Paintings For Sale - Price Range: $200 - $299

Artists Describing Their Art:

William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

Michael Pickett - I donaEURtmt know how IaEURtmm able to do all of this, but somewhere inside me I know that I stand out from the rest, IaEURtmm unique and have some powers that are beyond comprehension. I stay pretty much to myself and I feel like someone who is not from this planet and that there are differences that I readily perceive. All of this makes me self-conscious and also makes me more critical of myself. I judge and criticize myself a lot which I should not, but I do because I feel alienated at times. IaEURtmm vary humble and definitely not better than anyone else. I have so much to achieve, and thataEURtms why I take my own time to do so, there are times when I get irritated and agitated because of keeping a lot of expectations for myself, and when IaEURtmm not able to execute it, I feel low. However, I have to make sure that all these expectations are achievable, not impractical and unfeasible. As a result, I trust my intuition more which allows me to communicate with others. Self-expression and originality are also associated with me. There is a ...

Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

Harry Bayley - My paintings are very much about expressing colour in different ways, which I incorporate into whatever painting that I am working on whether it be my own work or a commission. I think colour when used in a painting whether it be bold or subtle can make all the differnce. I would describe my paintings as absrtact, contemporary and full of colour expression....

Ronald Lunn - As an artist, the art I create is something that doesnaEURtmt have a simple definition. My artwork is about personal growth, I constantly strive to evolve and improve my techniques. I enjoy creating each painting or drawing to visually speak to me and the viewer, tell a story, bring up a memory, or have a pleasing memorable image that feeds the vieweraEURtms heart and soul. I wish for that my artwork may continue leaving a lasting impression, to hopefully uplift and inspire everyone to experience those same emotions, pursue their own dreams and bring refreshment into their life, to see the beauty that exists around all of us. I cherish the feeling that art can be fun, it makes me smile and I still get such a sense of satisfaction from people whether negative or positive. I love what I do and am extremely passionate about the arts. ...

Mark Schwing - Ideally the artist is employed by society at large. The artist helps define culture and culture makes us who we are in whatever time and place we are at. Of course most of us are not living in caves anymore but even then art helped society function; helped the hunter hunt, showed people what to do. Art is still showing people what to do in a way. Whether it is raising awareness by showing what is going on, teaching by example or simply exploring ideas that give people ideas. My art is about ideas as much as anything else but it is a surrealistic and intuitive approach. So what is presented isn't a literal interpretation, it is more like exploring the idea with art. It is really another reality. It mirrors our reality and/or it is influenced by our reality. I can't help but be affected by what is going on around me and I am interested in the transcendental as well. Please visit my website, www.markschwing1.com, for more images....

Mark Schwing - Michael Weston - I am a self-taught artist who began painting in 1983, although there were aborted attempts in earlier years(the 1970's). But not until 1983 did I try putting the ideas in my head down in paint and other media, than in writing. All I see are faces and figures in everything. I listened to da Vinci and his statement on studying stains. There is this between us. And lines fluid, broken, jagged and scratched covering everything. I attempt to translate that which is before me. I'm not even sure this is how I see it. It is about the silence....

Jerry Maloney - Contemporary artist Jerry Maloney, uses a realistic style that falls somewhere between Impressionism and Photo-realism which creates soothing yet vibrant images that are reminiscent of the Luminists school of painting.I have always been inspired by the beauty of light in nature. Painters such as Bierstadt, Church, and Inness have always been major influences in my art along with many of the Impressionists states the talented artist. These influences are readily apparent in the beautiful oil paintings of Florida Colorado and landscapes that fill the walls of his Spring Hill studio. Although landscapes and seascapes are the artists preferred subjects, he is equally proficient in portraiture, still life, caricature, graphic design digital or traditional and cartooning. Oil paint on canvas is the most common choice of medium for the artist closely followed by acrylic paint, pastel chalk, colored pencil and water color. Drawing and painting since childhood, this emerging artist received his formal training from the University of Michigans School of Art, Colorado Universitys Colorado Mountain College, St. Petersburg College, Florida State University where he received a Bachelors Degree in Studio Art and through numerous workshops conducted by many prominent artists. Since then he has continued to paint and ...