Paintings For Sale - Price Range: $5000 - $10000

Page 23 of 78
Discover 2,256 original painting artworks for sale between $5000 - $10000. Contemporary emerging artists: Jorge Leanza, Pygoya Rodney Chang-phd, Shannon Russell, Pamela Flynn, Karen Parker, Carol Griffith, Roderick Briggs, Christine Lytwynczuk, Hongvan Ng, Alan Bateman, Izya Shlosberg, Joel P Heinz Sr., Oleg Lipchenko, Silvano Battimiello are exhibiting their affordable original art. You can buy artwork online and browse 78 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Jorge Leanza: 'Creative Energy', 2006 Oil Painting, Meditation. Original oil painting palette knife...
Meditation - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Pygoya Rodney Chang-phd: 'Persian Gulf', 1992 Oil Painting, Military. Study of painterly textural quality created using the Amgia computer from the 80s, then rendered by Pygoya to oil on canvas to document this startup early PC fine arts capability before it became obsolete/ extinct as a digital art tool. The work was one of a series created as the ...
Military - Painting
72 x 48 inches (182.9 x 121.9 cm)
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Pygoya Rodney Chang-phd: 'Homage to John Lennon', 1989 Oil Painting, Portrait. The Beatles was Rodney Chang' s favorite band.  Here John Lennon' s famous spectacles are rendered in the artist' s self- proclaimed Pixelism style.  Note the  skull- like smile on the lenses. Oil painted squares to represent the pixelated appearance of low resolution PCs of the 80s - such as the ...
Portrait - Painting
72 x 48 inches (182.9 x 121.9 cm)
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Pygoya Rodney Chang-phd: 'New Pacific Network', 1993 Oil Painting, Communication. Large oil on canvas depiciting the new Pacific age of high tech communication and culture. Designed by Rodney Chang, MA, Ph. D. , using the Apple computer, vintage 1990 software....
Communication - Painting
48 x 96 inches (121.9 x 243.8 cm)
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Pygoya Rodney Chang-phd: 'Claspers', 1992 Oil Painting, Abstract. Bold digital image rendered to oil on canvas; using historic Amiga computer, now out of commission; rendered in late 80s at the beginning of the digital art era....
, 1992
Abstract - Painting
72 x 48 inches (182.9 x 121.9 cm)
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Pygoya Rodney Chang-phd: 'Journey In China', 1993 Oil Painting, Abstract. Rodney Pygoya Chang' s inspiration from the textures he experienced on his trip to China for his solo exhibitin opening at the Shanghai Art Museum in 1988; design with the Mac computer then rendered into oil on canvas....
Abstract - Painting
72 x 48 inches (182.9 x 121.9 cm)
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Pygoya Rodney Chang-phd: 'Geisha', 1990 Oil Painting, Culture. Large oil on canvas by Rodney Pygoya Chang; designed with IBM with Lumena software in late 80s; render to oil on canvas; has been in a solo exhibition at the Las Vegas Art Museum, NV....
, 1990
Culture - Painting
96 x 60 inches (243.8 x 152.4 cm)
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Pygoya Rodney Chang-phd: 'Outpost', 1986 Oil Painting, Technology. Techno- cyber- sculptural imagery created by Rodney Chang with the Amiga computer and rendered by the Pygoya team. ...
, 1986
Technology - Painting
72 x 48 inches (182.9 x 121.9 cm)
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Shannon Russell: 'ALPHA MALE', 2006 Oil Painting, Figurative. WHEN YOU KNOW YOU CAN HAVE ANYTHING THAT MOMENT WHEN WHAT YOU SEE IS YOURS...
, 2006
Figurative - Painting
48 x 48 inches (121.9 x 121.9 cm)
Shannon Russell: 'DUDE', 2006 Oil Painting, Figurative. SURFER ON BEACH WITH MOTORCYCLE...
, 2006
Figurative - Painting
48 x 48 inches (121.9 x 121.9 cm)
Shannon Russell: 'MIDSUMMER', 2006 Oil Painting, Figurative. Young surfer at dawn Playa Lagosta...
, 2006
Figurative - Painting
48 x 48 inches (121.9 x 121.9 cm)
Pamela Flynn: 'In Celebration 9', 1995 Oil Painting, nature. There is a the co existence of humanity with nature, ones dependence on environment and the restrictions nature places on human kind.  The plant forms are visual metaphors for human life- the thriving of life- the beauty- the blooming.  The rocks are the inherent restriction on human life by nature.  ...
nature - Painting
36 x 36 inches (91.4 x 91.4 cm)
Karen Parker: 'Papillion Love', 2006 Oil Painting, Portrait. A portrait of a young man with tattoos....
Portrait - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Karen Parker: 'Peonies', 2005 Oil Painting, Floral. White Peonies in a dramatic light....
, 2005
Floral - Painting
40 x 60 inches (101.6 x 152.4 cm)
