Paintings For Sale - Price Range: $500 - $1000

Page 9 of 263
Discover 7,621 original painting artworks for sale between $500 - $1000. Contemporary emerging artists: Franziska Turek, Stephen Mead, Andree Lisette Herz, Lou Posner, Eve Co, Micha Nussinov, Jerry Di Falco, Tary Socha, Storm Hammond, Donna Gallant, Paola Di Renzo, Rita Levinsohn, Richard Lazzara, Wayne Wilcox are exhibiting their affordable original art. You can buy artwork online and browse 263 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Stephen Mead: 'Those Were The Shadows That Was The Wall I', 1990 Oil Painting, Surrealism. This large mural piece is a mediation on the actual shadows refracted from window where I was living at the time.  Later I combined it with its sequel and commited it to film in a piece called
Surrealism - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Andree Lisette Herz: 'catskill stream', 2006 Acrylic Painting, Landscape. rushing stream on cavas painted gallery edges, no frame needed...
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Lou Posner: 'Eggplant and Green Pepper', 2000 Oil Painting, Still Life. Vegetables in motion.  Oil on canvas board.  Custom frame is wood with gold tone. ...
Still Life - Painting
8 x 10 inches (20.3 x 25.4 cm)
Eve Co: 'Spring in Washington State', 2000 Other Painting, Landscape. Spring in Washington StateStrathmore PaperWindsor  Newton WatercolorsAcrylics LiquitexMay 23, 2003Blossoming trees in spring in Washington state.  I drove for miles and saw the trees and hopped a fence and went and sat in the grass and painted what I saw...
Landscape - Painting
18 x 12 inches (45.7 x 30.5 cm)
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Micha Nussinov: 'tissue 7', 2005 Other Painting, Other. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
Other - Painting
700 x 900 inches (1778.0 x 2286.0 cm)
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Micha Nussinov: 'tissue 6', 2005 Other Painting, Other. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
Other - Painting
900 x 700 inches (2286.0 x 1778.0 cm)
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Micha Nussinov: 'tissue 2', 2005 Other Painting, nature. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
nature - Painting
700 x 900 mm ( x )
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Jerry  Di Falco: 'Gnostic Vase of the Threefold Secret of Sophia', 2006 Acrylic Painting, Still Life. Price does not include shipment costs.Acrylic on stretched canvas, framed with white pine stripping....
Still Life - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Jerry  Di Falco: 'Gnostic Vase of the Third Eye', 2006 Acrylic Painting, Surrealism. Price does not include shipment of work or insurance during shipment. These costs are responsiblity of buyer. Frame size is listed below; canvas size is 20 h x 16 w. I have picked the vase as a symbol to express my interest in the Gnostic Gospels. ...
Surrealism - Painting
24 x 28 inches (61.0 x 71.1 cm)
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Tary Socha: 'Two Palms', 2005 Acrylic Painting, Botanical. A contemporary interpretation of palms....
, 2005
Botanical - Painting
36 x 18 inches (91.4 x 45.7 cm)
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Tary Socha: 'Five Poles', 2005 Acrylic Painting, Abstract. An impression of angular boyant poles in contrast with fluidity and movement of ocean waves....
, 2005
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Tary Socha: 'Floating Poles', 2005 Acrylic Painting, Abstract. The fluid movement of oceans and boyant poles, creates an interesting contrast....
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Tary Socha: 'Alpine Snowfall', 2005 Acrylic Painting, Abstract. This four- plex set on canvas is my impression of mountain slopes during a misty snowfall. They were created with flexibilty in mind. Exhibit this eithr as shown here or in a line. The order of each panel is numbered on the back of each unit....
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Storm Hammond: 'Italian Light', 2005 Oil Painting, Inspirational.
Inspirational - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Storm Hammond: 'Evening Sky', 2005 Oil Painting, Inspirational.
Inspirational - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Storm Hammond: 'Fragile Transitions', 2019 Oil Painting, Representational.
Representational - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Donna Gallant: '5 Roses and a fence', 2004 Acrylic Painting, Floral. Another piece from Donna' s rose series - entitled
Floral - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Donna Gallant: 'Roses express', 2004 Acrylic Painting, Floral. Flowers are always an image that is repeated in Donna' s work.  This piece show not only the rose but the expressions that go along with a rose....
Floral - Painting
32 x 24 inches (81.3 x 61.0 cm)
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Paola Di Renzo: 'nel paese delle fate', 2005 Other Painting, Abstract.
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Paola Di Renzo: 'seascape', 2005 Other Painting, Abstract.
, 2005
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Paola Di Renzo: 'acqua terra vento', 2005 Other Painting, Undecided.
Undecided - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Rita Levinsohn: 'The Hidden World of Ponds', 2005 Acrylic Painting, Visionary. Worlds that exist beyond our vision. ...
Visionary - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Paola Di Renzo: 'rocky landscape', 2005 Acrylic Painting, Abstract.
Abstract - Painting
120 x 90 cm (47.2 x 35.4 inches)
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Micha Nussinov: 'Movement 2', 2004 Oil Painting, Abstract. Color, light and movements are sponteniously expressed reflecting on the artist mood. ...
, 2004
Abstract - Painting
510 x 410 mm ( x )
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Richard Lazzara: 'center core rising', 1995 Acrylic Painting, Visionary. center core rising 1995  from the folio DRAWING ON SHIVA  is available at
Visionary - Painting
26 x 40 inches (66.0 x 101.6 cm)
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Richard Lazzara: 'today is art everlasting', 1972 Oil Painting, History. today is art everlasting 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'studio space still life in oil paint', 1972 Oil Painting, History. studio space still life in oil paint 1972  from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'seeing is knowledge', 1972 Oil Painting, History. seeing is knowledge 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING   by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Wayne Wilcox: 'Tennessee Landscape', 2005 Oil Painting, Landscape.
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Lucille Coleman: 'Hieroglyphic Wall', 2002 Oil Painting, History. A(c) 2003 Lucille Coleman...
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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(Page 9 of 263) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 399 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...