Paintings For Sale - Price Range: $1000 - $1999

Page 10 of 209
Discover 6,035 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Sue Jacobsen, Cornelia Macfadyen, Isaac Brown, Micha Nussinov, Tary Socha, Paola Di Renzo, Richard Lazzara, Jack Earley, Lucille Coleman, Tom Irizarry Studio, Jose Luis Lazaro Ferre, Margaret Stone, Philip Hallawell, Kevin Knuckles, L. Kelen are exhibiting their affordable original art. You can buy artwork online and browse 209 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Cornelia Macfadyen: 'Fire N Ice', 2005 Oil Painting, Abstract.
, 2005
Abstract - Painting
20 x 26 inches (50.8 x 66.0 cm)
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Isaac Brown: 'boxed out', 2005 Oil Painting, Abstract.
, 2005
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Micha Nussinov: 'tissue 7', 2005 Other Painting, Other. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
Other - Painting
700 x 900 inches (1778.0 x 2286.0 cm)
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Micha Nussinov: 'tissue 6', 2005 Other Painting, Other. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
Other - Painting
900 x 700 inches (2286.0 x 1778.0 cm)
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Micha Nussinov: 'tissue 2', 2005 Other Painting, nature. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
nature - Painting
700 x 900 mm ( x )
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Cornelia Macfadyen: 'The Point', 2005 Oil Painting, Abstract.
, 2005
Abstract - Painting
20 x 46 inches (50.8 x 116.8 cm)
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Cornelia Macfadyen: 'The Rising', 2004 Oil Painting, Abstract.
, 2004
Abstract - Painting
20 x 22 inches (50.8 x 55.9 cm)
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Tary Socha: 'Undulating Blue', 1997 Other Painting, Marine. Mixed Media on Srathmore board. Undulation of waves and the sea are the rhythm of life. ...
Marine - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Paola Di Renzo: 'seascape', 2005 Other Painting, Abstract.
, 2005
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Paola Di Renzo: 'acqua terra vento', 2005 Other Painting, Undecided.
Undecided - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Paola Di Renzo: 'rocky landscape', 2005 Acrylic Painting, Abstract.
Abstract - Painting
120 x 90 cm (47.2 x 35.4 inches)
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Richard Lazzara: 'master of complexity', 1995 Acrylic Painting, Visionary. master of complexity  1995 from the folio DRAWING ON SHIVA is available at
Visionary - Painting
26 x 40 inches (66.0 x 101.6 cm)
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Richard Lazzara: 'lingam temple at the beach', 1995 Acrylic Painting, Visionary. lingam temple at the beach 1995  from the folio DRAWING ON SHIVA  is available at
Visionary - Painting
40 x 26 inches (101.6 x 66.0 cm)
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Richard Lazzara: 'three eyed bilva', 1995 Acrylic Painting, Visionary. three eyed bilva 1995 from the folio DRAWING ON SHIVA is available at
Visionary - Painting
26 x 40 inches (66.0 x 101.6 cm)
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Jack Earley: 'Shoshoni Girl at Washakie', 1990 Other Painting, Americana. The work is done in sumi- e ink on acid- free paper and surrounded by acid- free material for longevity. It has ultraviolet light resistant glass and a rich mahogany frame....
Americana - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Paola Di Renzo: 'autumn leaves', 2005 Acrylic Painting, Abstract.
Abstract - Painting
120 x 90 cm (47.2 x 35.4 inches)
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Lucille Coleman: 'Two Handed Salsa Dance', 2003 Oil Painting, Dance. Salsa Dance Series Loose, bold, buttery brush strokes of paint were used to depict partners dancing in a yin yang balance. The movement is done with both hands of each partner joined together.A(c) 2003 Lucille Coleman...
Dance - Painting
28 x 46 inches (71.1 x 116.8 cm)
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Tom Irizarry Studio: 'Tower of Babel', 2004 Oil Painting, Landscape. oil on panel, cinnabar, azurite, cremintz white...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Tom Irizarry Studio: 'Calm Soar', 2004 Oil Painting, Landscape. oil on panel, cinnabar, azurite, cremintz white...
