Paintings For Sale - Price Range: $100 - $199

Page 3 of 49
Discover 1,405 original painting artworks for sale between $100 - $199. Contemporary emerging artists: Roz Zinns, Lynda Lehmann, Jim Lively, William Christopherson, Michael Pickett, Jovica Vucinic, Tamara Sorkin, Rickie Dickerson, Harry Bayley, Katalin Luczay, Jerry Maloney, Ronald Lunn, Malcolm Tuffnell, Susan Bell are exhibiting their affordable original art. You can buy artwork online and browse 49 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Lynda Lehmann: 'Byzantine Blues', 2011 Acrylic Painting, Abstract.  Multicolored abstract acrylic painting with rich blue, green, and amber hues and bold, energetic curves. Keywords: abstract, bold, multicolored, gesture, energy, movement, active, animated, blue, green, amber, line, expressionism, rich, glowing ...
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Lynda Lehmann: 'Bird of Paradise', 2011 Acrylic Painting, Abstract. Active and energetic, original abstract, multicolored with curvilinear elements, evocative of a lush tropic landscape and possibly, a bird.  Keywords: abstract, acrylic, multicolored, gestural, curves, lines, active, energy, movement, expressionism, evocative, bird, exotic, tropics, optical, intense...
Abstract - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Lynda Lehmann: 'Ponderosity', 2010 Acrylic Painting, Abstract.  Active, gestural and graphic Abstract Expressionist painting in black and white. Acrylic on gallery- wrapped canvas, 11 x 14 inches.  Keywords: gesture, energy, abstract, expressionism, black and white, gestural, movement, active, intense, evocative, texture, topography ...
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Roz Zinns: 'Vineyard Gold 2', 2010 Acrylic Painting, Landscape.       California Wine Country     ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Roz Zinns: 'Vineyard Gold ', 2009 Acrylic Painting, Landscape.   California Wine Country ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Roz Zinns: 'Morning Vista', 2006 Acrylic Painting, Landscape.  Near winery in Sonoma ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Lynda Lehmann: 'Island Interlude', 2010 Acrylic Painting, Landscape.  Cheerful abstract painting with an
Landscape - Painting
14 x 20 inches (35.6 x 50.8 cm)
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Jim Lively: 'Red Woman, Blue Woman', 2009 Acrylic Painting, Abstract Figurative.  diptych on two 10
Abstract Figurative - Painting
20 x 10 inches (50.8 x 25.4 cm)
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Jim Lively: 'Weim and Blindfolded Woman', 2009 Acrylic Painting, Erotic.
Erotic - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Jim Lively: 'After A Long Night', 2009 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Jim Lively: 'Signals', 2009 Acrylic Painting, Abstract Figurative.
, 2009
Abstract Figurative - Painting
9 x 12 inches (22.9 x 30.5 cm)
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William Christopherson: 'Florida Fort Meyers Beach Shells', 2008 Acrylic Painting, Seascape.  Artists impression of a walk along Fort Meyers Beach, coming upon shells at low tide.  Image 8 x 10, mounted on 38 foam board, and matted sized for 11 x 14 frame.  Artwork comes matted, and shrink wrapped, with artists certificate.  Shipment rigid flat, securely packaged, 2- day USPS Priority...
Seascape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Michael Pickett: 'Ugly Mutt ', 2008 Acrylic Painting, Dogs.  This Dog is so ugly he's cute ...
, 2008
Dogs - Painting
8 x 10 inches (20.3 x 25.4 cm)
Michael Pickett: 'Rufous Sided Towhee', 1982 Acrylic Painting, Birds.
Birds - Painting
8 x 10 inches (20.3 x 25.4 cm)
Michael Pickett: 'Great Crested Flycatcher', 1982 Acrylic Painting, Birds.
Birds - Painting
8 x 10 inches (20.3 x 25.4 cm)
Michael Pickett: 'Melting Snow', 2008 Acrylic Painting, Landscape.
Landscape - Painting
10 x 10 inches (25.4 x 25.4 cm)
Jovica Vucinic: 'Still Life No, 6', 2005 Oil Painting, Still Life.
Still Life - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Tamara Sorkin: 'Meirs cow', 1990 Ink Painting, Animals.
, 1990
Animals - Painting
21 x 30 cm (8.3 x 11.8 inches)
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Rickie Dickerson: 'Thought Forms', 2006 Acrylic Painting, Abstract. This painting brewed awhile. . . it hung in my painting area for about a year unfinished. I liked it so much I didn' t want it to be over. . ....
