Paintings For Sale - Price Range: $1000 - $1999

Page 6 of 202
Discover 5,834 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Franziska Turek, Ron Anderson, Raul Canestro Caballero, John Powell, C. Mari Pack, Jane Mcnichol, Walther Von Krenner, Jack Earley, Lou Posner, Sangeetha Bansal, James Hill, Andrea Mulcahy, Daniel Clarke, Shelly Leitheiser, Carlos Pardo, David Larkins, Rita Levinsohn, Hans-ruedi Kammermann are exhibiting their affordable original art. You can buy artwork online and browse 202 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Franziska Turek: 'woman and shadow', 1999 Other Painting, Abstract.
Abstract - Painting
47 x 65 cm (18.5 x 25.6 inches)
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Ron Anderson: 'Satin Doll', 2015 Oil Painting, Figurative.  Original oil painting by Ohio artist Ron Anderson. Painting entitled Satin Doll. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright.        ...
, 2015
Figurative - Painting
12 x 24 inches (30.5 x 61.0 cm)
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Ron Anderson: 'Palm House in Summer', 2014 Oil Painting, Landscape. Original oil painting by artist Ron Anderson. Painting entitled Palm House in Summer. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Ron Anderson: 'Franklin Park Across The Way', 2014 Oil Painting, Landscape.  Original oil painting by Ohio artist Ron Anderson. Painting entitled Franklin Park Across The Way. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Raul Canestro Caballero: 'SPRING', 2015 Oil Painting, Surrealism.  Spring2015 Oil on Linen ...
, 2015
Surrealism - Painting
46 x 33 cm (18.1 x 13.0 inches)
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John Powell: 'Cactus Spirit top front view ', 2015 Acrylic Painting, nature.  From nature seriespainting is completedwatch for it on POD to order printspainting in process ...
nature - Painting
5 x 3 inches (12.7 x 7.6 cm)
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Raul Canestro Caballero: 'MOON LIGHT', 2017 Oil Painting, Surrealism. Pintura al A3leo sobre lienzo de lino fino de gran calidad. Obra de arte original y exclusiva...
, 2017
Surrealism - Painting
50 x 61 cm (19.7 x 24.0 inches)
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C. Mari Pack: 'Tierra Misteriosa', 2013 Acrylic Painting, Abstract.      Original poured diptych acrylic painting. Deep tones, with contrasting black, white, turquoise and gold. All materials used are archival.     ...
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Jane Mcnichol: 'Bathouse', 2013 Oil Painting, Architecture.  This is a view of the Bathouse located next door to my Manhattan apartment ...
, 2013
Architecture - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jane Mcnichol: 'Six Flights Up', 2012 Oil Painting, Still Life.   This is a view to the East of my Manhattan apartment ...
Still Life - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jane Mcnichol: 'Vase Bowl Cup', 2012 Oil Painting, Still Life.   This is a still life painting of a vase, bowl and cup by my Brooklyn studio window ...
Still Life - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Jane Mcnichol: 'Tulips By My Studio  Window', 2012 Oil Painting, Still Life.  This is a painting of a vase containing tulips by the window in my Brooklyn studio ...
Still Life - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Walther Von Krenner: 'root and rocks', 2015 Ink Painting, Abstract Figurative.            monochrome Chinese style brush painting, essence of nature, abstract detail, black and white                                ...
Abstract Figurative - Painting
23 x 15 inches (58.4 x 38.1 cm)
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Walther Von Krenner: 'Forest Universe', 2015 Ink Painting, Abstract Figurative. monochrome Chinese style brush painting, essence of nature, abstract detail ...
Abstract Figurative - Painting
20 x 15 inches (50.8 x 38.1 cm)
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Jack Earley: 'Apache and Eagle Merge', 1999 Acrylic Painting, Indiginous.     This acrylic painting is of a Native American dancer depicting the passing over of a warrior into an eagle spirit. Acrylic on stretched canvas, it is preserved with high quality soluvar varnish.     ...
Indiginous - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Lou Posner: 'Bottle of Muscadine Wine', 2010 Oil Painting, Vintage.  The label from this vintage of my muscadine wine got wet, and the colors ran. That event inspired this painting, which is small but mighty. ...
Vintage - Painting
8 x 20 inches (20.3 x 50.8 cm)
Sangeetha Bansal: 'Dance to the tune of my love', 2015 Oil Painting, People. Original oil painting of a woman dancing with an instrument. ...
People - Painting
22 x 28 inches (55.9 x 71.1 cm)
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James Hill: 'Skryrise', 2012 Oil Painting, Sky.       Original Oil Painting, Sunrise, Sunset, Ocean, Sky, Shoreline, Shore, Sea, Water, River, Clouds, Cloudscapes, morning, evening, red, yellow, orange, blue, green, light, power, God, Love, Energy      ...
, 2012
Sky - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Andrea Mulcahy: 'Soul Formation', 2013 Acrylic Painting, undecided.
undecided - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Daniel Clarke: 'Huntington Gardens', 2014 Acrylic Painting, Landscape.
