Paintings For Sale - Price Range: $500 - $599

Page 11 of 74
Discover 2,128 original painting artworks for sale between $500 - $599. Contemporary emerging artists: Joseph Porus, Nick Pike, Sven Froekjaer Jensen, Seiglinda Welin, Oscar Galvan, Julia Utiasheva, Robert Tittle, Eduardo Carqueijeiro, Sonja Kobrehel, Alexandr Ivanov, Daniela Isache, Richard Wynne, Patricia Benitez, Dana Zivanovits, Ruth Olivar Millan, Mario Cossu, Vladimir Bourrec, Dennis Chadra, Manjiri Kanvinde, Satu Laurel, Antonio Trigo, David Guzman, Lisa Mayes, Beata Wehr, Veronica Shimanovskaya, Vanessa Bernal are exhibiting their affordable original art. You can buy artwork online and browse 74 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Nick Pike: 'One day like This', 2013 Acrylic Painting, Impressionism.
Impressionism - Painting
12 x 39 inches (30.5 x 99.1 cm)
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Joseph Porus: 'Regrets', 2012 Oil Painting, Portrait.     Oil on linen. This painting from the High Reniassance                              ...
, 2012
Portrait - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Sven Froekjaer Jensen: 'The Autumn on my Skin Portrait of a Woman', 2013 Acrylic Painting, Portrait.  Woman. Portrait. Winner. Paper. Blue.   ...
Portrait - Painting
24 x 14 inches (61.0 x 35.6 cm)
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Seiglinda Welin: 'landscape', 2009 Other Painting, nudes.  landscapewater base paint46 by 60 cmwill come unframe...
, 2009
nudes - Painting
0 x 0 cm (0.0 x 0.0 inches)
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Oscar Galvan: 'Ojos Extranos', 2012 Acrylic Painting, Beauty.     Strangers Eyes/ Popart/ Impressionism/ Female/ Heart/ Soul/ Picasso/ Manet/ Galvan/ Beauty/ Portrait   ...
Beauty - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Oscar Galvan: 'Sus Ojos Mienten', 2012 Acrylic Painting, Beauty.   Eyes that lie/ Popart/ Impressionism/ Female/ Heart/ Soul/ Picasso/ Manet/ Galvan/ Beauty/ Portrait ...
Beauty - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Julia Utiasheva: 'About Autumn', 2012 Oil Painting, Landscape.  Oil on canvas 40x60 cm. ...
Landscape - Painting
60 x 40 cm (23.6 x 15.7 inches)
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Robert Tittle: 'PERILS OF LIBERTY   ', 2004 Acrylic Painting, War.  Acrylic Paintings/ Liberty/ Art by Tittle/New York/ World conflict/ Statue of Liberty/     ...
War - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Eduardo Carqueijeiro: 'the anguish of modern man', 2012 Acrylic Painting, Figurative.  a kind of surrealistic painting of acrylic with object, based on a
Figurative - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Sonja Kobrehel: '570', 2012 Acrylic Painting, Abstract.  painting on paper ...
, 2012
Abstract - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Alexandr Ivanov: 'gold taun', 2012 Oil Painting, Fantasy.    fantastic landscape      ...
, 2012
Fantasy - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Daniela Isache: 'Connections', 2009 Oil Painting, Expressionism.                             expressionist, composition                        ...
Expressionism - Painting
60 x 40 cm (23.6 x 15.7 inches)
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Richard Wynne: 'Mountain Sunrise', 2011 Oil Painting, Abstract Landscape.   oil_ landscape_ abstract_ mountains_ sunrise_ colorful_ southern California      ...
Abstract Landscape - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Patricia Benitez: 'Cervidae', 2012 Oil Painting, Surrealism.
, 2012
Surrealism - Painting
4 x 6 inches (10.2 x 15.2 cm)
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Dana Zivanovits: 'THE WHARF', 2011 Acrylic Painting, Sea Life.  This painting was done on stretched canvas with acrylic paint.      ...
, 2011
Sea Life - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Ruth Olivar Millan: 'After Breast Cancer', 2012 Acrylic Painting, Impressionism.    Brillant acrylic color in an international perspective in the style of the great muralists.  ...
Impressionism - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Mario Cossu: 'Yellow Roses', 1998 Oil Painting, Floral.  A face of a woman among yellow roses. ...
Floral - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Vladimir Bourrec: 'Look into the past', 2012 Acrylic Painting, Education.  Woman with a fringe  ...
Education - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Vladimir Bourrec: 'Inconsciente, Teenager vulgar', 2012 Acrylic Painting, Education.  Uncautious teenager girl, with glitter and flashy colors  ...
Education - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Dennis Chadra: 'Variations in Red', 2011 Oil Painting, Still Life.  Apples, Vase, Still Life, Oil on Board,        ...
Still Life - Painting
10 x 8 inches (25.4 x 20.3 cm)
Manjiri Kanvinde: 'Evening in New York', 2012 Acrylic Painting, Cityscape.    Medium: Acrylic on gallery wrapped canvasSize: 24
Cityscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Satu Laurel: 'Mountains', 2012 Oil Painting, Surrealism.
, 2012
Surrealism - Painting
61 x 50 cm (24.0 x 19.7 inches)
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Antonio Trigo: 'lemons', 2007 Acrylic Painting, Still Life.
, 2007
Still Life - Painting
30 x 20 cm (11.8 x 7.9 inches)
David Guzman: 'Fantasy', 2008 Acrylic Painting, Fantasy.
, 2008
Fantasy - Painting
29 x 42 cm (11.4 x 16.5 inches)
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Lisa Mayes: 'Birth', 2011 Acrylic Painting, Abstract Figurative.
, 2011
Abstract Figurative - Painting
36 x 38 inches (91.4 x 96.5 cm)
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Lisa Mayes: 'Star Gazing', 2011 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
36 x 38 inches (91.4 x 96.5 cm)
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Beata Wehr: 'E 46', 2011 Encaustic Painting, Abstract Landscape.
, 2011
Abstract Landscape - Painting
16 x 16 inches (40.6 x 40.6 cm)
Veronica Shimanovskaya: 'Rockport 2', 2011 Oil Painting, Landscape.
, 2011
Landscape - Painting
12 x 14 inches (30.5 x 35.6 cm)
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Vanessa Bernal: 'Mujer Morada ', 2008 Acrylic Painting, Abstract Figurative.   Abstract Expressionism, Expressionism, Abstract, Modern Art,    ...
Abstract Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Meliha Druzic: 'Old Bridge Mostar', 2011 Oil Painting, Culture.
Culture - Painting
60 x 50 cm (23.6 x 19.7 inches)
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(Page 11 of 74) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jacek Krenz - Nick Pike - ARTIST STATEMENT I recreate everyday urban life into striking scenes, using vibrant colours and stirring movements. Walking everwhere with my eyes open to possible settings, I look to find stories to embellish. Having a strong passion for music and a way it interacts with the mood of the painting, I often create soundtracks to the pieces I'm working on, which also encourages spontaneity. I used to concern myself with making everthing perfect, yet emotions and moods are made of something much more raw. I started to use pallette knives and frayed brushes to lure me in a more expressionist mode. I love it when I'm painting a figure from careful observation and it turns into someone I know and thinking of their characteristics alters the picture. Since moving to the country, I created a body of work immersed in nature greens to seek calm and solitude which I'd been craving for years. Now visiting towns and cities fills me with a renewed curiosity, seeing with the fresh eyes of a tourist. When I find the perfect place, I sketch and take a series of photographs in succession of my 180 degree view, with people moving in and ...

