Paintings For Sale - Price Range: $100 - $199

Page 6 of 41
Discover 1,173 original painting artworks for sale between $100 - $199. Contemporary emerging artists: Ina Jinapaia, Shanna Daley, Loretta Nash, Ilona Jetmar, Elizabeth Chapman, Vincent Sferrino, Laurie Vaughn, Suzanne Gegna, Susan Barnett-jamieson, Dan Cope, Djordje Sokolovski are exhibiting their affordable original art. You can buy artwork online and browse 41 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Ina Jinapaia: 'Surprised', 2014 Acrylic Painting, Portrait.      Portrait of a woman being surprised      ...
, 2014
Portrait - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Ina Jinapaia: 'Clownfish', 2014 Acrylic Painting, Animals.       Clownfish upclose     ...
, 2014
Animals - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Ina Jinapaia: 'Monks with Surf Boards', 2014 Acrylic Painting, Portrait.      Monks with surf boards on beach    ...
Portrait - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Ina Jinapaia: 'Untitled', 2014 Acrylic Painting, Portrait.     A man's portrait   ...
, 2014
Portrait - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Ina Jinapaia: 'No Small Talk', 2014 Acrylic Painting, Portrait.    A woman on red background  ...
Portrait - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Ina Jinapaia: 'At Midnight', 2014 Acrylic Painting, Portrait.   A woman in deep blue background ...
Portrait - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Ina Jinapaia: 'In Thought', 2014 Acrylic Painting, Portrait.  A man in thought ...
, 2014
Portrait - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Shanna Daley: 'You are my Sunshine', 2014 Acrylic Painting, Abstract.  painting, art, artwork, you are my sunshine, home decor, wall decor, quote, words, saying, sign, abstract, contemporary art, modern art, rustic art, brown, white, fence, wood, texture, heavy texture, white, cottage, rustic, gold    ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Loretta Nash: 'Red Tennis Shoe', 2014 Acrylic Painting, Still Life.     Memphis, sunset    ...
Still Life - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Loretta Nash: 'The Vast', 2014 Acrylic Painting, People.    Memphis, sunset   ...
, 2014
People - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Ilona Jetmar: 'Refraction 1014', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 914', 2014 Oil Painting, Landscape.
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 714', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 214', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 814', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 514', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 614', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 414', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ilona Jetmar: 'Refraction 114', 2014 Oil Painting, Landscape.  Refraction is an exhibition that extends on my interest in light and its effects on the land and our surrounds and connects with my growing interest and research into culture, identity and belonging.In April 2013 I had the privilege of spending time with an amazing group of Indigenous people...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Elizabeth Chapman: 'Pastiche', 2013 Acrylic Painting, Abstract.   Professional quality acrylic paints on a mini wrap canvas.  The 3/ 4
, 2013
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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Elizabeth Chapman: 'Rinlet', 2013 Acrylic Painting, Abstract.  Professional quality acrylic paints on a mini wrap canvas.  The 3/ 4
, 2013
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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Vincent Sferrino: 'Evening Repast', 2013 Acrylic Painting, Cuisine.
Cuisine - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Vincent Sferrino: 'Hillside Guardian', 2013 Acrylic Painting, Scenic.
Scenic - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Laurie Vaughn: 'Soft Green Action Abstract Painting', 2007 Acrylic Painting, Abstract Figurative.   This original mixed media abstract expressionist painting, is a work on paper that's an example of abstract expressionism, created in the New York School art movement genre by artist Laurie Vaughn. A classic
Abstract Figurative - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Suzanne Gegna: 'Blue Abstraction with Orange', 2013 Acrylic Painting, Abstract.  In this Abstract Painting I'm playing with color, movement and emotion.  It' s bright but peaceful. ...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Susan Barnett-jamieson: 'flower', 2013 Acrylic Painting, Abstract.
, 2013
Abstract - Painting
6 x 6 inches (15.2 x 15.2 cm)
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Dan Cope: 'Innacurrate mind', 2012 Acrylic Painting, Abstract.                 abstract art, digital print, fantasy, surreal, music                 ...
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Djordje Sokolovski: 'abstract little 2', 2011 Oil Painting, Abstract.     abstract, little, red, blue, brown, ocher,  oil on cardboard    ...
Abstract - Painting
82 x 92 mm ( x )
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Djordje Sokolovski: 'yellow  tinny abstract 1', 2011 Oil Painting, Abstract.   abstract, little, yellow, ocher, green, oil on cardboard  ...
Abstract - Painting
92 x 92 mm ( x )
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Djordje Sokolovski: 'abstract little 1 ', 2011 Oil Painting, Abstract.  abstract, little ocher, light blue oil on cardboard ...
Abstract - Painting
72 x 70 mm ( x )
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(Page 6 of 41) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Loretta Nash - I love to create things. I got into being an artist because it allowed me to let my imagination flourish with out judgment. I like the encouragement and the satisfaction that I did something with my own hands. I received my Bachelors of Arts in Art in 1992. My themes of my works go everywhere. Everything inspires me. For example just recently a hand dryer blowing on my skin gave me an idea. I run with the ideas or I just let them die. The pencil/pen has always been my tools of choice because they were easy to sneak to paying jobs with the sketch book to do during downtime and breaks. The paint brush is just an extension on the pencil/ink. Since 1999, I upload design pieces onto various art production retail sites. (i.e. www.redbubble.com/lorgh, www.loretta-nash.fineartamerica.com, www.zazzle.com/lorettanash, www. artwanted.com/lorgh, www.flickr.com/lorgh, www.lorettanash.co.cc, etc.) Since October 2010, I created caricatures at local events and of private citizens. I have not stopped creating. ...

