Paintings For Sale - Price Range: $100 - $199

Page 2 of 52
Discover 1,485 original painting artworks for sale between $100 - $199. Contemporary emerging artists: Jose Freitascruz, Michael Garr, Marino Chanlatte, Rhoda Taylor, Larysa Uvarova, C. Mari Pack, Donna Gallant, Andree Lisette Herz, Roz Zinns, Lynda Lehmann, Jim Lively are exhibiting their affordable original art. You can buy artwork online and browse 52 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Jose Freitascruz: 'cerrado ex brasil n19', 2018 Acrylic Painting, Abstract Landscape. first series of works from brasil inspired by the colours and shapes of the cerrado - the brazilian savannah...
Abstract Landscape - Painting
12 x 12 cm (4.7 x 4.7 inches)
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Michael Garr: 'in the neighborhood', 2018 Oil Painting, Landscape. A plein air painting during the evening monday night painting group session at Lorena Pugh s studio...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Marino Chanlatte: 'water lilies 12', 2017 Acrylic Painting, Abstract. I love to observe water lilies in the water and in the canvas, these are my water lilies.Edge of painting 1. 5 inches depth, painted to match with painting. Ready to hang.   flowers, water lilies, monet style, impressionism, blue, decor...
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Marino Chanlatte: 'deeper', 2017 Acrylic Painting, Abstract. In creating this work I navigated deeper experimenting with different layers of colors. The shapes came out spontaneously as when the water drips down the earth after the rain. The painting extends to the edges of the canvas, ready to hang.  Keywords: contemporary, decor, expressionism, abstract, gray, brwn, nature...
, 2017
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Marino Chanlatte: 'water lilies 11', 2017 Acrylic Painting, Abstract. I love to observe water lilies in the water and in the canvas, these are my water lilies.   Water, lilies, Monet, flowers, nature, impressionist ...
Abstract - Painting
10 x 10 inches (25.4 x 25.4 cm)
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Rhoda Taylor: 'f', 2017 Ink Painting, Fantasy. Detailed Flora...
, 2017
Fantasy - Painting
6 x 12 inches (15.2 x 30.5 cm)
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Marino Chanlatte: 'new morning 2', 2017 Acrylic Painting, Abstract. Mixed colors of the sun and sky in an abstract new morning. This work is comprised of two canvases 8 X 10 each. you can arrange them in any order you prefer. You can also match them with the two canvases of Morning 1, making and arrangement of a painting ...
Abstract - Painting
16 x 10 inches (40.6 x 25.4 cm)
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Larysa Uvarova: 'Painting Purple Sunset', 2016 Oil Painting, nature.  Original oil painting, signed on the back will be great asset to your private collection. This painting was made with brushes and palette knife, multi- layers. It is perfect for the stylish modern interiors. This painting is unframed, so you can choose the frame size and color by yourself to...
nature - Painting
35 x 18 cm (13.8 x 7.1 inches)
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C. Mari Pack: 'Once Upon a Dream', 2014 Acrylic Painting, Abstract.      One of a kind original poured acrylic abstract painting on a canvas panel surface, using: Magenta, Lime Green and Titanium White.  All materials used are archival. Abstract, energy, fluid, pouring, movement, spiritual          ...
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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C. Mari Pack: 'Energy and Movement', 2014 Acrylic Painting, Abstract.  One of a kind original poured abstract acrylic painting on a canvas surface, using: Yellow, Orange, Green, and Purple. All materials used are archival. energy, fluid, bold, spiritual....
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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Donna Gallant: 'Hidden 1', 2015 Acrylic Painting, Abstract.           The inspiration for this piece is color and movement hidden within itself.    ...
, 2015
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Michael Garr: 'lotus pond', 2015 Oil Painting, Floral.  Quick plein air sketch...
, 2015
Floral - Painting
16 x 13 inches (40.6 x 33.0 cm)
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C. Mari Pack: 'Alteration of Matter', 2013 Acrylic Painting, Abstract.     Original poured acrylic painting. Earth tones, with contrasting white and gold. All materials used are archival.    ...
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
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C. Mari Pack: 'Eruption Implosion', 2015 Acrylic Painting, Abstract.     Original poured acrylic painting. Vibrant oranges with contrasting black and white. It is inspired by science.  All materials used are archival.    ...
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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Andree Lisette Herz: 'old  birch', 2015 Ink Painting, nature.                                             . alcohol ink  painted with q tips on yupo                                                       ...
, 2015
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Andree Lisette Herz: 'koi madness', 2015 Ink Painting, nature.                                            . alcohol ink  painted with q tips on yupo                                                      ...
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Andree Lisette Herz: 'fall bloom', 2013 Ink Painting, nature.                                   . alcohol ink  painted with q tips on yupo                                             ...
, 2013
nature - Painting
12 x 14 inches (30.5 x 35.6 cm)
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Andree Lisette Herz: 'fancy pants', 2013 Ink Painting, nature.                                  . alcohol ink  painted with q tips on yupo                                            ...
nature - Painting
12 x 14 inches (30.5 x 35.6 cm)
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Roz Zinns: 'Grotto 2', 2010 Acrylic Painting, Landscape.  Where water carves into mountain ...
, 2010
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Lynda Lehmann: 'Byzantine Blues', 2011 Acrylic Painting, Abstract.  Multicolored abstract acrylic painting with rich blue, green, and amber hues and bold, energetic curves. Keywords: abstract, bold, multicolored, gesture, energy, movement, active, animated, blue, green, amber, line, expressionism, rich, glowing ...
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Lynda Lehmann: 'Bird of Paradise', 2011 Acrylic Painting, Abstract. Active and energetic, original abstract, multicolored with curvilinear elements, evocative of a lush tropic landscape and possibly, a bird.  Keywords: abstract, acrylic, multicolored, gestural, curves, lines, active, energy, movement, expressionism, evocative, bird, exotic, tropics, optical, intense...
Abstract - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Lynda Lehmann: 'Ponderosity', 2010 Acrylic Painting, Abstract.  Active, gestural and graphic Abstract Expressionist painting in black and white. Acrylic on gallery- wrapped canvas, 11 x 14 inches.  Keywords: gesture, energy, abstract, expressionism, black and white, gestural, movement, active, intense, evocative, texture, topography ...
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Roz Zinns: 'Vineyard Gold 2', 2010 Acrylic Painting, Landscape.       California Wine Country     ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Roz Zinns: 'Vineyard Gold ', 2009 Acrylic Painting, Landscape.   California Wine Country ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Roz Zinns: 'Morning Vista', 2006 Acrylic Painting, Landscape.  Near winery in Sonoma ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Lynda Lehmann: 'Island Interlude', 2010 Acrylic Painting, Landscape.  Cheerful abstract painting with an
Landscape - Painting
14 x 20 inches (35.6 x 50.8 cm)
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Jim Lively: 'Red Woman, Blue Woman', 2009 Acrylic Painting, Abstract Figurative.  diptych on two 10
Abstract Figurative - Painting
20 x 10 inches (50.8 x 25.4 cm)
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Jim Lively: 'Weim and Blindfolded Woman', 2009 Acrylic Painting, Erotic.
Erotic - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Jim Lively: 'After A Long Night', 2009 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Jim Lively: 'Signals', 2009 Acrylic Painting, Abstract Figurative.
, 2009
Abstract Figurative - Painting
9 x 12 inches (22.9 x 30.5 cm)
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(Page 2 of 52) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity (I have a day job). My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons' music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. I've done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorena's studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to peruse. In 2003, I legally changed my name back to my original name, Michael Garr, so ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...