Paintings For Sale - Price Range: $100 - $199

Page 19 of 52
Discover 1,481 original painting artworks for sale between $100 - $199. Contemporary emerging artists: Gudrun Ploetz, Glynis Frost, Eduardo Diaz, Shaukat Mulla, Peter Ziboce, Aczarina Koontz, Vivian Linder, Rita Gesinger, Rikki Power, Ashley Hancock, Dorothy Nuckolls, Aurelio Zerla, Shmuela Padnos, Suzanne Gegna, Teresa Andree, Giovan Beck are exhibiting their affordable original art. You can buy artwork online and browse 52 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Gudrun Ploetz: 'The darkness is far away 2', 2002 Encaustic Painting, Abstract. Encaustic and acrylic paint on canvas...
Abstract - Painting
16 x 40 inches (40.6 x 101.6 cm)
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Gudrun Ploetz: 'The green and the colours 2', 2002 Encaustic Painting, Abstract. Encaustic and acryl paints on canvas...
Abstract - Painting
16 x 40 inches (40.6 x 101.6 cm)
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Glynis Frost: 'Bob', 2003 Acrylic Painting, Portrait.
, 2003
Portrait - Painting
11 x 14 inches (27.9 x 35.6 cm)
Eduardo Diaz: 'No title', 2003 Oil Painting, Abstract.
, 2003
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Shaukat Mulla: 'waiting', 2003 Oil Painting, Figurative.
, 2003
Figurative - Painting
15 x 25 inches (38.1 x 63.5 cm)
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Peter Ziboce: 'Ziboce 2003-1', 2003 Acrylic Painting, Abstract. Budda...
Abstract - Painting
12 x 20 inches (30.5 x 50.8 cm)
Aczarina Koontz: 'Samarena', 2003 Oil Painting, Culture.
, 2003
Culture - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Vivian Linder: 'Reflections', 2002 Acrylic Painting, Other.
Other - Painting
11 x 15 inches (27.9 x 38.1 cm)
Vivian Linder: 'Pre-Columbian', 2002 Acrylic Painting, Other.
Other - Painting
9 x 11 inches (22.9 x 27.9 cm)
Vivian Linder: 'Pre-Columbian 3', 2002 Acrylic Painting, Other.
Other - Painting
9 x 11 inches (22.9 x 27.9 cm)
Vivian Linder: 'Pre-Columbian 2', 2002 Acrylic Painting, Other.
Other - Painting
9 x 11 inches (22.9 x 27.9 cm)
Vivian Linder: 'Pre-Columbian 1', 2002 Acrylic Painting, Other.
Other - Painting
9 x 11 inches (22.9 x 27.9 cm)
Vivian Linder: 'Tree of life', 2002 Acrylic Painting, Other.
Other - Painting
11 x 15 inches (27.9 x 38.1 cm)
Vivian Linder: 'Jerusalem', 2002 Acrylic Painting, Other.
, 2002
Other - Painting
11 x 15 inches (27.9 x 38.1 cm)
Vivian Linder: 'Hai', 2002 Acrylic Painting, Other.
, 2002
Other - Painting
11 x 15 inches (27.9 x 38.1 cm)
Rita Gesinger: 'The Lobster Wins', 2000 Oil Painting, Food. Giclee print, original not for sale, of still life featuring a lobster, copper teapot, and varigated green wine bottle. ...
Food - Painting
18 x 15 inches (45.7 x 38.1 cm)
Rikki Power: 'Clowns on Tioman', 2001 Other Painting, Fish. The beautiful and precise coloured Clown Fish. ...
Fish - Painting
3 x 5 feet (0.91 x 1.52 m)
Ashley Hancock: 'Reclining Nude ', 1998 Oil Painting, nudes. oil on canvas...
nudes - Painting
15 x 13 inches (38.1 x 33.0 cm)
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Dorothy Nuckolls: 'Sunflower Still life', 1994 Oil Painting, Still Life.  Peach, golds and browns. Two inch gold wood frame....
Still Life - Painting
18 x 24 inches (45.7 x 61.0 cm)
Aurelio Zerla: 'Fall foliage', 2002 Oil Painting, Abstract. Abstract rendition of Autumn leaves against a blue background. ...
Abstract - Painting
14 x 11 inches (35.6 x 27.9 cm)
Shmuela Padnos: 'cowgir1l', 2001 Other Painting, Figurative. from series cowgirl callgirls and indian girls backbone of the west...
, 2001
Figurative - Painting
12 x 9 inches (30.5 x 22.9 cm)
Suzanne Gegna: 'CHAIR AND BLUE UMBRELLA', 1999 Acrylic Painting, Other. THIS CHAIR FLOATS THROUGH THE ATMOSPHERE, PROTECTED BY A BLUE UMBRELLA.  MAYBE THE UMBRELLA PROTECTS THE CHAIR FROM THE ELEMENTS, BUT MAYBE THE CHAIR IS JUST ENJOYING THE FLOAT....
Other - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Teresa Andree: 'blue flower', 2000 Other Painting, Still Life.
Still Life - Painting
30 x 30 cm (11.8 x 11.8 inches)
Giovan Beck: 'portrait', 2001 Other Painting, Portrait. Black& white Freehand AIRBRUSHING....
, 2001
Portrait - Painting
50 x 70 cm (19.7 x 27.6 inches)
(Page 19 of 52) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Gudrun Ploetz - My paintings are all "wanted" paintings. That's a base thing I believe in. I think paintings and art in general is good if the artist wanted it and it came from his inside. Some artist "want" to do arts when they are down, some other paint when they feel well. I belong to the last ones. My paintings show the times my soul felt good. I can't paint when I'm down. Then I need music. But the more paintings I do in my good times, the longer I feel good. A good feeling, people I meet who touch my soul, warm words and good talks can inspire me a lot. And I want to transfer those, my good feelings to other people. Art is kind of healing, art can give you the power for the next step into the hard daily life process. That's why artists are necessary in this world, to make people happy, to give their eyes and their souls a gentle touch, to inspire them to try it themselves, to come in contact with paint and drawing pen. My paintings are all around colour, the first thing I notice myself at a painting ...

    Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...

    Shaukat Mulla - i percive a patntig in terms of a poem.a poem presents the total picture of harmony.a poem-picture you read every line saperatly,but the meaning remains one with one another a painting like a poem ought to be a picture harmony--a harmony between the forms,space colours,lines texture and visual experience .the abstract content of painting my quest is for rediscovery of lost harmony a grammer of colours which effectively illuminates my attitude to everyday life my skill comes from everyday events,vibrant or tender brush stokes emerge straight from the heart,everything around is a source of inspiration....

    Peter Ziboce - Peter Ziboce, born in 1953 Hong Kong, devoted himself in the pursue of painting arts for past 40 years. Early in 1963, He sold his works among others productions of the family's gallery workshop. In 1964, he started to exhibit his works at City Hall in an art competition. His experimental works includes oil painting, water color, Chinese inks, calligraphy, photography and seal engraving....

    Aczarina Koontz - I am inspired daily by nature. A tree-loving hippie at heart, I do seek peace and love on a daily basis. Often this is translated into pieces I am working on. But when the ugly face of injustice surfaces, my art takes a dark turn. Everyone is born with the heart and soul of an artist. There is an innate desire to create and many stop when they receive no validation. Explore, create and imagine the impossible. Live beyond your limits of societal expectations and create the masterpieces that are buried deep within. ...

    Vivian Linder - My work is a gesture attempting to capture the feeling of oneness in everything that exists. In my paintings different cultural traditions are blended and rearranged; the result is a fusion of frontiers and borders. Another focus has been powerful woman in tribal societies where nobody was considered "an obscure object of desire" I try to go back in history to arrive to that moment when the first petroglyphs were created. In this age of numerous technological ways of sending messages, I try to return to the primordial ancient images, which were buried with the advent of industrialization. Vivian Linder...

