Paintings For Sale - Price Range: $1000 - $1999

Page 9 of 209
Discover 6,035 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Rita Levinsohn, Harry Weisburd, Manuela Facchin Varalda, Pilar Pérez-prado, Lynda Lehmann, Monica Malbeck, Leo Evans, Donna Gallant, Jack Earley, Lorrie Williamson, Ron Ogle, Roz Zinns, Asbjorn Lonvig, Tom Irizarry Studio, Tary Socha, Eve Co, Jerry Di Falco, Sue Jacobsen are exhibiting their affordable original art. You can buy artwork online and browse 209 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Harry Weisburd: 'Field', 2002 Acrylic Painting, Landscape.  40 inches wide x 32 inches high, acrylic landscape painting on paper ...
, 2002
Landscape - Painting
40 x 32 inches (101.6 x 81.3 cm)
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Manuela Facchin Varalda: 'Spring s muse', 2008 Oil Painting, nudes.  original artwork unique piece oil on canvascm 50 x 70 ...
nudes - Painting
20 x 28 inches (50.8 x 71.1 cm)
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Pilar Pérez-prado: 'At the end everything matches', 2013 Acrylic Painting, Geometric.
Geometric - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Manuela Facchin Varalda: 'the waiting', 2001 Acrylic Painting, Figurative.  original artwork unique pieceacrylic on faesite ( pressed cardboard)relief work  ...
Figurative - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Manuela Facchin Varalda: 'Arlecchino s tiredness', 2002 Oil Painting, Figurative.  original artwork unique pieceoil on canvas cm 60 x 80painted in 2002 but modified in 2008 ...
Figurative - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Harry Weisburd: 'Earth Goddess Hill by the Sea', 2001 Acrylic Painting, Abstract Landscape.  Ying/ Yang Series : Earth Goddess hill by the sea. Hill is form of a feminine form with clouds of Yin Energy Feminine forms. ...
Abstract Landscape - Painting
40 x 32 inches (101.6 x 81.3 cm)
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Lynda Lehmann: 'Turbulence', 2007 Acrylic Painting, Abstract.  Rich impasto with lots of energy and action, a visual experience that changes each time you look at it. Protean, fleeting, constantly evolving and changing, just like consciousness and life. I was thinking of pebbles in the turbulence of a fast- running mountain stream. Image c Lynda Lehmann. ...
, 2007
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Monica Malbeck: 'IndianFijian Fish Taveuni FIJI', 2008 Acrylic Painting, Fish.
Fish - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Monica Malbeck: 'garden Island diving Taveunu FIJI', 2008 Acrylic Painting, Fish.
Fish - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Monica Malbeck: 'orange dove and parrotTaveuni Fiji', 2008 Acrylic Painting, Birds.
Birds - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Leo Evans: 'ENTER MOTION 05', 2005 Acrylic Painting, Abstract.
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Leo Evans: 'Colour Fusion Intent', 2007 Acrylic Painting, Abstract.  Colour Fusion Intent ~ Leo Evans ~ leoevans. com ~ All rights reserved ~ 2007 ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Leo Evans: 'Melt down its crucial', 2007 Acrylic Painting, Abstract.  Melt down it's crucial ~ Leo Evans ~ leoevans. com ...
Abstract - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Manuela Facchin Varalda: 'the orange voile', 2007 Oil Painting, nudes.  original artwork unique pieceoil on canvas cm 50 x 70 ...
nudes - Painting
20 x 28 inches (50.8 x 71.1 cm)
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Donna Gallant: 'Pooy', 2007 Oil Painting, Floral.  This oil painting is display on four canvas panels and is very vibrant and colorful.  This is part of the artists new series, UP CLOSE AND PERSONNEL. ...
, 2007
Floral - Painting
40 x 32 inches (101.6 x 81.3 cm)
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Jack Earley: 'Birds of a Feather', 2007 Acrylic Painting, Ecological.  This is one angry bird. . . but there are other bird and human images- - all of a feather.  The painting is a poetic  environmental statement. ...
Ecological - Painting
24 x 42 inches (61.0 x 106.7 cm)
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Lorrie Williamson: 'Lily', 2002 Acrylic Painting, Representational.  Lillie, the true artist in every sense of the word.   ...
