Paintings For Sale - Price Range: $500 - $599

Page 20 of 68
Discover 1,950 original painting artworks for sale between $500 - $599. Contemporary emerging artists: Ted Hammer, Sandi Carpenter, Yuriy Litvinov, Imran Zaib, Richard Beckholt, Annie Peng, Samuel Gomez, Todd Mosley, Meliha Druzic, Maria Chatzivasileiou, Rosiane Priam, David Cuffari, Flo Flo, Lisa Reinke, Rashmi Gawali, Manjiri Kanvinde, Kavitha Rajesh, Jason Rocca, Erin Lemiski, George Tabliashvili, Julianne Richards, Evelyn Astegno, Sarah Katz Mount are exhibiting their affordable original art. You can buy artwork online and browse 68 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


Contemporary Art / Painting Categories / Painting / Previous / Next
Sandi Carpenter: 'The Wall in Lahaina', 2007 Other Painting, Figurative.  This is a print, laminated and mounted on fiberboard, of a hand painted silk with French fabric dyes. ...
Figurative - Painting
47 x 31 inches (119.4 x 78.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Yuriy Litvinov: 'Aurora', 2008 Oil Painting, Abstract.
, 2008
Abstract - Painting
15 x 15 inches (38.1 x 38.1 cm)
Ted Hammer: 'Happy Boat', 2008 Acrylic Painting, Landscape.  Painted on luan plywood. ...
, 2008
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
Ted Hammer: 'Abstract18', 2008 Acrylic Painting, Abstract Landscape.
, 2008
Abstract Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
Imran Zaib: 'Cooking', 2008 Oil Painting, Culture.
, 2008
Culture - Painting
20 x 24 inches (50.8 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Beckholt: 'Envy', 2002 Oil Painting, Abstract.
, 2002
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Annie Peng: 'dream 1', 2008 Oil Painting, Abstract Figurative.  a combination of abstract and digital art. a dreamscape painting...
, 2008
Abstract Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Samuel Gomez: 'Abstract Paris 3', 2008 Oil Painting, Abstract.
Abstract - Painting
21 x 25 inches (53.3 x 63.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Samuel Gomez: 'Abstract Paris 2', 2008 Oil Painting, Abstract.
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Samuel Gomez: 'Abstract Paris 1', 2008 Oil Painting, Abstract.
Abstract - Painting
16 x 16 inches (40.6 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Todd Mosley: '01 11 2007 The Office 839 840pm', 2008 Oil Painting, Television.
Television - Painting
27 x 16 inches (68.6 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Meliha Druzic: 'TUXEDO', 2008 Acrylic Painting, Theater.
, 2008
Theater - Painting
50 x 60 cm (19.7 x 23.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Meliha Druzic: 'KANKAN', 2008 Acrylic Painting, Theater.
, 2008
Theater - Painting
50 x 60 cm (19.7 x 23.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Maria Chatzivasileiou: 'Virgin Mary and Christ', 2006 Tempera Painting, Religious.  Hand made religious byzantine icon, egg tempera on wood, painting according to orthodox tradition, backround 22kt gold leaf antique style. ...
Religious - Painting
24 x 35 cm (9.4 x 13.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Rosiane Priam: 'Porte ouverte', 2008 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
60 x 80 cm (23.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
David Cuffari: 'Flowering Tree', 2006 Acrylic Painting, Landscape.
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Samuel Gomez: 'Con Mi Negrita En La Playa', 2005 Oil Painting, Abstract Figurative.  Boy and girl on beach. ...
Abstract Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Flo Flo: 'Un air frais A fresh air', 2007 Acrylic Painting, Undecided.
Undecided - Painting
1 x 2 feet (0.30 x 0.61 m)
Like It   indepth artwork information   Add To Shopping Cart
