Oil Paintings

Page 6 of 528
Sandra Bryant, Sangeetha Bansal, Daniel Wall, Jennifer Bailey, L. Kelen, Michael Fornadley, Peter Seminck, Terri Higgins, Judith Fritchman, Ron Anderson, Candice Rongyu, Luiz Henrique Azevedo, Tom Lund-lack, Marino Chanlatte offering original Oil Paintings artworks.


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Sandra Bryant: 'breakfast of champions', 2020 Oil Painting, Still Life. A favorite way to start the day, coffee and danish. ...
Still Life - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Sangeetha Bansal: 'sacral chakra goddess', 2019 Oil Painting, Spiritual. Swadhisthana chakra or sacral chakra is the second chakra and is located between the naval and the base of the spinal cord. It is orange in color, indicating energy and stimulation.The moon is the planet of this chakra, and Its element is water.This chakra controls the sexual organs, ...
Spiritual - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Daniel Wall: 'beautiful life', 2019 Oil Painting, Landscape. Vacation Cabin...
Landscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
Daniel Wall: 'a breathtaking view', 2020 Oil Painting, Landscape. Ocean view, ocean sunrise...
Landscape - Painting
30 x 20 inches (76.2 x 50.8 cm)
Daniel Wall: 'romantic caribbean island', 2020 Oil Painting, Landscape. Romantic Caribbean Island...
Landscape - Painting
24 x 31 inches (61.0 x 78.7 cm)
Daniel Wall: 'florence sunset', 2020 Oil Painting, Landscape. Florence Sunset, Italy, Florence, Venice...
Landscape - Painting
30 x 24 inches (76.2 x 61.0 cm)
Jennifer Bailey: 'june sky', 2020 Oil Painting, Abstract. While driving back to the city after a day trip away from the house the sky quickly filled with clouds as the sun descended. The colors where unbelievably saturating. My goal was to share the sentiment of the warmth in the sky and the vast open fields of grass. ...
, 2020
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Sangeetha Bansal: 'solar plexus chakra goddess', 2020 Oil Painting, Spiritual. The Manipura chakra, or the third chakra is located above the navel, or slightly below the solar plexus.  Manipura is associated with the color yellow, element fire or the Hindu deity aEUR~AgniaEURtm and the associated planet is sun or the Hindu deity aEUR~SuryaaEURtm.  Basic function is digestion.  Manipura is theaEURoe...
Spiritual - Painting
12 x 16 inches (30.5 x 40.6 cm)
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L. Kelen: 'concrete plant', 2020 Oil Painting, Representational. I needed to paint something that no one would want.  This is a place in which no one sees beauty.  It hangs where it is the last thing I see before turning out the lights, and the first thing I see in the morning. ...
Representational - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Michael Fornadley: 'pokey riders 2', 2020 Oil Painting, . Casein and Oil on Wood...
- Painting
48 x 38 inches (121.9 x 96.5 cm)
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Peter Seminck: 'on the beach with mom and dad', 2020 Oil Painting, People. Until these scenes are possible again after the Covid- 19 has been beaten...
People - Painting
47.2 x 31.5 inches (119.9 x 80.0 cm)
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Terri Higgins: 'marie antoinettes chicken 4', 2020 Oil Painting, Birds. This is painting number 4 and part of a series ofMarie Antoinette s chickens in Versailles.  Oil on Linen. ...
Birds - Painting
16 x 20 inches (40.6 x 50.8 cm)
Terri Higgins: 'marie antoinettes chicken 3', 2020 Oil Painting, Birds. This is painting number 3 and part of a series of Marie Antoinette s chickens.  Oil on Linen. ...
Birds - Painting
16 x 20 inches (40.6 x 50.8 cm)
Peter Seminck: 'late afternoon on the beach', 2020 Oil Painting, People. Elderly couple enjoying the late afternoon sun on the beach...
People - Painting
39.4 x 39.4 inches (100.1 x 100.1 cm)
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Peter Seminck: 'moms and kids on the beach', 2020 Oil Painting, People. When winter takes too long to move on, I paint summer.Oil on canvas, brushes and knives were used.First of a new series  on the beach scenes . ...
People - Painting
47.2 x 31.5 inches (119.9 x 80.0 cm)
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Michael Fornadley: 'exodus 2', 2020 Oil Painting, Political. Parables with unscripted conclusions, balancing illustrative with intellect- opposites through thoughts and emotions, figures in motion eccentric objectsman carrying gold nugget, party hats, birthday cakes, man with staffleading the eye through theatrical space, enticing viewer to ponder a logical conclusion, when there is none. ...
, 2020
Political - Painting
48 x 38 inches (121.9 x 96.5 cm)
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Michael Fornadley: 'water jugs', 2019 Oil Painting, People. Unscripted narrative, theme of work vs play, main scene of children playing paper football and men toiling to carry heavy objects...
, 2019
People - Painting
57 x 38 inches (144.8 x 96.5 cm)
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Michael Fornadley: 'Boat People 2', 2020 Oil Painting, Figurative. Oils and Casein on wood, Style- expressionism, figurative images- people- boats, that convey societal themes within a seascape...
Figurative - Painting
48 x 38 inches (121.9 x 96.5 cm)
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Judith Fritchman: 'spring greening', 2018 Oil Painting, Landscape. The long awaited promise of April in the village. ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Judith Fritchman: 'january sunrise', 2018 Oil Painting, Landscape. A January sunrise in Bucks County gilds the neighbors  farm with gold. ...
Landscape - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Judith Fritchman: 'silver and gold', 2015 Oil Painting, Still Life. A study of white roses and silver. ...
Still Life - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Judith Fritchman: 'thespian dreams', 1997 Oil Painting, Portrait. A young theater director dreams of her next play. ...
Portrait - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Ron Anderson: 'Harlequins Dream', 1998 Oil Painting, Figurative. Original oil painting by Ohio artist Ron Anderson.  Painting entitled Harlequins Dream.  Painting is priced and sold unframed.  Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties.  Artist reserves all rights to reproduction and copyright.  ...
Figurative - Painting
217 x 69 inches (551.2 x 175.3 cm)
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Candice Rongyu: 'Bouquet', 2019 Oil Painting, Still Life. Introduction of Craft Hand- made Embroidery It is a more than 2000 years traditional handicraft combining art and craftFeature of handicraft The procedure of making is embroider pattern image with various thinness color silk threads on high density silk, satin fabrics or woolen textilesp.  s.  the thinnest filament is ...
, 2019
Still Life - Painting
40 x 60 cm (15.7 x 23.6 inches)
Luiz Henrique Azevedo: 'reclining nude', 2019 Oil Painting, Nudes. This picture is parte of a oil painting collection of oil painting scenes of womam nudes or not that challenge the beauty and harmony of colour flesh tones.  I work to make the viewers see a well done work, under the limits of my performance, not only art forms but ...
Nudes - Painting
30 x 40 cm (11.8 x 15.7 inches)
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Candice Rongyu: 'still life', 2019 Oil Painting, Floral. Introduction of Craft Hand- made Embroidery, It is a more than 2000 years traditional handicraft combining art and craftFeature of handicraft The procedure of making is embroider pattern image with various thinness color silk threads on high density silk, satin fabrics or woolen textilesp.  s.  the thinnest filament is ...
, 2019
Floral - Painting
50 x 65 cm (19.7 x 25.6 inches)
Luiz Henrique Azevedo: 'lying nude', 2019 Oil Painting, Nudes. A lying nude sun exposed depicted first in charcoal and then in oil painting over board. ...
, 2019
Nudes - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Tom Lund-lack: 'colour form', 2019 Oil Painting, Abstract. Abstract colours used to create forms of clouds or sea - you decide.  Impasto technique laid on deep frame canvas. ...
Abstract - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Marino Chanlatte: 'water lilies 15', 2019 Oil Painting, Abstract. I love to observe water lilies in the water and in the canvas or paper, these are my water lilies.Oil on paper...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Marino Chanlatte: 'two figures', 2019 Oil Painting, Abstract. Two figures, retaking the abstract figure in new setting and meaning.Oil on paper...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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(Page 6 of 528) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Sandra Bryant - For us, mosaic is a form of magic. The process of breaking down large sheets of glass, finding that perfect glass for each small piece, that just right hue, level of transparency and surface texture that will speak to what IaEURtmm trying to say with this glass aEURoebrush stroke.aEUR The medium is always a joy and a challenge, cutting the perfect shape and size tesserae to create that feeling. The overall theme of our artwork is a resolute celebration of this life of our world, both our own creations and of natural things. Mosaic carries a message of wonder, not only in the monuments and architecture of our surroundings, but also of the hope intrinsic in this celebration...

