Paintings For Sale - Price Range: $1000 - $1999

Page 10 of 194
Discover 5,619 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: William Dick, Cathy Dobson, Stephen Mead, Philip Hallawell, Jack Earley, Emilio Merlina, Lorrie Williamson, Kevin Knuckles, Michal Ashkenasi, Ruslan Khais, Aniko Hencz, Roger Perkins, Pramod Apet, Boyko Asparuhov, John Threadgill, Carol Santora, George Transcender, Pavel Tyryshkin, Ana Castro Feijoo, Pamela Flynn, George Katevenis, Pol Ledent are exhibiting their affordable original art. You can buy artwork online and browse 194 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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William Dick: 'FAGNINI', 2001 Encaustic Painting, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'DEKKER', 2001 Encaustic Painting, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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William Dick: 'CASSANI', 2001 Encaustic Painting, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Cathy Dobson: 'Purity', 2001 Oil Painting, Sea Life. Original oil painting in a gold wooden frame. Mermaid Sea life artwork.Primed cotton canvas....
, 2001
Sea Life - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Stephen Mead: 'WhoIsBigger', 1991 Oil Painting, Marine. A meditation on environmental conservation, part of film series
Marine - Painting
32 x 68 inches (81.3 x 172.7 cm)
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Philip Hallawell: 'Muse 6', 1999 Oil Painting, Inspirational. This painting was done in the chiaroscuro technique on canvas on wood, so as to be able to portray the type of inspiration that slowly emerges into light....
, 1999
Inspirational - Painting
20 x 50 cm (7.9 x 19.7 inches)
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Jack Earley: 'Red Cloud', 1990 Other Painting, Americana. Red Cloud, the famous Oglala Lakota Sioux Leader. I love how he shows the same dignity of George Washington. The work is done in sumi- e ink on acid- free paper and surrounded by acid- free material for longevity. It has ultraviolet light resistant glass and a rich gold and ...
, 1990
Americana - Painting
21 x 28 inches (53.3 x 71.1 cm)
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Emilio Merlina: 'dance', 1992 Oil Painting, Inspirational. oil on canvas...
, 1992
Inspirational - Painting
80 x 120 cm (31.5 x 47.2 inches)
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Lorrie Williamson: 'In Awe of Color and Motion', 2001 Acrylic Painting, Seascape. Acrylic on illustration board. 5 inch mat....
Seascape - Painting
20 x 30 inches (50.8 x 76.2 cm)
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Kevin Knuckles: 'Rhyme and Rhythm', 2001 Acrylic Painting, Figurative. Focusing on the relationship between the spoken word poet andhis musical partners. They blend together in unified movementto act as one. This is represented by poetic artists such asLasana Kazembe, and The Last Poets....
Figurative - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Michal Ashkenasi: 'LavaLand', 2000 Acrylic Painting, Inspirational. On a trip to Mexico we came to a place where two little towns were buried under lavastones and only the top of the towers of the church were in sight. It happened allmost 50 years ago, but I could see in my imagination how it would look when it ...
, 2000
Inspirational - Painting
100 x 80 cm (39.4 x 31.5 inches)
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Michal Ashkenasi: 'GlimpsOfTheGlenn', 1999 Oil Painting, Landscape. As I was touring Scottland I was amazed to find a landscape still untouchted! ! It was one of the most beautiful trips I ever made and it gave me a lot of inspiration!...
Landscape - Painting
60 x 90 cm (23.6 x 35.4 inches)
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Michal Ashkenasi: 'FallingFromHeaven', 2000 Acrylic Painting, Inspirational. All kind of strange Mutations are growing! We are all to blame for  endangering our environment! Still, not all mutations are bad and some are even wonderful! !...
Inspirational - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Michal Ashkenasi: 'Crater', 1998 Oil Painting, Inspirational. After you have seen the Red colour of the Lava spreading out along the mountain, you
, 1998
Inspirational - Painting
80 x 50 cm (31.5 x 19.7 inches)
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Ruslan Khais: 'going north', 2020 Painting, Landscape. An original, large oil and acrylic on canvas painting.  Abstract landscape could be considered contemporary impressionism or abstract impressionism.  Based on travel from Philadelphia to Canada.The master- quality material has been used.  Using oil over the acrylic technique allows achieving the brightness of colors and richness of texture.  Edges ...
Landscape - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Aniko Hencz: 'autumn in the lakeside village', 2020 Painting, Abstract. Original semi- abstract rural landscape with houses and trees in an imaginary village around a lake in autumn. The artwork is made with oil painting on canvas. The painting is signed in front  +back  and accompanied with a certificate of authenticity signed by me.It is varnished in order to ...
Abstract - Painting
28 x 20 inches (71.1 x 50.8 cm)
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Roger Perkins: 'blue thunderbird', 2020 Acrylic Painting, Spiritual. American Indian Artist inspired by the Cultures of Turtle Island...
Spiritual - Painting
43 x 43 inches (109.2 x 109.2 cm)
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Pramod Apet: 'mask', 2018 Acrylic Painting, Figurative. Beautiful expression and smiling faces,Childhood memory...
, 2018
Figurative - Painting
36 x 30 inches (91.4 x 76.2 cm)
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Boyko Asparuhov: 'cherche la femme', 2018 Oil Painting, Abstract Figurative. the versatile character, mood and charm of the woman...
Abstract Figurative - Painting
20 x 30 inches (50.8 x 76.2 cm)
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John Threadgill: 'nany', 2020 Acrylic Painting, Naturalism. Grandmother wit new grandaughter...
, 2020
Naturalism - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Carol Santora: 'Wind Horse', 2020 Acrylic Painting, Animals. Abstract horse painting, black and white expressionist series...
, 2020
Animals - Painting
30 x 20 inches (76.2 x 50.8 cm)
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George Transcender: 'in the time of trump', 2016 Other Painting, Expressionism. trump - el diablo-moral failure extraordinaire ...
Expressionism - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Pavel Tyryshkin: 'blue tablecloth', 2006 Oil Painting, Still Life. still life on a table covered with a blue tablecloth...
Still Life - Painting
65 x 65 cm (25.6 x 25.6 inches)
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Ana Castro Feijoo: 'white brizees 2', 2020 Painting, Abstract. This work is part of the seriesThe color of the wind and a diptych with Brizees I, but it can also be individual and has its own imprint, it refers to flights, breezes, atmospherees, signs, it has something organic.  It is up to the viewer to interpreet and enjoy it...
Abstract - Painting
80 x 90 cm (31.5 x 35.4 inches)
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Ana Castro Feijoo: 'White brizees 1', 2020 Painting, Abstract. Belongs to the seriesThe color of the windits main caracteristic is its transparency in colors, gestual movements that take us back to the breezes from whish this work was inspired...
Abstract - Painting
80 x 90 cm (31.5 x 35.4 inches)
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Pamela Flynn: 'winthin', 2015 Oil Painting, Floral. This work explores the relationship between human form and floral form.  The work is oil on canvas with hand placed fields of seed beads.  This painting is meant to show how humans and nature are intrinsically connected.  ...
, 2015
Floral - Painting
16 x 16 inches (40.6 x 40.6 cm)
George Katevenis: 'mother light', 2018 Acrylic Painting, Philosophy. WHEN YOU CLOSE DEEP YOUR EYES WITH DEEP BLUE THOUGHT TOU CAN FEEL DEEP. ACRYLIC ON CANVAS ...
Philosophy - Painting
25 x 35 cm (9.8 x 13.8 inches)
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George Katevenis: 'geminight', 2019 Acrylic Painting, Philosophy. WHEN THE NIGHT UNIFIES THE SEPARATIONS OF THE WAR OF MIND. ACRYLIC ON HANDMADE CANVAW ...
, 2019
Philosophy - Painting
35 x 25 cm (13.8 x 9.8 inches)
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Pol Ledent: 'spring 77', 2020 Oil Painting, Impressionism. oil on canvas stretched on a wooden frame...
, 2020
Impressionism - Painting
70 x 70 cm (27.6 x 27.6 inches)
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Norbert Szuk: 'balinese predator', 2020 Acrylic Painting, Ethnic. canvas...
Ethnic - Painting
100 x 70 cm (39.4 x 27.6 inches)
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(Page 10 of 194) - MORE ARTWORKS
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  • Artists Describing Their Art:

