Paintings For Sale - Price Range: $1000 - $1999

Page 4 of 202
Discover 5,832 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Themis Koutras, Jim Lively, Denise Dalzell, Rhoda Taylor, Isaac Brown, Jose Freitascruz, Grace Auyeung, Michael Schaffer, Rita Levinsohn, Edna Schonblum, Daniel Clarke, Nicholas Down, Austen Pinkerton, Tom Lund-lack, Shoshannah Brombacher, David Larkins, Richard Lazzara, Marino Chanlatte are exhibiting their affordable original art. You can buy artwork online and browse 202 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Jim Lively: 'long cool woman', 2019 Acrylic Painting, Abstract Figurative. cool, black dress, contemporary...
Abstract Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Denise Dalzell: 'twosome', 2019 Acrylic Painting, People. painting, twosome, illustration, expressionism, pop art, modern, realism, people.  A scene of a couple heading out among pedestrians. ...
, 2019
People - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Rhoda Taylor: 'suggestion of winter', 2019 Other Painting, Fantasy. Winter Thoghts...
Fantasy - Painting
30 x 22 inches (76.2 x 55.9 cm)
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Isaac Brown: 'static rhythm', 2015 Oil Painting, Abstract.
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Isaac Brown: 'the secret', 2002 Oil Painting, Abstract.
, 2002
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Jose Freitascruz: 'le chant des rizieres 02', 2018 Acrylic Painting, Abstract Landscape. Laos, the song of the rice fields - the vietnamese plants the rice fields, the cambodian watches it grow, the lao listens to its song, the thai harvests the crop, the chinese sells the rice. . . ...
Abstract Landscape - Painting
196 x 60 cm (77.2 x 23.6 inches)
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Jose Freitascruz: 'japonisme 02', 2018 Acrylic Painting, Abstract Landscape. japan - waves crashing on a stormy sea with distant hills and torii running through. . . ...
Abstract Landscape - Painting
126 x 32 cm (49.6 x 12.6 inches)
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Grace Auyeung: 'land of rivers 1', 2011 Other Painting, Abstract Landscape. LAND OF RIVERS depicts the main substance, the abundance and beauty of Nature on which human existence rely on. ...
Abstract Landscape - Painting
61 x 79 cm (24.0 x 31.1 inches)
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Grace Auyeung: 'compassion', 2012 Ink Painting, Portrait. A FACE PORTRAYING MOTHER THERESA, S COMPASSIONATE EXPRESSION WITH DOLEFUL EYES...
, 2012
Portrait - Painting
26 x 36 cm (10.2 x 14.2 inches)
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Michael Schaffer: 'Waterfall One', 2009 Ink Painting, Abstract. Beautiful blues cascading into a cosmic waterfall. ...
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Rita Levinsohn: 'last look', 2018 Acrylic Painting, Animals. These animals are facing possible extinction...
, 2018
Animals - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Edna Schonblum: 'the big one', 2018 Oil Painting, Seascape.
Seascape - Painting
100 x 50 cm (39.4 x 19.7 inches)
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Daniel Clarke: 'pamplin grove ca', 2018 Acrylic Painting, Landscape. The redwood is the glory of the Coast Range. It extends along the western slope, in a nearly continuous belt about ten miles wide, from beyond the Oregon boundary to the south of Santa Cruz, a distance of nearly four hundred miles, and in massive, sustained grandeur and closeness of ...
Landscape - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Nicholas Down: 'embracing the wild', 2018 Oil Painting, Abstract Landscape. Oil on Gesso panel with Acrylic texture medium...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Nicholas Down: 'northern shadows', 2018 Acrylic Painting, Abstract Landscape. Acrylic Medium and Charcoal on Gesso Board...
Abstract Landscape - Painting
36 x 12 inches (91.4 x 30.5 cm)
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Edna Schonblum: 'arpoador beach', 2018 Oil Painting, Seascape.
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Jim Lively: 'the white album and friends', 2018 Acrylic Painting, Landscape. contemporary, viny, album...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Jim Lively: '231', 2018 Acrylic Painting, Figurative. contemporary, albums, vinyl...
, 2018
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Austen Pinkerton: 'figure on path with sunset', 1978 Acrylic Painting, Landscape. landscape sunset solitude...
