Paintings For Sale - Price Range: $5000 - $10000

Page 5 of 90
Discover 2,601 original painting artworks for sale between $5000 - $10000. Contemporary emerging artists: Lou Posner, Austen Pinkerton, Donna Gallant, Ron Ogle, Dave Martsolf, Hope Brooks, Noel Stavropoulos, Daniel Clarke, Luise Andersen, Yoli Salmona, Asbjorn Lonvig, Jose Luis Lazaro Ferre, Micha Nussinov, Emilio Merlina, Isaac Brown are exhibiting their affordable original art. You can buy artwork online and browse 90 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Austen Pinkerton: 'Elephants', 2009 Acrylic Painting, Animals.
, 2009
Animals - Painting
32 x 24 inches (81.3 x 61.0 cm)
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Austen Pinkerton: 'The Paradise Garden', 1987 Acrylic Painting, Landscape.
Landscape - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Lou Posner: 'Unraked Walnuts', 1999 Oil Painting, Landscape.  An artist friend of mine complained that he had no time to paint because there were so many unraked walnuts in his yard.  Framed in natural oak. ...
Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
Donna Gallant: 'lily', 2008 Oil Painting, Floral.  Larger than life, this piece is a part of Donna' s series UP CLOSE AND PERSONNEL.  Soft blue hues accented against the contrasting background and the white petals, makes this piece very calm but the size can be over whelming.  It was created on 9 - 16 x 20, to be...
, 2008
Floral - Painting
60 x 40 inches (152.4 x 101.6 cm)
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Ron Ogle: 'Ms Swafford', 2008 Oil Painting, Portrait. When you no longer compulsively label things, when you let go of attachment to your story, you become alive to the present moment. Presence arises and replaces the conceptual sense of self. [ Eckhart Tolle ]...
Portrait - Painting
18 x 30 inches (45.7 x 76.2 cm)
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Dave Martsolf: 'The Last Supper', 1983 Oil Painting, Christian. The Last Supper viewed from the eyes of Christ.  The man seated at the end of this modern- dress table once repeated to me the old saying, Walk a mile in a mans shoes before you judge him.  martsol, oil, painting, Jesus, Christ, Christian, Last Supper, apostles, bread...
Christian - Painting
72 x 52 inches (182.9 x 132.1 cm)
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Dave Martsolf: 'Surface Tension', 1983 Oil Painting, Representational. Art critic Clement Greenberg had a great thesis about modernism flattening the canvas and moving away from the grand illusion of depth.  Surface Tension supports that notion and denies it at the same time.  Can you see the flat surfaceI am playing with the theme that reality can be illusion ...
Representational - Painting
78 x 48 inches (198.1 x 121.9 cm)
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Hope Brooks: 'poem Painting III', 1971 Other Painting, Life.  Poem Painting III uses writing as its image and there are six paintings in the series.   This painting is a poem by Meng Chaio from the late Tang period of Chinese poetry, titled
Life - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Noel Stavropoulos: 'Aphotic Zenith', 2008 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
28 x 40 inches (71.1 x 101.6 cm)
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Noel Stavropoulos: 'Perpetual Prism', 2007 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
28 x 40 inches (71.1 x 101.6 cm)
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Daniel Clarke: 'Untitled California Coast Scene', 2008 Acrylic Painting, Landscape.  Untitled California Coast Scene is part of the Artist's California Scenes series of paintings. ...
Landscape - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Hope Brooks: 'Mountain Series No  6', 1973 Other Painting, Abstract Landscape.   This painting talks about the mountains that are so much a feature of the Jamaican landscape.  Completed in 1973 this painting was one of eight paintings on this theme.  It is not a representational  but rather tries to capture  the essence of the Blue Mountain Range as seen from the...
Abstract Landscape - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Noel Stavropoulos: 'Celestial Equator', 2007 Oil Painting, Surrealism.
Surrealism - Painting
20 x 28 inches (50.8 x 71.1 cm)
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Luise Andersen: 'INTENSE  Is beautiful Just urged to make more so Dec Thirty ', 2008 Acrylic Painting, Other.  JUST COULD NOT FOR SOME REASON LEAVE IT. . NOTICED, URGE OF TOUCH I COULD NOT REFUSE. . REACHED FOR MY WHITES, REDS, AND ORANGE. . YELLOWS. . NOT THE BLUE HUES. . WORKED INTENSELY. . DETAILED. VERY MUCH SO. CRISP, CLEAR. . BROUGHT MORE INTO VIEW, WHAT CORE FELT AND MIND CONNECTED THIS TIME AGAIN . CHALLENGE...
Other - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Ron Ogle: 'THE VERONESE MADONNA', 2007 Oil Painting, Religious. [ [ And now here is my secret, a very simple secret; it is only with the heart that one can see rightly, what is essential is invisible to the eye. - Antoine De Saint- Exupery ] ] Above is    my oil on canvas version of a detail of MADONNA AND CHILD WITH ST. ELIZABETH...
Religious - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Noel Stavropoulos: 'Depth of Soul', 2006 Oil Painting, Surrealism.  A journey within the colors of the soul. ...
