Paintings For Sale - Price Range: $5000 - $10000

Artists Describing Their Art:

Costanza Zappa - Costanza Zappa (www.costanza.net). Farmacista, nata a Milano , acquarellista, sta portando avanti una singolare ricerca nell'alchim|a dei colori e dei soggetti pittorici, passando con estrema disinvoltura dal figurativo alle originali interpretazioni astratte. In entrambi i generi se ne riconosce l'impronta personale nel particolare utilizzo della pennellata. Si intuisce un percorso artistico preciso ed in continuo divenire. La sua formazione si >> avvalsa dell'aiuto di importanti maestri contemporanei quali Luigi Zucchero e Antonio Galloni. ...

Vassilis Karakatsanis - 'Alcohol 2009-2010' Catalogue 10/2010 ATHENS Wishing to interpret a work of art through a written text is undoubtedly a difficult task and I often wonder whether it is even necessary. A multitude of pages are written every day all over the world with the purpose of explaining the existence, necessity and worth of various instances of artistic expression. In and of itself, this may trick the writer into stating points of view that grow out of the tendencies of a particular era, out of a stagnant aesthetic, out of people who say one thing and do another and, through this process, give a nod of approval to an "ego" that is adventitious, selfish, and falsely illustrated, while they forget that the approach to art requires poise, profound knowledge, simplicity and honesty. Considering the speed with which, in the past few years, legions of artists have surfaced, the parameter that is used to measure the art trade as carried out by certain people who view their artistic work as shares in a unique yet nonetheless effective stock market, and whose sole purpose is financial gain, is an actual fact and, as far as many are concerned, lawful in a...

Jerry Ross - Manifesto of American Verismo By Jerry Ross, 2012 "American verismo", a movement that I have recently founded, is a catch-all phrase for an artistic style that draws its main inspiration from Italian art, both classical and modern. There is an implied nostalgia for work done "dal vero" (after life) whether classical (Raphael, Rubens, or Caravaggio, etc.) or 19th century (the Tuscan I Macchiaioli school) or more contemporary. Verismo is somewhat akin to contemporary "atelier realism" but the latter has been criticized for an academic uniformity and its over attention to details. American verismo is more poetic and linked to post-impressionism, the Milan-based Scapigliatura ('wild hair') movement, and the I Machiaioli's commitment to social issues. But like atelier realism, American verismo is associated with a painterly sketching style, use of broad brushstrokes, and the alla prima, "direct attack" technique of painting. It is also linked to all'aperto (open air) impressionist-style landscape painting. In short, to pleinairism which has become widely popular in recent years. I first introduced the term during several classes he taught at the Maude Kerns Art Center in Eugene and then later at the "Angels Fight Road Art Center" plein air retreat...

Richard Solstjarna - Richard SolstjA$?rna born in Sweden, lives and works in Berlin. Abstract Painting dominates my artistic expression. In my paintings the Energy and Forces which are immanent in Nature are visualized. Forces at work in maximum self-sufficiency. Primary, undiluted, full of tension. Never at ease always in moment. A pulse in rhythm and rhyme. Emerging from a Void, an emptiness and silent space which is the source of its origin. The theme, the allegories and concepts form the basis of my creations and for the technique I will avail myself of. There are no rules. Any preconceived image are dissolved for that particular artwork to emerge. Installations are made when the theme and work calls for it. ...

Ruben Miranda - As I see it, the human figure embodies what life is all about, in more than the physical plane. It is the symbolic image of existence. Through the years, my morphic re-invention of the human figure has given meaning to the search for my own pictorial language. The faces, warriors, torsos and other images in my artwork reveal the complexity of my spirit....

Ruben Miranda - Gideon Bendor - Born 1959. 1989 Award student in the Pennsylvania Academy of Fine Art (PAFA) in Philadelphia. Exhibited in groups over the US, EU and IL. Collected by the American Museum in Philadelphia and private owners from the US, RU, and IL. The work combined classical texture techniques in "OilWax" (cold press sticks) on canvas. The original and restless paintings Inventing both semi-abstract and representational images and give surrealism the'fantastic' structur. Ideas arise from free association, subconscious, and from a deliberate urge to integrate found images, direct observation from life, and subject drawn from sources in art, literature and history. ...

Milutin Obradovic - The persistence of time and an endless search for the explanation of transience through themes, i.e. a way called life, or searching for the essence is the top or the bottom of the same idea, message, sign, or manaEURtms fear to put it all under oneaEURtms skin and breathe with it. Art and its unfathomable distance decorated with colours, movements or tones are a way of putting a burden of subconscious questions and incomplete answers on oneaEURtms back. Answers which will only in the future find themselves in the box storing the primordial findings on purpose. My paintings of horses are mysterious and they entice you into starting the dance of fire and ice. They are in an eternal impulse which is closer to coming back than leaving. They will never lie to the observer, or try to take him/her where they have already been and where he/she used to meet them. The horses will always take them to the unfamiliar places full of hope and endless existence. They are perpetual and always self-sufficient. My art and my search for the essence we call life is actually a burden on the back of...

Zlatko Trako - In my early works, those I produced as a fine arts academy student, one can recognize a strong influence of classical masters, resulting in the motives being mainly figural in nature. In time, figure gradually starts to fade, texture is lost, form distorted, intensity of color increased. Every clear contour is lost and color, smear, smudge become dominant. The attitude toward the real world which existed before is no longer present, the painting is an experience in itself.In the process of my artistic maturing, I increasingly find my artistic expression in abstract compositions. Even though compositions, just like in the previous realistic works, cover the whole surface of canvas and even exceed its edges in an identical way, they represent something entirely new. What is characteristic for the last cycle of paintings is that they can continue beyond canvas boundaries. Colors try to diffuse, permeate beyond the painting. This very fact reflects a deep, immensely important spiritual dimension and man's eternal aspiration for penetration into the unconstrained. The layered way in which color has been administered enables us to follow the whole process of formation of a painting and thereby, in a way, participate over and over again ...