Paintings For Sale - Price Range: $100 - $199

Page 7 of 51
Discover 1,454 original painting artworks for sale between $100 - $199. Contemporary emerging artists: Vincent Sferrino, Laurie Vaughn, Suzanne Gegna, John Needles, Susan Barnett-jamieson, Dan Cope, Djordje Sokolovski, David Powers, Monica Mackenzie, Angela Ferreira, Jessica Johnson, Katy Kerr, Timothy Scott, Jean Yves Lemeur, Vance Karen are exhibiting their affordable original art. You can buy artwork online and browse 51 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Vincent Sferrino: 'Hillside Guardian', 2013 Acrylic Painting, Scenic.
Scenic - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Laurie Vaughn: 'Soft Green Action Abstract Painting', 2007 Acrylic Painting, Abstract Figurative.   This original mixed media abstract expressionist painting, is a work on paper that's an example of abstract expressionism, created in the New York School art movement genre by artist Laurie Vaughn. A classic
Abstract Figurative - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Suzanne Gegna: 'Blue Abstraction with Orange', 2013 Acrylic Painting, Abstract.  In this Abstract Painting I'm playing with color, movement and emotion.  It' s bright but peaceful. ...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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John Needles: 'Beach dancer on canvas', 2013 Acrylic Painting, Abstract.  Dancer on canvas  ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Susan Barnett-jamieson: 'flower', 2013 Acrylic Painting, Abstract.
, 2013
Abstract - Painting
6 x 6 inches (15.2 x 15.2 cm)
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Dan Cope: 'Innacurrate mind', 2012 Acrylic Painting, Abstract.                 abstract art, digital print, fantasy, surreal, music                 ...
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Djordje Sokolovski: 'abstract little 2', 2011 Oil Painting, Abstract.     abstract, little, red, blue, brown, ocher,  oil on cardboard    ...
Abstract - Painting
82 x 92 mm ( x )
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Djordje Sokolovski: 'yellow  tinny abstract 1', 2011 Oil Painting, Abstract.   abstract, little, yellow, ocher, green, oil on cardboard  ...
Abstract - Painting
92 x 92 mm ( x )
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Djordje Sokolovski: 'abstract little 1 ', 2011 Oil Painting, Abstract.  abstract, little ocher, light blue oil on cardboard ...
Abstract - Painting
72 x 70 mm ( x )
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Djordje Sokolovski: 'nude 7', 2008 Oil Painting, Figurative.  female nude ...
, 2008
Figurative - Painting
136 x 115 mm ( x )
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David Powers: 'Octavus', 2012 Oil Painting, Surrealism.
, 2012
Surrealism - Painting
5 x 7 inches (12.7 x 17.8 cm)
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Monica Mackenzie: 'Happy faces', 2012 Acrylic Painting, Abstract Figurative.  Happy face, Happy heart from Olmeca culture in MexicoCaritas sonrientes                ...
Abstract Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
Angela Ferreira: 'The Fleeing', 2011 Oil Painting, Landscape.
Landscape - Painting
41 x 51 cm (16.1 x 20.1 inches)
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Jessica Johnson: 'Spirit Bath', 2012 Acrylic Painting, Beauty.   Acrylic on Canvas, Jessica Johnson, emeraldsrain, artist, aesthetigeist, spirit, water, sprite, girl, bath, ocean, lake, muted, colors, acrylic ...
Beauty - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Jessica Johnson: 'Roots', 2012 Acrylic Painting, Animals.  Acrylic on Canvas, bluebirds, birds, dead, grieving, animals, bird, blue, jessica johnson, san diego, artist, emeraldsrain, black, canvas, crying  ...
, 2012
Animals - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Katy Kerr: 'Tropical sunset', 2011 Acrylic Painting, Landscape.  16x20 acrylic on canvas board, comes framed in simple wood frame - please see website
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Timothy Scott: 'Gold Fish', 2012 Acrylic Painting, Abstract.        Porcelain and acrylic painting on acrylic sheet            ...
, 2012
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
