Paintings For Sale - Price Range: $5000 - $10000 (2,642)

Artists Describing Their Art:

Fernando Javier Cantera - MY NAME IS FERNANDO JAVIER CANTERA, I HAVE BORN IN BUENOS AIRES, ARGENTINA, THE JULY 161978,MY WORK IS INSPIRED IN THE WORKS OF PABLO PICASSO MAINLY... BUT I LIKE VINCENT VAN GOGH AND SALVADOR DALI. I PAINT AND I INTERPREAT THEIR WORKS AND THEIR MEANINGS IN MY WAY. I PAINT MY OWN VISION OF THEIR WORKS. I DONT HAVE ARTISTIC DEGREES OR STUDIES. I A SELF-TAUGHT, MARGINAL, OUTSIDER ARTIST. I CONSIDER MYSELF AS AN ARTIST... NOT A PAINTER. PLEASE BE WELLCOME TO MY GALLERY. ...

Ivan Pili - Following in the footsteps of the great masters of the past, the tradition of classical and romantic nineteenth-century painting that evolves into a figurative language relives in the beautiful works of art of master Ivan Pili , whilst the segno runs fast and decisive in the graphic ability from suffused values aEUR
Richard Young - I am a self-taught professional Artist, born in Yorkshire, in 1961, and now based in Reading, UK where I have my office and studio. Though I have always had a flair for pencil and chalk drawing, I graduated in engineering in 1983 and with a passion to travel, I initially pursued a career as a design consultant in various managerial roles with international design consulting companies, residing primarily in the Middle East. Nevertheless, an artisan at heart, I returned to Commercial Art in 2003, initially as a semi-professional artist and have extensively developed my own personal style and technique. I create all oil paintings entirely using a knife, often in a limited colour palette and mixing only on the canvas. The style of my artwork is modern, yet classical traditional and occasionally contemporary. The compositions are influenced and inspired by the realism and romanticism of my favourite post renaissance classical Masters and their timeless, romantic masterpieces. My artwork compositions mostly entail dramatic lighting and shading, in a high contrast. I simply adore light and am fascinated with its arguably undue influence on any subject. Predominantly figurative, I aim to capture a carefully composed aloof anonymity, mood, atmosphere, drama, ...

Larain Briggs - I began painting at the age of 10 and had work in a gallery by the time I was 14. When leaving art college I was chosen by'Sweet Waters Gallery' in Edgeware, London to exhibit with them and consequently exhibited at various venues such as the Business Design Centre in Islinton 1991 and the Sophia Arts Fair in Bulgaria. I was very humbled and priviledged to exhibit at the Business Design Centre with Walter Nessler. After that I had very unfortunate personal problems and had to focus on them. During that time the gallery closed down and I lost touch with the art world. I then had to move away from London and have now been working and exhibiting my art again on the coast in Essex, UK. Despite describing myself as a painter, I now work in mixed media to portray various styles and genres. My work was previously figurative but has now evolved more into abstract, Dada and sometimes surrealism. I studied art at Camberwell Art College and trained to teach art at Goldsmiths College. Having studied art therapy, psychology, fine art and computer aided visualisation; I enjoy the challenge posed by stretching multi-disciplinary skills and ...

Andre Nod - Born 1962 in Alma-Ata now aEUR" Almaty, Kazakhstan, graduated in 1988 from the Alma-Ata State Theatrical and Artistic Institute in 1988 BMF MFA. Over the course of 30 years of active creative work has authored thousands of works of art, including paintings, sculpture, drawings, etchings, photographs, ceramics and contemporary art. Has participated in more than 200 group exhibitions and held more than 30 solo shows. Has published poetry in periodicals, participated in literary seminars and also acted in films. His works have been shown at such major international forums as ArtExpo New York International, AFA Rosemalen, Art Manege Moscow, Accessible de Arte Brussels, Asia Art Tashkent, Art Market Budapest, Art Expo SPb International, Saint. aEUR"Petersburg, Art Shanghai, at Kolner Liste Discovery Art Faire, Cologne, Germany, at the Central ArtistsaEURtm House in Moscow, at UNESCO, Paris, France and also at Sothebys and Christies. His works can be seen in permanent exhibitions at the Kasteyev State Museum of Fine Arts in Almaty, Kazakhstan, at the Museum of Modern Art in Astana, Kazakhstan, at the Museum of Art in Karaganda, Kazakhstan, at the Nevzorov Art Museum in Semipalatinsk, Kazakhstan, at the Pavlodar Art Museum, Pavlodar, Kazakhstan, at the Regional Museum of Art ...

William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

Jeffrey Ferst - I am a colourist. I have a keen interest in the Senoran desert and in nature in general. My work draws from my life in the desert, an encounter with nature, and combines it with a spiritual reaction to everyday events and experiences. The result is twofold aEUR" a series of colorful and heavily textured landscapes of our big sky locale developed from photos taken of Tucson and area sunsets; and also a series of much more deconstructed/abstracted landscapes which tell tales of life in the desert. My working process for these deconstructed landscapes is a direct one, usually with no preliminary drawing. A canvas will develop as a spontaneous, free-flowing conversation between me and the painting, with the completed work the result of a very organic process. There is a strong subconscious element to this work, with each painting taking on a life of its own. These canvases tell stories of life in the desert aEUR" color and shapes play against one another to create impressions of plant and animal life, the land and mountains, sky and cloud formation. These elements resonate with audiences who can draw their own experiences from the paintings. ...

Freydoon Rassouli - Creation is the product of synchronizing our energy with the universe. Once we experience the whole and recognize it, we become aware that we are nothing but the Divine Creative Force. I do not start a painting with sketches, I do not paint on location and I do not work from photos. Instead, many mornings, before the dawn, I climb a mountain to its peak. There , sitting in solitude, I observe rising of the sun. I watch plants open their leaves, buds tear up their dresses and the birds sing to the arrival of their creator. There is an interconnected serenity that allows all creatures to experience the divine unity. Having felt that creative energy, I rush to my studio, dip my brush into paint, and let it move freely on canvas. My paintings are inspirational for they allow the observer to experience infinite viewpoints and perceptions. They are not abstract for they represent what is actually more real than what our eyes are able to see. They allow the viewers to be inspired by taking their own perception beyond their senses and their surroundings. "Relationship" is the most important aspect of my work. I believe that dream and reality ...