Paintings For Sale - Price Range: $500 - $599
Page 11 of 50
Discover 1,426 original painting artworks for sale between $500 - $599. Contemporary emerging artists: Denise Derviche, Pegasus Gallery, Randy Sprout, Vinay Baindur, Alexandr Ivanov, Ian Dunne, Laura Walker, David Cuffari, Colleen Balfour, Yordan Enchev, Artie Abello, Kathy Donofrio, Marvin Teeples, Nermin Alpar, Mike Garibay, Benjie Herskowitz, Kay Ridge, Syed Iqbal, Valerie Hoffmann, Joanna Glazer, Monica Vanzant, Lisa Reinke, Mamu Art, Dina Elsayed Imam, Susanta Das are exhibiting their affordable original art. You can buy artwork online and browse 50 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.
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Randy Sprout - I grew up in a small town in Northern Iowa, played football, coached the swimming team, and graduated from the University of Iowa with a BA in printmaking studying under Mauricio Lasansky. I then went into the Army and ended up pulling 13 months in Korea on the DMZ. Coming out of Korea I entered UCLA and earned a MA and MFA in printmaking while studying under Jan Stussy and Stanton Mac-Donald Wright. The next year after the funds dried up on my Fulbright Award to Portugal, because of the Angola War, I was lucky to get hired by USC where I taught printmaking as a junior faculty member. I also replaced professors at UCLA when they went on sabaticals, and taught one year at Pierce College. In 1977 I tried Real Estate, you know just for the summer, but by fall I had purchased Century 21 Hollywood Inc. and had a new vocation going. Now 31 years into real estate, I'm coming full circle and starting to paint little quick studies 9X12. I'm using just 1/2 inch brushes and 5 colors. I intentionally limit my time to 2 hours after which I stop and throw ...
Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes AC/a,!A| the Rhythm of an epoch, its{his} power, always AA1/2AAuAA3/4A'AAA3/4AA*AA1/2AAdegAA1/2AA1/2AA3/4 are reflected in music, the literary statement, is freakish and AA?AA3/4A'aEURsAAdegA'aEUR~AA1/2AA1/2AA3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled A'AAA,AA1/4A'AE'AA>>A'AAAoA'a,!A'aEUR1, allocated AA,AA1/2A'aEURzAAuA'a,!AA1/2AAdegAA>>A'A'AA1/2A'aEUR1AA1/4AA, features. Phantoms of death - the author, the subject and object of creative dialogue, true, - it seemed, have for a long time lodged on pages of novels, on the telescreen, on canvases of artists. AEoeAA1/2A'aEURsAAuA'a,!A'aEURsAAuAAoA'AA'aEURsA'AE'AAdegAA>>A'A'AA1/2AA3/4A'AA'aEURsA'A' emphasized AA,A'AA'aEUR!AAuA'a,!AA?AAdegAA1/2AA1/2AA3/4A'AA'aEURsA'A' searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time AC/a,!A| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...
Laura Walker - I am a quiet observer taking snapshots of occurrences in which subjects are unaware of their exhibitions of solitude or bliss. Everything that enters my focus is perceived in a way that resonates with my work. In my view of subjects in nature and urban settings, both share the common motif of wearing new. I take pleasure in transforming what may be perceived as disparging and portray the matter with an optimistic palate of oil paints, making light of reality....
David Cuffari - I approach my work as a visual poem. Sometimes the meaning is simple and direct and other times it's more complex. I prefer to create work that is open-ended allowing the viewer their own interpretation of what I present. I am primarily a painter preferring to work in acrylics as it allows me to make rapid revisions which helps keep the work fresh and immediate. The over-arching theme of my artwork is the human condition. I see the fabric of life as woven in opposites. By employing dualities like order/chaos, rough/smooth textures, themes of life/death, controlled effects/happy accidents, rational/irrational imagery, I try to paint interesting pictures that allow the viewer to see the world a bit differently. I am also interested in the notion of time. I don't believe that time is linear but more like an echo. I try to avoid static imagery preferring to create a complex painting that unfolds as you look at it, with layers of imagery and meaning. I do this by preserving the process of editing and revision as I arrive at the final image. Most recently I've been proceeding without a pre-conceived ...
