Paintings For Sale - Price Range: $1000 - $1999

Page 4 of 206
Discover 5,968 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Nicholas Down, Edna Schonblum, Steven Fleit, Jim Lively, Austen Pinkerton, Tom Lund-lack, Caren Keyser, Shoshannah Brombacher, Rita Levinsohn, David Larkins, Richard Lazzara, John Gamache, Marino Chanlatte, Michael Fornadley, Lou Posner, Marsha Bowers, Francisco Landazabal, Carlos Pardo, Jessica Dunn, Azhar Shemdin, Sangeetha Bansal are exhibiting their affordable original art. You can buy artwork online and browse 206 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Edna Schonblum: 'arpoador beach', 2018 Oil Painting, Seascape.
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Steven Fleit: 'hudson yards reflection 2', 2018 Acrylic Painting, Architecture. Hudson Yards, reflection, architecture, building, construction, New York, NY...
Architecture - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Jim Lively: 'the white album and friends', 2018 Acrylic Painting, Landscape. contemporary, viny, album...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Jim Lively: '231', 2018 Acrylic Painting, Figurative. contemporary, albums, vinyl...
, 2018
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Jim Lively: '265 albums', 2018 Acrylic Painting, Figurative. Vinyl, contemporary, album...
, 2018
Figurative - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Austen Pinkerton: 'figure on path with sunset', 1978 Acrylic Painting, Landscape. landscape sunset solitude...
Landscape - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Steven Fleit: 'new reflection 9 11', 2014 Acrylic Painting, Architecture.  9- 11, reflection, World Trade Center, glass, architectural distortion...
Architecture - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Edna Schonblum: 'party', 2018 Oil Painting, Seascape.
, 2018
Seascape - Painting
90 x 40 cm (35.4 x 15.7 inches)
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Tom Lund-lack: 'fiord', 2018 Oil Painting, Landscape. Using a palette knife is a great way to get the feeling of the mountainside running down into a fiord.  The intense cold was created using cobalt, prussian and manganese blue.  I love the way the paint picks up the ridges and forms of the rock. ...
, 2018
Landscape - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Caren Keyser: 'the boy who would be chief', 2018 Acrylic Painting, Abstract Figurative. This large painting silhouettes a boy in an indian headress holding a bow and arrow.  Loose brushwork surrounds him and is him. ...
Abstract Figurative - Painting
362 x 48 inches (919.5 x 121.9 cm)
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Shoshannah Brombacher: 'the jewish cemetery of prague', 1996 Oil Painting, Kabbalah. For years I have been working on thebthem of the Golem of Prague, which resulted in many paintings and drawings, like this one.  The Hoykhe Rabbi Loeb contemplates his golem. See:
Kabbalah - Painting
40 x 42 inches (101.6 x 106.7 cm)
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Edna Schonblum: 'diptych', 2018 Oil Painting, Seascape.
, 2018
Seascape - Painting
120 x 40 cm (47.2 x 15.7 inches)
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Rita Levinsohn: 'searching for the light', 2017 Acrylic Painting, Abstract Figurative. This is a painting of various figures, humans, animals, reptiles searching for understanding....
Abstract Figurative - Painting
48 x 42 inches (121.9 x 106.7 cm)
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David Larkins: 'the dolomites sappada italy', 2018 Acrylic Painting, Mountains. Hiking in the Dolomites last August with friends, I was overwhelmed with their immense majestic beautyWe came upon a lone burro hiking back down the trail, who knows what she was doing up there, but I had to paint her ...
Mountains - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Richard Lazzara: 'pausing in time', 2016 Acrylic Painting, Abstract.
Abstract - Painting
38 x 66 inches (96.5 x 167.6 cm)
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Tom Lund-lack: 'the complaining sea', 2018 Oil Painting, Seascape. The full title of this piece is - The Sea Complains on a Thousand Shores, but that was too long for the title box algorithm.A sunny day along the shore line. I feel that the groynes are like fingers leading your gaze out into sea. Sometimes like the ones in ...
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Tom Lund-lack: 'Walk on a winter shore', 2018 Oil Painting, Seascape. A walk on a cold winter day along the shore in Suffolk. The paint has been applied thickly and bullied into place with pallet knives and brushes. The main colours apart from black and white are burnt umber, naples yellow, manganese blue, and a little prussian blue. ...
Seascape - Painting
75 x 51 cm (29.5 x 20.1 inches)
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John Gamache: 'the lighthouse guard', 2017 Oil Painting, Representational. Light house Falmouth Cape Cod - Seagull - Window...
Representational - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Marino Chanlatte: 'ocean 63', 2017 Acrylic Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born on an island the ocean has always been ...
, 2017
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Michael Fornadley: 'The first born', 2017 Oil Painting, Figurative.
Figurative - Painting
55 x 38 inches (139.7 x 96.5 cm)
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Lou Posner: 'Meriden Turret', 1982 Oil Painting, Fantasy. Somebody built this beautiful, real turret near Meriden on a hilltop accessible to the public. I added a gigantic 9 16 in. autho mechanic s socket, with the turret reflected in its polished surface. That s why it is listed as afantasy painting. Painted plein- aire. Lattice- framed, stained dark ...
Fantasy - Painting
16 x 10 inches (40.6 x 25.4 cm)
Marsha Bowers: 'parrot with magnolias', 2017 Oil Painting, Birds. Oil on canvas, Parrot withMagnolias...
Birds - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Marino Chanlatte: 'the angel', 2006 Oil Painting, Religious. The Angel is inspired on the Gospel of Luke account of the Annunciation, when the angel Gabriel appeared to Mary and announced her divine selection to be the mother of Jesus.This painting is framed and ready to hang, the dimensions with frame are: 36  vertical by 41. 5  horizontal. ...
, 2006
Religious - Painting
42 x 36 inches (106.7 x 91.4 cm)
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Francisco Landazabal: 'beetle', 2017 Acrylic Painting, Automotive. Beetle, old car, old city, blue tones...
, 2017
Automotive - Painting
150 x 100 cm (59.1 x 39.4 inches)
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Carlos Pardo: 'Letting fears go', 2017 Oil Painting, Psychology.  Letting fears goAcrylic, pastel, ink, oil. . . on thick cardboard. 29. 5x20. 5 inches. 2017 Carlos PardoDejando que se vayan los miedosAcrAlico, pastel, tinta, A3leo. . . sobre cartA3n grueso. 75x 52 cms, 2017 Carlos Pardofear, superation, personalgrowth, paintercarlospardo...
Psychology - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Jessica Dunn: 'break of day', 2016 Acrylic Painting, Abstract. abstract sky...
Abstract - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Azhar Shemdin: 'fresh', 2017 Acrylic Painting, Abstract Landscape. Liquid acrylic on stretched canvas...
, 2017
Abstract Landscape - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Sangeetha Bansal: 'bath', 2016 Oil Painting, Fantasy.  Original oil painting of an apsara celestial dancer, about to take a bath. Her handmaidens are helping her prepare for it. Its a very regal piece of art with shades of black and white and color. Its set against the backdrop of a starry night.apsara, bath, handmaidens, night, lamps...
, 2016
Fantasy - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Azhar Shemdin: 'Active Land', 2017 Acrylic Painting, Landscape. This painting evolved after the artist worked on it further, and became a new one titled FRESH...
Landscape - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Terri Higgins: 'Passenger in a Taxicab', 2017 Oil Painting, Geometric.  When you allow others to make all the decisions, you are not in control of your life. ...
Geometric - Painting
36 x 24 inches (91.4 x 61.0 cm)
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(Page 4 of 206) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Steven Fleit - I am a self taught artist. I have been painting for over twenty years and approximately four years ago I declared myself an Artist in the professional sense. Prior to my declaration as an artist, I built a portfolio of thematic collections. I started with Caribbean tropical paintings. I have expanded my subject matter to, Vineyard, architectural reflection, and travel sight e.g. Venice Series paintings. When I felt that I had put together a substative portfolio, I identified as an artist. I am serious about my craft and I hope you enjoy viewing my work. Thank you....

