Paintings For Sale - Price Range: $500 - $1000

Page 10 of 304
Discover 8,806 original painting artworks for sale between $500 - $1000. Contemporary emerging artists: Donna Gallant, Judith Fritchman, Lorrie Williamson, Harry Weisburd, Ron Ogle, Franziska Turek, Wayne Wilcox, L. Kelen, Jovica Vucinic, Manuela Facchin Varalda, Stephen Mead, Andree Lisette Herz, Marsha Bowers, Eve Co, Sue Jacobsen, Alice Murdoch, Micha Nussinov, Jerry Di Falco are exhibiting their affordable original art. You can buy artwork online and browse 304 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Judith Fritchman: 'Linsays Farm at  Rest', 1994 Oil Painting, Landscape.  When harvest time is over the farm becomes quiet and peaceful. ...
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Judith Fritchman: 'Profile of Rebecca', 2004 Oil Painting, Portrait.  Another view of a lovely young woman. ...
Portrait - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Judith Fritchman: 'Still Life with Apples and Eggplant', 1999 Oil Painting, Still Life.  A green apple takes center stage against a background of reds and violets. ...
Still Life - Painting
17 x 22 inches (43.2 x 55.9 cm)
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Lorrie Williamson: 'Growing Up', 2001 Oil Painting, Figurative.  A little girl no longer - - now becoming a woman. ...
, 2001
Figurative - Painting
18 x 36 inches (45.7 x 91.4 cm)
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Lorrie Williamson: 'New Orleans 1985', 2006 Acrylic Painting, History.  A New Orleans street scene with a local band playing that jazz - - in the good old days. ...
History - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Harry Weisburd: 'Women in Bikini at the Beach', 1998 Acrylic Painting, Abstract Figurative.  Painting of a woman in a bikini at the beach with an umbrella.Painting is in acrylics on cardboard, 14 inches wide  x 11 inches high ...
Abstract Figurative - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Ron Ogle: 'DETAIL FROM cold mountain NUMBER 6', 2007 Oil Painting, Landscape.   Oil on panel. ...
Landscape - Painting
5 x 3 inches (12.7 x 7.6 cm)
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Franziska Turek: 'early', 2007 Other Painting, Abstract.
, 2007
Abstract - Painting
38 x 28 cm (15.0 x 11.0 inches)
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Wayne Wilcox: 'Turmoil', 2007 Oil Painting, Abstract.
, 2007
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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L. Kelen: 'coming to see', 2007 Oil Painting, Sea Life. Oil on masonite. . .another of the Religionator' s world.This is in a hand made frame. . . the framed piece I' ll post later on.It will be for sale, I am waiting for it to dry completely in order to varnish it. . . . as I am with the whole set....
Sea Life - Painting
24 x 16 inches (61.0 x 40.6 cm)
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L. Kelen: 'Religionator Rising', 2006 Oil Painting, Sea Life. Oil on board. . .It is framed. . . I' ll post it framed somewhere. . . ....
Sea Life - Painting
24 x 16 inches (61.0 x 40.6 cm)
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Jovica Vucinic: 'Still Life II', 2006 Oil Painting, Still Life.
Still Life - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Manuela Facchin Varalda: 'soap bubbles', 2005 Oil Painting, Portrait.  original artwork unique piece ...
Portrait - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Franziska Turek: 'after flood', 2006 Other Painting, Abstract.
Abstract - Painting
51 x 22 cm (20.1 x 8.7 inches)
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Stephen Mead: 'Those Were The Shadows That Was The Wall I', 1990 Oil Painting, Surrealism. This large mural piece is a mediation on the actual shadows refracted from window where I was living at the time.  Later I combined it with its sequel and commited it to film in a piece called
Surrealism - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Andree Lisette Herz: 'catskill stream', 2006 Acrylic Painting, Landscape. rushing stream on cavas painted gallery edges, no frame needed...
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Marsha Bowers: 'Kitchen Mural', 2006 Acrylic Painting, Landscape. Canvas Mural pasted to clients wall.Canvas murals may be painted in my studio and shipped anywhere in the United States.  It is suggested that a professional paper hanger paste the mural.  If interested please contact me.  ...
Landscape - Painting
8 x 6 feet (2.44 x 1.83 m)
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Eve Co: 'Spring in Washington State', 2000 Other Painting, Landscape. Spring in Washington StateStrathmore PaperWindsor  Newton WatercolorsAcrylics LiquitexMay 23, 2003Blossoming trees in spring in Washington state.  I drove for miles and saw the trees and hopped a fence and went and sat in the grass and painted what I saw...
Landscape - Painting
18 x 12 inches (45.7 x 30.5 cm)
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Sue Jacobsen: 'Jesus del Bilbao', 1996 Oil Painting, nature. Autograph bark carvings in the summer campsites of the Basque sheepherders become winter trail markers for snow-shoers. ...
