Paintings For Sale - Price Range: $100 - $199

Page 6 of 52
Discover 1,492 original painting artworks for sale between $100 - $199. Contemporary emerging artists: Garry Pisarek, Ilona Jetmar, Stephen Fusco, Elizabeth Chapman, Richard Eversley, Rosa D Alessio, Vincent Sferrino, Laurie Vaughn, Suzanne Gegna, John Needles, Susan Barnett-jamieson, Dan Cope, Djordje Sokolovski are exhibiting their affordable original art. You can buy artwork online and browse 52 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Ilona Jetmar: 'Refraction 1014', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 914', 2014 Oil Painting, Landscape.
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 714', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 214', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 814', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 514', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 614', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 414', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 114', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Stephen Fusco: 'Hello Dali', 2014 Other Painting, People.                This is an airbrush portrait of Salvadore Dali, done with Createx Illustration airbrush paint on aluminum sign blank.            ...
, 2014
People - Painting
18 x 24 inches (45.7 x 61.0 cm)
Stephen Fusco: 'Rooster', 2014 Other Painting, Birds.              This is acrylic airbrush on board, framed.          ...
, 2014
Birds - Painting
25 x 24 inches (63.5 x 61.0 cm)
Elizabeth Chapman: 'Pastiche', 2013 Acrylic Painting, Abstract.   Professional quality acrylic paints on a mini wrap canvas.  The 3/ 4
, 2013
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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Elizabeth Chapman: 'Rinlet', 2013 Acrylic Painting, Abstract.  Professional quality acrylic paints on a mini wrap canvas.  The 3/ 4
, 2013
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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Richard Eversley: 'Signs II', 2010 Acrylic Painting, Abstract.     Contemporary, abstract, painting, environmental statement   Abstract, painting, contemporary, abstract expressionism ...
, 2010
Abstract - Painting
12 x 24 inches (30.5 x 61.0 cm)
Rosa D Alessio: 'soncino castle', 2012 Oil Painting, People.  medievil castle, , oil, canvas, portrait, landscape, watercolor, trees, girl, lady, painting, wall hanging, , cowgirl,   ...
People - Painting
40 x 40 cm (15.7 x 15.7 inches)
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Rosa D Alessio: 'half face', 2012 Oil Painting, People.  face, lips, drawing, crayon, canvas, portrait, landscape, watercolor, trees, girl, lady, painting, wall hanging, , cowgirl,  ...
, 2012
People - Painting
34 x 46 cm (13.4 x 18.1 inches)
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Rosa D Alessio: 'portrait of Sean', 2012 Oil Painting, People.    tree, oil on canvas, oil, canvas, portrait, landscape, watercolor, trees, countryside, painting, wall hanging, horse, cowgirl, monta da lavoro, buttero   ...
People - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Rosa D Alessio: 'working cowgirl', 2013 Oil Painting, People.   tree, oil on canvas, oil, canvas, portrait, landscape, watercolor, trees, countryside, painting, wall hanging, horse, cowgirl, monta da lavoro, buttero  ...
People - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Rosa D Alessio: 'My fair Lady', 2013 Oil Painting, People.  tree, oil on canvas, oil, canvas, portrait, landscape, watercolor, trees, countryside, painting, wall hanging ...
People - Painting
35 x 45 cm (13.8 x 17.7 inches)
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Vincent Sferrino: 'Evening Repast', 2013 Acrylic Painting, Cuisine.
Cuisine - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Vincent Sferrino: 'Hillside Guardian', 2013 Acrylic Painting, Scenic.
Scenic - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Laurie Vaughn: 'Soft Green Action Abstract Painting', 2007 Acrylic Painting, Abstract Figurative.   This original mixed media abstract expressionist painting, is a work on paper that's an example of abstract expressionism, created in the New York School art movement genre by artist Laurie Vaughn. A classic
Abstract Figurative - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Suzanne Gegna: 'Blue Abstraction with Orange', 2013 Acrylic Painting, Abstract.  In this Abstract Painting I'm playing with color, movement and emotion.  It' s bright but peaceful. ...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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John Needles: 'Beach dancer on canvas', 2013 Acrylic Painting, Abstract.  Dancer on canvas  ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Susan Barnett-jamieson: 'flower', 2013 Acrylic Painting, Abstract.
, 2013
Abstract - Painting
6 x 6 inches (15.2 x 15.2 cm)
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Dan Cope: 'Innacurrate mind', 2012 Acrylic Painting, Abstract.                 abstract art, digital print, fantasy, surreal, music                 ...
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Djordje Sokolovski: 'abstract little 2', 2011 Oil Painting, Abstract.     abstract, little, red, blue, brown, ocher,  oil on cardboard    ...
Abstract - Painting
82 x 92 mm ( x )
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Djordje Sokolovski: 'yellow  tinny abstract 1', 2011 Oil Painting, Abstract.   abstract, little, yellow, ocher, green, oil on cardboard  ...
Abstract - Painting
92 x 92 mm ( x )
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Djordje Sokolovski: 'abstract little 1 ', 2011 Oil Painting, Abstract.  abstract, little ocher, light blue oil on cardboard ...
Abstract - Painting
72 x 70 mm ( x )
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Djordje Sokolovski: 'nude 7', 2008 Oil Painting, Figurative.  female nude ...
, 2008
Figurative - Painting
136 x 115 mm ( x )
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(Page 6 of 52) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Garry Pisarek - I would like my paintings to be viewed not just as pictures but as emotional responses, or as a collection of feeling about the subject I am trying to represent. In my painting I try to make each line of color represent a speed of light and a direction for the viewer's eye to travel, giving a time-space element to the composition, as opposed to a frozen in time view of a photograph. These elements make up a controlled composition. Each line, color and shape moves the eye through the visual space inviting the viewer into the painting and guiding them in and out of the visual space, "entertaing the eye" along the way....

