Oil Paintings

Page 7 of 607
Raphael Perez Israeli Painter , Tom Irizarry Studio, Michael Schaffer, Ron Ogle, Nicholas Down, Tom Lund-lack, John Sims, Shoshannah Brombacher, Donna Gallant, Ronald Weisberg, Kathryn Arnold, Plamen Yordanov, Isaac Brown, Jose Luis Lazaro Ferre, Leo Evans, Luiz Henrique Azevedo offering original Oil Paintings artworks.


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Raphael Perez  Israeli Painter : 'homoerotic painters artists', 2018 Oil Painting, nudes. homoerotic painters queer artists  homo erotic artworks paintings homosexual painter queer art paintings erotic nude painting...
nudes - Painting
100 x 200 cm (39.4 x 78.7 inches)
Tom Irizarry Studio: 'things as they are', 2018 Oil Painting, Abstract Landscape.
Abstract Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Michael Schaffer: 'Hitting My Target', 1987 Oil Painting, Expressionism. One of my first self portraits. ...
Expressionism - Painting
40 x 36 inches (101.6 x 91.4 cm)
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Michael Schaffer: 'The Chase', 1988 Oil Painting, Expressionism. From my Figurative Expressionism period. ...
, 1988
Expressionism - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Ron Ogle: 'duncanson landscape detail', 2018 Oil Painting, Cityscape.
Cityscape - Painting
17 x 4 inches (43.2 x 10.2 cm)
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Nicholas Down: 'awakening', 2018 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
, 2018
Abstract Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
Tom Lund-lack: 'fiord', 2018 Oil Painting, Landscape. Using a palette knife is a great way to get the feeling of the mountainside running down into a fiord.  The intense cold was created using cobalt, prussian and manganese blue.  I love the way the paint picks up the ridges and forms of the rock. ...
, 2018
Landscape - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Tom Lund-lack: 'headland breaker', 2018 Oil Painting, Seascape. Expressionist seascape of a wave breaking against a cliff.  Rock and water back lit endeavours to find the heart of the image. ...
Seascape - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Ron Ogle: 'view of asheville 1850', 2018 Oil Painting, Landscape. DETAIL...
Landscape - Painting
20 x 8 inches (50.8 x 20.3 cm)
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Nicholas Down: 'giving way to spring', 2018 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
Abstract Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
John Sims: 'a place in my head', 2018 Oil Painting, Abstract. A small oil on paper painting about nothing, just an open mind letting in shapes and colours...
Abstract - Painting
20 x 20 cm (7.9 x 7.9 inches)
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John Sims: 'about the weather', 2018 Oil Painting, Abstract. Small oil on paper painting about looking outside through a snow storm, just starting to settle the colours becoming muted and hidden...
Abstract - Painting
20 x 20 cm (7.9 x 7.9 inches)
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Shoshannah Brombacher: 'between heaven and earth', 2000 Oil Painting, Judaic. Said the Karliner RebbeA Jew should be like the ladder of Jacob, with his head in Heaven and his feet firmly planted on the ground.  In other words, a Jew should study Torah and think of spiritual things while taking care of his livelihood, business and family, etc.  here and ...
Judaic - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Shoshannah Brombacher: 'miriam dancing', 1997 Oil Painting, Biblical. This is one of my paintings bout Biblical women.  Miriam, Mosessister, took her tambourine after the Jews got safely on dry land and escaped Pharaoh s heir, and sang an song of praise.  All the Jewish women sang and danced with her. ...
Biblical - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Shoshannah Brombacher: 'the jewish cemetery of prague', 1996 Oil Painting, Kabbalah. For years I have been working on thebthem of the Golem of Prague, which resulted in many paintings and drawings, like this one.  The Hoykhe Rabbi Loeb contemplates his golem. See:
Kabbalah - Painting
40 x 42 inches (101.6 x 106.7 cm)
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Donna Gallant: 'glimpse', 2017 Oil Painting, Floral. This piece is part of a large series called Close UP. ...
, 2017
Floral - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Tom Lund-lack: 'the complaining sea', 2018 Oil Painting, Seascape. The full title of this piece is - The Sea Complains on a Thousand Shores, but that was too long for the title box algorithm.A sunny day along the shore line. I feel that the groynes are like fingers leading your gaze out into sea. Sometimes like the ones in ...
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Donna Gallant: 'cool trees', 2016 Oil Painting, Landscape. A monochrome color scheme portraying cool evergreen trees. ...
, 2016
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Ronald Weisberg: 'pepper', 2017 Oil Painting, Still Life.
, 2017
Still Life - Painting
12 x 9 inches (30.5 x 22.9 cm)
Ronald Weisberg: 'apple leaf', 2017 Oil Painting, Still Life.
, 2017
Still Life - Painting
12 x 9 inches (30.5 x 22.9 cm)
Ronald Weisberg: 'apple 3', 2017 Oil Painting, Still Life.
, 2017
Still Life - Painting
12 x 9 inches (30.5 x 22.9 cm)
Ronald Weisberg: 'apple 1', 2017 Oil Painting, Still Life.
, 2017
Still Life - Painting
9 x 12 inches (22.9 x 30.5 cm)
Kathryn Arnold: 'a past time', 2020 Oil Painting, Abstract.  kathryn arnold, color field, abstract, abstraction, oranges, blues, greens, reds, yellows, whites, California, Bay Area artist...
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
Plamen Yordanov: 'Untitled', 2017 Oil Painting, Abstract.
, 2017
Abstract - Painting
80 x 80 inches (203.2 x 203.2 cm)
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Isaac Brown: 'cosmic interface', 2017 Oil Painting, Abstract.
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Jose Luis Lazaro Ferre: 'blue window', 2015 Oil Painting, Abstract Figurative. Oil on Canvas ...
Abstract Figurative - Painting
130 x 130 cm (51.2 x 51.2 inches)
Jose Luis Lazaro Ferre: 'the duke', 2014 Oil Painting, Abstract Figurative. Oil on wood and Colage...
, 2014
Abstract Figurative - Painting
97 x 122 cm (38.2 x 48.0 inches)
Leo Evans: 'Enchated landscape 2', 2005 Oil Painting, Abstract Landscape. Enchanted Landscape 2 leoevans. com...
Abstract Landscape - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Luiz Henrique Azevedo: 'Curiosity', 2016 Oil Painting, Still Life. A pet finding the world that surround it. ...
, 2016
Still Life - Painting
27 x 35 cm (10.6 x 13.8 inches)
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Alice Murdoch: 'runway', 2017 Oil Painting, Figurative.
, 2017
Figurative - Painting
30 x 48 inches (76.2 x 121.9 cm)
(Page 7 of 607) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Raphael Perez Israeli Painter - Pride and Prejudice: on Raphael Perez's Artwork Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries. In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films. Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration ...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Michael Schaffer - Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    Plamen Yordanov - I share the idea of an art that creates reality instead of offering its conventional model. I want to provoke the birth of view that go beyond the boundary of reality itself. These viewpoints stress an order that exist "a priory" in nature and can be developed again and again. This aspect makes the picture exist as a signal that gives the onlooker a chance to go deep into his/her life experience and mind. This is a universal signal to which the individual responds in un unique manner and creates his/her own reality. ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Jose Luis Lazaro Ferre - Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...