Paintings For Sale - Price Range: $500 - $1000

Page 11 of 303
Discover 8,778 original painting artworks for sale between $500 - $1000. Contemporary emerging artists: Kevin Knuckles, Shoshannah Brombacher, Paola Di Renzo, Rita Levinsohn, Micha Nussinov, Richard Lazzara, Wayne Wilcox, Lucille Coleman, Storm Hammond, Tom Irizarry Studio, Lou Posner, Philip Hallawell, Bessie Papazafiriou, Cornelia Macfadyen, Andree Lisette Herz, Franziska Turek, Emilio Merlina are exhibiting their affordable original art. You can buy artwork online and browse 303 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Shoshannah Brombacher: 'Village Levaya', 1996 Oil Painting, Death.
Death - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Paola Di Renzo: 'nel paese delle fate', 2005 Other Painting, Abstract.
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Paola Di Renzo: 'seascape', 2005 Other Painting, Abstract.
, 2005
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Paola Di Renzo: 'acqua terra vento', 2005 Other Painting, Undecided.
Undecided - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Rita Levinsohn: 'The Hidden World of Ponds', 2005 Acrylic Painting, Visionary. Worlds that exist beyond our vision. ...
Visionary - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Paola Di Renzo: 'rocky landscape', 2005 Acrylic Painting, Abstract.
Abstract - Painting
120 x 90 cm (47.2 x 35.4 inches)
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Micha Nussinov: 'Movement 2', 2004 Oil Painting, Abstract. Color, light and movements are sponteniously expressed reflecting on the artist mood. ...
, 2004
Abstract - Painting
510 x 410 mm ( x )
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Richard Lazzara: 'center core rising', 1995 Acrylic Painting, Visionary. center core rising 1995  from the folio DRAWING ON SHIVA  is available at
Visionary - Painting
26 x 40 inches (66.0 x 101.6 cm)
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Richard Lazzara: 'today is art everlasting', 1972 Oil Painting, History. today is art everlasting 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'space around the goal', 1972 Oil Painting, History. space around the goal 1972   from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING   by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'seeing is knowledge', 1972 Oil Painting, History. seeing is knowledge 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING   by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Wayne Wilcox: 'Tennessee Landscape', 2005 Oil Painting, Landscape.
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Lucille Coleman: 'Hieroglyphic Wall', 2002 Oil Painting, History. A(c) 2003 Lucille Coleman...
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Lucille Coleman: 'Grapes Bananas Vase Still Life', 2003 Oil Painting, Undecided. Still Life of fruit in a vase with a sensuously cloth draped background in the artists signature painterly style.A(c) 2003 Lucille Coleman...
Undecided - Painting
12 x 17 inches (30.5 x 43.2 cm)
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Lucille Coleman: 'Titanic Arch', 2004 Oil Painting, Dance. Vibrant colors in oil paint were employed here with a spotlight effect to imitate the lighting and atmosphere at a salsa dance social. I made the models peek- a- boo, cut- out dress to show off anatomy and the passion of the dance. The painting is about a Salsa Dancing ...
Dance - Painting
28 x 38 inches (71.1 x 96.5 cm)
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Lucille Coleman: 'Heel Hand Pop', 2004 Oil Painting, Dance. Oil paint is applied in a spontaneous, painterly manner to imitate the energy and movement of the dance.This is one second of a hip- hop dance movement frozen in time but is actually performed very quickly. The effect looks like a surprise when the dancers jump up on their ...
Dance - Painting
38 x 36 inches (96.5 x 91.4 cm)
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Storm Hammond: 'Monarch Migration', 2004 Oil Painting, nature.
nature - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Tom Irizarry Studio: 'Tower of Babel', 2004 Oil Painting, Landscape. oil on panel, cinnabar, azurite, cremintz white...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Lou Posner: 'Toddler at Poolside', 2001 Oil Painting, Children.
Children - Painting
14 x 18 inches (35.6 x 45.7 cm)
Philip Hallawell: 'Storm Brewing Iliad series', 1987 Oil Painting, Landscape. Also part of the iliad series, this work refers to the gathering of the clouds of violence which soon would burst over Troy. Painted in oils on canvas over wood....
Landscape - Painting
50 x 19 cm (19.7 x 7.5 inches)
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Bessie Papazafiriou: 'Winter in Metsovo', 2000 Oil Painting, Landscape.      Winter in Metsovo depicts a wonderful place I discovered in Metsovo, Greece.  I love the way the vegetation pokes its way through the snow to add contrast to the painting.Comments:  Framed...