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Karen Parker: 'Pink Heather', 2005 Oil Painting, Portrait. Portrait of a young woman with tattoos....
Portrait - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Carol Griffith: 'Religious Experience', 1988 Oil Painting, Religious. This triptych uses churches to talk about three ways that I see people  approaching worship- seeking a mystical experience, looking for answers from an authority or wanting a personal relationship. ...
Religious - Painting
135 x 61 inches (342.9 x 154.9 cm)
Roderick Briggs: 'Gas Forlorn Outpost', 2000 Oil Painting, Americana. This converted gas station, on the path to abandonment, still remained on a street of a Westen mining town, whose local industry closed....
Americana - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Roderick Briggs: 'Winter Gale with Windsurfer', 2004 Oil Painting, Seascape. The painting depicts what occurs during a wintry gale on a southern California beach.  Strong winds bring windsurfers to the beach to practice their skills on the choppy waters and surf that characterize such weather conditions. ...
Seascape - Painting
50 x 40 inches (127.0 x 101.6 cm)
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Roderick Briggs: 'Hung Out to Dry', 1997 Oil Painting, Americana. This street corner scene reflects one aspect of a Western mining town' s predicament after corporate owners of the mine abandoned the operation, leaving its inhabitants adrift.  Each brick in the huge wall is detailed as a tribute to the 19th century bricklayers who erected the building and others like ...
Americana - Painting
50 x 40 inches (127.0 x 101.6 cm)
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Christine Lytwynczuk: '178 Days', 2005 Oil Painting, Representational. Giclees available from $60 to $1,500. The 178 cranes represent the amount of time my husband and I were separated for the first time, during our curtship.  This is a still life of the actual jar I gave to him as a Christmas present, the next time we saw ...
, 2005
Representational - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Christine Lytwynczuk: 'Carees', 2005 Acrylic Painting, Fashion. Giclees available from $60 to $1500.  Please inquire with artist.Caressa was inspired by the world traveling women of the 1800' s.  Dripping with theatrics, adventure and romance, she sits in a rich interior lost in the emotion of her music. She is also a homage to the beloved pre- ...
, 2005
Fashion - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Hongvan Ng: 'Peace Possibilities Above', 2005 Acrylic Painting, nature. PeaceaEUR
nature - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Alan Bateman: 'Shells and Trilliums', 2004 Acrylic Painting, Representational.
Representational - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Alan Bateman: 'Canoe on Forest Floor', 2004 Acrylic Painting, Representational.
Representational - Painting
48 x 32 inches (121.9 x 81.3 cm)
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Izya Shlosberg: 'Queen of Games', 2005 Oil Painting, Figurative.
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Joel P Heinz Sr.: 'Waa O Kaua', 2005 Acrylic Painting, Culture. Anchient Warriors landing on Oahu under the watchful eye of Diamomd Head Waa O Kaua ( Canoe Of War)...
, 2005
Culture - Painting
30 x 24 inches (76.2 x 61.0 cm)
Oleg Lipchenko: 'Betelgeize', 2004 Oil Painting, Abstract. Ford Prefect was originated from a small planet in the vicinity of Betelgeuse. Quite a famous place in Universe....
, 2004
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Silvano Battimiello: 'ASPETTANDO IL METRO', 2003 Oil Painting, Figurative.
Figurative - Painting
100 x 70 cm (39.4 x 27.6 inches)
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Silvano Battimiello: 'RINNOVAMENTO', 2001 Oil Painting, Figurative.
Figurative - Painting
70 x 100 cm (27.6 x 39.4 inches)
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Silvano Battimiello: 'SCENA URBANA', 2000 Oil Painting, Figurative.
Figurative - Painting
150 x 100 cm (59.1 x 39.4 inches)
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(Page 23 of 78) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jorge Leanza - We human beings never perceive any object twice with the same value, strengths or reflections, thereby my art can be changed or can change the viewer's perspective reflection. No one person will ever experience one of my images twice in the same way. Paintings are extensions of our livings experiences and should have the ability to change as often as ourselves. "They seem to assume my own vibrations, and they take a part of me along with them" Leanza ...