, 2004
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Tom Irizarry Studio: 'I thought it was the sky I had here in my heart', 2004 Oil Painting, Landscape. oil on panel, cinnabar, azurite, cremintz white...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Micha Nussinov: 'View from Begg Lane', 1989 Acrylic Painting, Landscape. The view from our veranda. ...
Landscape - Painting
100 x 160 cm (39.4 x 63.0 inches)
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Jose Luis Lazaro Ferre: 'Detective', 2004 Oil Painting, Figurative.
, 2004
Figurative - Painting
50 x 31 cm (19.7 x 12.2 inches)
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Margaret Stone: 'Blue Cave', 2010 Acrylic Painting, Fantasy. I listed this painting as a fantasy but it speaks of a part of life we have all experiened in one way or another. Ill be glad to send you the painting text on request or answer any questions. The painting is done on WC board mounted on wood, backbraced ...
, 2010
Fantasy - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Philip Hallawell: 'Storm Brewing Iliad series', 1987 Oil Painting, Landscape. Also part of the iliad series, this work refers to the gathering of the clouds of violence which soon would burst over Troy. Painted in oils on canvas over wood....
Landscape - Painting
50 x 19 cm (19.7 x 7.5 inches)
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Cornelia Macfadyen: 'The Inferno', 1974 Oil Painting, Abstract.
Abstract - Painting
25 x 30 inches (63.5 x 76.2 cm)
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Margaret Stone: 'The Great Escape', 2012 Acrylic Painting, Abstract Figurative. Tiny figures lurk in the deep blue and the woman leaves into warmth. Painted on stretched canvas and offset- framed by dark- stained wood edged with 22K gold leaf....
Abstract Figurative - Painting
18 x 30 inches (45.7 x 76.2 cm)
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Kevin Knuckles: 'Statue of Liberation', 2004 Acrylic Painting, Ethnic.
Ethnic - Painting
24 x 48 inches (61.0 x 121.9 cm)
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L. Kelen: 'BeerMan', 2003 Oil Painting, Undecided. Oil On masonite. . . measuring 15
, 2003
Undecided - Painting
15 x 18 inches (38.1 x 45.7 cm)
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L. Kelen: 'Id', 2003 Acrylic Painting, Figurative. Another in the RedHerring Series. . .Painted repousse aluminum flashing in another fine handmade frame.( I' m not exactly sure about this size. . . I' ll update this when I find the paper I wrote all the sizes on) ...
, 2003
Figurative - Painting
12 x 14 inches (30.5 x 35.6 cm)
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Margaret Stone: 'Portal', 2012 Acrylic Painting, Abstract Landscape. Its a landscape? Its about people connecting with each other- - perhaps. Portal is painted on stretched canvas. It is surrounded by dark wood- strip framing edged with 22k gold leaf. I will be happy to answer any questions about this work....
, 2012
Abstract Landscape - Painting
26 x 38 inches (66.0 x 96.5 cm)
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(Page 10 of 209) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

    Cornelia Macfadyen - CVMacFadyen, a native New York, studied art at the Art Student's League and Pratt Institute. Here she received a classical training with a heavy influence from the impressionists. CV's work is abstract expressionsist. Her paintings are rich in color and texture. Each painting evokes a different repsonse from it's viewer. The subtle changes in texture are color obscure images lurking in the background. Through her painting CV strives to touch each person. She reaches within to allow the viewer to have an experience of themselves. CV works in oil on canvas. All pictures are sized for the home. Oversized canvases maybe commissioned upon request. Her work is in private collections in the United States and Europe. CV has been exibiting her work exclusively in the New York area since 1976. She is mentioned in the World's Who Who of Women, Who's Who in the East and Who's Who of Professional & Executive Women. ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    L. Kelen - I will be getting large files made of the art work I did while on some of the islands that suffered the Hurricanes. The originals will be available for sale believe it or not and there will be fine art prints available. Self-supporting bi-product of the School of the Art Institute of Chicago, Haystack Mountain School of Crafts, and trial and error. Current activities lindakelen-artings.blogspot.com ...link found somewhere below. ...