Paintings For Sale - Price Range: $1000 - $1999

Page 11 of 209
Discover 6,035 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Margaret Stone, Storm Hammond, William Dick, Cathy Dobson, Stephen Mead, Philip Hallawell, Jack Earley, Emilio Merlina, Lorrie Williamson, Kevin Knuckles, Michal Ashkenasi, Benavente Mirta, Ari Rajsbaum, Iana Sophia, Sylva Zalmanson, Daniela Isache are exhibiting their affordable original art. You can buy artwork online and browse 209 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


Contemporary Art / Painting Categories / Painting / Previous / Next
Storm Hammond: 'da Vincis Angel', 2001 Oil Painting, Portrait. This was a study for a commision. I also copy old master paintings. ...
Portrait - Painting
12 x 16 inches (30.5 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
William Dick: 'JAKSCHE', 2001 Encaustic Painting, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
William Dick: 'FAGNINI', 2001 Encaustic Painting, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
William Dick: 'DEKKER', 2001 Encaustic Painting, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
William Dick: 'CASSANI', 2001 Encaustic Painting, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2001
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Cathy Dobson: 'Purity', 2001 Oil Painting, Sea Life. Original oil painting in a gold wooden frame. Mermaid Sea life artwork.Primed cotton canvas....
, 2001
Sea Life - Painting
12 x 16 inches (30.5 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Stephen Mead: 'WhoIsBigger', 1991 Oil Painting, Marine. A meditation on environmental conservation, part of film series
Marine - Painting
32 x 68 inches (81.3 x 172.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'Muse 6', 1999 Oil Painting, Inspirational. This painting was done in the chiaroscuro technique on canvas on wood, so as to be able to portray the type of inspiration that slowly emerges into light....
, 1999
Inspirational - Painting
20 x 50 cm (7.9 x 19.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Jack Earley: 'Red Cloud', 1990 Other Painting, Americana. Red Cloud, the famous Oglala Lakota Sioux Leader. I love how he shows the same dignity of George Washington. The work is done in sumi- e ink on acid- free paper and surrounded by acid- free material for longevity. It has ultraviolet light resistant glass and a rich gold and ...
, 1990
Americana - Painting
21 x 28 inches (53.3 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Emilio Merlina: 'dance', 1992 Oil Painting, Inspirational. oil on canvas...
, 1992
Inspirational - Painting
80 x 120 cm (31.5 x 47.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Lorrie Williamson: 'In Awe of Color and Motion', 2001 Acrylic Painting, Seascape. Acrylic on illustration board. 5 inch mat....
Seascape - Painting
20 x 30 inches (50.8 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Kevin Knuckles: 'Rhyme and Rhythm', 2001 Acrylic Painting, Figurative. Focusing on the relationship between the spoken word poet andhis musical partners. They blend together in unified movementto act as one. This is represented by poetic artists such asLasana Kazembe, and The Last Poets....
Figurative - Painting
36 x 48 inches (91.4 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Michal Ashkenasi: 'LavaLand', 2000 Acrylic Painting, Inspirational. On a trip to Mexico we came to a place where two little towns were buried under lavastones and only the top of the towers of the church were in sight. It happened allmost 50 years ago, but I could see in my imagination how it would look when it ...
, 2000
Inspirational - Painting
100 x 80 cm (39.4 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Michal Ashkenasi: 'GlimpsOfTheGlenn', 1999 Oil Painting, Landscape. As I was touring Scottland I was amazed to find a landscape still untouchted! ! It was one of the most beautiful trips I ever made and it gave me a lot of inspiration!...
Landscape - Painting
60 x 90 cm (23.6 x 35.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Michal Ashkenasi: 'FallingFromHeaven', 2000 Acrylic Painting, Inspirational. All kind of strange Mutations are growing! We are all to blame for  endangering our environment! Still, not all mutations are bad and some are even wonderful! !...
Inspirational - Painting
80 x 100 cm (31.5 x 39.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Michal Ashkenasi: 'Crater', 1998 Oil Painting, Inspirational. After you have seen the Red colour of the Lava spreading out along the mountain, you
, 1998
Inspirational - Painting
80 x 50 cm (31.5 x 19.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Benavente Mirta: 'burbujas nihilistas', 2014 Acrylic Painting, Abstract. Mixta sobre tela...
Abstract - Painting
110 x 140 cm (43.3 x 55.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Benavente Mirta: 'grieta geometrica', 2014 Other Painting, Abstract. Serie Incertidumbres GeomA(c)tricas ...
Abstract - Painting
110 x 140 cm (43.3 x 55.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Benavente Mirta: 'geometria14', 2014 Acrylic Painting, Abstract. Serie Incertidumbres GeomA(c)tricas ...
Abstract - Painting
110 x 140 cm (43.3 x 55.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Ari Rajsbaum: 'hipopotam', 2018 Other Painting, Animals. This painting is part of a group called  Wise Animals ...
, 2018
Animals - Painting
59 x 42 cm (23.2 x 16.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Ari Rajsbaum: 'el bisabuelo', 1996 Other Painting, Judaic. Painting of my great grandfather. It forms part of a group of paintings about the memories, of jewish inmigrants to the Americas. ...
Judaic - Painting
45 x 60 cm (17.7 x 23.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Ari Rajsbaum: 'el perro y el mar', 2018 Other Painting, Animals. The present work forms part of a group of paintings called  wise animals ...
Animals - Painting
41 x 59 cm (16.1 x 23.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Iana Sophia: 'in the garden', 2019 Oil Painting, Abstract Landscape. Colourful, big format, original artwork, decorative purposes...
Abstract Landscape - Painting
80 x 100 cm (31.5 x 39.4 inches)
Iana Sophia: 'turquoise dreams 03', 2019 Oil Painting, Abstract Landscape. Abstract landscape, decorative art, variety of textures...
Abstract Landscape - Painting
80 x 60 cm (31.5 x 23.6 inches)
Iana Sophia: 'morning', 2019 Oil Painting, Abstract Landscape. abstract landscape mood setting vibrant colours classical technique big format...
, 2019
Abstract Landscape - Painting
100 x 80 cm (39.4 x 31.5 inches)
Iana Sophia: 'garden', 2019 Oil Painting, Abstract Landscape. Decorative Abstract landscape...
, 2019
Abstract Landscape - Painting
100 x 80 cm (39.4 x 31.5 inches)
Iana Sophia: 'burnt gold 1', 2019 Oil Painting, Abstract Landscape. abstract golden abstract landscape decorative...
Abstract Landscape - Painting
100 x 80 cm (39.4 x 31.5 inches)
Sylva Zalmanson: 'reindeers', 2016 Acrylic Painting, Animals. Reindeers...
, 2016
Animals - Painting
48 x 36 inches (121.9 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Daniela Isache: 'woman profile', 2019 Oil Painting, Expressionism. An Expressionist image of a woman caught in a network. ...
Expressionism - Painting
50 x 90 cm (19.7 x 35.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Ingemar Hardelin: 'no title', 2019 Acrylic Painting, Abstract. Have created a diifferent reality where you have to find out yourself what it is about. ...
, 2019
Abstract - Painting
45 x 45 cm (17.7 x 17.7 inches)
(Page 11 of 209) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....

    Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....

    Iana Sophia - In my work I strive to create a fusion of traditional and experimental, figurative and abstract visions to arrive at a texture, an implication of a landscape, where the familiar dissolves into mostly impressionistic colour fields or configurations with physical, emotional or even cosmic ramifications. Iana Sophias art pulsates between the seen and envisioned, the figurative and abstract. Inspired by a mystical sensitivity and an appreciation of nature, these paintings draw the viewer into a place of contemplation, where the secrets of the work begin to unfold.A(c) DLS ...

    Sylva Zalmanson - Before I became a painter, before I even thought I could, I would look for long hours at the pictures painted by beloved artists and feel their deep pain. I felt that I was not the only one in this world that had a desperate need to make everyone cognizant of this sorrow. Can anything be more important than irresistible art luring and hypnotizing down through the generations with its mysterious riddle and its genius magic touch....

    Daniela Isache - Expressionism is my way to show the world as I see it. Since I was young, I looked at the world differently from my friends. I saw a strange world, wondering why the other people did not see it like me. The world I saw was unjust and made of unhappiness. Looking profoundly at the people's faces, I found them very expressive and I was stroked by their strange traits. I have never seen beautiful or ugly faces but only very expressive ones. Then, I began to paint these faces and I met my future love - Expressionism. At that time, I discovered and understood that the expressionist painting could express the life as I see it. I applied my Expressionism without making any concession to the beautiful or decorative painting. I applied it with force and sometimes with despair. However, when finishing a painting I felt released. I felt as if all my pain and troubles came out of my life. The dramatic motifs I found in everyday life created insurmountable interrogations and tensions. I became calm, but when I looked at my painting, I saw there fear, sorrow and I understood that my Expressionism saved me. Some people ...