    Pygoya Rodney Chang-Phd - Rodney Chang, better known as the Internet's Pygoya, Webist, was the first digital artist to exhibit in Honolulu, back in 1985. He has exhibited around the world, including Paris, New York City, Chicago, Las Vegas, the U.S.S.R., England, Vienna, Budapest, Frankfurt, Australia, Seoul, Japan, China and India. His 1988 solo show at Shangahi Art Museum was China's historic first computer art exhibition. He organized India's first ever international digital art exhibition (1999). In the 1980s and 1990s he promoted his concept of Pixelism, or the conversion of pixels into paint, by hand and on canvas, to mirror (as art history) the digital quality of crude early low resolution monitor imaging. He also co-founded Webism, the art movement to create and exhibit art online for the sake of the global cyber-culture and audience. In the 1980's Dr. Rodney Chang gained national notoriety as NBC's Real People Show's "Disco Doc" - filmed dancing in his Honolulu dental clinic's discotheque reception area, complete with staff DJ. He danced on syndicated TV (NBC "Real People Show") around the world. The artist is also recognized in Who's Who in America and Ripley's ...

    Shannon Russell - Artist Statement I use color like a knife. Segmenting dissecting redefine, constantly searching for what makes a shape or look. What makes something that defines a figure or portrait. What subjects look like? Most of my work is based off of celebrities and figures in the press. All of my subjects come with certain preconceived notions attached and I search these out through the use of color, texture or light. I work in oil paint, specifically for it tonal quality. The pure pigment used with and archival medium, applied to a snow-white ground, achieves a certain level of light penetration that makes my work seem like stain glass in full sunlight. That theme of light penetrating seems to travel throughout my work. Whether I am painting objects or like my most recent work concentrating on figure and portraits. I use light to define the color and to make a skeletal structure to break open the emotional connections of subjects and viewers. If you examine someone and see the colors that dance across their skin as light passes over and through it, you will understand where my painting is coming from. It is just a moment a glance into that ...

    Pamela Flynn - My work has always been grounded in issues from living the day to day. I see the visual world as a mirror of human priorities and in much of my work I use digital images from self taken photographs as a starting point. My work is process intense and is meant to initiate an examination of the inherent responsibility that goes with living. My work explores many different issues. Among which are: the use of technology to generate the work, the ability of art to quietly evoke visual memories, the juxtaposition of the uncontrolled and the controlled in living, the blurring of the boundaries between the serious and the trite, the questionable truth of the photo image. ...

    Karen Parker - In terms of style I am a Classical Realist. I generally paint with oil, and especially like to use it for portraiture. With some paintings I begin with an imprimatura, for others I use a solid acrylic underpainting, later overpainting with transparent glazes and translucent scumbling and there are times that I paint alla prima. Using these methods, I paint landscapes, still lifes and portraits; painting my subjects from life, as it allows an intimacy that a photograph or a sketch cannot provide. Painting portraits provides me with the opportunity to create a work of art that encompasses beauty and timelessness. I paint with the idea that one day these portraits may become heirlooms, cherished by future generations. ...

    Carol Griffith - My oil paintings are meditations triggered by places or situations in my memory, arrived at through a sort of daydreaming state of mind. I attempt to evoke that mood in the handling of the formal elements of the painting, especially the color and the perspectival point of view. I wish to create both a believable place and the sense of something more significant behind it. The viewer, in contact with the painting and their own memories, may then project into the space and experience the significance that I sensed. This approach has led me to an interest in souvenirs. I see them as an attempt to capture a special place or experience in concrete or symbolic form. By doing paintings of my own remembered places and experiences, I have been following a parallel path. I like the comparison with one purpose of art. I use borders in some of the paintings to function simultaneously as framing devices and as an arena in which to create a dialogue with the internal painting. The borders also extend the meaning of the internal subject. Memories often consist of simultaneous kaleidoscopic vignettes that, in combination, embody the whole, original experience. Each vignette is also ...