    Rita Gesinger - I am driven with a passion for visually expressing what is happening in and around my life, finding the significance within the commonplace. Painting with simple elegance and warmth, my intent is to create works of art that express the beauty, the eternal within daily scenes. I strive to expand the viewer's vision, their awareness and their experience of the magic within life. Viewers find themselves intrigued and enchanted. They are taken on an artistic journey within the world I have created. Whether a landscape, still life or portrait-like image, in action or contemplation, the narrative is always in my art. Starting with just one idea, the painting begins to take over. A dialog begins with the characters and spaces they occupy with a general agreement between all as to what will happen next. The figures in my paintings and the negatives that surround them arrange themselves. Although my subject matter primarily centers around natural forms, I transcend the ordinary by interpreting these elements through rich and varied media, including: oil, watercolor, acrylic, colored pencil, clay and wood. The introduction to oil bar has been a major influence on me and my work. The possibilities of using oil ...

    Ashley Hancock - "Painting is just another way of keeping a diary," said Pablo Picasso. The canvas is my journal in which I paint my thoughts on life and my environment, ideas, emotions, and observation of others and myself. I am not interested in recreating what the human eye can see just by "looking." I strive to bring forth both my subconscious and conscious emotions and my perceptions in a visual form, primarily through oil painting. ...

    Dorothy Nuckolls - I am a self taught artist. I have been painting for about 30 years. My love of art began as a child. The awesome beauty of nature and the magic of color always intrigued me. To reproduce God's art; wheather it be outdoor sences, or portairts; has always been a goal for me. I started doing portairts in 2002 and realize that, that was what I really loved to do.Now I specialize mostly in portairts. I hope you enjoy my collection as much as I enjoyed painting it. Dorothy Nuckolls...

    Aurelio Zerla - Aurelio Zerla has been painting for many years. He learned oil painting from his art teacher in middle school in his native Italy, in beautiful medieval Spoleto. In his paintings he expresses his love for color mainly through depictions of scenes from Italy, fantasy dreamy landscapes and some abstract works. His inspiration ranges from the Italian renaissance to Impressionism, to modern Italian art....

    Shmuela Padnos - ARE YA READY TA GET THE BIG LEG BLUES FROM THE GAS MAN AS THE SPECIAL RIDER MAKES YOU MISSISSIPPI MOAN? ARE YA GONNA RIDE THE NEW HAMHOUND CRAVES A BLACK SNAKE MOAN WITH THE LITTLE LEG OUTSIDE WOMAN BLUES? WELL TAKE A LITTLE WALK WITH ME AS i TELL YOU ABOUT THAT CHERRY WOMAN ARTIST SHMUEL A PADNOS. AS THE DEVIL SENT THE RAIN TA N'AWLINS SHMUEL A WAS CONCEIVED DURING MARTI GRAS FUN OF LE BON TON ROULET. 9 MONTHS LATER IN THE FOOT HILLS OF NORTH CAROLINA, LAND OF RATTLE SNAKIN DADDY& STEP IT UP & GO, SHMUEL A WAS BORN. ALTHOUGH EXPOSED TO THE EAST COAST PICKIN OF BLIND BOOY FULLER, BUDDY MOSS& JOSH WHITE BY HER GRANDPARENTS, SHMUELA WAS ALWAYS FOUND WITH A PAINTBRUSH IN HER HAND INSTEAD OF A GUITAR. SHE FOUND THE MOVING OF THE BRUSH CREATED ITS OWN FUNKY SOUND&RHYTHM....

    Suzanne Gegna - I AM INTERESTED IN THE WORLD WITHIN AND THE PASSAGEWAY FROM INNER TO OUTER AS WELL AS OUTER TO INNER. I LOVE THE USE OF COLOR AND FORM IN ABSTRACT ART AND IT FREES ME AND I HOPE THE VIEWER TO FIND A PERSONAL CONNECTION WITH THE FINISHED ARTWORK. I ALSO USE WHIMSY TO CONVEY A CONCEPT AND HOPE TO REMIND THE OBSERVER THAT WHAT WE SEE IN THE MOST LITERAL SENSE IS PERHAPS NOT ALL THAT IS REAL. OFTEN I BELIEVE SIMPLICITY IS THE BEST WAY TO EXPRESS COMPLEXITY.... ...