Paintings For Sale - Price Range: $500 - $599

Page 3 of 67
Discover 1,934 original painting artworks for sale between $500 - $599. Contemporary emerging artists: Isaac Brown, Michael Schaffer, Marino Chanlatte, Lois Di Cosola, Roz Zinns, Stefan Fiedorowicz, Austen Pinkerton, Becky Soria, Azhar Shemdin, Luiz Henrique Azevedo, Tiziana Fejzullaj, Cathy Dobson, Shelly Leitheiser, Rickie Dickerson, Michael Garr, Jim Lively are exhibiting their affordable original art. You can buy artwork online and browse 67 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Isaac Brown: 'force of nature', 2018 Acrylic Painting, Abstract.
Abstract - Painting
28 x 22 inches (71.1 x 55.9 cm)
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Isaac Brown: 'boundary issue', 2018 Acrylic Painting, Abstract.
Abstract - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Michael Schaffer: 'The Chase', 1988 Oil Painting, Expressionism. From my Figurative Expressionism period. ...
, 1988
Expressionism - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Marino Chanlatte: 'river', 2018 Acrylic Painting, Abstract. Memories and dreams of the sea, sun and sunflowers, tropical forest and brilliant blue skies are the inspiration for Marino Chanlatte, who grew up on the island of Santo Domingo. His paintings depict remembrances of his childhood and landscapes from his walks throughout the Caribbean and Central America. He paints ...
, 2018
Abstract - Painting
30 x 15 inches (76.2 x 38.1 cm)
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Marino Chanlatte: 'blue lagoon', 2017 Acrylic Painting, Abstract. Blue lagoon is inspired on a tropical lagoon, depicting colors and shapes of the water under the light of the sun and the blue sky, maybe some memories from childhood. This painting has multiple layers of color. It is protected by a final varnish. Ready to hang.   Lagoon, blue, green, ...
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Marino Chanlatte: 'beach 1', 2017 Acrylic Painting, Beach. This painting is inspired on a view of South Beach, Miami. I was born on an island and the ocean has always been an inspiration. This painting has been protected with several layers of non- yellowing Grumbacher final varnish. Canvas depth is 1. 5 inches, painting extends to the edges ...
, 2017
Beach - Painting
30 x 15 inches (76.2 x 38.1 cm)
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Marino Chanlatte: 'lagoon and marsh', 2008 Oil Painting, Landscape. Landscape inspired in marsh and lagoons. Nature has been my inspiration since I started painting. Some times the ocean, the sky, the beach, lakes, forest, and mountains. lagoon, marsh, landscape, lake, sky, ...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Lois Di Cosola: 'sunset 1', 2012 Acrylic Painting, nature. from a series of paintings on paper...
, 2012
nature - Painting
11 x 14 inches (27.9 x 35.6 cm)
Roz Zinns: 'bird in flightr', 2017 Acrylic Painting, Archetypal.
Archetypal - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Stefan Fiedorowicz: 'Boulevard of Broken Dreams Two', 2009 Oil Painting, Abstract. lyrical abstraction, contemporary art work, oil painting, abstract paintings, Painting shipped in a tube. ...
Abstract - Painting
40 x 60 cm (15.7 x 23.6 inches)
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Stefan Fiedorowicz: 'Colourless green Idea', 2007 Oil Painting, Abstract. Viridian Series 2. Initially it was an idea looking for a place to happen. The strength in my emotion was like thunder in the air. I became intoxicated by the idea and felt unshackled. I choose viridian green, the darker side of spring green as the season is upon us. ...
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Stefan Fiedorowicz: 'Colourless Green Idea 2', 2007 Oil Painting, Abstract. Initially it was an idea looking for a place to happen. The strength in my emotion was like thunder in the air. I became intoxicated by the idea and felt unshackled. I choose viridian green, the darker side of spring green as the season is upon us. ...
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Austen Pinkerton: 'wall with door', 1973 Acrylic Painting, Landscape.
Landscape - Painting
85 x 105 cm (33.5 x 41.3 inches)
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Becky Soria: 'Brujo Milagro', 2016 Oil Painting, Abstract Figurative.                                        From the series  A Woman and her Symbols       From the series  Totems beyond Patriarchy                                                   ...
