Paintings For Sale - Price Range: $300 - $399

Page 11 of 61
Discover 1,762 original painting artworks for sale between $300 - $399. Contemporary emerging artists: Kikuko Sakota, Katie Pfeiffer, Richard Eversley, Vincent Sferrino, John Lynch, Laurie Vaughn, Katalin Luczay, Shanee Uberman, Marilia Lutz, Bonnie Gloris, Susan Barnett-jamieson, Joseph Porus, Oscar Galvan, Sheila Mccarron, Monica Mackenzie, Abiodun Ijiyera, Victoria Veedell, Vagik Iskandaryan, Michelle Iglesias, Dune Tencer, Dana Zivanovits are exhibiting their affordable original art. You can buy artwork online and browse 61 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Kikuko Sakota: 'Flower', 2012 Acrylic Painting, Abstract.
, 2012
Abstract - Painting
15 x 18 inches (38.1 x 45.7 cm)
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Katie Pfeiffer: 'Pendle Hill Witch Number One', 2013 Ink Painting, Psychic.               This is  Pendle Hill Witch # 1- part of a  series I  created of  10  witch paintings  at the beginning of October.  Pen, ink & watercolor on paper.  (c) Katie Pfeiffer 2013(c) Katie Pfeiffer 2013All Rights ReservedPrints available                                                   ...
Psychic - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Katie Pfeiffer: 'Pendle Hill Witch Number Two', 2013 Ink Painting, Psychic.              This is  Pendle Hill Witch # 2- part of a  series I  created of  10  witch paintings  at the beginning of October.  Pen, ink & watercolor on paper.  (c) Katie Pfeiffer 2013(c) Katie Pfeiffer 2013All Rights ReservedPrints available                                                  ...
Psychic - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Kikuko Sakota: 'New Landscape', 2012 Acrylic Painting, Abstract.
Abstract - Painting
13 x 10 inches (33.0 x 25.4 cm)
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Richard Eversley: 'The Parched Earth II', 2005 Acrylic Painting, Abstract.  Contemporary, abstract, painting, environmental statement ...
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
Vincent Sferrino: 'Night Guardian', 2013 Acrylic Painting, Seascape.
Seascape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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John Lynch: 'none', 2013 Oil Painting, Abstract.    Abstract, oil, contemporary,    ...
, 2013
Abstract - Painting
10 x 10 inches (25.4 x 25.4 cm)
John Lynch: 'none', 2013 Oil Painting, Abstract.   Abstract, oil, contemporary,   ...
, 2013
Abstract - Painting
10 x 10 inches (25.4 x 25.4 cm)
Laurie Vaughn: 'Figurative Expressionist Experiment', 2008 Acrylic Painting, Abstract Figurative.        This classic figurative  expressionist painting is an example of the genre of Laurie Vaughn, during an investigation into expressionist portraits, created as works on paper in 2008. Laurie Vaughn who is a third generation painter of the New York School art movement genre. The medium impasto on 22
Abstract Figurative - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Katalin Luczay: 'A path in the woods New Jersey', 2013 Oil Painting, Impressionism.  painting, landscapepainting, Luczay, ocean painting, contemporary painting, canvas print, fine art, realism, art, realistic landscapes, immpressionist landscape, painting, impressionism, impressionist painting, nature, path, woods, fall scene, autumn, painting of autumn, New Jersey autumn, fall path    ...
Impressionism - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Shanee Uberman: 'poppy red 2', 2009 Oil Painting, Floral.   a color saturated canvas, i hope you see all the beauty in our world, i know we have darkness, it can overwhelm at times. . . please, see the magnificent bright colorful world we live in  ...
Floral - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Shanee Uberman: 'poppy red', 2009 Oil Painting, Floral.  a color saturated canvas, i hope you see all the beauty in our world, i know we have darkness, it can overwhelm at times. . . please, see the magnificent bright colorful world we live in ...
, 2009
Floral - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Shanee Uberman: 'MAGENTA DAZE', 2013 Oil Painting, Landscape.  Thru rose color glasses you ask. . . perhaps i do sometimes. we all need to saturate the world with a little extra colors at times       ...