Colleen Balfour - Welcome to my world of Art from Africa. All my paintings are created in response to the mood of Africa, or at times, the need to escape that mood. I am a self taught artist and continue to learn each time I pick up the paint brush......
Kathy Donofrio - My art is a way to organize in a visual form what I see and feel through my mind's eye. ALL PROCEEDS FROM THIS SITE SUPPORT MY OUTDOOR ART INSTALLATION AT BURNING MAN 2014: "A Vortex for Vultures: ALIEN SANCTUARY"...
Nermin Alpar - Sea and yatchs, fisher bouts, old houses, little mediteranin islands are main source of inspiration for me. Waters color, its light, its reflectionsaEUR"has fascinated me . Also womens, specially miesery womens are source of inspiration for me....
Mike Garibay - Works by this artist consists of random shapes and colors done in oil and oil pastels over large canvases. Other smaller works in oil and canvas/panels represent expressive detail in abstract. The artist Mural size projects are also available as well as very fine portrait detail works. ...
Valerie Hoffmann - ARTISTaEURtmS STATEMENT: aEURoeHaving a traditional art background and trained in the exacting disciplines of architectural design, I strive to explore new freedoms in interpreting form in terms of the organic shapes and elements found in nature. I prefer to use paint in a manner which best reflects the tapestry of the many textures exhibited in the earthaEURtms landscape. I apply color as a means to unite these features and to show relationships between the vividness and subtleties expressed in every part of our environment, and yet attain visual harmony.aEUR ...
Joanna Glazer - The inner images and bold colours Joanna Ewa Glazer incorporates in her work convey a sense of abundance, total immersion into life and optimism. In her paintings, she creates a space of beauty and paradise in the way that shows resilience and strength regardless of circumstances. Each painting is like a poemaEUR|, a life affirming experience.aEUR All her work is also about sense of identity, search for it and hints as to where to find it She finds her sources in fashion magazines, newspapers, books, art reviews, and advertising. Even a simple image in everyday newspapers may awaken emotion. Joanna Ewa Glazer has travelled and lived for long periods in numerous countries: Poland, France, Italy, Japan, USA, Belgium and UK. She was born in Gdansk (Poland).. ...
Monica Vanzant - "My favorite medium is oil and landscapes fascinate me but my personality forces me to continuously stretch my wings and try new things. My subject determines my media. This is why I paint in oils, watercolor and acrylic. I want to experience the entire spectrum of creating art. I am rarely totally satisfied with anything I do. I do not know if this is a good thing but I do believe it drives me to be a better painter. The turning point for me was when I started looking for composition and values in everything. Once I learned how to see as an artist, I started viewing the world and the people in it in a totally different way. To me, painting is a solitary endeavor so when I paint I am in my own world and nothing else matters until I am finished. It is the one thing I can do that does not need require anyone else's approval. My paintings are based on internal thoughts and emotions felt at the time I saw that face, landscape or a beautiful flower. Composition, color hue, media and painting style all set the scene for me to try to translate...
Lisa Reinke - Recognize yourself, someone, everyone and no one in my faces aEUR" celebrate color in the shape of a nose, the curve of the ears, the mask of the eyes, and the lines of the lips and hair. Most of all remember the humanity in humanity. The human face inspires me. As humans, we respond to its image beyond all others. For all its familiarity, we rarely pause to consider the face as a visual form, something more than the recognition of a friend or an interaction with a stranger. I paint the face in ways to cause the viewer to reconsider its splendor and renew faith in all things human. Colors and sunlight playing across faces remind me of our connection to the universe and symbolize eternal and fleeting moments simultaneously. I love how we recognize and explore human faces for clues to identity and personality. I am happy to be creating my work and hope that my art inspires you to look around and see the world as a vibrant and exciting place where the most amazing patterns are on display all the time. Lisa Reinke ...
Dina Elsayed Imam - I've always found a great satisfaction in the action of watching and in turn in the process of recreating the experience. This continuous process of understanding through visual experience made my work lean towards a more personal and expressionistic style. But that kind of expressionism sprouts out of a genuine desire to transfer a much more realistic truths about what I depict in my paintings. I make no attempt to constrain my interest in a single subject matter. but till now My main concerns lay with the human body and its surrounding space & objects. ...
