Artists Describing Their Art:
Al Shaikh Aldaw - My artworks are usually a composition of crowded figurative such as dancing , parties ,or downtown's streets searching for movement , also I like working on landscapes . women are my lovely items , using an impressionist style .Moreover I paint abstract and Islamic abstract using Islamic decorative symbol ...
Paul Mccormack - Centrally located in the beautiful Hudson Valley region of New York State, McCormack Studios offers original works of art, works on commission and limited edition prints. Additionally, for the serious minded artist McCormack Studios offers a series of intensive workshop programs throughout the year. Visit: www.mccormackstudios.com ...
Vladimir Kezerashvili - I can't paint without a contact with a life object or picture of some sort. Hours of silent observation open a path to the object's beauty from its intrinsic nature. The longer I look and more layers of paint I add "the more abstract it becomes, and, ironically the more real" (Lucian Freud). I have no interest in a search of newness to justify my work; neither have I sought to establish myself via certain painting style or concept. I feel human when I paint, perhaps, because the painting is reminiscent of love and I hope this love is reciprocal....
Roberto Rossi - Roberto Rossi is a self-taught art worker. Born in the city of Sao Paulo, Sao Paulo State, Brazil, he has been working in the advertising field for 29 years. Art has been present since this artist's early ages, when he has great opportunities to closely watch the activities related to graphic arts that, in the future, would be extremely important for its professional career. Roberto Rossi begins his professional life in 1971, working as reviser for the most reputable juridical book publishing company at the time. In 1976 he is invited to work as copy reviser for the most important advertising agency of the country, where he would stay until 1988. At the same time, he contributes with his professional abilities for Brazilian literature, participating in projects involving very important private editions, some of them dedicated to art and Brazilian colonial furniture. His writer friends look for him when editing their books, in which he helps with copy desk, review, production and creative work in graphical projects. All this background has taken Roberto Rossi to know and search for learning, in details, the daily activities of photographic techniques, both studio and lab tasks, besides art studio, ...
John Mccarthy - "Chaos for me breeds images." -- Francis Bacon JFM Theory: Chaos is the ultimate order. The energy embodied in John McCarthy's art springs from a chaos that exists at a level that far surpasses the categories of abstract expressionism and other forms of so-called "accidental art." It is a place where the meaningful and the meaningless can playfully co-exist; where reason and the illogical exist side by side; where the details are always superior to the whole; where chaos is the ultimate order, where a lightning bolt of paint ignites texture and impasto in an electric explosion of conscious thought and anxious action. It represents a separate multiverse - where opposing sides forever reverse, replace each other and merge. Conversely, the rules of the world can also be seen as reversals, betrayals, plot twists, double identities, traps, time warps, black holes, rebellions in consciousness, metamorphoses and the big bang. McCarthy's paintings are shards of broken-glass paint that re-define a cubist view of chaos theory. They are atomic or subatomic explosions of colors like nothing that has come before. Look closely at the rivers of color represented in his action painting and see if you can decipher...
John Mccarthy -
Jerry Ross - Manifesto of American Verismo By Jerry Ross, 2012 "American verismo", a movement that I have recently founded, is a catch-all phrase for an artistic style that draws its main inspiration from Italian art, both classical and modern. There is an implied nostalgia for work done "dal vero" (after life) whether classical (Raphael, Rubens, or Caravaggio, etc.) or 19th century (the Tuscan I Macchiaioli school) or more contemporary. Verismo is somewhat akin to contemporary "atelier realism" but the latter has been criticized for an academic uniformity and its over attention to details. American verismo is more poetic and linked to post-impressionism, the Milan-based Scapigliatura ('wild hair') movement, and the I Machiaioli's commitment to social issues. But like atelier realism, American verismo is associated with a painterly sketching style, use of broad brushstrokes, and the alla prima, "direct attack" technique of painting. It is also linked to all'aperto (open air) impressionist-style landscape painting. In short, to pleinairism which has become widely popular in recent years. I first introduced the term during several classes he taught at the Maude Kerns Art Center in Eugene and then later at the "Angels Fight Road Art Center" plein air retreat...
Dieter Picchio-Specht - Art, creativity and imagination have always played an important part in my life, although I have only started to fully concentrate on painting a few years ago. This passion has always been part of me. I have finally given up my work as a general manager in industry - to dedicate all my time to painting. At last I do what I have always wanted to do. It is simply that a dream has finally come true. Even during my years at secondary school my paintings were awarded prizes and I should have enrolled in art classes after I passed my A-levels. In fact, a renowned company manufacturing ceramics offered me a scholarship, which I was unable to accept at the time. I have always kept up with painting as landscapes and images, abstract and impressionist. Since some years now I am able to paint full-time and fill canvas after canvas with my ideas. My new studio is right in the centre of the village of Arcegno, surrounded by wooded hills, near to Ascona, a well-known tourist centre at the Lago Maggiore in the South of Switzerland. I apply the paints directly to the canvas with a spatula. ...
Vasily Zolottsev - There is only one law in art which carries objective character and comes from the very nature, conditional character and illusiveness of art! It is an indispensable condition of creation of an artistic image! It is necessary to judge an artwork by intensity and importance of the image and force of its emotional influence! Style, manner and technique don't have any importance and they are equivalent! The good picture of a primitive artist can be much more valuable in the art sense than a 'competent' picture of a realist and on the contrary! If there is an image, there is a work of art, if there isn't, it's no use crying for the moon! And it is not important which art means it has been reached by! Everyone to his 'own' taste! ...
Vasily Zolottsev -