Paintings For Sale - Price Range: $5000 - $10000

Page 13 of 90
Discover 2,594 original painting artworks for sale between $5000 - $10000. Contemporary emerging artists: Claudia Kleefeld, Kikuko Sakota, Nicolo Sturiano, Rafael Arrieta-eskarzaga, Sunando Basu, Tom S. Hageman, Sandro Bisonni, John Lynch, Shawn Mc Nulty, Luis Guillermo Ramírez Ezquerra, Dj Fedeli, John Mccarthy, Radish Tordia, Pratibha Singh, Edmond Gjikopulli, Hilary Pollock, Irakli Chkheidze, Hong Lu, Costanza Zappa are exhibiting their affordable original art. You can buy artwork online and browse 90 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


Contemporary Art / Painting Categories / Painting / Previous / Next
Kikuko Sakota: 'Rose Show', 2010 Acrylic Painting, Abstract.  4 pieces consist of one work ...
, 2010
Abstract - Painting
77 x 65 inches (195.6 x 165.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Nicolo Sturiano: 'Coastal sunset', 2013 Oil Painting, Seascape.  The sun sets over the ocean in an imagined Western locale. A lonely lighthouse stands at the water's edge as a sailboat heads for the harbor and gulls wheel overhead. The inlet is calm, the waves barely rippling, and a double- ended lifeboat rests on the sand. Adding to...
Seascape - Painting
30 x 24 inches (76.2 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rafael Arrieta-eskarzaga: 'The Prophet', 1994 Oil Painting, Other.
Other - Painting
36 x 36 inches (91.4 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sunando Basu: 'Abirbhav', 2013 Oil Painting, Spiritual.  Shiva Emanating. . If you concentrate on the Shivling for a while, you will experience a burst of energy around you. ...
, 2013
Spiritual - Painting
72 x 48 inches (182.9 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tom S. Hageman: 'Chinese violin', 2013 Oil Painting, Figurative.    the five senses   ...
Figurative - Painting
120 x 100 cm (47.2 x 39.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Tom S. Hageman: 'Chinese bell', 2013 Oil Painting, Figurative.   the five senses  ...
Figurative - Painting
120 x 100 cm (47.2 x 39.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Sandro Bisonni: 'First Light', 2011 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
50 x 50 cm (19.7 x 19.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
John Lynch: 'none', 2013 Oil Painting, Abstract.  Abstract, oil, contemporary,  ...
, 2013
Abstract - Painting
48 x 34 inches (121.9 x 86.4 cm)
Shawn Mc Nulty: 'Sulphate', 2013 Acrylic Painting, Abstract.              Sulphate is a huge abstract painting by established painter Shawn McNulty. This piece incorporates acrylic, pumice, and measures 36x36 on gallery wrapped stretched canvas with painted sides.  It is ready to hang.
, 2013
Abstract - Painting
60 x 60 inches (152.4 x 152.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Luis Guillermo Ramírez Ezquerra: 'Dreams, Luis RE', 2013 Acrylic Painting, Abstract Figurative.            . luis re. 2011               ...
Abstract Figurative - Painting
140 x 110 cm (55.1 x 43.3 inches)
Luis Guillermo Ramírez Ezquerra: 'El Principio, Luis Re ', 2013 Acrylic Painting, Abstract Figurative.           . luis re. 2011              ...
Abstract Figurative - Painting
122 x 122 cm (48.0 x 48.0 inches)
Dj Fedeli: 'Flamenco Red', 2010 Oil Painting, Portrait.           David Fedeli, DJ Fedeli, Fine Art, Landscapes, Surrealism, Neo- Romanticism, A Leap of Faith, Leap of Faith, Robert Watson, Oil Painting                  ...
Portrait - Painting
24 x 36 inches (61.0 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Mccarthy: 'Savannah Moon', 2010 Oil Painting, Abstract.  oil on canvas     ...
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Radish Tordia: 'Woman in Vintage', 1992 Oil Painting, Figurative.
Figurative - Painting
70 x 50 cm (27.6 x 19.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Radish Tordia: 'Woman with Flowers', 2011 Oil Painting, Figurative.
Figurative - Painting
70 x 50 cm (27.6 x 19.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Radish Tordia: 'Rosy Day', 2011 Oil Painting, Figurative.
, 2011
Figurative - Painting
60 x 76 cm (23.6 x 29.9 inches)
Like It   indepth artwork information   Add To Shopping Cart
Radish Tordia: 'Cafe', 2002 Oil Painting, Figurative.
, 2002
Figurative - Painting
70 x 80 cm (27.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Radish Tordia: 'Morning', 2000 Oil Painting, Figurative.
, 2000
Figurative - Painting
80 x 60 cm (31.5 x 23.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Pratibha Singh: 'Transformer 2', 2010 Oil Painting, Figurative.
Figurative - Painting