nature - Painting
29 x 21 inches (73.7 x 53.3 cm)
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Sue Jacobsen: 'A Shady Place for Fish to Lurk', 1998 Oil Painting, nature. A likely place to drop a fishing line, or pleasant place to watch the stream' scolors and reflections. ...
nature - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Sue Jacobsen: 'Pierce Ranch at Pt Reyes', 1997 Oil Painting, Landscape. Point Reyes National Seashore in Northern California is microcosm of life and open spaces before the Statebecame overpopulated. The viual oppor- tunities are endless.  ...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Sue Jacobsen: 'The Hunt', 1999 Acrylic Painting, nature. This variation on my series of skies with Red Tail Hawks, depicts the raptor' s never- ending search for food, and the incredibly beautiful sky. ...
, 1999
nature - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Alice Murdoch: 'Erik', 2000 Oil Painting, Figurative. painting of a boy and his dog...
, 2000
Figurative - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Alice Murdoch: 'Dog Portrait', 2005 Oil Painting, Portrait. commission sample of a dog portrait...
Portrait - Painting
14 x 14 inches (35.6 x 35.6 cm)
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Micha Nussinov: 'tissue 7', 2005 Other Painting, Other. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
Other - Painting
700 x 900 inches (1778.0 x 2286.0 cm)
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Micha Nussinov: 'tissue 6', 2005 Other Painting, Other. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
Other - Painting
900 x 700 inches (2286.0 x 1778.0 cm)
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Micha Nussinov: 'tissue 2', 2005 Other Painting, nature. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
nature - Painting
700 x 900 mm ( x )
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Jerry  Di Falco: 'Gnostic Vase of the Threefold Secret of Sophia', 2006 Acrylic Painting, Still Life. Price does not include shipment costs.Acrylic on stretched canvas, framed with white pine stripping....
Still Life - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Jerry  Di Falco: 'Gnostic Vase of the Third Eye', 2006 Acrylic Painting, Surrealism. Price does not include shipment of work or insurance during shipment. These costs are responsiblity of buyer. Frame size is listed below; canvas size is 20 h x 16 w. I have picked the vase as a symbol to express my interest in the Gnostic Gospels. ...
Surrealism - Painting
24 x 28 inches (61.0 x 71.1 cm)
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Yoli Salmona: 'Greenfieldtree', 2004 Oil Painting, Undecided.
Undecided - Painting
36 x 33 cm (14.2 x 13.0 inches)
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(Page 10 of 304) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Harry Weisburd - Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Wayne Wilcox - Artist's statements have always seemed redundant to me. The work generally speaks for itself. But here goes For me it's about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective; they're all the same. Light against dark, color against color, line intersecting line. I'm as comfortable with super realism as I am with abstract expressionism. Then, of course, there's the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on it's own. It's like magic. With one stroke something appears before your eyes that wasn't there before. An image. An emotion. With each stroke or drip it changes. It's an amazing experience. I highly recommend it. And then there's image. I am a visual artist. I'm after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength . I want the painting or drawing to stand on it's own. I am a painter. I cannot escape that fact. There have been times I've tried but I always return. It's not what I do. It'...

    L. Kelen - I will be getting large files made of the art work I did while on some of the islands that suffered the Hurricanes. The originals will be available for sale believe it or not and there will be fine art prints available. Self-supporting bi-product of the School of the Art Institute of Chicago, Haystack Mountain School of Crafts, and trial and error. Current activities lindakelen-artings.blogspot.com ...link found somewhere below. ...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

    Alice Murdoch - Originally from the South, Alice Murdoch lives in Charlotte and maintains her studio in Burlington, Vermont. She studied at the University of Vermont, the Vermont Studio Center and the Art Students League in New York. She has exhibited extensively throughout the East coast and the South, and is in many corporate and private collections throughout the United States. She paints in oil and has a penchant for portraying a certain social class, as well as general and canine portraiture. I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artist's statement....

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...