    Sven Froekjaer Jensen - To build a bridge between different worlds of expression, to span the abyss between the diversity of human minds, to reach out for the sublime, that is my challenge. Therefore I have to maneuver in a battlefield between old techniques and the new expressions of our time. That means to work in two directions all the time, one way from the old masters of the 19th century especially the drawing skills of the so called Copenhagen school with a very profound technical base, and the other way a freedom of expression, that is the only highway to the description of our time and the dreams and goals of present life. One could express it in another way saying, that I make modern myths in my fabulating paintings. But on the other hand the technical skills acquired from the drawing exercises are a necessity for getting the freedom that makes the fabulations possible. By creating the nonverbal myths on my canvasses I hope to reach the onlooker in a way that brings our minds together so we can walk the paths of understanding - dreaming the very old dreams of humanity. Therefore I work very intensely with drawings of the human and...

    Seiglinda Welin - i liked what you can draw on paper its hav ing something you like on your walls its a 1 off item not mass produce and not costing an arm and a leg be it a nude to astill life art is not about who painted it but about the people who buy it,like it buy it, you have a choice my birth name is sieglinda but have always used the name linda and sighed my name as linda Im a self taught artist have been drawing since i was 15 have cover many mediums oils,watercolours, pastels,but always come back to pen&ink have shown and sold my work around australia my prints of the kalgoorlie pubs have gone over the world i try to sell the work not for the money not for, hay look how good i am , not to make an impact in the art world its just for supplies so i can keep learning i belive art should not or be dictated to by the chosen few, because they say so , art should be your choice if you like it buy it its call free choice ...