84 x 36 inches (213.4 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Edmond Gjikopulli: 'lilys', 2008 Oil Painting, Floral.
, 2008
Floral - Painting
75 x 75 cm (29.5 x 29.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Hilary Pollock: 'Dawn Chorus how can we keep from singing', 2012 Acrylic Painting, Figurative.
Figurative - Painting
4 x 6 feet (1.22 x 1.83 m)
Like It   indepth artwork information   Add To Shopping Cart
Irakli Chkheidze: 'street', 2012 Oil Painting, Surrealism.
, 2012
Surrealism - Painting
65 x 85 cm (25.6 x 33.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Irakli Chkheidze: 'Sounds of past ', 2011 Oil Painting, Surrealism.
Surrealism - Painting
65 x 85 cm (25.6 x 33.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Irakli Chkheidze: 'Sounds of past ', 2012 Oil Painting, Surrealism.
Surrealism - Painting
80 x 60 cm (31.5 x 23.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Hong Lu: 'Allusion in Song Style IV', 2012 Other Painting, nature.     Depiction of nature assumed in a style of 12th Century Chinese Realism ( Song Dynasty)    ...
nature - Painting
20 x 20 inches (50.8 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Hong Lu: 'Allusion in Song Style III', 2012 Other Painting, nature.    Depiction of nature assumed in a style of 12th Century Chinese Realism ( Song Dynasty)   ...
nature - Painting
20 x 20 inches (50.8 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Hong Lu: 'Allusion in Song Style II', 2012 Other Painting, nature.   Depiction of nature assumed in a style of 12th Century Chinese Realism ( Song Dynasty)  ...
nature - Painting
20 x 20 inches (50.8 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Hong Lu: 'Allusion in Song Style I', 2012 Other Painting, nature.  Depiction of nature assumed in a style of 12th Century Chinese Realism ( Song Dynasty) ...
nature - Painting
20 x 20 inches (50.8 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Costanza Zappa: 'bersau a la mer', 2000 Other Painting, Abstract Landscape. at the seaside  ...
Abstract Landscape - Painting
50 x 35 cm (19.7 x 13.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Kohlene Hendrickson: 'DeLight', 2012 Encaustic Painting, Figurative.     , expressive, figurative, fresco, abstract figuration    ...
, 2012
Figurative - Painting
90 x 110 cm (35.4 x 43.3 inches)
Like It   indepth artwork information   Add To Shopping Cart
(Page 13 of 90) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Claudia Kleefeld - I hold my Bachelor of the Arts from The University of Southern California, Los Angeles and a Post Graduate degree from The Byam Shaw College. Painting, drawing and photography are my primary medium also focused in video, performance and text. Fascinated by people and culture, I examine the voice of the individual and how it correlates with our external world. Much of my work is 'unfolding the dream'; softening the lines between art in it's physical form, and what is alive, while recognizing the intangible (or that which comes to us from outside of our understanding of the physical world). Throughout many years of this process, the symbols of daily life and those used in classical iconography have become a poignant aspect of my imagery. My current works connect the individual's journey and the external world together through nature's poignant symbol, the spiral. I use this form to exemplify the workings of our Universe in my drawings, paintings and in a multi media based exhibition. I am currently a resident of Albuquerque, and have lived in Taos since 1994. I exhibit Nationally and Internationally, and my works are held in numerous museum and significant private collections. ...

    Kikuko Sakota - The recent themes of my paintings are imaginative world coming into my mind, while walking in hills and forests. Fresh air, smell of leaves and soils, color of greens, and singing of birds make me recall fairy tales: the witch living in the woods, dwarfs playing music, and so on. It is my bold attempt to interpret invisible but natural miracles into picture planes with my skills focusing on color employment, brushstrokes and composition for those elements. Please check out my website:

    Rafael Arrieta-Eskarzaga - "Through my art I endeavor to represent by various methods the world in which we live. Thus, I may express the duality of life by contrasting light and dark in my paintings while I juxtapose organic and geometric forms in my sculptures. Independently of the theme of an individual piece, my work is a reminder to the observer of the ethereal quality and mutability of our seemingly solid physical reality." Arrieta-Eskarzaga...

