Paintings For Sale - Price Range: $5000 - $10000

Page 4 of 78
Discover 2,256 original painting artworks for sale between $5000 - $10000. Contemporary emerging artists: James Gwynne, Ron Ogle, Marie-france Busset, Hans-ruedi Kammermann, John Gamache, Maciej Hoffman, Austen Pinkerton, William Christopherson, Lou Posner, Hope Brooks, Noel Stavropoulos, Daniel Clarke, Luise Andersen, Asbjorn Lonvig are exhibiting their affordable original art. You can buy artwork online and browse 78 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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James Gwynne: 'Sunset and Telephone Pole', 2012 Oil Painting, Landscape. Sunset pink sky with distant silhouette of a telephone pole and wires. ...
Landscape - Painting
48 x 42 inches (121.9 x 106.7 cm)
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James Gwynne: 'Dusk Silhouettes', 2012 Oil Painting, Landscape.  Blue late evening sky with telephone poles and wires silhouetted ...
Landscape - Painting
42 x 48 inches (106.7 x 121.9 cm)
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Ron Ogle: 'Morgan 1', 2012 Oil Painting, Portrait.  Anton Checkov: UNCLE VANYA: Sonya speaking:
, 2012
Portrait - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Marie-france Busset: 'LE COQ A NEW YORK SUR LE PONT DE BROOKLYN', 2011 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
81 x 100 inches (205.7 x 254.0 cm)
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Hans-ruedi Kammermann: 'metamorfosi', 2010 Oil Painting, Gestalt.
Gestalt - Painting
110 x 100 cm (43.3 x 39.4 inches)
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John Gamache: 'Crown of Twigs', 2011 Oil Painting, Still Life.  Oil on linen...
Still Life - Painting
34 x 20 inches (86.4 x 50.8 cm)
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Maciej Hoffman: 'paper', 2011 Oil Painting, undecided.
, 2011
undecided - Painting
210 x 190 cm (82.7 x 74.8 inches)
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Maciej Hoffman: 'dance', 2011 Oil Painting, undecided.
, 2011
undecided - Painting
210 x 170 cm (82.7 x 66.9 inches)
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Maciej Hoffman: 'sunset', 2009 Oil Painting, undecided.
, 2009
undecided - Painting
160 x 160 cm (63.0 x 63.0 inches)
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Maciej Hoffman: 'adolescence', 2010 Oil Painting, undecided.
undecided - Painting
210 x 170 cm (82.7 x 66.9 inches)
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Austen Pinkerton: 'THE BAY', 2011 Acrylic Painting, Other.   LANDSCAPE ...
, 2011
Other - Painting
30 x 24 inches (76.2 x 61.0 cm)
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William Christopherson: 'Syracuse Strathmore Belleview Reservoir', 2009 Acrylic Painting, Landscape.  Original 24 x 30 inch acrylic on canvas by New York artist William Christopherson.  Title 2009 Strathmore Series 1 - The Res.  The Woodland Reservoir, in the Strathmore area of Syracuses, the artists boyhood home.  A place of solitude and exercise, where one can escape the neighborhood bustle and the noise...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Lou Posner: 'The Tale of the Priest of the Nun', 2003 Oil Painting, Religious. Real titleThe Nuns Priests Tale a reference to Chaucer.  An artist friend befriends two nuns and learns a lot about life.  Dog observes.  Sour- puss passes judgment....
Religious - Painting
20 x 16 inches (50.8 x 40.6 cm)
Austen Pinkerton: 'Elephants', 2009 Acrylic Painting, Animals.
, 2009
Animals - Painting
32 x 24 inches (81.3 x 61.0 cm)
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Austen Pinkerton: 'The Paradise Garden', 1987 Acrylic Painting, Landscape.
Landscape - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Lou Posner: 'Cigarette Packs', 2003 Oil Painting, Activism. My former brands.  I quit on Jan.  13, 2001.  Canvas stretched over drywall board....
Activism - Painting
25 x 6 inches (63.5 x 15.2 cm)
Ron Ogle: 'Ms Swafford', 2008 Oil Painting, Portrait. When you no longer compulsively label things, when you let go of attachment to your story, you become alive to the present moment. Presence arises and replaces the conceptual sense of self. [ Eckhart Tolle ]...
Portrait - Painting
18 x 30 inches (45.7 x 76.2 cm)
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Hope Brooks: 'poem Painting III', 1971 Other Painting, Life.  Poem Painting III uses writing as its image and there are six paintings in the series.   This painting is a poem by Meng Chaio from the late Tang period of Chinese poetry, titled
Life - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Noel Stavropoulos: 'Aphotic Zenith', 2008 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
28 x 40 inches (71.1 x 101.6 cm)
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Noel Stavropoulos: 'Perpetual Prism', 2007 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
28 x 40 inches (71.1 x 101.6 cm)
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Daniel Clarke: 'Untitled California Coast Scene', 2008 Acrylic Painting, Landscape.  Untitled California Coast Scene is part of the Artist's California Scenes series of paintings. ...