, 2002
Representational - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Ron Ogle: 'COLD MOUNTAIN SERIES number 6', 2007 Oil Painting, Landscape.   [ An artist, under pain of oblivion, must have confidence in himself, and listen to his real master : Nature. ] Renoir...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Roz Zinns: 'Wild Mustard', 2007 Acrylic Painting, Landscape.  Mustard in bloom in the Spring. ...
Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Roz Zinns: 'California Grandeur', 2007 Acrylic Painting, Landscape.  Purple mountains and vividly abstracted fields. ...
Landscape - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Asbjorn Lonvig: 'Leo', 2007 Acrylic Painting, Abstract.  Inspired by a lion and a circus. Light colors. ...
, 2007
Abstract - Painting
139 x 201 cm (54.7 x 79.1 inches)
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Tom Irizarry Studio: 'Cardinal Host', 2006 Oil Painting, Meditation.  oil on panel, cinnabar, malachite, azurite ...
Meditation - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Tary Socha: 'Patina Effect No 2', 2006 Acrylic Painting, Abstract. Fragmented Recall Series. Recollections fade like the changing patina on aging copper. Miked acrylic mediums on gallery wrapped canvas....
Abstract - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Tary Socha: 'Patina Effect No 1', 2006 Acrylic Painting, Abstract. Fragmented Recall Series. Recollections fade like the changing patina on aging copper. Miked acrylic mediums on gallery wrapped canvas....
Abstract - Painting
3 x 16 inches (7.6 x 40.6 cm)
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Eve Co: 'Impressionistic Tulips', 2006 Oil Painting, Floral. Impresstionistic TulipsCompleted on 04/ 24/ 2006Oil Pastels on Canvas16  x 12...
Floral - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'Ritual on Europa', 2007 Acrylic Painting, Surrealism. Part of my GNOSTIC GOSPELS IN A JAR Series, which is a homage to the mysteries found at Nag Hammadi.  Sides of this six sided stretched canvas, on a heavy duty wood frame, are painted, therefore no frame is necessary.  Ships in a professional cardboard box wrapped in acid free ...
Surrealism - Painting
42 x 36 inches (106.7 x 91.4 cm)
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Sue Jacobsen: 'Red Tail Hawk', 2004 Acrylic Painting, nature. Aside from their continual search forfood, we someimes see these raptorsriding the thermals, just for the funof it! ...
nature - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Sue Jacobsen: 'Worth The Hike', 2004 Oil Painting, nature. A scene lush with wildflowers on the bank of a high mountain lake, had indeed been' worth the hike.' ...
nature - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Sue Jacobsen: 'Last Signs of summer', 2001 Oil Painting, nature. Winter Scenes are not usually intimate so I try to see the detail. ...
nature - Painting
36 x 30 inches (91.4 x 76.2 cm)
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Sue Jacobsen: 'Streamside Wild Paintbrush', 1992 Oil Painting, nature. A walk in the woods provides colorful surprises that Mother Nature leaves for us to discover, and remember....
nature - Painting
28 x 22 inches (71.1 x 55.9 cm)
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(Page 9 of 209) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Monica Malbeck - I was born and raised in Romania, attending art school there. I graduated in 1974 from a highly successful art pilot program at age 18. Where I was offered exposure to all facets of art from visual communications to industrial design. This was followed by a successful career in fashion design with clients throughout Europe, U.S., and Japan. In 1990 I moved to the United States, and in 1996 I was introduced to digital media falling in love instantly with its versatility. I have been exploring digital design since then, trying to mix digital color and the illusions of texture and shape to capture fleeting, momentary thoughts and my feelings. My style varies depending on the subject being captured, as I always try to let the subject dictate the style rather than try to impose a repetitive style format. I have retired to Hawaii very early from a career as a fashion consultant, and decided to focus on art. My very first submission of my artwork to an international competition in Italy, was chosen among the finalists. I am a self-taught digital artist, and I like to explore a broad range of subjects. In my gallery you will...

    Monica Malbeck - Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Lorrie Williamson - Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...