Abstract - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Harry Bayley: 'Colour Bleed electric blue', 2003 Acrylic Painting, Abstract. Painted in acrylics onto a card panel. This painting is abstract colour expression. ...
Abstract - Painting
11 x 8 inches (27.9 x 20.3 cm)
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Harry Bayley: 'Gold Bleed', 2003 Acrylic Painting, Abstract. Painted in acrylics onto a card panel. This painting is abstract colour expression. ...
, 2003
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Harry Bayley: 'Silver Sweep', 2003 Acrylic Painting, Abstract. Painted in acrylics with silver leaf on a canvas panel. Using a strong vibrant background with a sweeping abstract image, makes for an interesting painting. ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Katalin Luczay: 'crisson france painting', 2022 Oil Painting, Nature. Crisson France, an old castle, and river view, painting on site in France, inspired by the old castle on the riverbank...
Nature - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Jerry Maloney: 'on the way to redcliff', 2022 Oil Painting, Landscape. This is the view as you travel up Hwy 24 towards Redcliff, Colorado.  Below is the upper Eagle river and the Gilman Mine tailings pond. ...
Landscape - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Ronald Lunn: 'carolina beach pier', 2021 Oil Painting, Seascape. Took this as a photo while doing Plein Air and completed the work in the studio. ...
Seascape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Ronald Lunn: 'white horse beach', 2021 Oil Painting, . There is a tradition and story about White Horse Beach, part of Plymouth.  I did this painting as a remembrance of the tradition. ...
- Painting
11 x 20 inches (27.9 x 50.8 cm)
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Malcolm Tuffnell: 'twilight walk', 2019 Oil Painting, Landscape. a rising moon, a girl walking- - twilight on the bluffs...
Landscape - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Susan Bell: 'universe', 2020 Acrylic Painting, Abstract. This is an acrylic pour and as you may know there is no use of control or outcome...
, 2020
Abstract - Painting
6 x 6 inches (15.2 x 15.2 cm)
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Ronald Lunn: 'southern cornbread hocakes', 2020 Oil Painting, Food. My wife made these for breakfast one morning and I felt it would make a nice painting. ...
Food - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Gerhard Mounet Lipp: 'Metal coat of arms shield knight shield', 2019 Acrylic Painting, Home. Coat of Arms four point steel knight shield - exclusive hand crafted hand painted medieval knight shield with gold leaf painted rivets aEUR
Home - Painting
11 x 12 inches (27.9 x 30.5 cm)
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(Page 3 of 49) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Michael Pickett - I donaEURtmt know how IaEURtmm able to do all of this, but somewhere inside me I know that I stand out from the rest, IaEURtmm unique and have some powers that are beyond comprehension. I stay pretty much to myself and I feel like someone who is not from this planet and that there are differences that I readily perceive. All of this makes me self-conscious and also makes me more critical of myself. I judge and criticize myself a lot which I should not, but I do because I feel alienated at times. IaEURtmm vary humble and definitely not better than anyone else. I have so much to achieve, and thataEURtms why I take my own time to do so, there are times when I get irritated and agitated because of keeping a lot of expectations for myself, and when IaEURtmm not able to execute it, I feel low. However, I have to make sure that all these expectations are achievable, not impractical and unfeasible. As a result, I trust my intuition more which allows me to communicate with others. Self-expression and originality are also associated with me. There is a ...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Harry Bayley - My paintings are very much about expressing colour in different ways, which I incorporate into whatever painting that I am working on whether it be my own work or a commission. I think colour when used in a painting whether it be bold or subtle can make all the differnce. I would describe my paintings as absrtact, contemporary and full of colour expression....

