Oil Paintings

Page 7 of 608
Emilio Merlina, Becky Soria, Philip Hallawell, Kristin Garrow, William Christopherson, Carlos Camus, Kathryn Arnold, John Sims, Nicholas Down, Raphael Perez Israeli Painter , Tom Irizarry Studio, Michael Schaffer, Tom Lund-lack, Shoshannah Brombacher, Donna Gallant offering original Oil Paintings artworks.


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Emilio Merlina: 'open city', 2018 Oil Painting, Fantasy. canvas...
, 2018
Fantasy - Painting
44 x 64 cm (17.3 x 25.2 inches)
Becky Soria: 'SHE OF the FOREST', 2015 Oil Painting, Abstract Figurative. From the collectionWoman and her Symbols ...
Abstract Figurative - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Philip Hallawell: 'behold the lilies of the field', 2002 Oil Painting, Spiritual. Inspired by the sermon on the mount...
Spiritual - Painting
120 x 150 cm (47.2 x 59.1 inches)
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Kristin  Garrow: 'across the pond', 2015 Oil Painting, Landscape. A peaceful setting in the woods surrounded by nature set on canvas no need for frame...
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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William Christopherson: '20th Century Ice fisherman', 2007 Oil Painting, Landscape. I completed this painting as a record of the days when the northern rivers were frozen solid in winter, and temperatures regularly fell 20 degrees below zero throughout winter in the Thousand Islands.  The experience of ice fishing, in the remote still solitude.  This is a large artwork, professionally framed ...
Landscape - Painting
44 x 34 inches (111.8 x 86.4 cm)
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William Christopherson: 'sisters island lighthouse', 2018 Oil Painting, Landscape. Original oil artwork on stretched canvas from the St.  Lawrence River, 4 miles north of Alexandria Bay, in the Thousand Islands.  Historic lighthouse on the US- Canadian international boundary.  Completed in broad- brush oil stroke technique.  Professionally framed in beechwood, wall ready. ...
Landscape - Painting
26 x 14 inches (66.0 x 35.6 cm)
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Carlos Camus: 'alhue', 2016 Oil Painting, Cityscape. Pintura original de ArtistaCarlos Camus...
, 2016
Cityscape - Painting
4 x 14.8 inches (10.2 x 37.6 cm)
Kathryn Arnold: 'perception 3', 2020 Oil Painting, Abstract. This work is inspired by process paintingit is nonobjective and nonrepresentational.  The painting is seen for itself and emphasizes surface and paint and color.  I hope my viewers will involve themselves in the elements of form and space and respond with emotion.  I work in abstraction as words and subject ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
Kathryn Arnold: 'perception 2', 2020 Oil Painting, Abstract. This work is inspired by process paintingit is nonobjective and nonrepresentational.  The painting is seen for itself and emphasizes surface and paint and color.  I hope my viewers will involve themselves in the elements of form and space and respond with emotion.  I work in abstraction as words and subject ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
Kathryn Arnold: 'perception 1', 2020 Oil Painting, Abstract. This work is inspired by process paintingit is nonobjective and nonrepresentational.  The painting is seen for itself and emphasizes surface and paint and color.  I hope my viewers will involve themselves in the elements of form and space and respond with emotion.  I work in abstraction as words and subject ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
John Sims: 'may painting', 2018 Oil Painting, Abstract Landscape. After walking in the countryside here in Kent, late May, getting hot. Small oil on paper...
Abstract Landscape - Painting
21 x 21 cm (8.3 x 8.3 inches)
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John Sims: 'heat', 2018 Oil Painting, Abstract. Small oil on paper. . . it s all about the heatwave we have been enjoying here in the UK and my reaction to it. ...
, 2018
Abstract - Painting
21 x 21 cm (8.3 x 8.3 inches)
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Nicholas Down: 'embracing the wild', 2018 Oil Painting, Abstract Landscape. Oil on Gesso panel with Acrylic texture medium...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Nicholas Down: 'rising from the plateau', 2018 Oil Painting, Abstract Landscape. Oil on gesso on Arches Watercolor paper...
Abstract Landscape - Painting
28 x 22 inches (71.1 x 55.9 cm)
Raphael Perez  Israeli Painter : 'homosexual art paintings', 2018 Oil Painting, Peace. homosexual art paintings queer artist raphael perez homoerotic painter gay artists painters ...