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Shelly Leitheiser: 'Maelstrom', 2014 Acrylic Painting, Abstract Landscape.  Maelstrom is an abstract, wild and full of motion. It represents a storm. I leave the rest up to the viewers. ...
, 2014
Abstract Landscape - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Carlos Pardo: ' Subway II', 2005 Oil Painting, Cityscape.     Subway II Tempera & Oil on table 31 1/2 x31 1/2 inches   Metro II Temple al huevo y oleo S/ lienzo 80x80 cmscms ...
Cityscape - Painting
31 x 31 inches (78.7 x 78.7 cm)
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Carlos Pardo: 'Place the figures in the right place', 2008 Oil Painting, Cityscape.    Place the figures in the right place Oil on canvas 35 3/ 8 x 27 3/ 8 inches/ Oleo S/ lienzo 90x70x5 cms for a moment try to enter in the mind of painter. You see or imagine the cityscape, the people. . . but you must situate the figures on the...
Cityscape - Painting
35 x 27 inches (88.9 x 68.6 cm)
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Carlos Pardo: 'When we reach the future', 2007 Oil Painting, Cityscape.
Cityscape - Painting
36 x 25 inches (91.4 x 63.5 cm)
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Walther Von Krenner: 'Root Wood', 2014 Ink Painting, nature.     black and white Chinese Ink and brush paintings of a abstract root wood                          ...
, 2014
nature - Painting
26 x 22 inches (66.0 x 55.9 cm)
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David Larkins: 'Frozen', 2014 Acrylic Painting, Wildlife.  My latest acrylic painting 30x20
, 2014
Wildlife - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Rita Levinsohn: 'Child Alone', 2014 Acrylic Painting, Children.   A child alone  ...
Children - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Hans-ruedi Kammermann: 'Onde del Tramonto', 2013 Oil Painting, Abstract Landscape.  wood or bush spirit - secret of underbush vis. subconscious labyrinth ...
Abstract Landscape - Painting
50 x 52 cm (19.7 x 20.5 inches)
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Ron Anderson: 'Franklin Park through the Trees', 2009 Oil Painting, Landscape. Original oil painting by artist Ron Anderson. Painting entitled Franklin Park through the Trees. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights ...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Kathryn Arnold: 'Organic Life', 2014 Oil Painting, Abstract.                                               Kathryn Arnold, abstract, oil painting, small, color field, pinks, abstraction, organic         ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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(Page 6 of 202) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Raul Canestro Caballero - Raul CaA+-estro Caballero was born in Ronda, one of the oldest and most historic Spanish cities, located in Andalusia a land where famous artists, writers and philosophers have found inspiration for their work. For many years he lived in Cantabria, a region in northern Spain whose wild mountains, sea and people influenced his personal quest for excellence and authenticity. During his youth, he made an adventurous trip to India that marked him deeply and fueled the process of self-reflection. The early artistic inquisitiveness developed by RAUL CANESTRO flourished in a family of artists and artisans painters, book illustrators, wood carvers and leather workers, but his paintings require more than innate talent they require hardwork, energy, effort, passion and above all, conviction. As a child, he enjoyed drawing and soon began to experiment with different textures and techniques such as oil, watercolor, ink, pyrography, colored pencil, as well as with different styles including cubism, realism, abstraction and surrealism. It was an ongoing effort to better himself and find new ways of expression twisting, destroying and re-building, creating new movements in Art that he calls A<< The Power of Form A>> in a constant search for improvement. Equilibrium, order and harmony...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Jane Mcnichol - What inspires me? Many things. Earlier in my career I was drawn to the post impressionists work - Cezanne, Matisse, and Bonnard. I was inspired by their Plen Air painting and I was drawn to the outside also. I had a French Easel, and daily packed my paints up and found my way to the closest arboretum or park to work directly from life. It was hard work but learning to interpret and paint the light directly from nature, while drawing inspiration from masters from the past was a great combination. A trip across country by car led me to the vast open spaces of the mid west. I found these vast open and very simple spaces to pare the observation of nature to its most basic elements. Living in New York City seemed to provide the opposite experience - very little sky and tall buildings blocking out the light. I moved my work into my studio on Williamsburg, Brooklyn and continued working on landscapes and still lifes. Working in my studio allowed my canvases to grow larger, being able to more deeply express the vastness of the landscape. I worked on series of paintings from Ireland and Provence. Still trying to ...