Landscape - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Hope Brooks: 'Mountain Series No  6', 1973 Other Painting, Abstract Landscape.   This painting talks about the mountains that are so much a feature of the Jamaican landscape.  Completed in 1973 this painting was one of eight paintings on this theme.  It is not a representational  but rather tries to capture  the essence of the Blue Mountain Range as seen from the...
Abstract Landscape - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Noel Stavropoulos: 'Celestial Equator', 2007 Oil Painting, Surrealism.
Surrealism - Painting
20 x 28 inches (50.8 x 71.1 cm)
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Luise Andersen: 'INTENSE  Is beautiful Just urged to make more so Dec Thirty ', 2008 Acrylic Painting, Other.  JUST COULD NOT FOR SOME REASON LEAVE IT. . NOTICED, URGE OF TOUCH I COULD NOT REFUSE. . REACHED FOR MY WHITES, REDS, AND ORANGE. . YELLOWS. . NOT THE BLUE HUES. . WORKED INTENSELY. . DETAILED. VERY MUCH SO. CRISP, CLEAR. . BROUGHT MORE INTO VIEW, WHAT CORE FELT AND MIND CONNECTED THIS TIME AGAIN . CHALLENGE...
Other - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Ron Ogle: 'THE VERONESE MADONNA', 2007 Oil Painting, Religious. [ [ And now here is my secret, a very simple secret; it is only with the heart that one can see rightly, what is essential is invisible to the eye. - Antoine De Saint- Exupery ] ] Above is    my oil on canvas version of a detail of MADONNA AND CHILD WITH ST. ELIZABETH...
Religious - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Noel Stavropoulos: 'Depth of Soul', 2006 Oil Painting, Surrealism.  A journey within the colors of the soul. ...
Surrealism - Painting
24 x 28 inches (61.0 x 71.1 cm)
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Luise Andersen: 'FENETRE D ESPRIT', 2006 Acrylic Painting, Other. AVAILABLE THROUGH CAMAVER KUNSTHAUS INTERNATIONAL GALLERY, ITALY. ONE OF MY ACRYLIC MASTERWORK OF THE MIGNON SERIES. AS YOU KNOW, EXHIBITED AND ADMIRED BY UNCOUNTABLE ART APPRECIATORS IN SOLO SHOW, ADAM AND EVE GALLERY, IN PARIS, FRANCE- -  December 2006. AS WELL AS IN  HISTORIC ANCIENT CESI PALACE,AQUASPARTA, UMBRIA, ITALY. . DURING  ...
Other - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Asbjorn Lonvig: 'watch your mouse', 2007 Acrylic Painting, Abstract.  Yellow cat looking down - with the text
Abstract - Painting
139 x 139 cm (54.7 x 54.7 inches)
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Asbjorn Lonvig: 'Pri Dana 25 Years', 2007 Acrylic Painting, Abstract.  Pri- Dana is a major Printed Circuit Board Manufacturer. The key- competencies are fine- line and ultra- thin multilayer PCBs.Pri- Dana celebrates its 25 years anniversary. Do you see 2 and do you see 5? ...
Abstract - Painting
139 x 139 cm (54.7 x 54.7 inches)
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Asbjorn Lonvig: 'PriDana 25 Years', 2007 Acrylic Painting, Abstract.  Pri- Dana is a major Printed Circuit Board Manufacturer. The key- competencies are fine- line and ultra- thin multilayer PCBs.Pri- Dana celebrates its 25 years anniversary. Do you see 2 and do you see 5? ...
Abstract - Painting
139 x 139 cm (54.7 x 54.7 inches)
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(Page 4 of 78) - MORE ARTWORKS
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  • Artists Describing Their Art:

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    James Gwynne - Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Maciej Hoffman - First there is always a concept, an idea. Sometimes, I have an impression that the painting is painting itself, an intuition is guiding me while painting. The subjects which interest me result from my experience, from everyday life, from the everyday problems, and the issues that puzzle us throughout the years, forming our way of looking at the world, changing us. My observations are directed to catch the moments of tension, drama, and the clashes in the everyday life. I am formally interested in contrasts of textures, colors and the means of presentation. Sometimes, one line or one spot influences the entire painting. If there is no feeling of suspense, it means that it is not done yet. I like to work at a fast rate, I paint as if I were throwing out of me a painting hidden inside. In painting, I appreciate the courage of opinion and the freedom in the means of expression. I do not like decorativeness and submission to trends or fashion. I do not place emphasis on means of expression or artistic techniques &...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Noel Stavropoulos - There is great power being an artist. They have influenced and recorded every culture's histories. Much of our knowledge of ancient and modern history today is taken from artifacts (art-i-facts). To have the ability to translate the growth of our civilization today is a gift. I want to give future generations tangible evidence from their history to contemplate and compare to the world we built for them, all the good times as well as the bad. They may learn from our mistakes and take the human race another step in the eternal journey of progression toward "Unity." I seek exhibitions in different countries and cities around the world. This allows me to see how wide, or limited my visual vocabulary really is. Not just from one cultural point of view, but from the masses of the Earth, the people. I then learn from the "Earth's Public" what ideas to expand or abandon. However, in the end, I am still the one who decides the direction of my works. When I create works I am conscious of the world around, so political and social undertone is imminent. I don't think about this while I'm working...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...