Lisa Reinke: 'Lanterns', 2008 Oil Painting, Landscape.  There is something magical about glowing lights in the darkness, and it is especially true in cities.  This painting was inspired by Chinese New Year celebrations in Singapore.  The lanterns are hauntingly beautiful and speak to the soul and of the soul like many religious and festive traditions do.   ...
, 2008
Landscape - Painting
18 x 18 inches (45.7 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rashmi Gawali: 'Sangeet Day before wedding', 2007 Acrylic Painting, Culture.
Culture - Painting
18 x 36 inches (45.7 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Manjiri Kanvinde: 'PEACEFUL WOODS', 2008 Acrylic Painting, Undecided.  If you stand very still in the Peaceful Woods, you will hear many wonderful things. The snap of a twig and the wind in the trees and whir of invisible wings. The beauty of the cascading falls will refresh the minds with its pure flow. This is the place I...
Undecided - Painting
24 x 18 inches (61.0 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Kavitha Rajesh: 'And miles to go before i sleep', 2008 Acrylic Painting, Landscape.  This acrylic painting draws inspiration from the dense woods and gardens near my home in India, where i used to take long walks as a child  10. 0 ...
Landscape - Painting
10 x 12 inches (25.4 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jason Rocca: 'figure work', 2008 Oil Painting, Figurative.  oil on canvas ...
Figurative - Painting
20 x 30 inches (50.8 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jason Rocca: 'Mandala of colour', 2008 Oil Painting, Mystical.  interesting mandala done of oil on paper this is a good techniques because i enjoy the absorbption of the oil into the paper it has a different quality then canvas does ...
Mystical - Painting
18 x 18 inches (45.7 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Erin Lemiski: '04', 2008 Acrylic Painting, Abstract.
, 2008
Abstract - Painting
25 x 35 inches (63.5 x 88.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
George Tabliashvili: 'some words', 2006 Oil Painting, Meditation.
, 2006
Meditation - Painting
40 x 30 cm (15.7 x 11.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Julianne Richards: 'Remedy for injury', 2008 Acrylic Painting, Abstract.  Another one of the several paintings I have produced this past week- it's title was going through my mind with each brush stroke, every line, and semi- circle. Finally, standing back from it late last night, I was melancholy yet grateful at the same time. No quick fix can...
Abstract - Painting
30 x 30 inches (76.2 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Evelyn Astegno: 'The Window', 2005 Oil Painting, Surrealism.  The idea of the painting came in my mind in a really short time. I was thinking at my father and his entire life condensed in just one image. I wanted to show the
, 2005
Surrealism - Painting
28 x 39 inches (71.1 x 99.1 cm)
Sarah Katz Mount: 'From Baldy', 2008 Oil Painting, Mountains.
, 2008
Mountains - Painting
161 x 13 cm (63.4 x 5.1 inches)
Simone Guimaraes: 'Batucada', 2007 Acrylic Painting, Culture.  Batucada is about all the instrument that we brazilian use for a wonderfull party of life celebration. ...
, 2007
Culture - Painting
24 x 24 inches (61.0 x 61.0 cm)
(Page 20 of 68) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Ted Hammer - The abstract pictures are a distillation of my life, painted on a flat surface, with color. They are an expression of my interest in theology, nature, science, art and color. The pictures are a place where your mind and eye can go and explore. The analogy to instrumental music is valid; one is for the eye and the other the ear....