Abstract Figurative - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Azhar Shemdin: 'Secret Getaway', 2016 Acrylic Painting, Abstract Landscape. Original painting on stretched canvas. ...
Abstract Landscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Luiz Henrique Azevedo: 'The destiny is over', 2012 Oil Painting, Abstract Landscape. The destiny is over. A poem of Fernando Pessoa. ...
Abstract Landscape - Painting
41 x 33 cm (16.1 x 13.0 inches)
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Tiziana Fejzullaj: 'The Man with Tutu', 2015 Oil Painting, Figurative.
Figurative - Painting
40 x 32 inches (101.6 x 81.3 cm)
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Tiziana Fejzullaj: 'The Man with Stockings', 2015 Oil Painting, Figurative.
Figurative - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Cathy Dobson: 'Enchanted Buttefly', 2015 Oil Painting, Psychedelic. Original Illuminous Oil Paintingfrom The Butterflies and Unicorns Collection.  Lights up in the dark or under black lights. ...
Psychedelic - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Cathy Dobson: 'Psychedelic Butterfly', 2013 Oil Painting, Psychedelic. Original Illuminous Oil Paintingfrom The Butterflies and Unicorns Collection. ...
Psychedelic - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Cathy Dobson: 'White Butterfly', 2014 Oil Painting, Magical.  Original Illuminous Oil Paintingfrom The Butterflies and Unicorns Collection.  Phosphorescent highlights glow in the dark or under black lights.  Magical ...
Magical - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Shelly Leitheiser: 'Lone Wolf', 2014 Acrylic Painting, Abstract Figurative.  Lone Wolf is an emotive painting, abstract background with figures. ...
, 2014
Abstract Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Lois Di Cosola: 'Sunset series', 2012 Acrylic Painting, Expressionism.  PAINTING ON PAPER...
Expressionism - Painting
11 x 14 inches (27.9 x 35.6 cm)
Lois Di Cosola: 'Sunset 3', 2012 Acrylic Painting, Expressionism. PAINTING ON PAPER ...
, 2012
Expressionism - Painting
11 x 14 inches (27.9 x 35.6 cm)
Cathy Dobson: 'Magic Butterfly', 2013 Oil Painting, Magical. Original Illuminous Oil Painting.  The Butterflies and Unicorns Collection.  Phosphorescent ButterflyGlows in the dark or under black lights.  Dark Wood Frame.  Primed cotton canvas. ...
Magical - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Rickie Dickerson: 'Feng Shui Gone Bad', 2007 Acrylic Painting, Abstract.     My red door for luck, prosperity etc. is melting. Bombarded by the inner demons of self loathing and abandonment. . . by the outer demon of betrayal. . . nothing can stand up to the strength of the emotion. It all falls away. . . soul running like a river away from the scene of the...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Michael Garr: 'Sahara 3', 2013 Oil Painting, Landscape.     A view of the Sahara Desert from above, chosen from Google Earth ...
, 2013
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Shelly Leitheiser: 'Convergence', 2013 Acrylic Painting, Landscape.  This is an impressionistic dreamy landscape created by rubbing the paint into the canvas. The subject is the merging of the Mopan and Macal rivers in western Belize, where I photographed this in 2012. ...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Jim Lively: 'Five For Fall', 2013 Acrylic Painting, Abstract.                                                 Acrylic and gallery wrapped canvas                                                                                                                                                  ...
Abstract - Painting
16 x 16 inches (40.6 x 40.6 cm)
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Jim Lively: 'Dusk', 2013 Acrylic Painting, Abstract.                                                Acrylic and gallery wrapped canvas                                                                                                                                                 ...
, 2013
Abstract - Painting
16 x 16 inches (40.6 x 40.6 cm)
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(Page 3 of 67) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Marino Chanlatte - Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity, and have recently teamed with SAVE THE BAY, a local Rhode Island eco-advocate organization, which receives 30 PER CENT of my proceeds. My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. Ive done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorenas studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...