    William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....

    Ruslan Khais - For the last four years the landscape has been predominant subject in my art. Shimmer of sun light, coming trough the leaves and its ever-changing reflections in the water become the subject of my paintings. I am searching for pastoral images that have some sort of resonance rather than meaning. My fascination with light has started as an attempt to rethink the legacy of Pointillism, which in our time of the digital media and pixilation, has found a new frame of reference. Emphasizing the well organized chaos of colorful dots, stripes, seemingly mechanical brush marks and alluding to some aspects of digital photography, is resulting the paintings with soft focus were the border between realistic image and abstraction are blurred. The way I wont the painting to come out is more the way of trying to depict an image what is not about reality, but one that is some how in between the actuality of a scene and something that is in your head ...

    Aniko Hencz - I have been drawing and painting ever since I could hold a pencil in my hand...Most of my works are inspired by nature, buildings and personal feelings which end in abstract or conceptual paintings and drawings - it all depends on my mood. My favorite technique is watercolor and ink, but I also like to paint with acrylic or oil. Another medium I create in, is digital art, where my works are the creations of my imagination. I like to experiment and learn new techniques, thus I ventured myself in creating jewelry. When Im not painting, I make one of a kind beaded and wire wrapped pendants. I sell my pieces worldwide, commission works are also welcome - contact me if you wish something special. ...