    Walther Von Krenner - Before I studied in Asia, Picasso and Gauguin had a great influence on my thinking. Later I admired the ideas and importance of Pollocks action painting. After 60 years of painting I believe I have found and created my own unique and personal style. I think art is about beauty and should not become entwined in politics and controversy. Empires have come and gone but beautiful things have survived most. To much of what passes for art these days is stuff that requires absolutely no skill, talent, taste or training and depends entirely on scandal, political statements and controversy. --------------------------------------------------------------------------------------------------- Walther v. Krenner is well known in the United States, Europe and the Orient for his unique style of ink paintings. These works display a remarkable range, varying between delicate grace and outright earthiness, reflecting his years of study of Zen and his disarming sense of reality. Von Krenners successful works depend on his arduous discipline, careful observation of nature, strict control of the brush and his great sensitivity to living things. After many years of training, it has become possible for him to work swiftly, without accident or loss of detail, to achieve realistic effects which are most remarkable in ...

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Lou Posner - Dear Art Friends, Yes, we are living in trying times, and my heart goes out to all who are suffering or have suffered from the COVID-19 virus or the other effects of it the social isolation, the loss of paychecks and jobs, etc., etc. We all know the list. I know I am biased, but what better way is there to soften the harshness of quarantine than by bringing a new piece of art into your home Therefore, I am open to negotiating prices for any works of mine for sale here that are priced at about 1500 or lower. I know money is tight these days, but art can provide a relief, a permanent cultural enjoyment, a luxury instead of the normal dinners out and vacations, during these restrictive times. Please do not feel timid about suggesting your own price for the works mentioned above. As an artist, I too, am suffering economic hardship, so you would be helping ME as well as helping yourself. I do not accept charge cards or paypal, but a personal check or a cashiers check would be fine. I cannot offer extended time-payment plans for any of my work. I am ...

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR
    James Hill - My work explores the use of color and rhythm to create moving images that seek to provoke a particular mood or emotion by invoking a memory or moment that is meaningful to the viewer. My latest works include a study of the massive power inside thunderstorms and lightning strikes including a 6x10 oil of a storm entitled Tempest. These new paintings reflect the change in the weather patterns throughout our world thanks to global warming, which no well-educated person can deny these days. My paintings are intended to glorify the Masters Works and The awe of Creation, the Universe, the Stars and Planets, and our own incredible Earthly Skies and Lands. My other works include Fantasy, Gothic, Steampunk and Science Fiction of Utopian design cities of the future that require no use of fossil fuels at all as I look to give humanity hope for a better future of free power and sustainable living on this planet as we look to preserve it and encourage the rebuilding of nature across the world as we are but shepherds of Gods creation. ...

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Carlos Pardo - IN SHORT: INSPIRATION: Concious and unconcious perceptions, my background, all circunstances of my life, experiences, past and present, books and newspapers that I read, films, Internet aEUR|feelings, emotions and a fertile imagination sometimes, all them aid to weave a story that will change alongside the execution of a piece. In my opinion our tradition, for thousands of years, the Arts reflect the vision of a trascendent life beyond our tangible life. THEME: Unreal cityscapes let us a special kind of plasticity. The imagination and feelings are active agents that are modeling the perceptible reality. Transcendent and oniric themes entered and remain in my artwork. In my imaginary urban landscapes there are overlaid elements of towns he has visited, some imagined, and maybe dreamed, but all with a unique feminine soul. The Town is a mother, lover, or daughter of the actions, dreams and passions of those who dwell in them or recall them in the distance. It is an idea in which wander those who have been caught up in its infinite labyrinth. PROCESS: I usually have not idea about what I will show on the surface. There is a lack of a script or previous sketch. Forms are born...

    David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...