Paintings For Sale - Price Range: $300 - $399

Page 3 of 61
Discover 1,762 original painting artworks for sale between $300 - $399. Contemporary emerging artists: Daniel Clarke, Paola Di Renzo, Larysa Uvarova, Marino Chanlatte, Azhar Shemdin, Sangeetha Bansal, Bonie Bolen, Donna Gallant, William Christopherson, Michael Garr, Edna Schonblum, C. Mari Pack, Andree Lisette Herz, Ron Anderson, Jim Lively are exhibiting their affordable original art. You can buy artwork online and browse 61 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Paola Di Renzo: 'Seascape', 2016 Acrylic Painting, Abstract Figurative.
, 2016
Abstract Figurative - Painting
190 x 220 cm (74.8 x 86.6 inches)
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Larysa Uvarova: 'Painting Honey Sunset', 2016 Oil Painting, Sky.  Original oil painting, signed on the back will be great asset to your private collection. This painting was made with brushes, multi- layers. It is perfect for the stylish modern interiors. This painting is unframed, so you can choose the frame size and color by yourself to your interior. This...
Sky - Painting
35 x 30 cm (13.8 x 11.8 inches)
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Larysa Uvarova: 'Abstract Summer memories', 2016 Oil Painting, Abstract.  Original multi- layers oil painting was done on canvas size 60A--50 cm. Great for the modern interiors. Perfect idea for present. ...
Abstract - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Marino Chanlatte: 'Ocean 45', 2016 Oil Painting, Abstract.    This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been...
, 2016
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Marino Chanlatte: 'The Water Grid', 2016 Acrylic Painting, Abstract.   Light through a water grid, maybe. Air, soft, colors.decorative, contemporary, modern art, modern, colors, soft, air ...
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Azhar Shemdin: 'Colours of Your Mind', 2016 Acrylic Painting, Abstract. Liquid acrylic on thick canvas paper.  Original painting. ...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Azhar Shemdin: 'Fabulous', 2016 Acrylic Painting, Abstract. Liquid acrylic on Canvas paper ( very thick paper)...
, 2016
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Azhar Shemdin: 'Playful', 2016 Acrylic Painting, Abstract. Original painting in liquid acrylics on canvas paper. ...
, 2016
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Marino Chanlatte: 'Ocean 38', 2016 Oil Painting, Abstract.   This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been...
, 2016
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Sangeetha Bansal: 'Together like lamp and flame', 2016 Oil Painting, People.  Oil painting of a divine couple that are entwined together like a lamp and its flame. Their love knows no bounds and they are one in spirit and soul. Together they light up their lives with love. ...
People - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Bonie Bolen: 'Greenland', 2016 Oil Painting, nature.  Oil on aluminum. Original image used from National Geographic 2010 article about Greenland's changing face due to global warming. ...
, 2016
nature - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Marino Chanlatte: 'Ocean 28', 2015 Oil Painting, Abstract Landscape.  This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been...
, 2015
Abstract Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Donna Gallant: 'Marking', 2015 Acrylic Painting, Abstract.          texture and color are the key to this non- objective piece.  Acrylic and molding paste on paper. ...
, 2015
Abstract - Painting
12 x 8 inches (30.5 x 20.3 cm)
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Donna Gallant: 'Prairie sky 2', 2015 Oil Painting, Landscape.          The often seen rain clouds on the wide open prairies produce such interesting special relationships. ...
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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William Christopherson: 'Syracuse Onondaga Park Winter Oil Canvas', 2015 Oil Painting, Landscape.         TITLE:
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Michael Garr: 'Fall at beavertail light', 2015 Oil Painting, Marine.  Plein air. ...
Marine - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Edna Schonblum: 'tethered 1', 2015 Oil Painting, Boating.  sea transparencie boats transparencie sand sea studie...
, 2015
Boating - Painting
21 x 15 cm (8.3 x 5.9 inches)
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C. Mari Pack: 'Meditative Perception', 2014 Acrylic Painting, Abstract.       Original poured acrylic painting. Deep earth tones, with contrasting metallics. Coated with acrylic medium to create a resin like, surfboard finish. All materials used are archival.      ...
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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C. Mari Pack: 'The Manipulation of Energy', 2014 Acrylic Painting, Abstract.  Original poured acrylic painting. Deep pink tones, with contrasting white and bright orange. It is coated with an acrylic medium giving the piece a surf board finish similar to resin. All materials used are archival. ...
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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C. Mari Pack: 'Psychological Adaptation', 2014 Acrylic Painting, Abstract.   Original poured acrylic painting. Deep earth tones, black, white, tan, gold and bronze. It is coated with an acrylic medium giving the piece a surf board finish similar to resin. All materials used are archival.  ...
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Andree Lisette Herz: 'butterfly fun', 2014 Ink Painting, nature.                                     . alcohol ink  painted with q tips on yupo                                               ...
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Ron Anderson: 'Familiar Places', 2013 Oil Painting, Landscape.  Original oil painting by Ohio artist Ron Anderson. Painting entitled Familiar Places. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright. ...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Jim Lively: 'Metallic Abstract Eight', 2013 Acrylic Painting, Abstract.        acrylic and metallic acrylics on 2
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Jim Lively: 'Metallic Abstract three', 2013 Acrylic Painting, Abstract.       acrylic and metallic acrylics on 2
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Jim Lively: 'Metallic Abstract One', 2013 Acrylic Painting, Abstract.      acrylic and metallic acrylics on 2
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Jim Lively: 'Metallic Abstract ', 2013 Acrylic Painting, Abstract Figurative.     acrylic and metallic acrylics on canvas    ...
Abstract Figurative - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Andree Lisette Herz: 'riverrun', 2013 Ink Painting, nature.                                 . alcohol ink  painted with q tips on yupo                                           ...
, 2013
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Andree Lisette Herz: 'seagrape', 2013 Ink Painting, nature.                               . alcohol ink  painted with q tips on yupo                                         ...
, 2013
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Andree Lisette Herz: 'watersedge', 2013 Ink Painting, nature.                             . alcohol ink  painted with q tips on yupo                                       ...
, 2013
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Roz Zinns: 'House in the Meadow', 2010 Acrylic Painting, Landscape.  Near San Francisco Bay ...
Landscape - Painting
24 x 12 inches (61.0 x 30.5 cm)
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(Page 3 of 61) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR
    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity, and have recently teamed with SAVE THE BAY, a local Rhode Island eco-advocate organization, which receives 30 PER CENT of my proceeds. My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. Ive done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorenas studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to ...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...