Oil Paintings

Page 6 of 666
Michael Schaffer, Edna Schonblum, Ron Ogle, Nicholas Down, Tom Lund-lack, John Sims, Shoshannah Brombacher, Michael Fornadley, Donna Gallant, Denise Seyhun, John Gamache, Scott Brown offering original Oil Paintings artworks.


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Edna Schonblum: 'party', 2018 Oil Painting, Seascape.
, 2018
Seascape - Painting
90 x 40 cm (35.4 x 15.7 inches)
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Ron Ogle: 'duncanson landscape detail', 2018 Oil Painting, Cityscape.
Cityscape - Painting
17 x 4 inches (43.2 x 10.2 cm)
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Nicholas Down: 'awakening', 2018 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
, 2018
Abstract Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
Tom Lund-lack: 'fiord', 2018 Oil Painting, Landscape. Using a palette knife is a great way to get the feeling of the mountainside running down into a fiord.  The intense cold was created using cobalt, prussian and manganese blue.  I love the way the paint picks up the ridges and forms of the rock. ...
, 2018
Landscape - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Tom Lund-lack: 'headland breaker', 2018 Oil Painting, Seascape. Expressionist seascape of a wave breaking against a cliff.  Rock and water back lit endeavours to find the heart of the image. ...
Seascape - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Nicholas Down: 'giving way to spring', 2018 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
Abstract Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
John Sims: 'a place in my head', 2018 Oil Painting, Abstract. A small oil on paper painting about nothing, just an open mind letting in shapes and colours...
Abstract - Painting
20 x 20 cm (7.9 x 7.9 inches)
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John Sims: 'about the weather', 2018 Oil Painting, Abstract. Small oil on paper painting about looking outside through a snow storm, just starting to settle the colours becoming muted and hidden...
Abstract - Painting
20 x 20 cm (7.9 x 7.9 inches)
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Shoshannah Brombacher: 'between heaven and earth', 2000 Oil Painting, Judaic. Said the Karliner Rebbe:  A Jew should be like the ladder of Jacob, with his head in Heaven and his feet firmly planted on the ground.  In other words, a Jew should study Torah and think of spiritual things while taking care of his livelihood, business and family, etc. here ...
Judaic - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Shoshannah Brombacher: 'miriam dancing', 1997 Oil Painting, Biblical. This is one of my paintings bout Biblical women. Miriam, Moses  sister, took her tambourine after the Jews got safely on dry land and escaped Pharaoh s heir, and sang an song of praise. All the Jewish women sang and danced with her. ...
Biblical - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Shoshannah Brombacher: 'the jewish cemetery of prague', 1996 Oil Painting, Kabbalah. For years I have been working on thebthem of the Golem of Prague, which resulted in many paintings and drawings, like this one.  The Hoykhe Rabbi Loeb contemplates his golem. See:
Kabbalah - Painting
40 x 42 inches (101.6 x 106.7 cm)
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Shoshannah Brombacher: 'study', 2007 Oil Painting, Education. I was born in Amsterdam and researched the 17th century Sephardic community of Amsterdam. This resulted in a series of historical paintings, like this one, a rabbi studying a text. I have many more historical paintings.  ...
, 2007
Education - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Edna Schonblum: 'diptych', 2018 Oil Painting, Seascape.
, 2018
Seascape - Painting
120 x 40 cm (47.2 x 15.7 inches)
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Michael Fornadley: 'My Day in the Village', 2018 Oil Painting, Undecided. Still in transition, subject to change. ...
Undecided - Painting
57 x 38 inches (144.8 x 96.5 cm)
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Michael Fornadley: 'the curator', 2018 Oil Painting, Expressionism.
Expressionism - Painting
80 x 55 inches (203.2 x 139.7 cm)
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Michael Fornadley: 'Water Jugs', 2018 Oil Painting, Figurative.
, 2018
Figurative - Painting
57 x 37 inches (144.8 x 94.0 cm)
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Michael Fornadley: 'Go Ask Alice', 2018 Oil Painting, Figurative.
Figurative - Painting
57 x 38 inches (144.8 x 96.5 cm)
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Donna Gallant: 'glimpse', 2017 Oil Painting, Floral. This piece is part of a large series called Close UP. ...
