Paintings For Sale - Price Range: $1000 - $1999

Page 3 of 209
Discover 6,035 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Jose Freitascruz, Maja Djokic Mihajlovic, Grace Auyeung, Donald Sallot, Michael Schaffer, Rita Levinsohn, Edna Schonblum, Daniel Clarke, Nicholas Down, Steven Fleit, Jim Lively, Austen Pinkerton, Tom Lund-lack, Caren Keyser, Shoshannah Brombacher, David Larkins, Richard Lazzara are exhibiting their affordable original art. You can buy artwork online and browse 209 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Jose Freitascruz: 'berliner blau 02', 2016 Acrylic Painting, Abstract Landscape. After visiting Ai Weiwei s installation at Gendarmemarkt. . .  the sorrow of life- vests and sinking boats off the coast of Lampedusa. . .  ...
Abstract Landscape - Painting
110 x 50 cm (43.3 x 19.7 inches)
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Maja Djokic Mihajlovic: 'autumn', 2018 Oil Painting, Architecture. Original oil painting on canvas   2018  , cityscape, town, trees, branches, ...
, 2018
Architecture - Painting
65 x 65 cm (25.6 x 25.6 inches)
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Grace Auyeung: 'land of rivers 1', 2011 Other Painting, Abstract Landscape. LAND OF RIVERS depicts the main substance, the abundance and beauty of Nature on which human existence rely on. ...
Abstract Landscape - Painting
61 x 79 cm (24.0 x 31.1 inches)
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Grace Auyeung: 'compassion', 2012 Ink Painting, Portrait. A FACE PORTRAYING MOTHER THERESA, S COMPASSIONATE EXPRESSION WITH DOLEFUL EYES...
, 2012
Portrait - Painting
26 x 36 cm (10.2 x 14.2 inches)
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Donald Sallot: 'jungle', 2001 Acrylic Painting, Abstract Landscape. Jungle setting...
, 2001
Abstract Landscape - Painting
48 x 48 inches (121.9 x 121.9 cm)
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Michael Schaffer: 'Waterfall One', 2009 Ink Painting, Abstract. Beautiful blues cascading into a cosmic waterfall. ...
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Maja Djokic Mihajlovic: 'seascape', 2018 Oil Painting, Architecture. seascape, cityscape, houses, street, roofs, town...
, 2018
Architecture - Painting
50 x 60 cm (19.7 x 23.6 inches)
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Maja Djokic Mihajlovic: 'seascape with palm tree', 2018 Oil Painting, Seascape. palm tree, seascaperoofs,red,summer...
Seascape - Painting
50 x 60 cm (19.7 x 23.6 inches)
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Rita Levinsohn: 'last look', 2018 Acrylic Painting, Animals. These animals are facing possible extinction...
, 2018
Animals - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Edna Schonblum: 'the big one', 2018 Oil Painting, Seascape.
Seascape - Painting
100 x 50 cm (39.4 x 19.7 inches)
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Daniel Clarke: 'pamplin grove ca', 2018 Acrylic Painting, Landscape. The redwood is the glory of the Coast Range. It extends along the western slope, in a nearly continuous belt about ten miles wide, from beyond the Oregon boundary to the south of Santa Cruz, a distance of nearly four hundred miles, and in massive, sustained grandeur and closeness of ...
Landscape - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Nicholas Down: 'embracing the wild', 2018 Oil Painting, Abstract Landscape. Oil on Gesso panel with Acrylic texture medium...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Nicholas Down: 'northern shadows', 2018 Acrylic Painting, Abstract Landscape. Acrylic Medium and Charcoal on Gesso Board...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Edna Schonblum: 'arpoador beach', 2018 Oil Painting, Seascape.
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Steven Fleit: 'hudson yards reflection 2', 2018 Acrylic Painting, Architecture. Hudson Yards, reflection, architecture, building, construction, New York, NY...
Architecture - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Jim Lively: 'the white album and friends', 2018 Acrylic Painting, Landscape. contemporary, viny, album...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Jim Lively: '231', 2018 Acrylic Painting, Figurative. contemporary, albums, vinyl...
, 2018
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Jim Lively: '265 albums', 2018 Acrylic Painting, Figurative. Vinyl, contemporary, album...
, 2018
Figurative - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Austen Pinkerton: 'figure on path with sunset', 1978 Acrylic Painting, Landscape. landscape sunset solitude...
Landscape - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Steven Fleit: 'new reflection 9 11', 2014 Acrylic Painting, Architecture.  9- 11, reflection, World Trade Center, glass, architectural distortion...
Architecture - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Edna Schonblum: 'party', 2018 Oil Painting, Seascape.
, 2018
Seascape - Painting
90 x 40 cm (35.4 x 15.7 inches)
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Tom Lund-lack: 'fiord', 2018 Oil Painting, Landscape. Using a palette knife is a great way to get the feeling of the mountainside running down into a fiord.  The intense cold was created using cobalt, prussian and manganese blue.  I love the way the paint picks up the ridges and forms of the rock. ...
, 2018
Landscape - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Caren Keyser: 'the boy who would be chief', 2018 Acrylic Painting, Abstract Figurative. This large painting silhouettes a boy in an indian headress holding a bow and arrow.  Loose brushwork surrounds him and is him. ...
Abstract Figurative - Painting
362 x 48 inches (919.5 x 121.9 cm)
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Shoshannah Brombacher: 'the jewish cemetery of prague', 1996 Oil Painting, Kabbalah. For years I have been working on thebthem of the Golem of Prague, which resulted in many paintings and drawings, like this one.  The Hoykhe Rabbi Loeb contemplates his golem. See:
Kabbalah - Painting
40 x 42 inches (101.6 x 106.7 cm)
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Edna Schonblum: 'diptych', 2018 Oil Painting, Seascape.
, 2018
Seascape - Painting
120 x 40 cm (47.2 x 15.7 inches)
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Rita Levinsohn: 'searching for the light', 2017 Acrylic Painting, Abstract Figurative. This is a painting of various figures, humans, animals, reptiles searching for understanding....
Abstract Figurative - Painting
48 x 42 inches (121.9 x 106.7 cm)
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David Larkins: 'the dolomites sappada italy', 2018 Acrylic Painting, Mountains. Hiking in the Dolomites last August with friends, I was overwhelmed with their immense majestic beautyWe came upon a lone burro hiking back down the trail, who knows what she was doing up there, but I had to paint her ...
Mountains - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Richard Lazzara: 'pausing in time', 2016 Acrylic Painting, Abstract.
Abstract - Painting
38 x 66 inches (96.5 x 167.6 cm)
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Tom Lund-lack: 'the complaining sea', 2018 Oil Painting, Seascape. The full title of this piece is - The Sea Complains on a Thousand Shores, but that was too long for the title box algorithm.A sunny day along the shore line. I feel that the groynes are like fingers leading your gaze out into sea. Sometimes like the ones in ...
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Tom Lund-lack: 'Walk on a winter shore', 2018 Oil Painting, Seascape. A walk on a cold winter day along the shore in Suffolk. The paint has been applied thickly and bullied into place with pallet knives and brushes. The main colours apart from black and white are burnt umber, naples yellow, manganese blue, and a little prussian blue. ...
Seascape - Painting
75 x 51 cm (29.5 x 20.1 inches)
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(Page 3 of 209) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Maja Djokic Mihajlovic - Maja AokiA++ MihajloviA++ is an Academic , award- winning painter , full-time professional artist . Her work is widely collected both nationally and internationally and may be found in numerous private and corporate collections all around the world. Maja AokiA++ MihajloviA++,born in Belgrade in December 1971.,graduated from The Faculty of Fine Arts in Belgrade,Painting Department,in the class of professor Milica StevanoviA++.She completed her postgraduate studies,with the same professor as her mentor,in 1999. She has been a member of the ULUS since 1997., and obtained the status of the independent artist in 2000. -Seventeen individual exhibitions. -Participated in more than hundred group exhibitions in our country and around,as well as activities of a number of painting colonies. -Five prizes for painting. ...

