Paintings For Sale - Price Range: $5000 - $10000

Page 12 of 88
Discover 2,544 original painting artworks for sale between $5000 - $10000. Contemporary emerging artists: Nicolo Sturiano, Rafael Arrieta-eskarzaga, Sunando Basu, Tom S. Hageman, John Lynch, Luis Guillermo Ramírez Ezquerra, David Fedeli, John Mccarthy, Radish Tordia, Pratibha Singh, Edmond Gjikopulli, Hilary Pollock, Irakli Chkheidze, Hong Lu, Costanza Zappa, Kohlene Hendrickson, Alexander Sadoyan are exhibiting their affordable original art. You can buy artwork online and browse 88 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Rafael Arrieta-eskarzaga: 'The Prophet', 1994 Oil Painting, Other.
Other - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Sunando Basu: 'Abirbhav', 2013 Oil Painting, Spiritual.  Shiva Emanating. . If you concentrate on the Shivling for a while, you will experience a burst of energy around you. ...
, 2013
Spiritual - Painting
72 x 48 inches (182.9 x 121.9 cm)
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Tom S. Hageman: 'Chinese violin', 2013 Oil Painting, Figurative.    the five senses   ...
Figurative - Painting
120 x 100 cm (47.2 x 39.4 inches)
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Tom S. Hageman: 'Chinese bell', 2013 Oil Painting, Figurative.   the five senses  ...
Figurative - Painting
120 x 100 cm (47.2 x 39.4 inches)
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John Lynch: 'none', 2013 Oil Painting, Abstract.  Abstract, oil, contemporary,  ...
, 2013
Abstract - Painting
48 x 34 inches (121.9 x 86.4 cm)
Luis Guillermo Ramírez Ezquerra: 'Dreams, Luis RE', 2013 Acrylic Painting, Abstract Figurative.            . luis re. 2011               ...
Abstract Figurative - Painting
140 x 110 cm (55.1 x 43.3 inches)
Luis Guillermo Ramírez Ezquerra: 'El Principio, Luis Re ', 2013 Acrylic Painting, Abstract Figurative.           . luis re. 2011              ...
Abstract Figurative - Painting
122 x 122 cm (48.0 x 48.0 inches)
David Fedeli: 'Flamenco Red', 2010 Oil Painting, Portrait.           David Fedeli, DJ Fedeli, Fine Art, Landscapes, Surrealism, Neo- Romanticism, A Leap of Faith, Leap of Faith, Robert Watson, Oil Painting                  ...
Portrait - Painting
24 x 36 inches (61.0 x 91.4 cm)
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John Mccarthy: 'Savannah Moon', 2010 Oil Painting, Abstract.  oil on canvas     ...
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Radish Tordia: 'Woman in Vintage', 1992 Oil Painting, Figurative.
Figurative - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Radish Tordia: 'Woman with Flowers', 2011 Oil Painting, Figurative.
Figurative - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Radish Tordia: 'Rosy Day', 2011 Oil Painting, Figurative.
, 2011
Figurative - Painting
60 x 76 cm (23.6 x 29.9 inches)
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Radish Tordia: 'Cafe', 2002 Oil Painting, Figurative.
, 2002
Figurative - Painting
70 x 80 cm (27.6 x 31.5 inches)
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Radish Tordia: 'Morning', 2000 Oil Painting, Figurative.
, 2000
Figurative - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Pratibha Singh: 'Transformer 2', 2010 Oil Painting, Figurative.
Figurative - Painting
84 x 36 inches (213.4 x 91.4 cm)
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Edmond Gjikopulli: 'lilys', 2008 Oil Painting, Floral.
, 2008
Floral - Painting
75 x 75 cm (29.5 x 29.5 inches)
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Hilary Pollock: 'Dawn Chorus how can we keep from singing', 2012 Acrylic Painting, Figurative.
Figurative - Painting
4 x 6 feet (1.22 x 1.83 m)
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Irakli Chkheidze: 'street', 2012 Oil Painting, Surrealism.
, 2012
Surrealism - Painting
65 x 85 cm (25.6 x 33.5 inches)
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Irakli Chkheidze: 'Sounds of past ', 2011 Oil Painting, Surrealism.
Surrealism - Painting
65 x 85 cm (25.6 x 33.5 inches)
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Irakli Chkheidze: 'Sounds of past ', 2012 Oil Painting, Surrealism.
Surrealism - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Hong Lu: 'Allusion in Song Style IV', 2012 Other Painting, nature.     Depiction of nature assumed in a style of 12th Century Chinese Realism ( Song Dynasty)    ...
nature - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Hong Lu: 'Allusion in Song Style III', 2012 Other Painting, nature.    Depiction of nature assumed in a style of 12th Century Chinese Realism ( Song Dynasty)   ...
nature - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Hong Lu: 'Allusion in Song Style II', 2012 Other Painting, nature.   Depiction of nature assumed in a style of 12th Century Chinese Realism ( Song Dynasty)  ...
nature - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Hong Lu: 'Allusion in Song Style I', 2012 Other Painting, nature.  Depiction of nature assumed in a style of 12th Century Chinese Realism ( Song Dynasty) ...
nature - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Costanza Zappa: 'bersau a la mer', 2000 Other Painting, Abstract Landscape. at the seaside  ...
Abstract Landscape - Painting
50 x 35 cm (19.7 x 13.8 inches)
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Kohlene Hendrickson: 'DeLight', 2012 Encaustic Painting, Figurative.     , expressive, figurative, fresco, abstract figuration    ...
, 2012
Figurative - Painting
90 x 110 cm (35.4 x 43.3 inches)
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Kohlene Hendrickson: 'Awakening', 2012 Encaustic Painting, Figurative.    , expressive, figurative, fresco, abstract figuration   ...
, 2012
Figurative - Painting
90 x 110 cm (35.4 x 43.3 inches)
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Alexander Sadoyan: 'Passion', 2011 Oil Painting, Abstract.       Abstract painting      ...
, 2011
Abstract - Painting
34 x 40 inches (86.4 x 101.6 cm)
Alexander Sadoyan: 'The Light glows in the darkness', 2012 Oil Painting, Abstract.      Abstract painting     ...
Abstract - Painting
34 x 40 inches (86.4 x 101.6 cm)
Paul Bonnie-kent: 'The Kiss', 2012 Oil Painting, Love. Face in profile - Boy and Girl while kissing - oil canvas           ...
, 2012
Love - Painting
60 x 80 cm (23.6 x 31.5 inches)
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(Page 12 of 88) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Rafael Arrieta-Eskarzaga - "Through my art I endeavor to represent by various methods the world in which we live. Thus, I may express the duality of life by contrasting light and dark in my paintings while I juxtapose organic and geometric forms in my sculptures. Independently of the theme of an individual piece, my work is a reminder to the observer of the ethereal quality and mutability of our seemingly solid physical reality." Arrieta-Eskarzaga...