    Pramod Apet - My name is Pramod Apet and I believe myself to be a very expressive person. I realized it very early in my life that painting was something that made me happy. It was actually me and therefore wen I decided to take painting as a career, I joined Abhinavkala Mahavidyala in Pune which is where I learnt the basics of my profession. After that I joined the very well known J. J. School of Arts in Mumbai, where I was groomed and that was the time when I transformed into an Artist. I love to spread happiness with my paintings and believe that if we set a happy atmosphere around us, it can be done through beautiful paintings. In my works, one can generally find jolly, loving and happy kids. Specially, the Brahmin boys that were seen during the traditional educational system of our Indian people, i.e., Gurukul system, could be generally seen through my works. I have relied on using acrylic colors in my art forms which help me in depicting the various expressions of my subjects very effectively. With the help of these, I have been able to show the kids in various acts of life, showing ...

    Boyko Asparuhov - An imaginative expressionist,Boyko,s oil paintings are a treat to the eye and the soul with their strong brilliant colors,fantasy characters and symbolic elements fused into a bold,graphic style."My work conveys the positive energy of the universe-love,romance,dreams,music,nature,beauty and freedom,"says Boyko. Born in Pleven,Bulgaria in1959,Boyko began painting at age six.After graduating from the Bulgarian Academy Of Fine Art,he muved to Prague in the Czech Republic where he operated his own gallery until 2005 year. Boyko lives and works in Chicago,United States...

    Carol Santora - The process of portraying the theme of horses continues to evolve in my work. My art retains a sense of experimentation, and working in a series I focus on a particular way the application of acrylic paint reveals the desired outcome. A variation of the process motivates the next series of paintings. Horses are amazing creatures of physical beauty and strength, spirit and sensitivity. Breaking away from reality, my art combines abstract and realistic elements. I filter out superfluous details and portray horses in their clear essence aEUR" their spirits and souls, their energy, movement and physical presence. Beginning with a textured surface, I pour and drip paint, spray water, and manipulate the pigments with a palette knife - move, scrape, and add more paint. I work the canvas flat on a table, but sometimes tip the surface to allow the pigments to run. I draw with pencil or paint onto the dried surface, looking for horses. The spontaneous drips, splashes, and marks combine to allow the animals form to take shape. In black and white or color, inner meanings and emotions are manifested. The horseaEURtms image emerges, simplified, or seemingly left unfinished, to allow the viewer room for personal interpretation. ...

    Carol Santora - Ana Castro Feijoo - My work is essentially a visual development of the relationnships between shapes, colors, line and emotion, with in speecific field, sometimes the symbols reveal themselves spontaneously, my chalenge in their balancein space. It is halfway between abstraction and figuration. I donA't analyze, I donA't coneptualize, rather I build and destroy until I unravel a portrait of the moment. It is my language to express mmy interior, difficult with words. In the paintings I paint layer upon layer, letting it happen and flo, in the engraving especially llately in the monocopie, once the inks have been disseminated I am intereested in exploring the accident that occurs when literally exploding them under the pressure of the press, moment by moment, until the appropriate ones are captured on papeer or canvas. I am a multifaceted artist. I am attracted to the challenges of differrent disciplines. It is an evolution in time, while the work is being created, to the point that I see an abstract representation of something that I had not seen before and I allow the work to have its own presence....

    Pamela Flynn - My work has always been grounded in issues from living the day to day. I see the visual world as a mirror of human priorities and in much of my work I use digital images from self taken photographs as a starting point. My work is process intense and is meant to initiate an examination of the inherent responsibility that goes with living. My work explores many different issues. Among which are: the use of technology to generate the work, the ability of art to quietly evoke visual memories, the juxtaposition of the uncontrolled and the controlled in living, the blurring of the boundaries between the serious and the trite, the questionable truth of the photo image. ...

    Pol Ledent - I am a self-taught artist. I was born in Belgium o, 23rd October 1952. I started painting in 1995 . I took some drawing lessons in the art academy in Dinant. I try to paint the landscapes of the countryside where I am living : the southern part of Belgium. Firts I took part in many collective exhibitions . Than, I had personal exhibitions in Rochehaut (Galerie La Potele), in Dinant (Galerie L'impression), in Paris (Rive Gauche Galerie Artimus) in Brussels (Galerie G-Loft).In 2004, I had three exhibitions, again In Rochehaut, galerie La Potele in May. Then, in September Exhibition Libr'art in Libramont. In November, Galerie Impression in Dinant. What people like most in my paintings are the colours. My art doesn't speak to the intellect but to the soul and to the feelings. Talink the risk to seem old fashioned , I would say it is rather romantic. I wish you much pleasure looking at my paintings. Pol Ledent ...