    Katalin Luczay - Painting to me is an expression, interpretation, and appreciation of the world around me. In my opinion any art should inspire and elevate the human spirit. These types of art works are immortal, such as the works of the old masters. In my paintings I strive to achieve these ideals. I would describe my works as related as representational realism. In my seascapes I bring many different colors together to illustrate the movement of water. In my landscapes and still life works I like to emphasize the play of light as it hits a focal point. I like to paint in oil because I can achieve this sense of light and motion by glazing over layers, as well as in oil I can achieve a richness that I find limiting in other mediums. Please see my website at

    Jerry Maloney - Contemporary artist Jerry Maloney, uses a realistic style that falls somewhere between Impressionism and Photo-realism which creates soothing yet vibrant images that are reminiscent of the Luminists school of painting.I have always been inspired by the beauty of light in nature. Painters such as Bierstadt, Church, and Inness have always been major influences in my art along with many of the Impressionists states the talented artist. These influences are readily apparent in the beautiful oil paintings of Florida Colorado and landscapes that fill the walls of his Spring Hill studio. Although landscapes and seascapes are the artists preferred subjects, he is equally proficient in portraiture, still life, caricature, graphic design digital or traditional and cartooning. Oil paint on canvas is the most common choice of medium for the artist closely followed by acrylic paint, pastel chalk, colored pencil and water color. Drawing and painting since childhood, this emerging artist received his formal training from the University of Michigans School of Art, Colorado Universitys Colorado Mountain College, St. Petersburg College, Florida State University where he received a Bachelors Degree in Studio Art and through numerous workshops conducted by many prominent artists. Since then he has continued to paint and ...

    Ronald Lunn - As an artist, the art I create is something that doesnaEURtmt have a simple definition. My artwork is about personal growth, I constantly strive to evolve and improve my techniques. I enjoy creating each painting or drawing to visually speak to me and the viewer, tell a story, bring up a memory, or have a pleasing memorable image that feeds the vieweraEURtms heart and soul. I wish for that my artwork may continue leaving a lasting impression, to hopefully uplift and inspire everyone to experience those same emotions, pursue their own dreams and bring refreshment into their life, to see the beauty that exists around all of us. I cherish the feeling that art can be fun, it makes me smile and I still get such a sense of satisfaction from people whether negative or positive. I love what I do and am extremely passionate about the arts. ...

    Malcolm Tuffnell - Malcolm Tuffnell Is a tremendous talent in contemporary figurative painting.His works exist between a realistic drawn representation of the female figure and an abstract use of impasto and color. He has been exploring the possibilities of oil paint and pastel for over 30 years, with particular attention paid to how color layers interact with eachother; specifically how thin overglazes of a strong color, for example phthalo blue or rose red, can change the character of the paint or pastel underneath them in unexpected ways, producing many new colors while neutralizing others into grays. He has chosen the female form as the subject of his paintings for its beauty,sensuality and historical precedent. He uses the fluidity of oil to express the sensuality of nude skin. Many of his works derive inspiration from the frequent opera and ballet performances he attends, such as Madame Butterfly and The Nutcracker ballet. However, he does not intend to illustrate a story explicitly but instead to suggest a more vague emotional narrative. Education/Accomplishments From 1977-1979 Mr. Tuffnell attended the University of California, Santa Barbara and studied with noted teacher Gary Brown; when there he traveled to Europe, where he was inspired to ...

    Susan Bell - It has been my wish to travel and paint the many people and cultures of the world. Raised on a farm in New York until the age of 11, I have seen many aspects of nature. I started out painting landscapes and still life. But my true passion, has been my fascination with people and the human face. I am struck by the innocence and candor of children. My willing subjects have been my grandchildren, much to their delight. There is something about seeing and recognizing your face in a painting. I am drawn to both realistic and abstract expression. It has been a goal in my work to incorporate the two. The many models I have painted have provided inspiration to look for the unique qualities that each of us possesses. It has been recent that I have taken interest in exploring the mystery in the face. Using a building of layers to lend depth and drama has been an exciting process. Committed to learning, my work reflects the wonder I experience daily. My hope is that my work reflects a deeper than skin look into the spirit of the people I do in portraiture. ...