    Tom S. Hageman - May 1968: I finished my studies with a paper entitled, "The Art in the 21st Century," in which I concluded that modern art ought no longer defy or deny the ancient'classical' tradition, but needs to search for a synthesis between the two traditions. In my series "Revelations" I searched for this synthesis in combining traditional skills with contemporary insights. This theme of searching for an integration and synthesis of traditional and contemporary art would continue to inspire me throughout my career and would find expression in my work in many different ways and forms. In 1970 I lived in Turkey for a year and traveled through Teheran (Iran), Kabul (Afghanistan) en Lahore (Pakistan). My life in Turkey and my travels in Asia made a deep impression on me which in turn influenced me in my work. My memories of Turkish bathhouses, Persian tiles, Afghan coffeehouses and Mogul gardens inspired me and I worked on integrating classical Asian styles and techniques in European techniques and thereby developing my own personal style in my series "Manuscripts." In the beginning of the eighties I felt the desire to return to the European tradition of'skimming light captured in oils.' But in working...

    Sandro Bisonni - SANDRO BISONNI is an italian painter with lots of Humor and music in him. He is direct, open and yet a mystery. It took me a while to recognize his painting made for the project titled DEPARTURE. I had to look from afar to receive his offering and now that I have , it will always be a friendly reminder for me to move on...........With his "First Light" he is already created anew............... Tchera Niyego, WARD NASSE GALLERY, SoHo, New York, 2011....

    John Lynch - John Lynch is a painter, currently working in thr San Francisco bay area. Most of his work is done in the mediums oil on canvas, and oil and acrylic on paper. He has been influenced by the New York School; Pollock, de Kooning, Kline, and the Japanese and Chinese Zen arts. Jazz and the Beat poets have inspired....

    Shawn Mc Nulty - My work is dependent on design fundamentals: form, color, and composition. My style explores the relationship between man-made structures and the natural world; the idea of recognizable shapes and structures living within irrational thoughts and emotions. I begin a new piece very spontaneously and become more detailed as the composition starts to show itself. The first layer is the most erratic and freeform as I mash and scrape together a variety of acrylic colors and pumice with commercial grade joint knives. I invented a "shoe palette knife" which I use on early layers to challenge the way my body connects to the surface. I also work the canvas on the floor using a Swiffer tool. A dialogue is created with the painting, and it starts to show me what needs to be done. Thick layers of acrylic and pumice and are applied, scraped off, reapplied, sliced off, etc. There's a technique I call "scuffling" which involves a repetitive chopping motion with the palette knife resulting in approximate parallel lines. The color fields interplay with each other, attempting to find common ground resulting in complex and interesting edges. The process continues until a solution is found, always applying and ...

    Luis Guillermo Ramírez Ezquerra - Luis RE. Artist statment. Versus: sobre Borderline borderline [boer-der-lain] s. Limite, orilla, frontera.- a. Incierto, dudoso. A borderline case, caso entre lo normal y lo subnormal. borderline (termino psicoanalitico): caso clinico de personalidad que oscila entre varias patologias, sin tendencia a alguna en particular. "El caracter de la imagen se determina por la relacion establecida entre el adorante y el adorado" Shukrasharia. La frontera entre una cosa y otra siempre ha sido creada, por lo tanto es siempre suceptible a la destruccion. Lo hermoso puede ser grotesco de un momento a otro. La vida tiene como companera mas cercana a la muerte. Nada es forma o pura, incluso lo que supone serlo. Entre los trazos basicos de las lineas se esconde una verdad. La imagen misma de las lineas del trabajo de luis RE Borderniline -horizontales pasivas o activas verticales- nos sugiere ya la idea misma de limite. ?limite de que? Borderline, actual peldano pictorico del aritsta, sugiere marcar y desvanecer limites, y confronta tres pares de ideas, fundamentales para su poetica pictorica: 1. La imagen vs. ...