    Grace Auyeung - Landscape painting is my artistic gravity, and I mainly use Chinese ink, colour and Xuan paper as media. I like to explore various techniques and styles, but I place strong emphasis on the use of lines to express my feelings and thoughts about the landscape I try to recreate. I see my art as a vision of my inner self and my spiritual self as well....

    Donald Sallot - My art I always think of taking a journey and it would be to go places that I havenaEURtmt been, much like a lifeaEURtms journal, to see and experience and feel new things. My SALLO paintings try to show different styles, techniques, combination of colors and textures, much like lifeaEURtms journey, the scenery changes. Having the opportunity to travel for long periods all over the world has allowed me to see various cultures and environments aEUR" mountains, deserts, pastures, oceans, rivers. With all of the colors and formations in the world, I want to be able to apply on canvas some of what I have seen, letting both contrasting and complementary colors flow. Some of my experiences include the desert heat and sand storms of Saudi Arabia, the icy cold and wet of Minnesota, the heat and humidity of Florida, the chilly and wet climate in Yellowstone, the humidity and rains of South America, the overcast and wetness of Europe. I decided to release some of my painting from the past in conjunction with my new work. The paintings that date 2001+ are paintings that I created before traveling for over 20 years throughout the US, Europe, South ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Steven Fleit - I am a self taught artist. I have been painting for over twenty years and approximately four years ago I declared myself an Artist in the professional sense. Prior to my declaration as an artist, I built a portfolio of thematic collections. I started with Caribbean tropical paintings. I have expanded my subject matter to, Vineyard, architectural reflection, and travel sight e.g. Venice Series paintings. When I felt that I had put together a substative portfolio, I identified as an artist. I am serious about my craft and I hope you enjoy viewing my work. Thank you....

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...

    Caren Keyser - David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...