Oil Paintings

Page 8 of 627
Bonie Bolen, Ron Anderson, Edgar Bonne, Raul Canestro Caballero, Cathy Dobson, Jane Mcnichol, Marie-france Busset, James Gwynne, Riccardo Rossati, Andrea Mulcahy, Hana Grosova, Youri Messen-jaschin, Heather Hyatt offering original Oil Paintings artworks.


Contemporary Art / Painting Categories / Oil Paintings / Previous / Next
Bonie Bolen: 'Earth Day poster design', 2007 Oil Painting, nature.
nature - Painting
16 x 16 inches (40.6 x 40.6 cm)
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Ron Anderson: 'She Gives Me Fever', 2015 Oil Painting, Figurative.  Original oil painting by Ohio artist Ron Anderson. Painting entitled She Gives Me Fever. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright.         ...
Figurative - Painting
42 x 54 inches (106.7 x 137.2 cm)
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Ron Anderson: 'Voodoo Zoo', 2005 Oil Painting, Figurative.  Original oil painting by Ohio artist Ron Anderson. Painting entitled Voodoo Zoo. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright.    ...
, 2005
Figurative - Painting
60 x 45 inches (152.4 x 114.3 cm)
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Ron Anderson: 'Pause Track', 2003 Oil Painting, Figurative.  Original oil painting by Ohio artist Ron Anderson. Painting entitled Pause Track. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright.  ...
Figurative - Painting
45 x 34 inches (114.3 x 86.4 cm)
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Edgar Bonne: 'Ochre II', 2015 Oil Painting, Abstract.
, 2015
Abstract - Painting
66 x 76 cm (26.0 x 29.9 inches)
Edgar Bonne: 'Ochre I', 2015 Oil Painting, Abstract.
, 2015
Abstract - Painting
66 x 76 cm (26.0 x 29.9 inches)
Raul Canestro Caballero: 'SPRING', 2015 Oil Painting, Surrealism.  Spring2015 Oil on Linen ...
, 2015
Surrealism - Painting
46 x 33 cm (18.1 x 13.0 inches)
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Raul Canestro Caballero: 'Head of a Man ', 2015 Oil Painting, Abstract Figurative.     Head of a Man5- 5- 2015 Oil on Linen                                                                                   ...
Abstract Figurative - Painting
54.5 x 65 cm (21.5 x 25.6 inches)
Cathy Dobson: 'Enchanted Buttefly', 2015 Oil Painting, Psychedelic. Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection. Lights up in the dark or under black lights.         ...
Psychedelic - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Cathy Dobson: 'Psychedelic Butterfly', 2013 Oil Painting, Psychedelic.       Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection.        ...
Psychedelic - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Cathy Dobson: 'White Butterfly', 2014 Oil Painting, Magical.  Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection. Phosphorescent highlights glow in the dark or under black lights. Magical !     ...
Magical - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Raul Canestro Caballero: 'MOON LIGHT', 2017 Oil Painting, Surrealism. Pintura al A3leo sobre lienzo de lino fino de gran calidad. Obra de arte original y exclusiva...
, 2017
Surrealism - Painting
50 x 61 cm (19.7 x 24.0 inches)
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Raul Canestro Caballero: 'LUNCH', 2015 Oil Painting, Abstract Figurative.  LUNCH4- 5- 2015 Oil on Linen  51. 2 in. x 31. 9 in.                                                                          ...
, 2015
Abstract Figurative - Painting
81 x 130 cm (31.9 x 51.2 inches)
Jane Mcnichol: 'The End of the Day', 2008 Oil Painting, Landscape.  A view over the tree tops as twilight approaches ...
Landscape - Painting
40 x 44 inches (101.6 x 111.8 cm)
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Jane Mcnichol: 'Bathouse', 2013 Oil Painting, Architecture.  This is a view of the Bathouse located next door to my Manhattan apartment ...
, 2013
Architecture - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jane Mcnichol: 'The Big Beach', 2012 Oil Painting, Beach.  This is a landscape done by the Atlantic Ocean on the New Jersey coast ...
Beach - Painting
38 x 40 inches (96.5 x 101.6 cm)
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Jane Mcnichol: 'Six Flights Up', 2012 Oil Painting, Still Life.   This is a view to the East of my Manhattan apartment ...
Still Life - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Marie-france Busset: 'LES FEUILLES D AUTOMNE', 2007 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
65 x 50 inches (165.1 x 127.0 cm)
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Marie-france Busset: 'LE COQ FAIT SON CARNAVAL A RIO', 2014 Oil Painting, Birds.
Birds - Painting
81 x 110 inches (205.7 x 279.4 cm)
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James Gwynne: 'Face Fragment', 2015 Oil Painting, Figurative. Cropped image of a female face ...
Figurative - Painting
48 x 42 inches (121.9 x 106.7 cm)
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Riccardo Rossati: 'Indonesian Door', 2015 Oil Painting, Landscape.  Indonesian Door; surrealism;    ...
Landscape - Painting
100 x 120 cm (39.4 x 47.2 inches)
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Riccardo Rossati: 'The City', 2011 Oil Painting, Surrealism.  Imaginary view of urban center.  ...
, 2011
Surrealism - Painting
130 x 160 cm (51.2 x 63.0 inches)
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Riccardo Rossati: 'Still Life', 2014 Oil Painting, Figurative.   Still life of Pumpkin.  ...
, 2014
Figurative - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Andrea Mulcahy: 'Teal Whirlpool', 2013 Oil Painting, undecided.
undecided - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Andrea Mulcahy: 'Whirlpool in White', 2013 Oil Painting, undecided.
undecided - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Andrea Mulcahy: 'Seam', 2013 Oil Painting, undecided.
, 2013
undecided - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Hana Grosova: 'Self portrait', 1975 Oil Painting, Portrait.   Young age self- portrait / study/     ...
Portrait - Painting
36 x 50 cm (14.2 x 19.7 inches)
Youri Messen-jaschin: 'Perpetuum mobile VI', 2014 Oil Painting, Optical.  Different optical illusions according to the angle of your look, the brain complete these illusions by sliding non- existent geometrical forms in the work.  What you do not see in the pictures is the fourth dimension.  Op art | 4 dimensional | oil painting | Plexiglas Packaging, insurance, transport not include in the...
Optical - Painting
70.5 x 103 cm (27.8 x 40.6 inches)
Heather Hyatt: 'Night', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Becky Soria: 'Pan', 2014 Oil Painting, Abstract Figurative.                       From the series
, 2014
Abstract Figurative - Painting
36 x 48 inches (91.4 x 121.9 cm)
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(Page 8 of 627) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Edgar Bonne - My art practice has its currency deep in the post-modern age, yet flirting in the modernist manner with colour field, and somewhat entrenched in the abstract expressionist approach to deliver what I am about. I paint to elicit and evoke a reaction from the viewer, whatever, some distant memories, and some lost feelings that may be deeply entrenched, but have perhaps been kept subordinate by the passage of time. However, by contemplating and letting go, one begins to comprehend the work and become one with the work. In my painting, I work with abstraction; pulling and pushing the paint to achieve desired results. I paint in a gestural manner; always arranging and scratching if required on different planes that overlap one another and blend into real shapes to create a world of mystery and sensuality from past memories and journeys. This visceral emotional reaction to something in my work comes from somewhere deep within, and it can empathize to the inner recess of each person... My work is intuitive; colour and gestural strokes are the language that I use to express those responses. It is the interaction of colour and gesture that drive me. It is the colour and...