    Julia Utiasheva - The artist Julia Utiasheva lives in the small town Sharpsburg of Georgia, where she creates works of art in oil and acrylic canvas. She was born in Russia, where she lived for many years and received her first education as a mathematician in the Bashkirian State University. Also she had in Russia her musical education. She always had passion for Art since young age. Only many years later she decide to dedicate to it more seriously. Better later then never - she finished Stratford Career Institute, where she earned her Diploma in Art. "Learning will never finish",- she says. And she continues her education completely by herself. Julia's favorite mediums are oils and acrylic paints. Her favorite subjects to portray are landscapes, seascapes, cityscapes, animals of all kinds, floral compilations, emotional scenes, also she paints portraits of people. She lets her imagination to produce fine artistic detailing paintings with the sense of aliveness. Her works of art will add that extra-special something to your collection. Oficial website:

    Robert Tittle - I like to experiment with different surfaces, such as painting on burlap, I like the challenge of painting clean edges on the rough, bumpy and fuzzy surface. My creations have led some viewers to described them as having characteristics of romanticism. My desire is to stimulate emotions and imaginations, to invoke curiosity in the viewer and create a feeling of being there in the location the painting depicts. I hope my paintings reveal my spiritual character, my faith in God, and the beauty of nature. I have been taught, when an artist puts creativity and spirituality into a painting, they will then have something to leave to the world. ...

    Sonja Kobrehel - My work in visual arts reflects the constant changes and experiences in my personal life. I am guided by my feelings, thoughts, dreams and visions. The sources of my inspiration are many: an appreciation for personalities and the human scale: in particular, I love to look for traces of people who came before and clues about what they did there and why. Journeys are an integral part of my artistic inspiration.The Mediterranean and Adriatic atmosphere that pervades my work comes from the summers I spent on the French and Adriatic coasts.I am always intrigued by the human cultural elements and visual stimulation that I encounter.I find that every place and culture reveals its beauty to me though everyday life. I like to use symbols in my art work and while creating my personal iconography.The symbols are clues to many aspects of my life, but my paintings usually start with a color idea, then evolve into compositions in which color is the primary subject. I work in collage, various media on paper and canvas, mixing everything possible together in a visual format for public display.Much attention is given to the surface texture by adding different materials, ...

    Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes aEUR| the Rhythm of an epoch, its{his} power, always D1/2DuD3/4ND3/4D*D1/2DdegD1/2D1/2D3/4 are reflected in music, the literary statement, is freakish and D?D3/4N,DdegN'D1/2D1/2D3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled ND,D1/4NfD>>NDoNEURN<, allocated D,D1/2N,,DuNEURD1/2DdegD>>NOED1/2N>NOED1/2D3/4NN,NOE emphasized D,NN++DuNEURD?DdegD1/2D1/2D3/4NN,NOE searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time aEUR| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...

    Daniela Isache - Expressionism is my way to show the world as I see it. Since I was young, I looked at the world differently from my friends. I saw a strange world, wondering why the other people did not see it like me. The world I saw was unjust and made of unhappiness. Looking profoundly at the people's faces, I found them very expressive and I was stroked by their strange traits. I have never seen beautiful or ugly faces but only very expressive ones. Then, I began to paint these faces and I met my future love - Expressionism. At that time, I discovered and understood that the expressionist painting could express the life as I see it. I applied my Expressionism without making any concession to the beautiful or decorative painting. I applied it with force and sometimes with despair. However, when finishing a painting I felt released. I felt as if all my pain and troubles came out of my life. The dramatic motifs I found in everyday life created insurmountable interrogations and tensions. I became calm, but when I looked at my painting, I saw there fear, sorrow and I understood that my Expressionism saved me. Some people ...

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    Patricia Benitez - A slightly sadistic need to repulse fuels me. I work by manipulating darkness, anatomy, and mood. I distort the human body in ways that have caused reactions of disgust and discomfort. I present a darkened reality, which I force my viewers to face. I use my work as an expression of my desire to manipulate emotions, to perplex, to overwhelm....

    Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

    Ruth Olivar Millan - Artists document their lives in a pictorial or emotional journal... the pains, sorrows and joys of their path are imbedded in their own artwork. It is an honest historical documentation of their perception of reality. It maybe pleasant, intense, serene...A painting can be a life time of poetry, a life time of viewing or silent conversation for the viewer. The thickness of the paint, the colors, textures, movement, balance, shape, line and symmetry or the absence of it all in a work of art, is creating something new and unique. Giving birth to new idea, that not only represents life but becomes life. The poetry of Art always brings out emotions of the interactionist. All this encompasses the viewer, that is the true artist. For new each perception is birthed a new meaning. Imagine life without creating art? can't even imagine any one not believing in it. The creative process is linked to the process of solving problems and opening minds to science and equations not yet solved. It opens our evolution to questioning and solving our problems, physical and well as emotional. It promotes healing and peace. I do art because I have to. I do ART ...

    Mario Cossu - I believe that another reality exists and that we can see it only with the eyes of the child who is inside of us. So I set free my mind and let the brush go on the canvas, translating my dreams, allucinations, mysterious presences, images of subconscious into oil paintings....

    Vladimir Bourrec - "I doni?1/2t have any theories or explanations about my painting, and im not sure i should have some. I suppose it would ruin a part of the spontaneity that im using on my paintings. What you see is a mere expression of my consciousness, i suppose. My only concern is to paint something nice to look at, i try to create a color harmony and to express myself " Vladimir Bourrec was born in 1980 in Auch (France). He spent his childhood in Stavanger Norway and moved in 2005 in Strasbourg, France where he actualy resides. Self-taught visual artist, he has been painting since year 2000. His style is very graphical, he often paints portraits mostly of women, but is also interested in abstract painting....

    Satu Laurel - Sublime and the search of beauty are the main starting points of my paintings. Traditional techniques serve that idea. There is also a hint of mystical, unanswered questions and secrets. Paintings are driven from psychology and unaware, hidden thoughts. Christian themes like Creation and human-God relationship interests me. Contradictions and paradoxes are fascinating. Ugly can be seen as beautiful and old gives a birth to a young. Letting go from the usual gives freedom to see more than the present moment....

    Lisa Mayes - Working in sculpture and painting, I create a narratives that place the viewer as a bystander examining an event that is unfolding. The 'events' occur at intersections where a subject is interacting with an architectural spaces or in a vacant landscape that have been altered by an intervention by industry and nature. My work acknowledges past and contemporary references of culture, class and environment. ...

    Beata Wehr - Many of my recent paintings are inspired by the desert, my collection of the found metal objects and emotional responses to the events happening here and at distant places. These three subjects do not have much in common, however all of them are part of my life and as such appear on the paintings. Sometimes the distinction between desert plants and my metal pieces is not clear, and the abstracted landscape contains collection of unrecognizable shapes. They are meditations on the desert and human urge to collect, comments on place and time. Others, in which intense shapes almost scream are emotional responses to the recent natural disasters and the tensions between the nations and cultures resulting in wars and acts of terror. Paintings in yet another group show dreamlike peaceful landscapes, those I wish would be reachable to everybody at all the times. I go back and forth between figuration and abstraction, trying to capture the feelings associated with specific locations or sometimes transforming the landscape into an almost non-descriptive one. Many of my works are about longing, or dreams. Some of the works have multiple layers of paint, the newer ones partially obscuring the older, symbolizing memory and ...

    Veronica Shimanovskaya - Shimanovskaya's work is concerned with the interplay of materials, shapes and colours orchestrated into harmonies informed by personal experiences. Aspiring to simultaneously explore the poetry and semantics of the visible world, she is convinced that the the viewer will make his or her own connections. ...

    Vanessa Bernal - Artist's statement: My earliest childhood memories are those of painting with my grandfather and frequently visiting the Art Institute of Chicago where we would spend countless hours together. He taught me that everything we come in contact with has the potential of becoming a work of art. My grandfather and I would take walks together to hunt for "treasures" of discarded objects that later he would turn into beautiful collages and assemblages. It is those lessons I carry with me and -today- in my work I see his influence. I have never been comfortable with expressing myself verbally. I am not one to strike up a conversation with a stranger, nor do I feel comfortable speaking to a group of people. Visual expression comes naturally to me; it is through this means I can best communicate with others and feel the most comfortable. At a young age I became aware of the injustices being perpetrated in the world and was deeply disenchanted with the political process as a means of creating effective change in our global community. For me, becoming an artist was inevitable. Through the visual arts not only did I communicate my life's passions, my fears, ...