(Page 11 of 50) - MORE ARTWORKS
Artists Describing Their Art:
Pegasus Gallery - The Gallery Pegasus The Gallery Pegasus was opened in 1989 by Vera Ennis and Pat Ramsay. This was the brainchild of a former General Manager of the Pegasus Hotel, who approached Pat Ramsay, who was then the Curator of the Mutual Life Gallery. From inception, the Gallery Pegasus has always promoted a standard of excellence worthy of its importance on the Jamaican Art scene. At all times we showcase the highest standard of Jamaican paintings and sculptures. The Gallery allows easy accessibility for both local and foreign artists to exhibit their works, as they seek to revolutionise the way forward in the arts. The Gallery continues to discover emerging Artists and promote established Artists. The Gallery Pegasus opened its doors with a cutting edge because of its ideal location. It is located in the lower lobby of the Jamaica Pegasus Hotel which is one of the most popular Hotels in New Kingston. This of course naturally lends itself to more viewers and potential buyers, making us one of the preferred choices. ...Randy Sprout - I grew up in a small town in Northern Iowa, played football, coached the swimming team, and graduated from the University of Iowa with a BA in printmaking studying under Mauricio Lasansky. I then went into the Army and ended up pulling 13 months in Korea on the DMZ. Coming out of Korea I entered UCLA and earned a MA and MFA in printmaking while studying under Jan Stussy and Stanton Mac-Donald Wright. The next year after the funds dried up on my Fulbright Award to Portugal, because of the Angola War, I was lucky to get hired by USC where I taught printmaking as a junior faculty member. I also replaced professors at UCLA when they went on sabaticals, and taught one year at Pierce College. In 1977 I tried Real Estate, you know just for the summer, but by fall I had purchased Century 21 Hollywood Inc. and had a new vocation going. Now 31 years into real estate, I'm coming full circle and starting to paint little quick studies 9X12. I'm using just 1/2 inch brushes and 5 colors. I intentionally limit my time to 2 hours after which I stop and throw ...
Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes AC/a,!A| the Rhythm of an epoch, its{his} power, always AA1/2AAuAA3/4A'AAA3/4AA*AA1/2AAdegAA1/2AA1/2AA3/4 are reflected in music, the literary statement, is freakish and AA?AA3/4A'aEURsAAdegA'aEUR~AA1/2AA1/2AA3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled A'AAA,AA1/4A'AE'AA>>A'AAAoA'a,!A'aEUR1, allocated AA,AA1/2A'aEURzAAuA'a,!AA1/2AAdegAA>>A'A'AA1/2A'aEUR1AA1/4AA, features. Phantoms of death - the author, the subject and object of creative dialogue, true, - it seemed, have for a long time lodged on pages of novels, on the telescreen, on canvases of artists. AEoeAA1/2A'aEURsAAuA'a,!A'aEURsAAuAAoA'AA'aEURsA'AE'AAdegAA>>A'A'AA1/2AA3/4A'AA'aEURsA'A' emphasized AA,A'AA'aEUR!AAuA'a,!AA?AAdegAA1/2AA1/2AA3/4A'AA'aEURsA'A' searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time AC/a,!A| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...
Laura Walker - I am a quiet observer taking snapshots of occurrences in which subjects are unaware of their exhibitions of solitude or bliss. Everything that enters my focus is perceived in a way that resonates with my work. In my view of subjects in nature and urban settings, both share the common motif of wearing new. I take pleasure in transforming what may be perceived as disparging and portray the matter with an optimistic palate of oil paints, making light of reality....
David Cuffari - I approach my work as a visual poem. Sometimes the meaning is simple and direct and other times it's more complex. I prefer to create work that is open-ended allowing the viewer their own interpretation of what I present. I am primarily a painter preferring to work in acrylics as it allows me to make rapid revisions which helps keep the work fresh and immediate. The over-arching theme of my artwork is the human condition. I see the fabric of life as woven in opposites. By employing dualities like order/chaos, rough/smooth textures, themes of life/death, controlled effects/happy accidents, rational/irrational imagery, I try to paint interesting pictures that allow the viewer to see the world a bit differently. I am also interested in the notion of time. I don't believe that time is linear but more like an echo. I try to avoid static imagery preferring to create a complex painting that unfolds as you look at it, with layers of imagery and meaning. I do this by preserving the process of editing and revision as I arrive at the final image. Most recently I've been proceeding without a pre-conceived ...
Colleen Balfour - Welcome to my world of Art from Africa. All my paintings are created in response to the mood of Africa, or at times, the need to escape that mood. I am a self taught artist and continue to learn each time I pick up the paint brush......
Kathy Donofrio - My art is a way to organize in a visual form what I see and feel through my mind's eye. ALL PROCEEDS FROM THIS SITE SUPPORT MY OUTDOOR ART INSTALLATION AT BURNING MAN 2014: "A Vortex for Vultures: ALIEN SANCTUARY"...
Nermin Alpar - Sea and yatchs, fisher bouts, old houses, little mediteranin islands are main source of inspiration for me. Waters color, its light, its reflectionsaEUR"has fascinated me . Also womens, specially miesery womens are source of inspiration for me....
Mike Garibay - Works by this artist consists of random shapes and colors done in oil and oil pastels over large canvases. Other smaller works in oil and canvas/panels represent expressive detail in abstract. The artist Mural size projects are also available as well as very fine portrait detail works. ...
Valerie Hoffmann - ARTISTaEURtmS STATEMENT: aEURoeHaving a traditional art background and trained in the exacting disciplines of architectural design, I strive to explore new freedoms in interpreting form in terms of the organic shapes and elements found in nature. I prefer to use paint in a manner which best reflects the tapestry of the many textures exhibited in the earthaEURtms landscape. I apply color as a means to unite these features and to show relationships between the vividness and subtleties expressed in every part of our environment, and yet attain visual harmony.aEUR ...
Joanna Glazer - The inner images and bold colours Joanna Ewa Glazer incorporates in her work convey a sense of abundance, total immersion into life and optimism. In her paintings, she creates a space of beauty and paradise in the way that shows resilience and strength regardless of circumstances. Each painting is like a poemaEUR|, a life affirming experience.aEUR All her work is also about sense of identity, search for it and hints as to where to find it She finds her sources in fashion magazines, newspapers, books, art reviews, and advertising. Even a simple image in everyday newspapers may awaken emotion. Joanna Ewa Glazer has travelled and lived for long periods in numerous countries: Poland, France, Italy, Japan, USA, Belgium and UK. She was born in Gdansk (Poland).. ...
Monica Vanzant - "My favorite medium is oil and landscapes fascinate me but my personality forces me to continuously stretch my wings and try new things. My subject determines my media. This is why I paint in oils, watercolor and acrylic. I want to experience the entire spectrum of creating art. I am rarely totally satisfied with anything I do. I do not know if this is a good thing but I do believe it drives me to be a better painter. The turning point for me was when I started looking for composition and values in everything. Once I learned how to see as an artist, I started viewing the world and the people in it in a totally different way. To me, painting is a solitary endeavor so when I paint I am in my own world and nothing else matters until I am finished. It is the one thing I can do that does not need require anyone else's approval. My paintings are based on internal thoughts and emotions felt at the time I saw that face, landscape or a beautiful flower. Composition, color hue, media and painting style all set the scene for me to try to translate...
Lisa Reinke - Recognize yourself, someone, everyone and no one in my faces aEUR" celebrate color in the shape of a nose, the curve of the ears, the mask of the eyes, and the lines of the lips and hair. Most of all remember the humanity in humanity. The human face inspires me. As humans, we respond to its image beyond all others. For all its familiarity, we rarely pause to consider the face as a visual form, something more than the recognition of a friend or an interaction with a stranger. I paint the face in ways to cause the viewer to reconsider its splendor and renew faith in all things human. Colors and sunlight playing across faces remind me of our connection to the universe and symbolize eternal and fleeting moments simultaneously. I love how we recognize and explore human faces for clues to identity and personality. I am happy to be creating my work and hope that my art inspires you to look around and see the world as a vibrant and exciting place where the most amazing patterns are on display all the time. Lisa Reinke ...
Dina Elsayed Imam - I've always found a great satisfaction in the action of watching and in turn in the process of recreating the experience. This continuous process of understanding through visual experience made my work lean towards a more personal and expressionistic style. But that kind of expressionism sprouts out of a genuine desire to transfer a much more realistic truths about what I depict in my paintings. I make no attempt to constrain my interest in a single subject matter. but till now My main concerns lay with the human body and its surrounding space & objects. ...