Timothy Scott: 'Gold Crossbow and Blue Arrowhead', 2012 Acrylic Painting, Abstract.       Porcelain and acrylic painting on acrylic sheet           ...
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
Timothy Scott: 'Lacy Orange', 2012 Acrylic Painting, Abstract.      Porcelain and acrylic painting on acrylic sheet          ...
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
Timothy Scott: 'Plant Forms', 2012 Acrylic Painting, Abstract.     Porcelain and acrylic painting on acrylic sheet         ...
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
Timothy Scott: 'Seeds of an Idea', 2012 Acrylic Painting, Abstract.    Porcelain and acrylic painting on acrylic sheet        ...
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
Timothy Scott: 'Tree of the Eye', 2012 Acrylic Painting, Abstract.   Porcelain and acrylic painting on acrylic sheet       ...
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
Timothy Scott: 'Fishlike Forms', 2012 Acrylic Painting, Abstract.  Porcelain and acrylic painting on acrylic sheet      ...
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
Jean Yves Lemeur: 'abstract', 2011 Oil Painting, Abstract.  art brut abstract ...
, 2011
Abstract - Painting
27 x 38 cm (10.6 x 15.0 inches)
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Vance Karen: 'Falling Rocks', 2010 Oil Painting, undecided.
undecided - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Vance Karen: 'Keep Calm', 2011 Oil Painting, undecided.
, 2011
undecided - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Vance Karen: 'Spring Bulb', 2011 Oil Painting, undecided.      Taking a look at two separate environments, one being a domestic sliver of a window sill, and the other being the vast cityscape, I unite the two with flowers and household plants.      I set up in front of an everyday household plant or unusual cut flower that stands up against...
undecided - Painting
16 x 22 inches (40.6 x 55.9 cm)
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Vance Karen: 'Locked', 2011 Oil Painting, undecided.            Man- made structure versus natural forms is something that constantly draws my attention. Through observation, I pin the bodies of found leaves and twigs and confine them to the canvas.                                                                                                                                                             Designing the objects into an aesthetically pleasing pattern gives them an artificial sense of structure.  I impose the idea of...
, 2011
undecided - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Vance Karen: 'Grasshopper', 2011 Oil Painting, undecided.
undecided - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Al Johannessen: 'Canada Air Show', 2011 Oil Painting, Birds.    Canada geese landing to feed near Rock Creek in Montana      ...
Birds - Painting
12 x 15 inches (30.5 x 38.1 cm)
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(Page 7 of 51) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Laurie Vaughn - Primarily, my inspiration is derivitive of the New York School art movement genre of abstract expressionism. Additionally, I incorporate expressionist painting influences, derived from the CoBrA art, German Expressionism, in creating my personal brand, of representational, expressionist painting. Taking formal techniques from the CoBrA and New York School art movement, I blend subliminal nuances emanating from sources of inspiration, that are as diverse as Japanese calligraphy to the tribal art, of the Dogon. Utilizing a layering of abstract expressionist painting applications, I reference the oevres of expressionist artists that includes: Jackson Pollock, Lee Krasner, Joan Mitchell, Willem deKooning, Hans Hofmann, Robert Motherwell, and lesser known, abstract expressionism art movement painters. Representational techniques have been strongly influenced by the bold, vibrant, and colorful expressionist painting genre of significant CoBrA art movement icons, including: Cornielle, Karel Appel, Rooskens, Eugene Brands, Lucebert and Asger Jorn.I prefer to work in mixed media, incorporating gesso, tempera, acrylic, enamel and oil on canvas. My goal is to create individual series, dominated by influences from a combination of artists, overlaid with my personal interpretation or social commentary on events that effect us all....

