Paintings For Sale - Price Range: $1000 - $1999

Page 6 of 194
Discover 5,619 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Ron Anderson, Raul Canestro Caballero, C. Mari Pack, Jane Mcnichol, Walther Von Krenner, Jack Earley, Sangeetha Bansal, Andrea Mulcahy, Daniel Clarke, Shelly Leitheiser, Rita Levinsohn, Hans-ruedi Kammermann, Kathryn Arnold, Lou Posner, Maciej Hoffman, David Larkins, Michael Schaffer, Environmental Artist Apollo are exhibiting their affordable original art. You can buy artwork online and browse 194 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Raul Canestro Caballero: 'SPRING', 2015 Oil Painting, Surrealism.  Spring2015 Oil on Linen ...
, 2015
Surrealism - Painting
46 x 33 cm (18.1 x 13.0 inches)
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Raul Canestro Caballero: 'MOON LIGHT', 2017 Oil Painting, Surrealism. Pintura al A3leo sobre lienzo de lino fino de gran calidad. Obra de arte original y exclusiva...
, 2017
Surrealism - Painting
50 x 61 cm (19.7 x 24.0 inches)
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C. Mari Pack: 'Tierra Misteriosa', 2013 Acrylic Painting, Abstract.      Original poured diptych acrylic painting. Deep tones, with contrasting black, white, turquoise and gold. All materials used are archival.     ...
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Jane Mcnichol: 'Bathouse', 2013 Oil Painting, Architecture.  This is a view of the Bathouse located next door to my Manhattan apartment ...
, 2013
Architecture - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jane Mcnichol: 'Six Flights Up', 2012 Oil Painting, Still Life.   This is a view to the East of my Manhattan apartment ...
Still Life - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jane Mcnichol: 'Vase Bowl Cup', 2012 Oil Painting, Still Life.   This is a still life painting of a vase, bowl and cup by my Brooklyn studio window ...
Still Life - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Jane Mcnichol: 'Tulips By My Studio  Window', 2012 Oil Painting, Still Life.  This is a painting of a vase containing tulips by the window in my Brooklyn studio ...
Still Life - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Walther Von Krenner: 'root and rocks', 2015 Ink Painting, Abstract Figurative.            monochrome Chinese style brush painting, essence of nature, abstract detail, black and white                                ...
Abstract Figurative - Painting
23 x 15 inches (58.4 x 38.1 cm)
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Walther Von Krenner: 'Forest Universe', 2015 Ink Painting, Abstract Figurative. monochrome Chinese style brush painting, essence of nature, abstract detail ...
Abstract Figurative - Painting
20 x 15 inches (50.8 x 38.1 cm)
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Jack Earley: 'Apache and Eagle Merge', 1999 Acrylic Painting, Indiginous.     This acrylic painting is of a Native American dancer depicting the passing over of a warrior into an eagle spirit. Acrylic on stretched canvas, it is preserved with high quality soluvar varnish.     ...
Indiginous - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Sangeetha Bansal: 'Dance to the tune of my love', 2015 Oil Painting, People. Original oil painting of a woman dancing with an instrument. ...
People - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Andrea Mulcahy: 'Soul Formation', 2013 Acrylic Painting, undecided.
undecided - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Daniel Clarke: 'Huntington Gardens', 2014 Acrylic Painting, Landscape.
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Shelly Leitheiser: 'Maelstrom', 2014 Acrylic Painting, Abstract Landscape.  Maelstrom is an abstract, wild and full of motion. It represents a storm. I leave the rest up to the viewers. ...
, 2014
Abstract Landscape - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Walther Von Krenner: 'Root Wood', 2014 Ink Painting, nature.     black and white Chinese Ink and brush paintings of a abstract root wood                          ...
, 2014
nature - Painting
26 x 22 inches (66.0 x 55.9 cm)
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Rita Levinsohn: 'Child Alone', 2014 Acrylic Painting, Children.   A child alone  ...
Children - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Hans-ruedi Kammermann: 'Onde del Tramonto', 2013 Oil Painting, Abstract Landscape.  wood or bush spirit - secret of underbush vis. subconscious labyrinth ...
