Paintings For Sale - Price Range: $5000 - $10000

Artists Describing Their Art:

Ruben Miranda - Milutin Obradovic - The persistence of time and an endless search for the explanation of transience through themes, i.e. a way called life, or searching for the essence is the top or the bottom of the same idea, message, sign, or manaEURtms fear to put it all under oneaEURtms skin and breathe with it. Art and its unfathomable distance decorated with colours, movements or tones are a way of putting a burden of subconscious questions and incomplete answers on oneaEURtms back. Answers which will only in the future find themselves in the box storing the primordial findings on purpose. My paintings of horses are mysterious and they entice you into starting the dance of fire and ice. They are in an eternal impulse which is closer to coming back than leaving. They will never lie to the observer, or try to take him/her where they have already been and where he/she used to meet them. The horses will always take them to the unfamiliar places full of hope and endless existence. They are perpetual and always self-sufficient. My art and my search for the essence we call life is actually a burden on the back of...

Chris Gould - Never the studious young boy, I spent most of my class time drawing sketches in the pages of my notebooks. Santa Anna, raising his sword in the battle for the Alamo buried deep within my notebook jumped out and attacked my father one evening while he help me with my homework. He counter attacked by hurling, "you will never be anything doing stuff like this", and I believed him. In school I loved art class, excelled and looked forward to it but never believed that I could be something there. When I went to college I focused on art and graduated near the top of my class with a BFA, and still believed that I would never be anything. After all, all I needed was a degree. With diploma in hand I entered the professional world with the ambition to climb the corporate ladder. Climb and climb to be something. Reaching to be something, I fall on art as therapy for the stress and anxiety that being something brings. Now I am something and nothing at the same time because I don't believe any more. And now I want to be something else. It is here in this ambition ...

Zlatko Trako - In my early works, those I produced as a fine arts academy student, one can recognize a strong influence of classical masters, resulting in the motives being mainly figural in nature. In time, figure gradually starts to fade, texture is lost, form distorted, intensity of color increased. Every clear contour is lost and color, smear, smudge become dominant. The attitude toward the real world which existed before is no longer present, the painting is an experience in itself.In the process of my artistic maturing, I increasingly find my artistic expression in abstract compositions. Even though compositions, just like in the previous realistic works, cover the whole surface of canvas and even exceed its edges in an identical way, they represent something entirely new. What is characteristic for the last cycle of paintings is that they can continue beyond canvas boundaries. Colors try to diffuse, permeate beyond the painting. This very fact reflects a deep, immensely important spiritual dimension and man's eternal aspiration for penetration into the unconstrained. The layered way in which color has been administered enables us to follow the whole process of formation of a painting and thereby, in a way, participate over and over again ...

Heriberto Luna - By embellishing pre -Columbian imagery with contemporary and personal elements, I strive to embody the intersection of Mexico's history, in all its depth and beauty, with the lived contexts of my era. I ground my work in Mayan iconography, using richly textured backgrounds and a chromatically satisfying palette of complimentary colors to draw viewers into the world of the painting. The life of each painting, however, is concentrated in the figure's eyes, as if the spirit of the heritage that inhabits me looks back from the world behind the canvas ...

Dariya Afanaseva - All my works are dedicated to the themes of relationship and sensation translated on a language of painting. For example, relationship between people. Relationships human about him/her self and to outward things. And some of my works are about memories and thoughts. And also it is interesting for me to reproduce an eluding moment, an impression in a matter of seconds, fragments of life. Just because everything depends on nuance. Three main styles I work in are abstractionism, expressionism and a bit of pop-art. But these styles are not just as they are, it`s always a combination of them. Some of my Abstract works represent things that aren't visual, such an emotion, mood, feeling, sound and so on. These works are very association. My figurative abstractions are simplifications of reality, where detail is eliminated from recognisable objects leaving only the essence or some degree of recognizable form. Some works are expressive. I just let my intuition guide me. Not to thinking, not to be doubt of anything. It is about trusting the process and setting free the instincts. And also I like decorativeness and beauty of coloring. My choice of medium are acrylic and mixed media ...

Dariya Afanaseva - James Hill - My work explores the use of color and rhythm to create moving images that seek to provoke a particular mood or emotion by invoking a memory or moment that is meaningful to the viewer. My latest works include a study of the massive power inside thunderstorms and lightning strikes including a 6x10 oil of a storm entitled Tempest. These new paintings reflect the change in the weather patterns throughout our world thanks to global warming, which no well-educated person can deny these days. My paintings are intended to glorify the Masters Works and The awe of Creation, the Universe, the Stars and Planets, and our own incredible Earthly Skies and Lands. My other works include Fantasy, Gothic, Steampunk and Science Fiction of Utopian design cities of the future that require no use of fossil fuels at all as I look to give humanity hope for a better future of free power and sustainable living on this planet as we look to preserve it and encourage the rebuilding of nature across the world as we are but shepherds of Gods creation. ...

Mircea Popescu - Mircea Popescu Statement In my work time is an active element. I paint like I build a sculpture using simple forms, lines and textures representing days, hours and archetypes such as: books, letters, numbers or primordial elements. The surface; canvas, wood, or paper is painted from dark to light, a technique used in the byzantine art. Using classical principles, the golden section, the structures of my compositions are based on rigorous diagrams of simple geometric figures. Considering that contemporary art is characterized by invention and experimentation, texture becomes an essential element of my paintings that comes naturally from the way the paste is applied, transparent layers of paint creating new surfaces. Light is the most surprising element in my paintings which is a result of my technique; the method I mix the primary colors, pigments and other substances What is interesting, not all of them contain the same light, but all of them radiate energy. ...

Camilo Lucarini - I born with a pencil in my hand, I started professional painting, after graduating in The Art School of Fine Arts, in Buenos Aires, Argentina, where I was born. In the last 25 years I have been recognized, mainly, for my wildlife paintigs, of which I have made exhibitions in Europe, North and South America. Among my clients are hunters, collectors and animal lovers....