, 2017
Floral - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Tom Lund-lack: 'the complaining sea', 2018 Oil Painting, Seascape. The full title of this piece is - The Sea Complains on a Thousand Shores, but that was too long for the title box algorithm.A sunny day along the shore line. I feel that the groynes are like fingers leading your gaze out into sea. Sometimes like the ones in ...
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Tom Lund-lack: 'Walk on a winter shore', 2018 Oil Painting, Seascape. A walk on a cold winter day along the shore in Suffolk. The paint has been applied thickly and bullied into place with pallet knives and brushes. The main colours apart from black and white are burnt umber, naples yellow, manganese blue, and a little prussian blue. ...
Seascape - Painting
75.2 x 51 cm (29.6 x 20.1 inches)
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Denise Seyhun: 'tube vine', 2018 Oil Painting, Floral. flower, bloom, nature, floral...
, 2018
Floral - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Denise Seyhun: 'yellow rose', 2018 Oil Painting, Floral. Rose, yellow rose, floral, flower, bloom, nature...
Floral - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Donna Gallant: 'cool trees', 2016 Oil Painting, Landscape. A monochrome color scheme portraying cool evergreen trees. ...
, 2016
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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John Gamache: 'Rubens copy by john gamache', 2017 Oil Painting, Portrait. Life size copy - Rubens self portrait - Oil Painting - Framed...
Portrait - Painting
18 x 24 inches (45.7 x 61.0 cm)
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John Gamache: 'the lighthouse guard', 2017 Oil Painting, Representational. Light house Falmouth Cape Cod - Seagull - Window...
Representational - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Scott Brown: 'shallow water', 2017 Oil Painting, Figurative. Original Oil painting Nude Female bather figurativw...
Figurative - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Scott Brown: 'full monty', 2013 Oil Painting, Figurative. Original oil painting nude male figurative...
, 2013
Figurative - Painting
20 x 30 inches (50.8 x 76.2 cm)
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Scott Brown: 'deep down', 2007 Oil Painting, Figurative. Original Oil Painting female nude figurative...
, 2007
Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Scott Brown: 'sleeper', 2014 Oil Painting, Figurative. original oil painting nude figurative...
, 2014
Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Denise Seyhun: 'garden view', 2017 Oil Painting, Botanical. Garden, poolside, lilies, waterfall, botanical...
Botanical - Painting
36 x 24 inches (91.4 x 61.0 cm)
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(Page 6 of 666) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    John Sims - Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Denise Seyhun - The glowing energy of waves and the foaming seas captivate my soul, and as a result my seascapes, waterfalls, and riverscapes bare witness to my love and admiration for the force and elegance of bodies of water. Main character in my oil paintings is water, which deeply fascinates me, not only as true beauty but also with its transparent colors reflecting in constant motion. As an artist my purpose is to accomplish the portrayal of the emotional tones and depths of shades of truth that are displayed in continuous movement. For this particular reason the unseen and untold dimensions that the undertones and the overtones of bodies of water allow me to experiment with a wide array of colors on my palette. Consequently, my goal is to never repeat myself in my artistic journey as I continue to play with many shades of reflections in water until I have compiled a finite collection of all shades of water....

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Scott Brown - The world is filled with visual excitement. When I am receptive to that excitement, a work of art is born. Then it becomes a matter of fleshing it out on paper. If I am sucessful the viewer will feel that initial excitement I felt. In a sense, the artist is a reporter of feelings. Digital Collection. Recently I started creating digital artwork. All works in the Digital Collection can be resized to any multiple of 8.5 inches by 11 inches horizontal landscape or vertical portrait orientation. After purchasing the artwork, you must inform me of the size you desire and contact information of the printer you would like to use. I will send the printer the corresponding file. ...