Landscape - Painting
14 x 9 inches (35.6 x 22.9 cm)
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Marilia Lutz: 'Back to Nature 1', 2013 Oil Painting, Landscape.
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Bonnie Gloris: 'Masquerading', 2013 Oil Painting, undecided.
undecided - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Susan Barnett-jamieson: 'Spring Birch Grove', 2012 Acrylic Painting, Abstract Landscape.
Abstract Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Joseph Porus: 'Raphael Angels Only Different', 2013 Oil Painting, Biblical.                 Oil on linen. Raphael's cherubs . . . except . . . . I painted one of them fast asleep                                          ...
Biblical - Painting
13 x 11 inches (33.0 x 27.9 cm)
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Joseph Porus: 'Little Girl Bundled', 2013 Oil Painting, Portrait.               Oil on linen.                                         ...
Portrait - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Oscar Galvan: 'Ansiosa', 2012 Acrylic Painting, Beauty.    Anxious/ Popart/ Impressionism/ Female/ Heart/ Soul/ Picasso/ Manet/ Galvan/ Beauty/ Portrait  ...
, 2012
Beauty - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Sheila Mccarron: 'Queen of Tarts', 2010 Acrylic Painting, Figurative.     Acrylic on Canvas   ...
Figurative - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Monica Mackenzie: 'Portland Old Town', 2012 Acrylic Painting, Abstract Figurative.  Acrylic painting of a Portland Oregon Night scene                 ...
Abstract Figurative - Painting
20 x 20 inches (50.8 x 50.8 cm)
Monica Mackenzie: 'Aura', 2012 Acrylic Painting, Abstract Figurative.  Based on a novel by Carlos Fuentes             ...
, 2012
Abstract Figurative - Painting
24 x 36 inches (61.0 x 91.4 cm)
Monica Mackenzie: 'quipu', 2012 Acrylic Painting, Abstract Figurative.  Abstract Painting Quipu       ...
, 2012
Abstract Figurative - Painting
20 x 20 inches (50.8 x 50.8 cm)
Abiodun Ijiyera: 'Still Life No 1', 2012 Acrylic Painting, Still Life.
Still Life - Painting
22 x 18 inches (55.9 x 45.7 cm)
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Victoria Veedell: 'Passage', 2011 Oil Painting, Landscape.  impressionist landscape, blue, green, yellow, whitesmall landscape painting oil on canvas ...
, 2011
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
Vagik Iskandaryan: 'In Search Of Light Series 13', 2010 Acrylic Painting, Abstract.
Abstract - Painting
11 x 15 inches (27.9 x 38.1 cm)
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Michelle Iglesias: 'Koi Fish Pond', 2012 Oil Painting, Fish.  koi, fish, reflection, sillouette, trees, water, pond, qhite, black, blue, red, pink, yellow, transparent, clouds, school, swim, swimming, eating, feeding, fins, mouth, open mouths, dark, bright, contrast, large, grey, exotic, realism, realistic ...
Fish - Painting
16 x 21 inches (40.6 x 53.3 cm)
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Dune Tencer: 'Shadow People', 2012 Acrylic Painting, Abstract.
Abstract - Painting
18 x 20 inches (45.7 x 50.8 cm)
Dana Zivanovits: 'AUTUMN FIELD 1', 2012 Acrylic Painting, nudes.    This painting was done on stretched canvas with acrylic paint.        ...
nudes - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Gregory Elsten: 'The Illustrator', 2012 Oil Painting, Figurative.           figurative          ...
Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
(Page 11 of 61) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Kikuko Sakota - The recent themes of my paintings are imaginative world coming into my mind, while walking in hills and forests. Fresh air, smell of leaves and soils, color of greens, and singing of birds make me recall fairy tales: the witch living in the woods, dwarfs playing music, and so on. It is my bold attempt to interpret invisible but natural miracles into picture planes with my skills focusing on color employment, brushstrokes and composition for those elements. Please check out my website:

