Paintings For Sale - Price Range: $1000 - $1999
Page 10 of 195
Discover 5,631 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Micha Nussinov, Jose Luis Lazaro Ferre, Philip Hallawell, Cornelia Macfadyen, Storm Hammond, William Dick, Cathy Dobson, Stephen Mead, Tom Irizarry Studio, Emilio Merlina, Lorrie Williamson, Michal Ashkenasi, Doru Cristian Deliu, Marcelo Ferreira, Jean And June Pastore, Aniko Hencz, Terry Zarate, Robert Pelles, George Grant, Ozzie Kajtezovic, Sandro Bisonni are exhibiting their affordable original art. You can buy artwork online and browse 195 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.
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Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...
Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....
Cornelia Macfadyen - CVMacFadyen, a native New York, studied art at the Art Student's League and Pratt Institute. Here she received a classical training with a heavy influence from the impressionists. CV's work is abstract expressionsist. Her paintings are rich in color and texture. Each painting evokes a different repsonse from it's viewer. The subtle changes in texture are color obscure images lurking in the background. Through her painting CV strives to touch each person. She reaches within to allow the viewer to have an experience of themselves. CV works in oil on canvas. All pictures are sized for the home. Oversized canvases maybe commissioned upon request. Her work is in private collections in the United States and Europe. CV has been exibiting her work exclusively in the New York area since 1976. She is mentioned in the World's Who Who of Women, Who's Who in the East and Who's Who of Professional & Executive Women. ...
Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...
William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...
Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...
Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....
Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...
Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....
Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....
Jean And June Pastore - Jean and June Pastore work from a Studio in Port Bouvard, Mandurah, Western Australia. Their Award winning Art is a unique way of reflecting stories from life. They are passionate about their Artwork, each piece is created with feeling and is truly an original. The Sisters work together to create their Art in Acrylic and Oil paints as well as Mixed Media including glass, metal and wood. They have had many Solo and Group Exhibitions. Two of their Solo Exhibitions are still Aired on West T.V. and Foxtel's Aurora Channel Programme, Gallery Watch "Lucid Images" and "Windows of the Soul". They have also produced Illustrations for calendars and books. Their Artworks are collected by many Corporate and International clients. ...
Aniko Hencz - I have been drawing and painting ever since I could hold a pencil in my hand...Most of my works are inspired by nature, buildings and personal feelings which end in abstract or conceptual paintings and drawings - it all depends on my mood. My favorite technique is watercolor and ink, but I also like to paint with acrylic or oil. Another medium I create in, is digital art, where my works are the creations of my imagination. I like to experiment and learn new techniques, thus I ventured myself in creating jewelry. When Im not painting, I make one of a kind beaded and wire wrapped pendants. I sell my pieces worldwide, commission works are also welcome - contact me if you wish something special. ...
Robert Pelles - As an award-winning practitioner of Hungarian commercial graphic art (a career he forsake after 20 years of owning his own successful design firm in order to commit himself solely to painting), Pelles understands and delights in using the idiom of abstract forms. His paintings tell stories about people. Even his houses-- memory scraps on Robert's' never-land landscapes -- come to vividly throbbing life in the absence of figurative forms. The conceptual quality of Pelles' art, his superior drawing skills, concordant use of color and structural harmony have made him one of the most sought-after Central European artists today. ...
George Grant - In my works I try to mold invisible ideas into visible forms. Merging of the invisible and visible in surreal themes and objects, or in coded geometrical shapes in my art is the way I establish the purpose of breaking through the conventional statuses of material life, into the dream world of human subconscious, where the infinite universes are hiding. So the objects and beings in my works are often appearing as symbols pointing to that which can hardly be talked about in words, allowing the viewer to get the hunch on deeper non-verbal level. Apart of surrealism, abstraction and abstract expressionism, my second fav is a realistic classic painting, where I endeavor to follow the principles and techniques of Renaissance artists. ...
Ozzie Kajtezovic - All my paintings are original and unique,I don't make copies I don't make prints when you purchase painting you can be sure that there is only one painting like that.Each painting is painted with profesional oil paints and protected to last forever.There is collections of 45 paintings painted in last 2 years on locations of New Mexico and Arizona. Thank you Ozzie...
Sandro Bisonni - SANDRO BISONNI lives and works at Appignano Mc, a small town of the Marche, Italy. He attended the Art Institute of Macerata, where he graduated in Decorative Painting under the guidance of maestro Riccardo Piccardoni from Urbino, then a degree in Contemporary Philosophy, Philosophical Aesthetics following courses required by the important contemporary philosopher Giorgio Agamben University of Macerata. Since 2008 began exhibiting in major galleries in Manhattan NEW YORK, such as the AGORA GALLERY in Chelsea, and the BROADWAY GALLERY in SoHo where she is attending a major exhibition of Avant-garde with the English Sculptor Jane McAdam Freud and the famous Chilean Painter Freddy Flores Knistoff entitled LURE, curated by Basak Malone. The same year one of his works Angel of New York is published in the American Magazine NYARTS INTERNATIONAL MAGAZINE. Formation of Bisonni philosophical underpinning these subtle concepts. Mainly influenced by the American painter William Congdon, Sandro Bisonni is a vibrant voice and moving. He offers us a surprising approach, which includes in his works is the real imagery. Bisonni does not allow us to hesitate inviting us to enter into the world he creates, unknown, but possible cit.AGORA GALLERY, New York, 2008 In Europe he ...