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR
    Daniel Wall - Daniel Wall is the founder of Intense Impressionism, which is characterized by unsurpassed intensity and boldness. Started in the 1980s by Daniel Wall, Intense Impressionist techniques include big, conspicuous strokes created with palette knife, extreme texture with heavy paints, intensified vibrant colors, and exaggerated striking effects of lights. Daniel Wall's Intense Impressionist landscape, cityscape, seascape, and floral paintings are unrivalled in their popular appeal and are among the best loved in the world today. Daniel Wall began drawing and painting when he was a little kid. His first art teacher was his mother, a very talented and diligent art and craft woman. Daniel Wall earned a lot of art awards in his childhood. He had been accepted to a fine art academy when he was a teen. He has study fine art in China, Italy, and United States. He gained his art senses, different calture, apprences, and ability from a variety of art sources by working as an art instructor, art editor, illustrator, and professor. That is key why he was able to establish the Intense Impressionism style painting. He made his decision and became a professional artist after got his master degree from Georgia Southern University. Daniel Wall ...

    L. Kelen - I will be getting large files made of the art work I did while on some of the islands that suffered the Hurricanes. The originals will be available for sale believe it or not and there will be fine art prints available. Self-supporting bi-product of the School of the Art Institute of Chicago, Haystack Mountain School of Crafts, and trial and error. Current activities lindakelen-artings.blogspot.com ...link found somewhere below. ...

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Candice Rongyu - This is a supplier of hand-made embroidery, it has taken nearly 2000 years history. Hand-made embroidery belongs to handicraft, each artwork are making by hundreds and thousands needlework. those artworks not only bring aesthetic enjoyment, but also display a cultural heritage. In order to satisfy different aesthetic demands, we supply bespoke service. If you are interested in and would like to get sample before place an order, please feel free to contact me. Thanks ...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....