    Katie Pfeiffer - My goal or artistic process is to examine personal relationships and feelings in a humorous way using a multitude of imagery from everywhere. I like to mix up my drawing and paintings with found imagery to create something new. I look to imagery made for children ( especially school primers from the 50s and 60s) as well as stickers to express my naive and child like look at "Adult" subjects. Exploring mysteries of my own desires as well as comment on the stereotypes which exist in female and male relationships. I want my art to envelope the viewer with color,humor and feeling. In the past few years I have started to explore the relationship of light and dark and the association with positive and negative emotions as well as make several collections of "ugly" paintings with text which explore my personal relationship with men, family and people in my life. All my art is original and I do not list prints or copies of my work. Most of my paintings are done in inks or acrylics. ...

    John Lynch - John Lynch is a painter, currently working in thr San Francisco bay area. Most of his work is done in the mediums oil on canvas, and oil and acrylic on paper. He has been influenced by the New York School; Pollock, de Kooning, Kline, and the Japanese and Chinese Zen arts. Jazz and the Beat poets have inspired....

    Laurie Vaughn - Primarily, my inspiration is derivitive of the New York School art movement genre of abstract expressionism. Additionally, I incorporate expressionist painting influences, derived from the CoBrA art, German Expressionism, in creating my personal brand, of representational, expressionist painting. Taking formal techniques from the CoBrA and New York School art movement, I blend subliminal nuances emanating from sources of inspiration, that are as diverse as Japanese calligraphy to the tribal art, of the Dogon. Utilizing a layering of abstract expressionist painting applications, I reference the oevres of expressionist artists that includes: Jackson Pollock, Lee Krasner, Joan Mitchell, Willem deKooning, Hans Hofmann, Robert Motherwell, and lesser known, abstract expressionism art movement painters. Representational techniques have been strongly influenced by the bold, vibrant, and colorful expressionist painting genre of significant CoBrA art movement icons, including: Cornielle, Karel Appel, Rooskens, Eugene Brands, Lucebert and Asger Jorn.I prefer to work in mixed media, incorporating gesso, tempera, acrylic, enamel and oil on canvas. My goal is to create individual series, dominated by influences from a combination of artists, overlaid with my personal interpretation or social commentary on events that effect us all....

    Katalin Luczay - Painting to me is an expression, interpretation, and appreciation of the world around me. In my opinion any art should inspire and elevate the human spirit. These types of art works are immortal, such as the works of the old masters. In my paintings I strive to achieve these ideals. I would describe my works as related as representational realism. In my seascapes I bring many different colors together to illustrate the movement of water. In my landscapes and still life works I like to emphasize the play of light as it hits a focal point. I like to paint in oil because I can achieve this sense of light and motion by glazing over layers, as well as in oil I can achieve a richness that I find limiting in other mediums. Please see my website at

    Marilia Lutz - The act of creation is holy and profound in all its manifestations - not only the natural world surrounding us, but also the artistic manifestations representing life. Through my art, I try to represent and communicate visually what I believe illustrates the beauty of life and nature - from special moments or places, and from small things, whether symbolic or not. I find inspiration for my compositions in my surroundings, in moments that are for one reason or another important to me. I look deeply into my feelings to express what I believe is meaningful. Being an artist has been an exciting and overwhelming experience that enriches my life and gives me the opportunity to share with others some of my experiences, views and feelings. My preferred medium is oil on canvas; sometimes I explore other mediums such as pastel, charcoal, and graphite. I explore three basic themes in my compositions that I call: Trilogy; Insights in Forms and Shapes; and Visions of Places. "Trilogy" is a study where I represent what I believe to be the essence of life: the eternal and constant presence of three elements in many aspects of life and nature. "Insights in Forms and Shapes" it is...

    Bonnie Gloris - A fleeting moment captured in a snapshot, an intriguing word or phrase, a distant memory that has suddenly surfaced... any of these elements may be my inspiration for a new work of art. Usually, my focus is the human interest: a figure that becomes the main character in a tantalizing narrative, revealed by some elements of the scene, yet veiled by others - unsettling or comforting: evocative but never pretentious. I add layers, and repeatedly bring forth and push back the light and shadow... the colors become saturated and the once-flat surface gains depth. I make patterns emerge from the background, cause nostalgic motifs to appear, and immerse the scene in an aura of mystery. Sometimes the outcome is exactly how I imagined it would be, but more commonly it has evolved into something unexpected, realizations of feelings I didn't know I had, but am glad to have discovered....

    Sheila Mccarron - Sheila McCarron was born in Co. Monaghan, Ireland. She currently lives and works from her studio in Dublin. She received a BA Hons Degree in Visual Communication from the University of Ulster, Belfast in 1999. She has exhibited widely throughout Ireland, her work has also found homes with international buyers. ...

    Monica Mackenzie - Artist Statement It is my belief that the more one culture knows about another culture, the more tolerance and understanding they will feel. I firm believe that Art nourishes and heals the mind and the soul of individuals. Creating art is for me a humbling experience that has always pushed me to new levels of creativity and invention. The respect I have to each of my work challenges me to paint each work as an individual with its own character. My style is passion and respect to each piece, giving each work the personality, quality that deserves. I want to share a positive message in order to inspire, educate and empower the public. Sometimes my art pieces are pure emotion and sometimes are cerebral and challenging. My love to Physical Anthropology and art are combined in my works. Art is for me as essential as air, transforms me, nourishes my soul, it is a positive extraordinary experience I do believe can transform others. Creating works based on pre-columbian legends and aesthetics. Metaphysics and research in Mexican artisans work. Researching thru mythical Aztec and Mayan points of view, influenced by Goya's, Carlos Castaneda, Octavio Paz and Sor Juana Ines ...