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...

    Caren Keyser - Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    Lou Posner - After you reach the main or first Posner portfolio page, please click on an image to enlarge it and bring up further details about the piece of art, including THE PRICE and a description or story of it. Once you have done this, you may also click on zoom-in, a function which may or may not work. At the bottom of Posners main portfolio page Page No.1 you will see instructions for navigating to the rest of my art. There are presently a total of about 237 pieces of art to be viewed. Most are oil paintings, and the rest are charcoal and pencil drawings, watercolors, prints, etc. The first set of images will tell you if the piece is NFS Not For Sale or SOLD. I include these on the website to give viewers a sense of the scope of my work. Prices for each piece USED TO BE SHOWN next to the initial encounter with the image. NOW...all my prices are gone from the intial images, and the words REQUEST PRICE appear for all pieces that are still for sale. NOTE YOU DO NOT HAVE TO CONTACT ME TO REQUEST ANY PRICES. IF YOU CLICK ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Francisco Landazabal - In a world where life passes too quickly and the instant runs away suddenly I chose to live calmly to study the inner nature of things. I have been my entire life enquiring about the whole reality, and hence my journey through various disciplines like fine arts, philosophy and even technology. My art is a human art, where being in touch with people and nature is extremely important, but then, I always return to the silent retreat of my Atelier in the mountains of Colombia to find the essence of things on the tip of my brushes and painting knives which results in the form of colorful and vibrant compositions, where a sort of magic is revealed. Sometimes it is very close to impressionism or expressionism, and sometimes it is fully abstract, a dance of the mere color masses and shades changing to allow the watcher to dream and complete the artwork. ...

    Carlos Pardo - IN SHORT: INSPIRATION: Concious and unconcious perceptions, my background, all circunstances of my life, experiences, past and present, books and newspapers that I read, films, Internet aEUR|feelings, emotions and a fertile imagination sometimes, all them aid to weave a story that will change alongside the execution of a piece. In my opinion our tradition, for thousands of years, the Arts reflect the vision of a trascendent life beyond our tangible life. THEME: Unreal cityscapes let us a special kind of plasticity. The imagination and feelings are active agents that are modeling the perceptible reality. Transcendent and oniric themes entered and remain in my artwork. In my imaginary urban landscapes there are overlaid elements of towns he has visited, some imagined, and maybe dreamed, but all with a unique feminine soul. The Town is a mother, lover, or daughter of the actions, dreams and passions of those who dwell in them or recall them in the distance. It is an idea in which wander those who have been caught up in its infinite labyrinth. PROCESS: I usually have not idea about what I will show on the surface. There is a lack of a script or previous sketch. Forms are born...

    Jessica Dunn -

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR