Paintings For Sale - Price Range: $400 - $499

Page 16 of 46
Discover 1,324 original painting artworks for sale between $400 - $499. Contemporary emerging artists: Marc Awodey, Mark Dodson, Sallyann Mickel, David Chang, Maria Teresa Fernandes, Tom Curtis, Susan Lewis, Michelle Daly, Lisa Reinke, Sue Jacobsen, Eduardo Diaz, Marko Janicki, Roger Cummiskey are exhibiting their affordable original art. You can buy artwork online and browse 46 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Marc Awodey: 'orange and green still life', 2006 Other Painting, Still Life.
Still Life - Painting
26 x 20 inches (66.0 x 50.8 cm)
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Marc Awodey: 'the door', 2005 Other Painting, Abstract Figurative.
, 2005
Abstract Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Marc Awodey: 'missouri bridge', 2005 Other Painting, Abstract Landscape.
Abstract Landscape - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Marc Awodey: 'reader ', 2002 Acrylic Painting, Abstract Figurative.
, 2002
Abstract Figurative - Painting
32 x 26 inches (81.3 x 66.0 cm)
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Marc Awodey: 'burger eaters', 2003 Other Painting, Abstract Figurative.
Abstract Figurative - Painting
32 x 28 inches (81.3 x 71.1 cm)
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Mark Dodson: 'The Oklahoman 1943', 2006 Acrylic Painting, Military.  The Oklahoman - a B- 24D of the 8th Air Force 389th BG 566th BS in WWII ...
Military - Painting
20 x 16 inches (50.8 x 40.6 cm)
Sallyann Mickel: 'Their Masters Voice', 2006 Oil Painting, Animals.  Oil painting of the foxhunting Master of Hounds with his pack. ...
Animals - Painting
24 x 12 inches (61.0 x 30.5 cm)
David Chang: 'Fantasia', 2005 Acrylic Painting, Abstract.
, 2005
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
David Chang: 'Haven and earth', 2005 Acrylic Painting, Abstract.
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Maria Teresa Fernandes: 'forest embryo', 1980 Oil Painting, Science. to work with colours in wet watercoloris a must for the painter...
Science - Painting
7 x 10 inches (17.8 x 25.4 cm)
Tom Curtis: 'North Breach', 2006 Other Painting, Abstract. Acrylic and Oil on plywood panel...
Abstract - Painting
42 x 30 inches (106.7 x 76.2 cm)
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Tom Curtis: 'Artifax 4', 2006 Acrylic Painting, Abstract. Acrylic and Enamel on wood panel...
, 2006
Abstract - Painting
40 x 42 inches (101.6 x 106.7 cm)
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Tom Curtis: 'Artifax 3', 2006 Other Painting, Abstract. Acrylic and Enamel on wood panel...
, 2006
Abstract - Painting
40 x 42 inches (101.6 x 106.7 cm)
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Tom Curtis: 'Coagula', 2006 Acrylic Painting, Abstract.
, 2006
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Susan Lewis: 'Palm Leaves and Bamboo', 2006 Acrylic Painting, Botanical. Acrylic on Wallboard...
Botanical - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Michelle Daly: 'Asthetic Philistine', 2006 Oil Painting, Abstract. A favorite of many, aesthetic philistine is a balanced configuration of ackward shapes, floating and fixed.  These shapes merge and find a tenuous balance, begging to be viewed and discovered again and again. The colors are rich, matte, textured oils in hues of olive greens, burgandy, orange, yellow ochres, blue- ...
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Maria Teresa Fernandes: 'purple flowers', 1971 Oil Painting, Floral. petals have to show dimensions...
Floral - Painting
16 x 20 inches (40.6 x 50.8 cm)
Maria Teresa Fernandes: 'reds in a blue vase', 1967 Oil Painting, Floral. a red explosion but considering hues and shades of each petal...
Floral - Painting
15 x 22 inches (38.1 x 55.9 cm)
Maria Teresa Fernandes: 'Red flowers', 1969 Oil Painting, Floral. strong reds are not the usual of this painter, a rare painting...
Floral - Painting
12 x 16 inches (30.5 x 40.6 cm)
Lisa Reinke: 'Watcher in the Woods', 2006 Oil Painting, Trees. This painting examines the mystery and feeling of a presence in the woods....
Trees - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Maria Teresa Fernandes: 'orange flowers', 1968 Oil Painting, Floral. vivid colours but not shocking ( stalks had to be inserted deep into the water )...
Floral - Painting
16 x 20 inches (40.6 x 50.8 cm)
Maria Teresa Fernandes: 'Yellow flowers', 1967 Oil Painting, Floral. colourful and bright as you feel when you paint...
Floral - Painting
11 x 16 inches (27.9 x 40.6 cm)
Sue Jacobsen: 'Inverness Anchorage', 1993 Oil Painting, nature. Returning to a familiar scene allows me to see with fresh eyes and inspires a fresh viewpoint....
nature - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Sue Jacobsen: 'Exploring', 2003 Oil Painting, nature. The many rivers and streams nearby provide excellent exploration possibilities as well as fishing....
, 2003
nature - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Eduardo Diaz: 'Virgen', 2005 Oil Painting, Erotic.
, 2005
Erotic - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Eduardo Diaz: 'Gotas', 2005 Oil Painting, Erotic. Art work by Manuel S. & E. diaz. Meztizo Project Secon Exhibition...
, 2005
Erotic - Painting
36 x 25 inches (91.4 x 63.5 cm)
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Marko Janicki: 'Melon eaters', 2001 Oil Painting, Cityscape. A painting I made a la prima at my garden, while my family members were eating a watermelon. ...
Cityscape - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Roger Cummiskey: 'Quijote', 2005 Other Painting, Figurative. Happy Birthday Don!...
, 2005
Figurative - Painting
6 x 16 inches (15.2 x 40.6 cm)
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Eduardo Diaz: 'Puzzle', 2004 Oil Painting, Culture.
, 2004
Culture - Painting
37 x 32 inches (94.0 x 81.3 cm)
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Eduardo Diaz: 'Progress', 2004 Oil Painting, Culture.
, 2004
Culture - Painting
32 x 37 inches (81.3 x 94.0 cm)
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(Page 16 of 46) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Marc Awodey - "My statement IS the work." Awodey received his MFA from Cranbrook Academy of Art in 1984. Hundreds of his works are in private collections around the USA. Awodey lives in Burlington, Vermont- one of the most active arts enclaves in in North America. He teaches fine arts at Burlington College and The Community College of Vermont, is an award winning art critic, and has published 3 books of poetry. Resume and slides are available on request. Awodey's vision is unique, and his work may be considered investment quality. Click on "send the artist an email" for further information. "I do not try to be profound. My only concern is to make pictures that work - I can't worry about critical relevance, or what a viewer might discover in a piece. Such are not for me to know. I am a figurative painter who is, nevertheless, more focused on formal issues than narrative content. Narratives are egocentric, and I am an artist of the Id. Textures, color, and line are the Id. I establish a dialog with each canvas, and let it develop on its own terms - so my pictures are very simple and direct. The anatomy of the picture...