    Abiodun Ijiyera - Artist Statement In style, content and formal properties, my artwork reflects the motifs found in the traditional arts and crafts of the Yoruba people. The themes revolve around occupations, religious images, music, fashion designs, myths and folklores. Initially, when I was in college, the images recalled subconsciously. Recently, though, I make deliberate efforts to incorporate the familiar symbols and designs found in various traditional wears, musical instruments, carvings, and batik dyeing, in my artworks. The talking drums or the baritone igbin drums with their intricate carvings are much more than the sounds they produce. The formal elements expressed by the striped cords, and the wooden pegs that stretch the hide taut, beautifully illustrate graceful lines and textured organic shapes that end up as focal points in my works. Religious subjects from biblical stories are also a source of inspiration for my creative work. Though many of the stories can be narrative, I portray the images in stylized forms. The idea of stylizing started out as a way of getting kids to look for clues in solving puzzles about biblical personalities and events in our Children Ministry at church. It has since become another style of self-expression for me. ...

    Victoria Veedell - Through the use of light I attempt to interpret my experience of nature. I am drawn to the dramatic lighting found at the begining and at the end of the day. The particular lighting sets the mood for the painting. Time of day holds emotional and spiritual possibilities. Nature becomes a spiritual entity and a source for artistic energy. The images are fashioned from from memory and imagination implying landscapes not necessarily seen but felt. My work is grounded in a persspective associated with landscape, rather than mirroring the outside world I look inward to bring closer the hidden identities and layered relationships that are reflective of the inner experience. ...

    Vagik Iskandaryan - Every artist dips his brush in his soul, and paints his own nature into his pictures. " Henry Ward Beecher" An artist's painting becomes reare evidence of his inner unseen world. As time progresses that unseen world changes and so does his art. For me, the process of creating vital art is mainly a search and contact with the mystical or it could be the real experience of the mystical world. It is the way of discovering true beauty. The creative process itselfe brings me a sense of fulfillment and that is what I find to be so exciting and enjoyable. An artist should always strive for perfection because the perfection is the atribute of beauty that is the path he has chosen. Nothing should stop him until he can taste the nectar of perfect masterpiece. Then, he can fall in love not only with his art, but also the unseen world from where the real art manifest itself. My paintings are composed of figurative and abstract melodic forms. I called them the inner landscapes The second is pure abstract But the main source of my inspiration, knowledge and experience in art, I have obtained through my wonderful relationship with ...

    Michelle Iglesias - As an active member of the National Association of Women Artists, Oil Painters of America and the Berkshire Art Association, Michelle Iglesias is a self-taught artist who first took to painting for its therapeutic values after being diagnosed with cancer. Her passion and perseverance has led her to become a nationally recognized award-winning artist, art instructor, and the successful business owner of Berkshire Paint and Sip. She continues to encourage and foster creativity in her students and others inspired by her art. Ms. IglesiasaEURtm paintings are influenced by family connections, nature, and travel. Consisting of the tumultuous dimensions that nature offers, portraits with personalities, and engaging exotic landscape compositions, her canvases invite viewer involvement and have been described as insightful, symbolic, and clarifying. She conveys the vision of natureaEURtms grandeur to produce artwork that is expressive, of the highest quality, and will grab the vieweraEURtms interest and attention. A Berkshire-area native, Michelle Iglesias was born in 1972 in Blandford, MA and currently resides in Dalton, MA. She entered in to the art scene in 2002 when she opened Piece of My Art Gallery and Frame Shop in Westfield, MA. Two years after opening the gallery ...

    Dune Tencer - I have been told that I need to find a style, a theme, or a signature look to my art. Well I have. I love painting the landscapes of America's Southwest and my home state of Texas. I love painting the texture, color and size. Now that being said I find painting abstract and inks very freeing, relaxing and the inks are just down right fun. On occasion the canvas has a mind of its own and a painting just wants out. A good example of this can be found in the Geisha. My daughter challenged me to paint a really big painting. I had a roll of canvas, 8 feet long and 4 feet wide. Overwhelmed by the size I threw on some black paint and some red paint, spread it around. I then hung it from the ceiling of the studio and stepped back. There she was all I had to do was the finishing embellishment and 45 minutes later there stood the "GEISHA". This is not the sort of thing that happens often but what fun when it does. I hope you enjoy seeing my art as much as I do making it. Thank you. ...

    Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...