    Tom S. Hageman - May 1968: I finished my studies with a paper entitled, "The Art in the 21st Century," in which I concluded that modern art ought no longer defy or deny the ancient'classical' tradition, but needs to search for a synthesis between the two traditions. In my series "Revelations" I searched for this synthesis in combining traditional skills with contemporary insights. This theme of searching for an integration and synthesis of traditional and contemporary art would continue to inspire me throughout my career and would find expression in my work in many different ways and forms. In 1970 I lived in Turkey for a year and traveled through Teheran (Iran), Kabul (Afghanistan) en Lahore (Pakistan). My life in Turkey and my travels in Asia made a deep impression on me which in turn influenced me in my work. My memories of Turkish bathhouses, Persian tiles, Afghan coffeehouses and Mogul gardens inspired me and I worked on integrating classical Asian styles and techniques in European techniques and thereby developing my own personal style in my series "Manuscripts." In the beginning of the eighties I felt the desire to return to the European tradition of'skimming light captured in oils.' But in working...

    John Lynch - John Lynch is a painter, currently working in thr San Francisco bay area. Most of his work is done in the mediums oil on canvas, and oil and acrylic on paper. He has been influenced by the New York School; Pollock, de Kooning, Kline, and the Japanese and Chinese Zen arts. Jazz and the Beat poets have inspired....

    Luis Guillermo Ramírez Ezquerra - Luis RE. Artist statment. Versus: sobre Borderline borderline [boer-der-lain] s. Limite, orilla, frontera.- a. Incierto, dudoso. A borderline case, caso entre lo normal y lo subnormal. borderline (termino psicoanalitico): caso clinico de personalidad que oscila entre varias patologias, sin tendencia a alguna en particular. "El caracter de la imagen se determina por la relacion establecida entre el adorante y el adorado" Shukrasharia. La frontera entre una cosa y otra siempre ha sido creada, por lo tanto es siempre suceptible a la destruccion. Lo hermoso puede ser grotesco de un momento a otro. La vida tiene como companera mas cercana a la muerte. Nada es forma o pura, incluso lo que supone serlo. Entre los trazos basicos de las lineas se esconde una verdad. La imagen misma de las lineas del trabajo de luis RE Borderniline -horizontales pasivas o activas verticales- nos sugiere ya la idea misma de limite. ?limite de que? Borderline, actual peldano pictorico del aritsta, sugiere marcar y desvanecer limites, y confronta tres pares de ideas, fundamentales para su poetica pictorica: 1. La imagen vs. ...