    Sallyann Mickel - SallyAnn Mickel has an artistic style which expresses her deep love of nature and animals and the joy she experiences while creating her artwork. After years of rendering nature subjects in an exact, realistic manner, Mickel has realized her own emotional response to the natural world. Her portraits and landscapes are done in an impressionistic style using a limited palette, thick, rich oil paint or pastels, and a simplified vision. Currently, Mickel is exploring the combined mediums of collage and pastel. A concern for the environment and wildlife are underlying theme's in Mickel's artwork; artwork that is continually evolving. SallyAnn received her basic art training from Towson State College in Baltimore, Maryland and various courses and workshops offered in the Maryland area. Her inspiration comes from nature and animals. Her animalscapes (as she calls her portraits) are done realistically and in an Impressionistic style with soft pastels on quality Mi-Tientes pastel paper. Her animal portraits have been juried in and have won awards in local and national art shows, including 'The Art Show At The Dog Show' in Wichita, KS and 'The Cat Show' in Rockville, MD. She has portraits in art collections from Baltimore, Maryland to ...

    David Chang - Sharing My Artistic View By David K. Chang Art is an expression of the spirit that is not limited by time or space. Although artistic styles differ depending on the artist's background, rationales, interests, and feelings, the intent of all artwork is to guide audiences into a specific mood. Therefore, art arouses an echo between the audience and the artist. This echo can be one of excitement or agony, of humor or anger, of comfort or sadness, of oppression or complete release, or one of inexpressible description. Artists continue to explore their own finished work as well as to encourage audiences to gain a deeper understanding of that work. Excellent artwork often comes from self-examination. Even though an artist may believe he is developing and refining his style by intuition, this intuition is usually the artist's unrecognized expression of his reflection, which has embedded itself into his subconscious. My inspiration frequently comes from my reflection on and enjoyment of nature, from my loving it and studying it. The artwork that comes from this reflection can express the resolution of conflict between man and nature, or the connection between them. These ideas can be articulated in the freedom ...

    Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

    Tom Curtis - More information at the official Tom Curtis Website at www.tomcurtis.net Please feel free to contact me with comments or questions. I may not be prompt, but I WILL reply. My work involves an intuitive and energetic exploration of form, color, line and juxtaposition. This exploration involves ritualistic processes as well as scientific inquiry, chance and humor. I am particularly interested in the tensions developed within multiple levels of concurrently occurring natural systems, processes and how we are affected by them. This especially includes patterns found in erosion and growth. I believe that the study of these highly complex sublimely ordered logical processes may serve to inform science and spirituality providing deeper insight into the mysteries of life and our place in the universe. Within this perspective, paint becomes more than just another medium, for me it is an alchemical sacrament. ...

    Michelle Daly - I am interested in capturing moments often felt more strongly then seen. This idea has taken many forms in painting, drawing, making, and living. Paintings here include a series of works that strive to articulate a tenuous balance between process and finished artwork. I approach each painting as a dialogue with no preconceived intention. I use a combination of found and invented shapes that reference both geometry and the natural world. I build the compositions in layers, reworking the surface, adding and deleting information. This process continues until I find the moment when the work is resolved, but just barely. I am searching for the place with each painting when the process is still evident, yet there are moments that are unconventionally beautiful. This idea has lead me to begin a series of smaller works that seek to explore the more narrative quality of abstract painting. I view each work as a fragment or short story, building together into something that is perhaps more. I am also exploring ideas of noticing space in a series of drawings known as "the space between" These drawings take negative space as their subject matter, and look for deeper interest in the way such ...

    Lisa Reinke - Recognize yourself, someone, everyone and no one in my faces - celebrate color in the shape of a nose, the curve of the ears, the mask of the eyes, and the lines of the lips and hair. Most of all remember the humanity in humanity. The human face inspires me. As humans, we respond to its image beyond all others. For all its familiarity, we rarely pause to consider the face as a visual form, something more than the recognition of a friend or an interaction with a stranger. I paint the face in ways to cause the viewer to reconsider its splendor and renew faith in all things human. Colors and sunlight playing across faces remind me of our connection to the universe and symbolize eternal and fleeting moments simultaneously. I love how we recognize and explore human faces for clues to identity and personality. I am happy to be creating my work and hope that my art inspires you to look around and see the world as a vibrant and exciting place where the most amazing patterns are on display all the time. Lisa Reinke ...

    Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

    Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...

    Marko Janicki - Instead of speaking about my art in general, I would rather concentrate on a few important issues, the ones I see as biggest threats to a proper understanding of my work. 1) SUBJECT. After presentations of my work I often hear questions: "What does this painting mean?" or "What do you want to say with this painting?" Well, I would like to give a clear answer: nothing. Or, rather, nothing that can be expressed in words. Visual art is beyond the world of words and ideas. Like music or dance, it has its own ways of expressing. I think that people who attempt to use their art as a way of nearly verbal communication should write a book instead. My paintings are here to please your eyes, not to provoke your brain activity. Expressing big ideas is domain of esthetically unimaginative persons. I gave up the originality of ideas for the originality of composition, colours and lines, which represent my personality very well. 2) STYLE. I work in the style of "alla prima", which means I am not covering the cardboard with infinite layers of paint, but rather trying to include the background and structure of the cardboard in the ...

    Roger Cummiskey - I am a full time visual Artist. www.rogercummiskey.com Membereships: Professional Member of Visual Artists Ireland - VAI. Member The ArtistsaEURtm Resale Right (ARR) (Droit de Suite) In Ireland - IVARO. Chairman of the Andalusian International Artists Group - AIA-Group - PAIA. Member AsociaciA3n EspaA+-ola de Pintores y Escultores - AEPE. Member AsociaciA3n de Acuarelistas de MA!laga - AAM.. Member of NADFAS - Costa del Sol Decorative and Fine Arts Society. I am a Professional Member of the Sculptors' Society of Ireland Ltd. (aka Visual Artists Ireland)