjoying here in the UK and my reaction to it. ...
, 2018
Abstract - Painting
21 x 21 cm (8.3 x 8.3 inches)
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Nicholas Down: 'embracing the wild', 2018 Oil Painting, Abstract Landscape. Oil on Gesso panel with Acrylic texture medium...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Manuela Facchin Varalda: 'apres la pluie', 2018 Oil Painting, Floral. landscape red blue poppy coquelicot reflects water annecy drops rain flower soir evening...
Floral - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Nicholas Down: 'rising from the plateau', 2018 Oil Painting, Abstract Landscape. Oil on gesso on Arches Watercolor paper...
Abstract Landscape - Painting
28 x 22 inches (71.1 x 55.9 cm)
Raphael Perez  Israeli Painter : 'homosexual art paintings', 2018 Oil Painting, Peace. homosexual art paintings queer artist raphael perez homoerotic painter gay artists painters ...
Peace - Painting
100 x 150 cm (39.4 x 59.1 inches)
Raphael Perez  Israeli Painter : 'homoerotic painters artists', 2018 Oil Painting, nudes. homoerotic painters queer artists  homo erotic artworks paintings homosexual painter queer art paintings erotic nude painting...
nudes - Painting
100 x 200 cm (39.4 x 78.7 inches)
Tom Irizarry Studio: 'things as they are', 2018 Oil Painting, Abstract Landscape.
Abstract Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Michael Schaffer: 'Hitting My Target', 1987 Oil Painting, Expressionism. One of my first self portraits. ...
Expressionism - Painting
40 x 36 inches (101.6 x 91.4 cm)
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(Page 6 of 637) - MORE ARTWORKS
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  • Artists Describing Their Art:

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Marino Chanlatte - Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Kristin Garrow - Dream..Imagine..Inspire..Heal These words are a daily must in the life of my creations. Suffering from several disorders including Bipolar and Fibromyalgia I am constantly changing my routine to accommodate my own Art Therapy. What does this mean for you Who doesnaEURtmt like a little variety in their lives Through my works I am able to create many forms of art and utilize multiple mediums. I offer you the chance to have a piece of my world join yours in hopes it brings you as much joy as it did for me while creating. I am always trying something new and exploring my mind to give you a piece that reaches you on many levels. My work is an examination of the different paths life takes, and the ways we work through our everyday lives always searching for something. I hope to provide you with whatever you are searching for. To have that one work that truly speaks to you or simply makes you smile. ...

    Kristin Garrow - Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Raphael Perez Israeli Painter - Pride and Prejudice: on Raphael Perez's Artwork Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries. In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films. Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration ...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....