(Page 10 of 195) - MORE ARTWORKS
Artists Describing Their Art:
Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...
Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....
Cornelia Macfadyen - CVMacFadyen, a native New York, studied art at the Art Student's League and Pratt Institute. Here she received a classical training with a heavy influence from the impressionists. CV's work is abstract expressionsist. Her paintings are rich in color and texture. Each painting evokes a different repsonse from it's viewer. The subtle changes in texture are color obscure images lurking in the background. Through her painting CV strives to touch each person. She reaches within to allow the viewer to have an experience of themselves. CV works in oil on canvas. All pictures are sized for the home. Oversized canvases maybe commissioned upon request. Her work is in private collections in the United States and Europe. CV has been exibiting her work exclusively in the New York area since 1976. She is mentioned in the World's Who Who of Women, Who's Who in the East and Who's Who of Professional & Executive Women. ...
Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...
William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...
Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...
Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....
Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...
Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....
Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....
Jean And June Pastore - Jean and June Pastore work from a Studio in Port Bouvard, Mandurah, Western Australia. Their Award winning Art is a unique way of reflecting stories from life. They are passionate about their Artwork, each piece is created with feeling and is truly an original. The Sisters work together to create their Art in Acrylic and Oil paints as well as Mixed Media including glass, metal and wood. They have had many Solo and Group Exhibitions. Two of their Solo Exhibitions are still Aired on West T.V. and Foxtel's Aurora Channel Programme, Gallery Watch "Lucid Images" and "Windows of the Soul". They have also produced Illustrations for calendars and books. Their Artworks are collected by many Corporate and International clients. ...
Aniko Hencz - I have been drawing and painting ever since I could hold a pencil in my hand...Most of my works are inspired by nature, buildings and personal feelings which end in abstract or conceptual paintings and drawings - it all depends on my mood. My favorite technique is watercolor and ink, but I also like to paint with acrylic or oil. Another medium I create in, is digital art, where my works are the creations of my imagination. I like to experiment and learn new techniques, thus I ventured myself in creating jewelry. When Im not painting, I make one of a kind beaded and wire wrapped pendants. I sell my pieces worldwide, commission works are also welcome - contact me if you wish something special. ...
Robert Pelles - As an award-winning practitioner of Hungarian commercial graphic art (a career he forsake after 20 years of owning his own successful design firm in order to commit himself solely to painting), Pelles understands and delights in using the idiom of abstract forms. His paintings tell stories about people. Even his houses-- memory scraps on Robert's' never-land landscapes -- come to vividly throbbing life in the absence of figurative forms. The conceptual quality of Pelles' art, his superior drawing skills, concordant use of color and structural harmony have made him one of the most sought-after Central European artists today. ...
George Grant - In my works I try to mold invisible ideas into visible forms. Merging of the invisible and visible in surreal themes and objects, or in coded geometrical shapes in my art is the way I establish the purpose of breaking through the conventional statuses of material life, into the dream world of human subconscious, where the infinite universes are hiding. So the objects and beings in my works are often appearing as symbols pointing to that which can hardly be talked about in words, allowing the viewer to get the hunch on deeper non-verbal level. Apart of surrealism, abstraction and abstract expressionism, my second fav is a realistic classic painting, where I endeavor to follow the principles and techniques of Renaissance artists. ...
Ozzie Kajtezovic - All my paintings are original and unique,I don't make copies I don't make prints when you purchase painting you can be sure that there is only one painting like that.Each painting is painted with profesional oil paints and protected to last forever.There is collections of 45 paintings painted in last 2 years on locations of New Mexico and Arizona. Thank you Ozzie...
Sandro Bisonni - SANDRO BISONNI lives and works at Appignano Mc, a small town of the Marche, Italy. He attended the Art Institute of Macerata, where he graduated in Decorative Painting under the guidance of maestro Riccardo Piccardoni from Urbino, then a degree in Contemporary Philosophy, Philosophical Aesthetics following courses required by the important contemporary philosopher Giorgio Agamben University of Macerata. Since 2008 began exhibiting in major galleries in Manhattan NEW YORK, such as the AGORA GALLERY in Chelsea, and the BROADWAY GALLERY in SoHo where she is attending a major exhibition of Avant-garde with the English Sculptor Jane McAdam Freud and the famous Chilean Painter Freddy Flores Knistoff entitled LURE, curated by Basak Malone. The same year one of his works Angel of New York is published in the American Magazine NYARTS INTERNATIONAL MAGAZINE. Formation of Bisonni philosophical underpinning these subtle concepts. Mainly influenced by the American painter William Congdon, Sandro Bisonni is a vibrant voice and moving. He offers us a surprising approach, which includes in his works is the real imagery. Bisonni does not allow us to hesitate inviting us to enter into the world he creates, unknown, but possible cit.AGORA GALLERY, New York, 2008 In Europe he ...