Abstract Landscape - Painting
50 x 52 cm (19.7 x 20.5 inches)
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Ron Anderson: 'Franklin Park through the Trees', 2009 Oil Painting, Landscape. Original oil painting by artist Ron Anderson. Painting entitled Franklin Park through the Trees. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights ...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Ron Anderson: 'Shadows Reflected', 2009 Oil Painting, Landscape.  Original oil painting by artist Ron Anderson. Painting entitled Shadows Reflected. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Kathryn Arnold: 'Organic Life', 2014 Oil Painting, Abstract.                                               Kathryn Arnold, abstract, oil painting, small, color field, pinks, abstraction, organic         ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Lou Posner: 'Dr George Rapp Family Home New Harmony Indiana', 2001 Oil Painting, Americana. Indiana art mogul, George Rapps birthplace, New Harmony, Indiana....
Americana - Painting
12 x 14 inches (30.5 x 35.6 cm)
Lou Posner: 'Owen County Landscape', 1977 Oil Painting, Landscape. Owen County, Indiana.  Owen County, Indiana. ...
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
Maciej Hoffman: 'heavy rain', 2012 Oil Painting, undecided.
, 2012
undecided - Painting
61 x 45 cm (24.0 x 17.7 inches)
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Maciej Hoffman: 'leaves, burned', 2012 Oil Painting, undecided.
undecided - Painting
61 x 45 cm (24.0 x 17.7 inches)
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Maciej Hoffman: 'bite the smoke', 2013 Oil Painting, undecided.
undecided - Painting
50 x 60 cm (19.7 x 23.6 inches)
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David Larkins: 'St Andrews Harbor', 2012 Acrylic Painting, Marine.  While vacationing in Scotland and being an avid golfer we had to visit the historic St.  Andrewi? 1/2s Golf Club, after all i? 1/2 this is the birthplace of golfTo our astonishment the golf course was not the highlight of our visit.  Walking down by the sea we came across what...
Marine - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Michael Schaffer: 'Fish Head', 2008 Acrylic Painting, Abstract. Also known as
, 2008
Abstract - Painting
30 x 18 inches (76.2 x 45.7 cm)
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Environmental Artist Apollo: 'Brush Stroke Angel', 2012 Acrylic Painting, Fish.    Brush Stroke Angel- Original Acrylic on watercolor Paper by ApolloCircle of Life SeriesThe painting Leap of freedom depicts an Orca Whale Leaping in a circle superimposed over an underwater view of orcas. This image painted in 1991 has been on beach towels, note cards, puzzles, bookmarks, pogs and...
Fish - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Environmental Artist Apollo: 'Laughing Dolphin', 2012 Other Painting, Animals.  Chinese Brush stroke Art also called Sumi Art by Apollo. The Dolphin is one of Apollo's favorite subjectsApollo' s mother was a very well know Fine Arts Ceramics her name was Katherine Harmon. She received numerous Awards. She is in the the Duncan's Ceramics Who's Who...
Animals - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Environmental Artist Apollo: 'The Wise One', 2012 Other Painting, Animals.  Chinese Brush stroke Art also called Sumi Art by Apollo. The Great Owl iconized  for it' s silent wisdomFramed dimensions 21. 5 x 25. 5A tribute to Mom,Apollo' s mother was a very well know Fine Arts Ceramics her name was Katherine Harmon. She received numerous Awards...