    Ilona Jetmar - Primarily my art is about my spiritual journey and my Honours Thesis is dealing with the idea of the spiritual in painting. Wassily Kandinsky's book "Concerning the Spiritual in Art" sparked my interest in this topic. I have been looking at the philosophy of the Romantics particularly literature that deals with the sublime and how this relates to notions of the spiritual. The artist's that I take an interest in are Rick Amor, Louise Hearman, Edward Hopper, Rembrant, Caspar David Friedrich and JMW Turner. All of these artists use light as one of the main tools to create mood and atmosphere in their paintings and this is what inspires my work also....

    Elizabeth Chapman - Working as an abstract expressionist artist, I believe that the process of creating is much like the flow of life. For me the first mark, undercoating or brushstroke in a painting is often the hardest. From these first beginnings a dialogue is opened up in which I as the artist am compelled to find and follow the flow of the painting in a highly intuitive manner. Color and movement play a major role in my work, as do line and texture. There is much experimentation, exploring, discoveries of new avenues of expression and at best a child like playfulness. When all the elements come together in unison, the completion of the painting emerges bringing with it a quality of expression that has a life of it's own and is unique. "It brings me much joy just to be the brush in the Master Painter's hand and to realize that His creations are made to bring great joy to all. My paintings are a form of song, dance and praise in response to the beauty of life." -Elizabeth...

    Laurie Vaughn - Primarily, my inspiration is derivitive of the New York School art movement genre of abstract expressionism. Additionally, I incorporate expressionist painting influences, derived from the CoBrA art, German Expressionism, in creating my personal brand, of representational, expressionist painting. Taking formal techniques from the CoBrA and New York School art movement, I blend subliminal nuances emanating from sources of inspiration, that are as diverse as Japanese calligraphy to the tribal art, of the Dogon. Utilizing a layering of abstract expressionist painting applications, I reference the oevres of expressionist artists that includes: Jackson Pollock, Lee Krasner, Joan Mitchell, Willem deKooning, Hans Hofmann, Robert Motherwell, and lesser known, abstract expressionism art movement painters. Representational techniques have been strongly influenced by the bold, vibrant, and colorful expressionist painting genre of significant CoBrA art movement icons, including: Cornielle, Karel Appel, Rooskens, Eugene Brands, Lucebert and Asger Jorn.I prefer to work in mixed media, incorporating gesso, tempera, acrylic, enamel and oil on canvas. My goal is to create individual series, dominated by influences from a combination of artists, overlaid with my personal interpretation or social commentary on events that effect us all....

    Suzanne Gegna - I AM INTERESTED IN THE WORLD WITHIN AND THE PASSAGEWAY FROM INNER TO OUTER AS WELL AS OUTER TO INNER. I LOVE THE USE OF COLOR AND FORM IN ABSTRACT ART AND IT FREES ME AND I HOPE THE VIEWER TO FIND A PERSONAL CONNECTION WITH THE FINISHED ARTWORK. I ALSO USE WHIMSY TO CONVEY A CONCEPT AND HOPE TO REMIND THE OBSERVER THAT WHAT WE SEE IN THE MOST LITERAL SENSE IS PERHAPS NOT ALL THAT IS REAL. OFTEN I BELIEVE SIMPLICITY IS THE BEST WAY TO EXPRESS COMPLEXITY.... ...

    Dan Cope - I have painted all my life and never took lessons.It just comes out and onto the canvas.Initially,I paint for my own satisfaction.People see what I made and like it,sometimes buy it,so I want to do more and let others enjoy it.To me,a good painting is something pleasing to the eye and can be viewed indefinitely,always looking fresh and new.i love the way colors and shapes work together to produce an exciting image.It doesn't matter what the image is about.What matters is the good feeling it gives the viewer when it is looked at.Use your imagination to explore and interpret as you choose.That is the beauty of abstract art,you can experience it as you wish.I like to write haikus for each piece and put them in the description box....