    Christine Lytwynczuk - Christine's paintings are about the human experience: relationships, emotions and introspection. She strives to evoke the feelings of empathy, hope, serenity and comfort through her work. Her paintings have a commanding presence, yet are quiet and exude a sense of intimacy. To be in a room with one of her paintings is like being in the presence of a close friend. Christine often paints children from different cultures, for children experience the same thoughts, fears, hopes and aspirations as adults, but they do not have emotional masks to hide behind. She paints from different cultures to highlight our inner similarities and because she is enthralled with the diverse ornamentation and design found throughout all lands. She feels that cultural decoration adds richness and beauty to life, especially when harmonized with the native landscape. Christine Lytwynczuk was born in Tucson, AZ in 1974. She spent most of her formative years, and as much time as possible now, in the Sonoran Desert. Her love of the desert and nature is revealed in many of her paintings. For twelve years she attended an open-classroom school where she had unlimited access to art materials. During high school she spent a summer in ...

    Hongvan Ng - A VISION COMES FROM A POINT WHERE THE IDEAS START. Painting is a powerful language in which I express myself and communicate. The message within each painting is an illustrated element or aspect of my life. I paint the moments that capture me, the beautiful and the painful for the exquisiteness of any moment can make me cry, and then I paint. Sketching and drawing are tools of my vocabulary with which I discover and reveal my thoughts and feelings, and when I forget that I am making art, when I am purely communicating, I am free. ...

    Alan Bateman - I usually do not write long expiations regarding any one piece of my art. I am a not a writer. The paintings, at least in my genera, are the message. If you don=t relate to them any enlightenment on my part will only help you develop a more academic understanding of why I paint. As with many artists of all disciplines my inspiration comes from living. There is a cyclical nature to my life. I am not sure if my art inspires my life or if my life inspires my art. The parts of my life that translated in to paint always leave me with a better understanding of how I see. There are certain things that are missing from my work. This has only recently occurred to me. In a subtle way they lack any marks of modernity. I would not paint a traffic sign, or a cd player. I may even edit out hydro lines. I now know why I had an unconscious need to portray things this way. It has to do with a kind of visual literacy. It seems that you use a different part of your brain for reading symbols, and putting them in ...

    Joel P Heinz Sr. - Joel P Heinz Sr. was born in Hastings, Minnesota; raised and educated in Northern California: served in the Army in Viet Nam, and raised a family in California. He worked in various sales positions until he found his calling working with mentally disabled adults. He is now retired and living his dream in Maui with his wife, Kathy. In 1995, Joel began painting using acrylic paint on canvas with no formal art training. His artwork evolved from associating with other artists and the joy of experimenting and discovery. In the beginning, his favorite subject was Tropical Marine, colorful tropical landscapes and underwater scenes. As part of the evolution of his art, he dabbled in Egyptian art for a short time in order to practice working in detail, a noticeable characteristic of most of his artwork on canvas. For years he had appreciated artwork from a distance only to be disappointed in the lack of detail when viewed close up. He wanted his work on canvas to be detailed enough to be clearly seen whether viewed up close or from a distance. In the 21 years prior to moving to Maui, Joel's twice-annual visits to Maui cultivated an appreciation ...

    Oleg Lipchenko - What about an art? Probably I'm not an artist - just a musician without a voice. And what I'm using for singing - paint and canvas. It's pretty much like singing. Sing a song when you want, when it's singing itself, when your voice is just following the inner melody. That's an Art what I call it. . . . . . About an inspiration. Art is very personal thing. Artwork, being inspired of something, could touch or induce a personal response in someone, and who knows will it be related to the source inspiration. My latest works are primarily much more abstract, sometimes absolutely abstract. This character of my painting doesn't depend of what I like or what I don't like in art. I'm not a special fan of abtract art or realism, but I hate statements, programs and manifests in art. It goes as it goes, or at least it should. If you ask me what style or the direction my paintings belong to, the question doesn't make much sense to me. Directions and styles are just labels or stamps which help dealers to pack and sell art. I like such words as Realism, Surrealism, Abstract...