    Raul Canestro Caballero - Raul CaA+-estro Caballero was born in Ronda, one of the oldest and most historic Spanish cities, located in Andalusia a land where famous artists, writers and philosophers have found inspiration for their work. For many years he lived in Cantabria, a region in northern Spain whose wild mountains, sea and people influenced his personal quest for excellence and authenticity. During his youth, he made an adventurous trip to India that marked him deeply and fueled the process of self-reflection. The early artistic inquisitiveness developed by RAUL CANESTRO flourished in a family of artists and artisans painters, book illustrators, wood carvers and leather workers, but his paintings require more than innate talent they require hardwork, energy, effort, passion and above all, conviction. As a child, he enjoyed drawing and soon began to experiment with different textures and techniques such as oil, watercolor, ink, pyrography, colored pencil, as well as with different styles including cubism, realism, abstraction and surrealism. It was an ongoing effort to better himself and find new ways of expression twisting, destroying and re-building, creating new movements in Art that he calls A<< The Power of Form A>> in a constant search for improvement. Equilibrium, order and harmony...

    Jane Mcnichol - What inspires me? Many things. Earlier in my career I was drawn to the post impressionists work - Cezanne, Matisse, and Bonnard. I was inspired by their Plen Air painting and I was drawn to the outside also. I had a French Easel, and daily packed my paints up and found my way to the closest arboretum or park to work directly from life. It was hard work but learning to interpret and paint the light directly from nature, while drawing inspiration from masters from the past was a great combination. A trip across country by car led me to the vast open spaces of the mid west. I found these vast open and very simple spaces to pare the observation of nature to its most basic elements. Living in New York City seemed to provide the opposite experience - very little sky and tall buildings blocking out the light. I moved my work into my studio on Williamsburg, Brooklyn and continued working on landscapes and still lifes. Working in my studio allowed my canvases to grow larger, being able to more deeply express the vastness of the landscape. I worked on series of paintings from Ireland and Provence. Still trying to ...

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...