Paintings For Sale - Price Range: $5000 - $10000

Page 4 of 88
Discover 2,530 original painting artworks for sale between $5000 - $10000. Contemporary emerging artists: Cathy Dobson, John Gamache, Dennis Duncan, Marcia Freedman, Micha Nussinov, James Gwynne, Ron Ogle, Donna Gallant, Marie-france Busset, Hans-ruedi Kammermann, Maciej Hoffman, Austen Pinkerton, William Christopherson, Lou Posner are exhibiting their affordable original art. You can buy artwork online and browse 88 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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John Gamache: 'All My Ducks In A Row', 2012 Oil Painting, undecided.   Oil on linen              ...
undecided - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Dennis Duncan: 'DREAMING WIDE AWAKE', 2013 Acrylic Painting, Meditation.  A glimpse into our imagination. A stimulation of the cerebral cortex. Memories past, present, and  future our own private picture show. Daydreaming of new horizons, creativity and aspirations becoming one common thread.     ...
Meditation - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Dennis Duncan: 'NIGHT  IN TUNISIA', 2006 Acrylic Painting, Surrealism.      A Night in Tunisia a Charlie Parker jazz classic was my musical muse for this piece. Images I  photographed at the ODUNDE festival in 2004 here in Philadelphia Pennsylvania of a MASAI dance troupe inspired me to take a mystical journey, beginning in S. Africa and ending on an isle...
Surrealism - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Marcia Freedman: 'JT 8', 2010 Oil Painting, Abstract.    JT_ 8 is an abstract oil painting that was informed by landscape.  Not Yet is an abstract oil painting on canvas that was informed by the figure.                             ...
, 2010
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Marcia Freedman: 'JT 16', 2012 Oil Painting, Abstract.   JT_ 16 is an abstract oil painting that was informed by landscape. .                            ...
, 2012
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Micha Nussinov: 'Waking dreams', 2012 Acrylic Painting, Fantasy.   Being transient, as if we drift, in between various states of minds, as if in a waking dream. ...
Fantasy - Painting
230 x 130 cm (90.6 x 51.2 inches)
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Marcia Freedman: 'Not Yet', 2012 Oil Painting, Abstract Figurative.   Not Yet is an abstract oil painting that was informed by the figure.                         ...
, 2012
Abstract Figurative - Painting
84 x 72 inches (213.4 x 182.9 cm)
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Marcia Freedman: 'CUZ', 2012 Oil Painting, Abstract Figurative.   CUZ is an abstract oil painting on canvas that was informed by the figure.                          ...
, 2012
Abstract Figurative - Painting
96 x 72 inches (243.8 x 182.9 cm)
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Cathy Dobson: 'The Moons of Saturn', 1994 Oil Painting, Astronomy. Original Blacklight Oil Painting.  Cosmic Collection  Glows in the dark. ...
Astronomy - Painting
48 x 48 inches (121.9 x 121.9 cm)
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James Gwynne: 'Asleep on Blue Drape', 2005 Oil Painting, nudes. Nude asleep on blue drapery with arm and hand extended ...
nudes - Painting
70 x 75 inches (177.8 x 190.5 cm)
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James Gwynne: 'Misty Sky', 2000 Oil Painting, Landscape. Distant clouds barely visible with one white- edged cloud as a focal point of this subtle arrangement ...
, 2000
Landscape - Painting
60 x 65 inches (152.4 x 165.1 cm)
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James Gwynne: 'Evening Fog with Telephone Pole', 2012 Oil Painting, Landscape.  Foggy grey conditions with silhouettes of telephone pole and roof tops and highlighted background clouds ...
Landscape - Painting
42 x 48 inches (106.7 x 121.9 cm)
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Ron Ogle: 'Morgan 1', 2012 Oil Painting, Portrait.  Anton Checkov: UNCLE VANYA: Sonya speaking:
, 2012
Portrait - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Donna Gallant: 'Old Man River', 2012 Oil Painting, Landscape.     Influenced by our vast skies, soft coulees and moving river, this piece was created for a special project Donna is involued in. ...
Landscape - Painting
64 x 40 inches (162.6 x 101.6 cm)
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Marie-france Busset: 'LE COQ A NEW YORK SUR LE PONT DE BROOKLYN', 2011 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
81 x 100 inches (205.7 x 254.0 cm)
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Hans-ruedi Kammermann: 'metamorfosi', 2010 Oil Painting, Gestalt.
Gestalt - Painting
110 x 100 cm (43.3 x 39.4 inches)
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Maciej Hoffman: 'paper', 2011 Oil Painting, undecided.
, 2011
undecided - Painting
210 x 190 cm (82.7 x 74.8 inches)
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Maciej Hoffman: 'dance', 2011 Oil Painting, undecided.
, 2011
undecided - Painting
210 x 170 cm (82.7 x 66.9 inches)