    David Fedeli - "I believe that as an artist, it is not my purpose to dictate what the viewer sees on the canvas, but rather to pose a question that causes them to seek an answer within themselves. Each individual brings their own life experiences into the decision, and for each of them the meaning is truly unique. My passion lies in reaching that inner self, and drawing it into, and out of, my art. My goal is to create a moment that touches their soul."...

    John Mccarthy - "Chaos for me breeds images." -- Francis Bacon JFM Theory: Chaos is the ultimate order. The energy embodied in John McCarthy's art springs from a chaos that exists at a level that far surpasses the categories of abstract expressionism and other forms of so-called "accidental art." It is a place where the meaningful and the meaningless can playfully co-exist; where reason and the illogical exist side by side; where the details are always superior to the whole; where chaos is the ultimate order, where a lightning bolt of paint ignites texture and impasto in an electric explosion of conscious thought and anxious action. It represents a separate multiverse - where opposing sides forever reverse, replace each other and merge. Conversely, the rules of the world can also be seen as reversals, betrayals, plot twists, double identities, traps, time warps, black holes, rebellions in consciousness, metamorphoses and the big bang. McCarthy's paintings are shards of broken-glass paint that re-define a cubist view of chaos theory. They are atomic or subatomic explosions of colors like nothing that has come before. Look closely at the rivers of color represented in his action painting and see if you can decipher...

    Edmond Gjikopulli - Artistic statement Like a film fragment standing daily before our eyes, a film where we feel being at the same time viewers and actors, Albania of the years 2000 is obsessed by a consumerist fever, from the beginning of another system of references, which nevertheless, unable to substitute entirely the old one and matching everyday with him, is aiming to reach a much dreamed Eldorado. We experience around us a strong loging for consume, a loging which gradually is transforming our psyche and our system of values, but that nevertheless hasn't been able to reach the essence of what is original, "exotic", interesting and sincere. These are moments that I see everyday, people that I know, people living the everyday poetic and prosaic moments of existence, people anonymous and real in the capitalist Albania of the years 2000. We participate in this fairytale since fifteen years, with absurd scenes, tragicomic, kind and painful, grotesques and unique, which at the same time are the features of the new Albanian identity of these last years. Witnessing everyday this transformation is difficult not to be stimulated by these signals which are found everywhere, you can't keep yourself by turning the head ...

    Hilary Pollock - When contemplating creativity, I admit to being impressed by the draftsmanship of Gustav Klimt,the audacity and creativity of Picasso and the fortitude of Artemisia Gentileschi and many other female artists. The "Lady and the Unicorn" tapestries in Paris move me greatly for their colour and their detail in particular. I have my own style and language which has developed over the years from experimentation with a variety of mediums and different approaches to my subject matter. Some things become favourites, contributing to a personal language and the sheer pleasure of creating. The process is the important thing. Creativity for the visual artist is all about struggle,excitement and energy....

    Hong Lu - From western modern art, Cubism and Surrealism are two fundamental conceptual influences on me. However, the overall construction of my work is still rooted in traditional Chinese painting, both in terms of composition and technique. I try to focus on the lyric element in an image, a symbolist approach: to suggest, not to define. Since I was a child, the unconsciousness and subconsciousness have always intrigued me. It seems to me they compose expression in art, as logic guides explanation in science. I have spent considerable time on psychology, anthropology and religious studies. I borrow thematic elements from various ethnic cultures and religions to support my creativity. I am looking for humanness, as a whole, rather than individual specifics, to depict and express in my work. Sometimes I get lost in my own search for expression and can only probe my way through the process without knowing what and why. The only saving grace for me is that I am an artist, not a scientist: I am here to describe, not to explain. I hope my paintings work as a well of dreams that can communicate and inspire others to their own interpretation and expression. ...

    Costanza Zappa - Costanza Zappa (www.costanza.net). Farmacista, nata a Milano , acquarellista, sta portando avanti una singolare ricerca nell'alchim|a dei colori e dei soggetti pittorici, passando con estrema disinvoltura dal figurativo alle originali interpretazioni astratte. In entrambi i generi se ne riconosce l'impronta personale nel particolare utilizzo della pennellata. Si intuisce un percorso artistico preciso ed in continuo divenire. La sua formazione si >> avvalsa dell'aiuto di importanti maestri contemporanei quali Luigi Zucchero e Antonio Galloni. ...

    Alexander Sadoyan - My paintings are inspired from the human life in conjunction with landscape of nature's abstract color-forms.With association of color and shapes,I strive to communicate my feelings and convey inner-personal emotions.Memories,experiences are the essence of my esthetical awareness which find visual language of there own inseparable from the future and exists into absolution....