Paintings For Sale - Price Range: $1000 - $1999

Page 9 of 202
Discover 5,834 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Donna Gallant, Jack Earley, Lorrie Williamson, Ron Ogle, Roz Zinns, Asbjorn Lonvig, Tom Irizarry Studio, Tary Socha, Eve Co, Jerry Di Falco, Cornelia Macfadyen, Isaac Brown, Micha Nussinov, Paola Di Renzo, Richard Lazzara, Lucille Coleman are exhibiting their affordable original art. You can buy artwork online and browse 202 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Jack Earley: 'Birds of a Feather', 2007 Acrylic Painting, Ecological.  This is one angry bird. . . but there are other bird and human images- - all of a feather.  The painting is a poetic  environmental statement. ...
Ecological - Painting
24 x 42 inches (61.0 x 106.7 cm)
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Lorrie Williamson: 'Lily', 2002 Acrylic Painting, Representational.  Lillie, the true artist in every sense of the word.   ...
, 2002
Representational - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Ron Ogle: 'COLD MOUNTAIN SERIES number 6', 2007 Oil Painting, Landscape.   [ An artist, under pain of oblivion, must have confidence in himself, and listen to his real master : Nature. ] Renoir...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Roz Zinns: 'Wild Mustard', 2007 Acrylic Painting, Landscape.  Mustard in bloom in the Spring. ...
Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Roz Zinns: 'California Grandeur', 2007 Acrylic Painting, Landscape.  Purple mountains and vividly abstracted fields. ...
Landscape - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Asbjorn Lonvig: 'Leo', 2007 Acrylic Painting, Abstract.  Inspired by a lion and a circus. Light colors. ...
, 2007
Abstract - Painting
139 x 201 cm (54.7 x 79.1 inches)
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Tom Irizarry Studio: 'Cardinal Host', 2006 Oil Painting, Meditation.  oil on panel, cinnabar, malachite, azurite ...
Meditation - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Tary Socha: 'Patina Effect No 2', 2006 Acrylic Painting, Abstract. Fragmented Recall Series. Recollections fade like the changing patina on aging copper. Miked acrylic mediums on gallery wrapped canvas....
Abstract - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Tary Socha: 'Patina Effect No 1', 2006 Acrylic Painting, Abstract. Fragmented Recall Series. Recollections fade like the changing patina on aging copper. Miked acrylic mediums on gallery wrapped canvas....
Abstract - Painting
3 x 16 inches (7.6 x 40.6 cm)
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Eve Co: 'Impressionistic Tulips', 2006 Oil Painting, Floral. Impresstionistic TulipsCompleted on 04/ 24/ 2006Oil Pastels on Canvas16  x 12...
Floral - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'Ritual on Europa', 2007 Acrylic Painting, Surrealism. Part of my GNOSTIC GOSPELS IN A JAR Series, which is a homage to the mysteries found at Nag Hammadi.  Sides of this six sided stretched canvas, on a heavy duty wood frame, are painted, therefore no frame is necessary.  Ships in a professional cardboard box wrapped in acid free ...
Surrealism - Painting
42 x 36 inches (106.7 x 91.4 cm)
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Cornelia Macfadyen: 'Fire N Ice', 2005 Oil Painting, Abstract.
, 2005
Abstract - Painting
20 x 26 inches (50.8 x 66.0 cm)
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Isaac Brown: 'boxed out', 2005 Oil Painting, Abstract.
, 2005
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Micha Nussinov: 'tissue 7', 2005 Other Painting, Other. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
Other - Painting
700 x 900 inches (1778.0 x 2286.0 cm)
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Micha Nussinov: 'tissue 6', 2005 Other Painting, Other. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
Other - Painting
900 x 700 inches (2286.0 x 1778.0 cm)
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Micha Nussinov: 'tissue 2', 2005 Other Painting, nature. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
nature - Painting
700 x 900 mm ( x )
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Cornelia Macfadyen: 'The Point', 2005 Oil Painting, Abstract.
, 2005
Abstract - Painting
20 x 46 inches (50.8 x 116.8 cm)
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Cornelia Macfadyen: 'The Rising', 2004 Oil Painting, Abstract.
, 2004
Abstract - Painting
20 x 22 inches (50.8 x 55.9 cm)
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Tary Socha: 'Undulating Blue', 1997 Other Painting, Marine. Mixed Media on Srathmore board. Undulation of waves and the sea are the rhythm of life. ...
Marine - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Paola Di Renzo: 'seascape', 2005 Other Painting, Abstract.
, 2005
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Paola Di Renzo: 'acqua terra vento', 2005 Other Painting, Undecided.
Undecided - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Ron Ogle: 'erin', 2002 Oil Painting, Portrait. What we admire about the body is more than just its beautiful shape: it is the radiance of and inner flame which illuminates the body. RODIN...
, 2002
Portrait - Painting
10 x 12 inches (25.4 x 30.5 cm)
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Paola Di Renzo: 'rocky landscape', 2005 Acrylic Painting, Abstract.
Abstract - Painting
120 x 90 cm (47.2 x 35.4 inches)
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Richard Lazzara: 'master of complexity', 1995 Acrylic Painting, Visionary. master of complexity  1995 from the folio DRAWING ON SHIVA is available at
Visionary - Painting
26 x 40 inches (66.0 x 101.6 cm)
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Richard Lazzara: 'lingam temple at the beach', 1995 Acrylic Painting, Visionary. lingam temple at the beach 1995  from the folio DRAWING ON SHIVA  is available at
Visionary - Painting
40 x 26 inches (101.6 x 66.0 cm)
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Richard Lazzara: 'three eyed bilva', 1995 Acrylic Painting, Visionary. three eyed bilva 1995 from the folio DRAWING ON SHIVA is available at
Visionary - Painting
26 x 40 inches (66.0 x 101.6 cm)
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Jack Earley: 'Shoshoni Girl at Washakie', 1990 Other Painting, Americana. The work is done in sumi- e ink on acid- free paper and surrounded by acid- free material for longevity. It has ultraviolet light resistant glass and a rich mahogany frame....
Americana - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Paola Di Renzo: 'autumn leaves', 2005 Acrylic Painting, Abstract.
Abstract - Painting
120 x 90 cm (47.2 x 35.4 inches)
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Lucille Coleman: 'Two Handed Salsa Dance', 2003 Oil Painting, Dance. Salsa Dance Series Loose, bold, buttery brush strokes of paint were used to depict partners dancing in a yin yang balance. The movement is done with both hands of each partner joined together.A(c) 2003 Lucille Coleman...
Dance - Painting
28 x 46 inches (71.1 x 116.8 cm)
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Tom Irizarry Studio: 'Tower of Babel', 2004 Oil Painting, Landscape. oil on panel, cinnabar, azurite, cremintz white...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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(Page 9 of 202) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Lorrie Williamson - Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Cornelia Macfadyen - CVMacFadyen, a native New York, studied art at the Art Student's League and Pratt Institute. Here she received a classical training with a heavy influence from the impressionists. CV's work is abstract expressionsist. Her paintings are rich in color and texture. Each painting evokes a different repsonse from it's viewer. The subtle changes in texture are color obscure images lurking in the background. Through her painting CV strives to touch each person. She reaches within to allow the viewer to have an experience of themselves. CV works in oil on canvas. All pictures are sized for the home. Oversized canvases maybe commissioned upon request. Her work is in private collections in the United States and Europe. CV has been exibiting her work exclusively in the New York area since 1976. She is mentioned in the World's Who Who of Women, Who's Who in the East and Who's Who of Professional & Executive Women. ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...