    Suzanne Gegna - I AM INTERESTED IN THE WORLD WITHIN AND THE PASSAGEWAY FROM INNER TO OUTER AS WELL AS OUTER TO INNER. I LOVE THE USE OF COLOR AND FORM IN ABSTRACT ART AND IT FREES ME AND I HOPE THE VIEWER TO FIND A PERSONAL CONNECTION WITH THE FINISHED ARTWORK. I ALSO USE WHIMSY TO CONVEY A CONCEPT AND HOPE TO REMIND THE OBSERVER THAT WHAT WE SEE IN THE MOST LITERAL SENSE IS PERHAPS NOT ALL THAT IS REAL. OFTEN I BELIEVE SIMPLICITY IS THE BEST WAY TO EXPRESS COMPLEXITY.... ...

    Dan Cope - I have painted all my life and never took lessons.It just comes out and onto the canvas.Initially,I paint for my own satisfaction.People see what I made and like it,sometimes buy it,so I want to do more and let others enjoy it.To me,a good painting is something pleasing to the eye and can be viewed indefinitely,always looking fresh and new.i love the way colors and shapes work together to produce an exciting image.It doesn't matter what the image is about.What matters is the good feeling it gives the viewer when it is looked at.Use your imagination to explore and interpret as you choose.That is the beauty of abstract art,you can experience it as you wish.I like to write haikus for each piece and put them in the description box....

    David Powers - "What are these moments in our lives that leave us changed forever? I often wonder what they are made of. Moments when we are able to break through and see beyond the veil of forms and our identifications with such. For some of us these moments are much like fleeting dreams, perhaps the essence of all those (seemingly mystical) experiences that we never really speak about. For me, this passion has fueled a life long romance. A quest of self exploration, a quest to build bridges over the gaps in our communication with one another. If ever we are to survive as one race under the stars, it would appear that a higher state of awareness may be required of us. Lucid Windows is a vision I long to share. I only hope that my expressions are just that, windows of lucidity, windows, of love and light. I wish for my expressions to move the viewer like a dream they cannot shake, a reminder of all that is at work that we cannot see with our eyes. In a dream, in a vision, I saw the world as a beautiful chaotic happening. A set of scales spinning and fighting for...

    Monica Mackenzie - Artist Statement It is my belief that the more one culture knows about another culture, the more tolerance and understanding they will feel. I firm believe that Art nourishes and heals the mind and the soul of individuals. Creating art is for me a humbling experience that has always pushed me to new levels of creativity and invention. The respect I have to each of my work challenges me to paint each work as an individual with its own character. My style is passion and respect to each piece, giving each work the personality, quality that deserves. I want to share a positive message in order to inspire, educate and empower the public. Sometimes my art pieces are pure emotion and sometimes are cerebral and challenging. My love to Physical Anthropology and art are combined in my works. Art is for me as essential as air, transforms me, nourishes my soul, it is a positive extraordinary experience I do believe can transform others. Creating works based on pre-columbian legends and aesthetics. Metaphysics and research in Mexican artisans work. Researching thru mythical Aztec and Mayan points of view, influenced by Goya's, Carlos Castaneda, Octavio Paz and Sor Juana Ines ...

    Timothy Scott - Breaking free from old bonds and going toward a new personal style. My watercolors have always sold well, but recently I have decided to move away a bit from my watercolor paintings. I had my own unique handling of the medium, but it was time for a change. But where does a new way of creating art come from? If I choose to paint in an abstract way I truly believe it must come from within, not from a starting point previously explored by others. Let me explain that I am a good realist. However, my abstract work starts from a different place, a different perspective. My new style has been helped along by a series of serendipitous events. First, years ago I met Delores Fortuna in Oak Park, Illinois. She is a wonderful potter who had a studio 3 blocks from our house. I took many classes from her. Loved clay and even better, porcelain clay. I liked the whole process from wedging the clay, to throwing the forms to glazing the bisque fired pieces. When my wife and I moved to Virginia. I found a used kiln and wheel down here and did some pottery. At the same ...

    Jean Yves Lemeur - First I was ingeneer student when came ill with schizophrenia and I had to change.I discovered painting in hospital and my mother liked.So years and years later I felt ok again and started really painting, now for two years. Now I really need to suprise me with new paintings, about two ones a week.Discovering other's work is great too, and I can say writing stories or poems takes a bigger place you imagine to go into paintings sooner or later. So my paintings strangely feed with research of past silent years lost. ...