    Ilona Jetmar - Primarily my art is about my spiritual journey and my Honours Thesis is dealing with the idea of the spiritual in painting. Wassily Kandinsky's book "Concerning the Spiritual in Art" sparked my interest in this topic. I have been looking at the philosophy of the Romantics particularly literature that deals with the sublime and how this relates to notions of the spiritual. The artist's that I take an interest in are Rick Amor, Louise Hearman, Edward Hopper, Rembrant, Caspar David Friedrich and JMW Turner. All of these artists use light as one of the main tools to create mood and atmosphere in their paintings and this is what inspires my work also....

    Stephen Fusco - Welcome, I am a full-time police artist, or forensic artist, for the Orange County Sheriff's Office in Orlando, Florida. I've actually been a police officer since March of 1980. My background as an investigator has been an important part of my success as a police artist but, my passion for art is the key ingrediant. I feel blessed that my artistic skills make a difference in peoples lives, as well as the contribution to sucessful prosecutions in major case investigations throughout Central Florida. I used to do most my police art in pencil, however now I use a Wacom pad and the computer to "airbrush" my work such as suspect composite drawings, age progression drawings, skull reconstructions, and post mortem drawings. There are numerous examples on this site that illustrate what computer art looks like. It is still done by hand except it's within the computer. I also do commercial art for the Sheriff, which I get to use my own creative freedom. I call it "artistic support." Artistic support comes in the form of illustrations, unit logos, t-shirt designs, memorial portraits, and police related paintings and renderings. When I do artistic support, I like ...

    Elizabeth Chapman - Working as an abstract expressionist artist, I believe that the process of creating is much like the flow of life. For me the first mark, undercoating or brushstroke in a painting is often the hardest. From these first beginnings a dialogue is opened up in which I as the artist am compelled to find and follow the flow of the painting in a highly intuitive manner. Color and movement play a major role in my work, as do line and texture. There is much experimentation, exploring, discoveries of new avenues of expression and at best a child like playfulness. When all the elements come together in unison, the completion of the painting emerges bringing with it a quality of expression that has a life of it's own and is unique. "It brings me much joy just to be the brush in the Master Painter's hand and to realize that His creations are made to bring great joy to all. My paintings are a form of song, dance and praise in response to the beauty of life." -Elizabeth...

    Rosa D Alessio - Drawing and painting, alongside horses - riding or even just being with them, is what I enjoy doing the most! I have always drawn for as long as I can remember... Since I was old enough to hold a pencil, about three or four, I couldn't help myself... I just had to draw... with a pen, a pensile a crayon whatever and on whatever came to hand including, to my parents horror, important "documents" that soon became decorated with my doodling... as long as there was some space I would fill it...! After school I studied dress design, and worked in the trade for some years but, although I still do some designing, I realized (better late than never) that dress design wasn't my true vocation and took up drawing and painting again. Painting is definitely a soothing task, it relaxing and it is very is satisfying to create and see the lines and the colours that emerge from the hand as if by magic. The moment of painting can be excellent therapy, maybe because.... like when being with horses... you don't (with horses for safety reasons you can't) think of anything else, but concentrate on the ...

    Laurie Vaughn - Primarily, my inspiration is derivitive of the New York School art movement genre of abstract expressionism. Additionally, I incorporate expressionist painting influences, derived from the CoBrA art, German Expressionism, in creating my personal brand, of representational, expressionist painting. Taking formal techniques from the CoBrA and New York School art movement, I blend subliminal nuances emanating from sources of inspiration, that are as diverse as Japanese calligraphy to the tribal art, of the Dogon. Utilizing a layering of abstract expressionist painting applications, I reference the oevres of expressionist artists that includes: Jackson Pollock, Lee Krasner, Joan Mitchell, Willem deKooning, Hans Hofmann, Robert Motherwell, and lesser known, abstract expressionism art movement painters. Representational techniques have been strongly influenced by the bold, vibrant, and colorful expressionist painting genre of significant CoBrA art movement icons, including: Cornielle, Karel Appel, Rooskens, Eugene Brands, Lucebert and Asger Jorn.I prefer to work in mixed media, incorporating gesso, tempera, acrylic, enamel and oil on canvas. My goal is to create individual series, dominated by influences from a combination of artists, overlaid with my personal interpretation or social commentary on events that effect us all....

    Suzanne Gegna - I AM INTERESTED IN THE WORLD WITHIN AND THE PASSAGEWAY FROM INNER TO OUTER AS WELL AS OUTER TO INNER. I LOVE THE USE OF COLOR AND FORM IN ABSTRACT ART AND IT FREES ME AND I HOPE THE VIEWER TO FIND A PERSONAL CONNECTION WITH THE FINISHED ARTWORK. I ALSO USE WHIMSY TO CONVEY A CONCEPT AND HOPE TO REMIND THE OBSERVER THAT WHAT WE SEE IN THE MOST LITERAL SENSE IS PERHAPS NOT ALL THAT IS REAL. OFTEN I BELIEVE SIMPLICITY IS THE BEST WAY TO EXPRESS COMPLEXITY.... ...

    Dan Cope - I have painted all my life and never took lessons.It just comes out and onto the canvas.Initially,I paint for my own satisfaction.People see what I made and like it,sometimes buy it,so I want to do more and let others enjoy it.To me,a good painting is something pleasing to the eye and can be viewed indefinitely,always looking fresh and new.i love the way colors and shapes work together to produce an exciting image.It doesn't matter what the image is about.What matters is the good feeling it gives the viewer when it is looked at.Use your imagination to explore and interpret as you choose.That is the beauty of abstract art,you can experience it as you wish.I like to write haikus for each piece and put them in the description box....