Peace - Painting
100 x 150 cm (39.4 x 59.1 inches)
Raphael Perez  Israeli Painter : 'homoerotic painters artists', 2018 Oil Painting, nudes. homoerotic painters queer artists  homo erotic artworks paintings homosexual painter queer art paintings erotic nude painting...
nudes - Painting
100 x 200 cm (39.4 x 78.7 inches)
Tom Irizarry Studio: 'things as they are', 2018 Oil Painting, Abstract Landscape.
Abstract Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Michael Schaffer: 'Hitting My Target', 1987 Oil Painting, Expressionism. One of my first self portraits. ...
Expressionism - Painting
40 x 36 inches (101.6 x 91.4 cm)
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Michael Schaffer: 'The Chase', 1988 Oil Painting, Expressionism. From my Figurative Expressionism period. ...
, 1988
Expressionism - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Nicholas Down: 'awakening', 2018 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
, 2018
Abstract Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
Tom Lund-lack: 'fiord', 2018 Oil Painting, Landscape. Using a palette knife is a great way to get the feeling of the mountainside running down into a fiord.  The intense cold was created using cobalt, prussian and manganese blue.  I love the way the paint picks up the ridges and forms of the rock. ...
, 2018
Landscape - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Tom Lund-lack: 'headland breaker', 2018 Oil Painting, Seascape. Expressionist seascape of a wave breaking against a cliff.  Rock and water back lit endeavours to find the heart of the image. ...
Seascape - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Nicholas Down: 'giving way to spring', 2018 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
Abstract Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
John Sims: 'a place in my head', 2018 Oil Painting, Abstract. A small oil on paper painting about nothing, just an open mind letting in shapes and colours...
Abstract - Painting
20 x 20 cm (7.9 x 7.9 inches)
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John Sims: 'about the weather', 2018 Oil Painting, Abstract. Small oil on paper painting about looking outside through a snow storm, just starting to settle the colours becoming muted and hidden...
Abstract - Painting
20 x 20 cm (7.9 x 7.9 inches)
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Shoshannah Brombacher: 'between heaven and earth', 2000 Oil Painting, Judaic. Said the Karliner RebbeA Jew should be like the ladder of Jacob, with his head in Heaven and his feet firmly planted on the ground.  In other words, a Jew should study Torah and think of spiritual things while taking care of his livelihood, business and family, etc.  here and ...
Judaic - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Shoshannah Brombacher: 'miriam dancing', 1997 Oil Painting, Biblical. This is one of my paintings bout Biblical women.  Miriam, Mosessister, took her tambourine after the Jews got safely on dry land and escaped Pharaoh s heir, and sang an song of praise.  All the Jewish women sang and danced with her. ...
Biblical - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Shoshannah Brombacher: 'the jewish cemetery of prague', 1996 Oil Painting, Kabbalah. For years I have been working on thebthem of the Golem of Prague, which resulted in many paintings and drawings, like this one.  The Hoykhe Rabbi Loeb contemplates his golem. See:
Kabbalah - Painting
40 x 42 inches (101.6 x 106.7 cm)
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Donna Gallant: 'glimpse', 2017 Oil Painting, Floral. This piece is part of a large series called Close UP. ...
, 2017
Floral - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Tom Lund-lack: 'the complaining sea', 2018 Oil Painting, Seascape. The full title of this piece is - The Sea Complains on a Thousand Shores, but that was too long for the title box algorithm.A sunny day along the shore line. I feel that the groynes are like fingers leading your gaze out into sea. Sometimes like the ones in ...
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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(Page 7 of 608) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Kristin Garrow - Dream..Imagine..Inspire..Heal These words are a daily must in the life of my creations. Suffering from several disorders including Bipolar and Fibromyalgia I am constantly changing my routine to accommodate my own Art Therapy. What does this mean for you Who doesnaEURtmt like a little variety in their lives Through my works I am able to create many forms of art and utilize multiple mediums. I offer you the chance to have a piece of my world join yours in hopes it brings you as much joy as it did for me while creating. I am always trying something new and exploring my mind to give you a piece that reaches you on many levels. My work is an examination of the different paths life takes, and the ways we work through our everyday lives always searching for something. I hope to provide you with whatever you are searching for. To have that one work that truly speaks to you or simply makes you smile. ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    William Christopherson - Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Raphael Perez Israeli Painter - Pride and Prejudice: on Raphael Perez's Artwork Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries. In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films. Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration ...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....