    Dj Fedeli - "I believe that as an artist, it is not my purpose to dictate what the viewer sees on the canvas, but rather to pose a question that causes them to seek an answer within themselves. Each individual brings their own life experiences into the decision, and for each of them the meaning is truly unique. My passion lies in reaching that inner self, and drawing it into, and out of, my art. My goal is to create a moment that touches their soul."...

    John Mccarthy - "Chaos for me breeds images." -- Francis Bacon JFM Theory: Chaos is the ultimate order. The energy embodied in John McCarthy's art springs from a chaos that exists at a level that far surpasses the categories of abstract expressionism and other forms of so-called "accidental art." It is a place where the meaningful and the meaningless can playfully co-exist; where reason and the illogical exist side by side; where the details are always superior to the whole; where chaos is the ultimate order, where a lightning bolt of paint ignites texture and impasto in an electric explosion of conscious thought and anxious action. It represents a separate multiverse - where opposing sides forever reverse, replace each other and merge. Conversely, the rules of the world can also be seen as reversals, betrayals, plot twists, double identities, traps, time warps, black holes, rebellions in consciousness, metamorphoses and the big bang. McCarthy's paintings are shards of broken-glass paint that re-define a cubist view of chaos theory. They are atomic or subatomic explosions of colors like nothing that has come before. Look closely at the rivers of color represented in his action painting and see if you can decipher...

    Edmond Gjikopulli - Artistic statement Like a film fragment standing daily before our eyes, a film where we feel being at the same time viewers and actors, Albania of the years 2000 is obsessed by a consumerist fever, from the beginning of another system of references, which nevertheless, unable to substitute entirely the old one and matching everyday with him, is aiming to reach a much dreamed Eldorado. We experience around us a strong loging for consume, a loging which gradually is transforming our psyche and our system of values, but that nevertheless hasn't been able to reach the essence of what is original, "exotic", interesting and sincere. These are moments that I see everyday, people that I know, people living the everyday poetic and prosaic moments of existence, people anonymous and real in the capitalist Albania of the years 2000. We participate in this fairytale since fifteen years, with absurd scenes, tragicomic, kind and painful, grotesques and unique, which at the same time are the features of the new Albanian identity of these last years. Witnessing everyday this transformation is difficult not to be stimulated by these signals which are found everywhere, you can't keep yourself by turning the head ...

    Hilary Pollock - When contemplating creativity, I admit to being impressed by the draftsmanship of Gustav Klimt,the audacity and creativity of Picasso and the fortitude of Artemisia Gentileschi and many other female artists. The "Lady and the Unicorn" tapestries in Paris move me greatly for their colour and their detail in particular. I have my own style and language which has developed over the years from experimentation with a variety of mediums and different approaches to my subject matter. Some things become favourites, contributing to a personal language and the sheer pleasure of creating. The process is the important thing. Creativity for the visual artist is all about struggle,excitement and energy....

    Hong Lu - From western modern art, Cubism and Surrealism are two fundamental conceptual influences on me. However, the overall construction of my work is still rooted in traditional Chinese painting, both in terms of composition and technique. I try to focus on the lyric element in an image, a symbolist approach: to suggest, not to define. Since I was a child, the unconsciousness and subconsciousness have always intrigued me. It seems to me they compose expression in art, as logic guides explanation in science. I have spent considerable time on psychology, anthropology and religious studies. I borrow thematic elements from various ethnic cultures and religions to support my creativity. I am looking for humanness, as a whole, rather than individual specifics, to depict and express in my work. Sometimes I get lost in my own search for expression and can only probe my way through the process without knowing what and why. The only saving grace for me is that I am an artist, not a scientist: I am here to describe, not to explain. I hope my paintings work as a well of dreams that can communicate and inspire others to their own interpretation and expression. ...

    Costanza Zappa - Costanza Zappa (www.costanza.net). Farmacista, nata a Milano , acquarellista, sta portando avanti una singolare ricerca nell'alchim|a dei colori e dei soggetti pittorici, passando con estrema disinvoltura dal figurativo alle originali interpretazioni astratte. In entrambi i generi se ne riconosce l'impronta personale nel particolare utilizzo della pennellata. Si intuisce un percorso artistico preciso ed in continuo divenire. La sua formazione si >> avvalsa dell'aiuto di importanti maestri contemporanei quali Luigi Zucchero e Antonio Galloni. ...