    Sandi Carpenter - Due to my endless curiosity and wide range of interests, my work has evolved over the years. Just as a musician would change instruments to perfect the mood and rhythm created, I enjoy moving from one medium to another, be it French dyes on silk, watercolor or acrylic. I am always hopeful that the magic I feel in creating these images will be felt by the viewer with similar intensity. I believe it is only then that art really lives....

    Richard Beckholt - My artwork is very unique.I have spent most of my life developing the language of my work and continue to process and refine the course I have chosen. I work very hard to bring all the drama in color and design that I can possibly muster while remaining true to my initial concepts.I will not allow myself to slip into the realm of decorative art for the sake of sales.My art is honest and straight from my heart. Those collecting my works sense the emotions expressed within the stark images....

    David Cuffari - I approach my work as a visual poem. Sometimes the meaning is simple and direct and other times it's more complex. I prefer to create work that is open-ended allowing the viewer their own interpretation of what I present. I am primarily a painter preferring to work in acrylics as it allows me to make rapid revisions which helps keep the work fresh and immediate. The over-arching theme of my artwork is the human condition. I see the fabric of life as woven in opposites. By employing dualities like order/chaos, rough/smooth textures, themes of life/death, controlled effects/happy accidents, rational/irrational imagery, I try to paint interesting pictures that allow the viewer to see the world a bit differently. I am also interested in the notion of time. I don't believe that time is linear but more like an echo. I try to avoid static imagery preferring to create a complex painting that unfolds as you look at it, with layers of imagery and meaning. I do this by preserving the process of editing and revision as I arrive at the final image. Most recently I've been proceeding without a pre-conceived ...

    Lisa Reinke - Recognize yourself, someone, everyone and no one in my faces - celebrate color in the shape of a nose, the curve of the ears, the mask of the eyes, and the lines of the lips and hair. Most of all remember the humanity in humanity. The human face inspires me. As humans, we respond to its image beyond all others. For all its familiarity, we rarely pause to consider the face as a visual form, something more than the recognition of a friend or an interaction with a stranger. I paint the face in ways to cause the viewer to reconsider its splendor and renew faith in all things human. Colors and sunlight playing across faces remind me of our connection to the universe and symbolize eternal and fleeting moments simultaneously. I love how we recognize and explore human faces for clues to identity and personality. I am happy to be creating my work and hope that my art inspires you to look around and see the world as a vibrant and exciting place where the most amazing patterns are on display all the time. Lisa Reinke ...

    Rashmi Gawali - Artist Statment I paint to represent aspects of human emotions and nature in a way, that makes the viewers get a unique perspective on the subject matter. Throughout the process I am filled with an anticipation of how the painting is going to turn out and this is what keeps me going and is not finished till it fulfills the vision with which I started. I like to work on compositions, experiment with different textures, mediums and techniques, with the aim of making them illusive for a poetical look. Painting landscapes on the location allows me to get into an eclectic mood, amongst landscapes I like doing seascapes because I like to capture the force of waves, the colors of a sea and the sky at sunset. I start off my work with some rough designs, finalize on a subject, then work on more sketches, before starting to paint. I like to use the knife mainly because it emotes bold strokes, gets the effects faster and also I think mixing the colors are easier. Working in acrylic is quicker, because it dries out fast, allows me to do both opaque and transparent work, whereas with oil it has it's...

    Julianne Richards - UPDATE: MARCH 18th 2008 An insightful interview of Artist Julianne Richards in NYC by Kim Rodeffer Funk gives an indepth and personal glimpse into'the Colorspeaker's' world of creativity, starting out at seventeen and in a rock -band....

    Evelyn Astegno - I would like to introduce my artistic thought through the words of an Italian Art Critic "Astegno, a Magic Realism that Americans really like" by Giovanna Grossato article on Il Giornale di Vicenza , Sunday 4 July 2004 It does exist deep inside many of us another Ego, of eternal youth and purity; it represents all we could and always wished to be. This Ego we miss and contemplate with tormenting desire is the poetic core of a young artist from Vicenza who is now becoming successfull in the United States. It is in fact in a prestigious gallery of St Louis, the "Third Floor gallery on Washington", that are currently being exposed some works of Evelyn Astegno, together with other emerging artists such as Craig Downs, Julie Malone and Christopher Gustave. The group of paintings Evelyn Astegno chose to display in the collective Art Show are extremely representative of her style, soon well defined from the beginning and matured since she started her career. They belong to a disquieting Surrealism where characters, probable but not assimilable to any type completely rooted in reality, represent probably different aspects of the same subject: the artist herself. Her painting is a thought translated ...

    Sarah Katz Mount - Living in this volatile time my pieces signify the freedom of nature and imagination. Works throughout history always have historical, economical, cultural, philosophical value in societies throughout the world. In today's technologically advanced age the role of the artist is wrongly compromised. Symbolism, historical references, experience, and my own photography influences my paintings and are inspired by the magic realism stylization which rooted from the late 1800's and became popular in the 1920's. I manipulate perspective and space communicating movement giving my pieces a literary feel, and I hope everyone finds something inspiring like I find in powerful artists before me....