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Maciej Hoffman: 'sunset', 2009 Oil Painting, undecided.
, 2009
undecided - Painting
160 x 160 cm (63.0 x 63.0 inches)
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Maciej Hoffman: 'adolescence', 2010 Oil Painting, undecided.
undecided - Painting
210 x 170 cm (82.7 x 66.9 inches)
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Austen Pinkerton: 'THE BAY', 2011 Acrylic Painting, Other.   LANDSCAPE ...
, 2011
Other - Painting
30 x 24 inches (76.2 x 61.0 cm)
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John Gamache: 'Time Catcher', 2016 Oil Painting, undecided. Oil on canvas in antique Victorian mirror frame...
undecided - Painting
33 x 23 inches (83.8 x 58.4 cm)
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William Christopherson: 'Syracuse Strathmore Belleview Reservoir', 2009 Acrylic Painting, Landscape.  Original 24 x 30 inch acrylic on canvas by New York artist William Christopherson.  Title 2009 Strathmore Series 1 - The Res.  The Woodland Reservoir, in the Strathmore area of Syracuses, the artists boyhood home.  A place of solitude and exercise, where one can escape the neighborhood bustle and the noise...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Lou Posner: 'The Tale of the Priest of the Nun', 2003 Oil Painting, Religious. Real titleThe Nuns Priests Tale a reference to Chaucer.  An artist friend befriends two nuns and learns a lot about life.  Dog observes.  Sour- puss passes judgment....
Religious - Painting
20 x 16 inches (50.8 x 40.6 cm)
Austen Pinkerton: 'Elephants', 2009 Acrylic Painting, Animals.
, 2009
Animals - Painting
32 x 24 inches (81.3 x 61.0 cm)
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Austen Pinkerton: 'The Paradise Garden', 1987 Acrylic Painting, Landscape.
Landscape - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Lou Posner: 'Cigarette Packs', 2003 Oil Painting, Activism. My former brands.  I quit on Jan.  13, 2001.  Canvas stretched over drywall board....
Activism - Painting
25 x 6 inches (63.5 x 15.2 cm)
Donna Gallant: 'lily', 2008 Oil Painting, Floral.  Larger than life, this piece is a part of Donna' s series UP CLOSE AND PERSONNEL.  Soft blue hues accented against the contrasting background and the white petals, makes this piece very calm but the size can be over whelming.  It was created on 9 - 16 x 20, to be...
, 2008
Floral - Painting
60 x 40 inches (152.4 x 101.6 cm)
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Ron Ogle: 'Ms Swafford', 2008 Oil Painting, Portrait. When you no longer compulsively label things, when you let go of attachment to your story, you become alive to the present moment. Presence arises and replaces the conceptual sense of self. [ Eckhart Tolle ]...
Portrait - Painting
18 x 30 inches (45.7 x 76.2 cm)
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Hope Brooks: 'poem Painting III', 1971 Other Painting, Life.  Poem Painting III uses writing as its image and there are six paintings in the series.   This painting is a poem by Meng Chaio from the late Tang period of Chinese poetry, titled
Life - Painting
24 x 24 inches (61.0 x 61.0 cm)
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(Page 4 of 88) - MORE ARTWORKS
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  • Artists Describing Their Art:

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Dennis Duncan - A lifelong student of contemporary realism, I utilize various mediums to create art that stimulates the mind , body, and soul of each individual. By incorporating these three basic principles into each subject matter , at times the imagery takes on a "surrealist" aspect , "meditative", even "spiritual"... I've tried incorporating industrial products and textured mediums into my presentations, adding an "urban edge" to my body of work. . ...

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    James Gwynne - Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Maciej Hoffman - First there is always a concept, an idea. Sometimes, I have an impression that the painting is painting itself, an intuition is guiding me while painting. The subjects which interest me result from my experience, from everyday life, from the everyday problems, and the issues that puzzle us throughout the years, forming our way of looking at the world, changing us. My observations are directed to catch the moments of tension, drama, and the clashes in the everyday life. I am formally interested in contrasts of textures, colors and the means of presentation. Sometimes, one line or one spot influences the entire painting. If there is no feeling of suspense, it means that it is not done yet. I like to work at a fast rate, I paint as if I were throwing out of me a painting hidden inside. In painting, I appreciate the courage of opinion and the freedom in the means of expression. I do not like decorativeness and submission to trends or fashion. I do not place emphasis on means of expression or artistic techniques &...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 399 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...