Landscape - Painting
15 x 13 inches (38.1 x 33.0 cm)
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Bessie Papazafiriou: 'Beach With Seagulls', 2000 Oil Painting, Seascape.      Beach With Seagulls depicts a location near Pylos, Greece.  I love the contrast in this picture and the energy created by the breaking wave.Comments:  Framed...
Seascape - Painting
18 x 12 inches (45.7 x 30.5 cm)
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Bessie Papazafiriou: 'A Boat Named Sophia', 2000 Oil Painting, Seascape.      I found this boat during an early evening stroll along a beach in Nikolaika, Greece.  The name Sophia is written in Greek on its side.Comments:  Framed...
Seascape - Painting
16 x 14 inches (40.6 x 35.6 cm)
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Cornelia Macfadyen: 'The Hands', 2003 Oil Painting, Abstract. Oil and Spackle on Canvas...
, 2003
Abstract - Painting
20 x 22 inches (50.8 x 55.9 cm)
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Andree Lisette Herz: 'yellow hose', 2003 Acrylic Painting, Architecture. Historical house in Allentown N. J. ...
Architecture - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Andree Lisette Herz: 'fly rod fantasy', 2003 Acrylic Painting, Sports. Fly fishin onthe upper Delaware river. The shore line is at a bend and very rocky...
Sports - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Franziska Turek: 'summer demon', 2003 Other Painting, Abstract.
Abstract - Painting
29 x 29 cm (11.4 x 11.4 inches)
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Emilio Merlina: 'thinking to the summer', 1986 Oil Painting, Inspirational. oil on canvas...
Inspirational - Painting
60 x 70 cm (23.6 x 27.6 inches)
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Emilio Merlina: 'hell king', 2001 Oil Painting, Inspirational. oil on canvas...
, 2001
Inspirational - Painting
70 x 100 cm (27.6 x 39.4 inches)
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Ulrich  Osterloh: 'Alien', 2003 Acrylic Painting, Other.
, 2003
Other - Painting
40 x 50 cm (15.7 x 19.7 inches)
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(Page 11 of 303) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Wayne Wilcox - Artist's statements have always seemed redundant to me. The work generally speaks for itself. But here goes For me it's about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective; they're all the same. Light against dark, color against color, line intersecting line. I'm as comfortable with super realism as I am with abstract expressionism. Then, of course, there's the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on it's own. It's like magic. With one stroke something appears before your eyes that wasn't there before. An image. An emotion. With each stroke or drip it changes. It's an amazing experience. I highly recommend it. And then there's image. I am a visual artist. I'm after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength . I want the painting or drawing to stand on it's own. I am a painter. I cannot escape that fact. There have been times I've tried but I always return. It's not what I do. It'...

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Lou Posner - After you reach the main or first Posner portfolio page, please click on an image to enlarge it and bring up further details about the piece of art, including THE PRICE and a description or story of it. Once you have done this, you may also click on zoom-in, a function which may or may not work. At the bottom of Posners main portfolio page Page No.1 you will see instructions for navigating to the rest of my art. There are presently a total of about 237 pieces of art to be viewed. Most are oil paintings, and the rest are charcoal and pencil drawings, watercolors, prints, etc. The first set of images will tell you if the piece is NFS Not For Sale or SOLD. I include these on the website to give viewers a sense of the scope of my work. Prices for each piece USED TO BE SHOWN next to the initial encounter with the image. NOW...all my prices are gone from the intial images, and the words REQUEST PRICE appear for all pieces that are still for sale. NOTE YOU DO NOT HAVE TO CONTACT ME TO REQUEST ANY PRICES. IF YOU CLICK ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    Cornelia Macfadyen - CVMacFadyen, a native New York, studied art at the Art Student's League and Pratt Institute. Here she received a classical training with a heavy influence from the impressionists. CV's work is abstract expressionsist. Her paintings are rich in color and texture. Each painting evokes a different repsonse from it's viewer. The subtle changes in texture are color obscure images lurking in the background. Through her painting CV strives to touch each person. She reaches within to allow the viewer to have an experience of themselves. CV works in oil on canvas. All pictures are sized for the home. Oversized canvases maybe commissioned upon request. Her work is in private collections in the United States and Europe. CV has been exibiting her work exclusively in the New York area since 1976. She is mentioned in the World's Who Who of Women, Who's Who in the East and Who's Who of Professional & Executive Women. ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...