Animals - Painting
11 x 14 inches (27.9 x 35.6 cm)
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(Page 6 of 194) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Raul Canestro Caballero - Raul CaA+-estro Caballero was born in Ronda, one of the oldest and most historic Spanish cities, located in Andalusia a land where famous artists, writers and philosophers have found inspiration for their work. For many years he lived in Cantabria, a region in northern Spain whose wild mountains, sea and people influenced his personal quest for excellence and authenticity. During his youth, he made an adventurous trip to India that marked him deeply and fueled the process of self-reflection. The early artistic inquisitiveness developed by RAUL CANESTRO flourished in a family of artists and artisans painters, book illustrators, wood carvers and leather workers, but his paintings require more than innate talent they require hardwork, energy, effort, passion and above all, conviction. As a child, he enjoyed drawing and soon began to experiment with different textures and techniques such as oil, watercolor, ink, pyrography, colored pencil, as well as with different styles including cubism, realism, abstraction and surrealism. It was an ongoing effort to better himself and find new ways of expression twisting, destroying and re-building, creating new movements in Art that he calls A<< The Power of Form A>> in a constant search for improvement. Equilibrium, order and harmony...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Jane Mcnichol - What inspires me? Many things. Earlier in my career I was drawn to the post impressionists work - Cezanne, Matisse, and Bonnard. I was inspired by their Plen Air painting and I was drawn to the outside also. I had a French Easel, and daily packed my paints up and found my way to the closest arboretum or park to work directly from life. It was hard work but learning to interpret and paint the light directly from nature, while drawing inspiration from masters from the past was a great combination. A trip across country by car led me to the vast open spaces of the mid west. I found these vast open and very simple spaces to pare the observation of nature to its most basic elements. Living in New York City seemed to provide the opposite experience - very little sky and tall buildings blocking out the light. I moved my work into my studio on Williamsburg, Brooklyn and continued working on landscapes and still lifes. Working in my studio allowed my canvases to grow larger, being able to more deeply express the vastness of the landscape. I worked on series of paintings from Ireland and Provence. Still trying to ...

    Walther Von Krenner - Before I studied in Asia, Picasso and Gauguin had a great influence on my thinking. Later I admired the ideas and importance of Pollocks action painting. After 60 years of painting I believe I have found and created my own unique and personal style. I think art is about beauty and should not become entwined in politics and controversy. Empires have come and gone but beautiful things have survived most. To much of what passes for art these days is stuff that requires absolutely no skill, talent, taste or training and depends entirely on scandal, political statements and controversy. --------------------------------------------------------------------------------------------------- Walther v. Krenner is well known in the United States, Europe and the Orient for his unique style of ink paintings. These works display a remarkable range, varying between delicate grace and outright earthiness, reflecting his years of study of Zen and his disarming sense of reality. Von Krenners successful works depend on his arduous discipline, careful observation of nature, strict control of the brush and his great sensitivity to living things. After many years of training, it has become possible for him to work swiftly, without accident or loss of detail, to achieve realistic effects which are most remarkable in ...

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR
    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    Lou Posner - Dear Friends, The Posner Covid-19 sale has closed. To those who took advantage of the price breaks during the sale, congratulations on pocketing a tidy sum. To those who missed the opportunities, well...sorry you missed the opportunities. I keep telling everyone--on these absolute arts web pages of mine and also face to face--that prices for Posner art will only increase. Well, since I have not updated my price list here in well over a decade I thought I would take this end of the year opportunity to do so. It is a tedious and time-consuming process I have to research current trends in the national and worldwide art market, examine auction results, research what art critics are saying about what is being shown, what the art magazines are writing about, what the vector and availability of art supplies is, etc. in order to arrive at fair market prices for my work. It wouldnt be wise to pull numbers out of the air. I feel glad for those patrons of mine who have enjoyed my work in their homes and workplaces over the years while they have seen a healthy increase in the market value of ...

    Maciej Hoffman - First there is always a concept, an idea. Sometimes, I have an impression that the painting is painting itself, an intuition is guiding me while painting. The subjects which interest me result from my experience, from everyday life, from the everyday problems, and the issues that puzzle us throughout the years, forming our way of looking at the world, changing us. My observations are directed to catch the moments of tension, drama, and the clashes in the everyday life. I am formally interested in contrasts of textures, colors and the means of presentation. Sometimes, one line or one spot influences the entire painting. If there is no feeling of suspense, it means that it is not done yet. I like to work at a fast rate, I paint as if I were throwing out of me a painting hidden inside. In painting, I appreciate the courage of opinion and the freedom in the means of expression. I do not like decorativeness and submission to trends or fashion. I do not place emphasis on means of expression or artistic techniques &...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Environmental Artist Apollo - "The beauty of our planet should be held in respect as well as reverence and awe! As the care takers of this precious jewel called Earth it is our duty to become more harmonious with our environment, for what we hold in our hands is a trust for future generations. What we do today, creates tomorrow." APOLLO Internationally Renowned Environmental Artist. Apollo is one of the World's Leading Environmental Artists. Apollo started painting dolphins and whales when He first moved to Maui in 1980. Since that time he has developed a Worldwide Following and has had the privilege to work with several Environmental Groups to raise both funding and awareness. ...