Landscape - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Tom Lund-lack: 'fiord', 2018 Oil Painting, Landscape. Using a palette knife is a great way to get the feeling of the mountainside running down into a fiord.  The intense cold was created using cobalt, prussian and manganese blue.  I love the way the paint picks up the ridges and forms of the rock. ...
, 2018
Landscape - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Shoshannah Brombacher: 'miriam dancing', 1997 Oil Painting, Biblical. This is one of my paintings bout Biblical women.  Miriam, Mosessister, took her tambourine after the Jews got safely on dry land and escaped Pharaoh s heir, and sang an song of praise.  All the Jewish women sang and danced with her. ...
Biblical - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Shoshannah Brombacher: 'the jewish cemetery of prague', 1996 Oil Painting, Kabbalah. For years I have been working on thebthem of the Golem of Prague, which resulted in many paintings and drawings, like this one.  The Hoykhe Rabbi Loeb contemplates his golem. See:
Kabbalah - Painting
40 x 42 inches (101.6 x 106.7 cm)
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Rita Levinsohn: 'searching for the light', 2017 Acrylic Painting, Abstract Figurative. This is a painting of various figures, humans, animals, reptiles searching for understanding....
Abstract Figurative - Painting
48 x 42 inches (121.9 x 106.7 cm)
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David Larkins: 'the dolomites sappada italy', 2018 Acrylic Painting, Mountains. Hiking in the Dolomites last August with friends, I was overwhelmed with their immense majestic beautyWe came upon a lone burro hiking back down the trail, who knows what she was doing up there, but I had to paint her ...
Mountains - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Richard Lazzara: 'pausing in time', 2016 Acrylic Painting, Abstract.
Abstract - Painting
38 x 66 inches (96.5 x 167.6 cm)
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Tom Lund-lack: 'the complaining sea', 2018 Oil Painting, Seascape. The full title of this piece is - The Sea Complains on a Thousand Shores, but that was too long for the title box algorithm.A sunny day along the shore line. I feel that the groynes are like fingers leading your gaze out into sea. Sometimes like the ones in ...
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Tom Lund-lack: 'Walk on a winter shore', 2018 Oil Painting, Seascape. A walk on a cold winter day along the shore in Suffolk. The paint has been applied thickly and bullied into place with pallet knives and brushes. The main colours apart from black and white are burnt umber, naples yellow, manganese blue, and a little prussian blue. ...
Seascape - Painting
75 x 51 cm (29.5 x 20.1 inches)
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Edna Schonblum: 'waiting', 2018 Oil Painting, Seascape.
, 2018
Seascape - Painting
80 x 70 cm (31.5 x 27.6 inches)
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Marino Chanlatte: 'ocean 63', 2017 Acrylic Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born on an island the ocean has always been ...
, 2017
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Michael Fornadley: 'The first born', 2017 Oil Painting, Figurative.
Figurative - Painting
55 x 38 inches (139.7 x 96.5 cm)
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(Page 4 of 202) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Themis Koutras - MY JOB IN GOD THE TRINITY JEHOVAH CREATOR OF LIFE IS TO CREATE THINGS AS A ARTIST AND PLACE SCRIPTURE ON THEM TO RELATE IT TO THAT ITEM MY IDEA IS TO REACH OUT TO THE WORLD IN EVANGELIST REASONS TO GIVE OUT SOMETHING WITH A MESSAGE ON IT THAT RELATES TO THE WORK DONE AND FROM THE GOSPEL ALTHOUGH I MIGHT MAKE THINGS WITHOUT SCRIPTURE LIKE TOYS FOR CHILDREN TO HAVE FUN IN LIFE I WOULD THEN PRAY THAT GOD WILL TAKE A HOLD OF WHAT I DO AND LEAD ALL PEOPLE TO HIS SON HOLY THAT THEY BE SAVED SO ON FOR I RECON WE ALL NEED JESUS CHRIST...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Grace Auyeung - Landscape painting is my artistic gravity, and I mainly use Chinese ink, colour and Xuan paper as media. I like to explore various techniques and styles, but I place strong emphasis on the use of lines to express my feelings and thoughts about the landscape I try to recreate. I see my art as a vision of my inner self and my spiritual self as well....

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....