Surrealism - Painting
24 x 28 inches (61.0 x 71.1 cm)
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Yoli Salmona: ' All hands taken something is cooking', 2004 Oil Painting, Portrait.  A woman' s task. . . This is a self portrait of my daily life, inspired by a small sketch by an unknown Australian artist.My grey cat wouldn' t stay in place, each time I stepped away to photograph her, she followed me. . . So I painted my white cat...
Portrait - Painting
102 x 102 cm (40.2 x 40.2 inches)
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Luise Andersen: 'FENETRE D ESPRIT', 2006 Acrylic Painting, Other. AVAILABLE THROUGH CAMAVER KUNSTHAUS INTERNATIONAL GALLERY, ITALY. ONE OF MY ACRYLIC MASTERWORK OF THE MIGNON SERIES. AS YOU KNOW, EXHIBITED AND ADMIRED BY UNCOUNTABLE ART APPRECIATORS IN SOLO SHOW, ADAM AND EVE GALLERY, IN PARIS, FRANCE- -  December 2006. AS WELL AS IN  HISTORIC ANCIENT CESI PALACE,AQUASPARTA, UMBRIA, ITALY. . DURING  ...
Other - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Asbjorn Lonvig: 'watch your mouse', 2007 Acrylic Painting, Abstract.  Yellow cat looking down - with the text
Abstract - Painting
139 x 139 cm (54.7 x 54.7 inches)
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Asbjorn Lonvig: 'Pri Dana 25 Years', 2007 Acrylic Painting, Abstract.  Pri- Dana is a major Printed Circuit Board Manufacturer. The key- competencies are fine- line and ultra- thin multilayer PCBs.Pri- Dana celebrates its 25 years anniversary. Do you see 2 and do you see 5? ...
Abstract - Painting
139 x 139 cm (54.7 x 54.7 inches)
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Asbjorn Lonvig: 'PriDana 25 Years', 2007 Acrylic Painting, Abstract.  Pri- Dana is a major Printed Circuit Board Manufacturer. The key- competencies are fine- line and ultra- thin multilayer PCBs.Pri- Dana celebrates its 25 years anniversary. Do you see 2 and do you see 5? ...
Abstract - Painting
139 x 139 cm (54.7 x 54.7 inches)
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Asbjorn Lonvig: 'This horse belongs to Laerke', 2007 Acrylic Painting, Abstract.  This horse belongs to Laerke.Concerning Copyrights: If you want to buy copyrights please contact Copy- Dan, Society PICTORIAL ART, Copenhagen, Denmark - billedkunst@ copydan. dk - Asbjorn Lonvig's Copy- Dan contract number is 1549. ...
Abstract - Painting
139 x 201 cm (54.7 x 79.1 inches)
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Jose Luis Lazaro Ferre: 'Ava Gardner', 2007 Acrylic Painting, Portrait.
Portrait - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Micha Nussinov: 'Lightness of being', 2002 Acrylic Painting, Fantasy.
Fantasy - Painting
193 x 163 cm (76.0 x 64.2 inches)
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Micha Nussinov: 'Traveling through languge', 2006 Acrylic Painting, Abstract Figurative.  Layers upon layers of landscapes with transition, crossroads, convergence,   and scenarios. As if we are traveling through languistic markings that keep changing its references.  ...
Abstract Figurative - Painting
192 x 161 cm (75.6 x 63.4 inches)
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Luise Andersen: 'ENTER BLACK MIRROR    ', 2006 Acrylic Painting, Other. This master piece is in Italy, Camaver Kunsthaus International Show Rooms, Lecco, Italy,  with part of collection of Mignon Series. Was ( 2nd time in historical' Cesi' Palace) ,  exhibited with chosen contemporary art works, created  by selected international artists on global basis.  Draws many visitors/ art appreciators  close.  Touches uncountable cores. ...
Other - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Emilio Merlina: 'dreams in black and white', 2006 Acrylic Painting, Inspirational. acrylic on canvas...
Inspirational - Painting
200 x 150 cm (78.7 x 59.1 inches)
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Isaac Brown: 'the ceramony', 2006 Oil Painting, Abstract.
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Isaac Brown: 'americana', 2006 Oil Painting, Abstract.
, 2006
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Tary Socha: 'Pacific Recollections', 2006 Acrylic Painting, Abstract. Fragmented Recall series. This series is premised on the fact that we all have memories or thoughts just out of reach on the tip of our tounges. Like a painted image on an old barn or the patina wear on fragmented copper, layers of textures and subtle color variations are ...
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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(Page 5 of 90) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Lou Posner - Dear Art Friends, Yes, we are living in trying times, and my heart goes out to all who are suffering or have suffered from the COVID-19 virus or the other effects of it the social isolation, the loss of paychecks and jobs, etc., etc. We all know the list. I know I am biased, but what better way is there to soften the harshness of quarantine than by bringing a new piece of art into your home Therefore, I am open to negotiating prices for any works of mine for sale here that are priced at about 1500 or lower. I know money is tight these days, but art can provide a relief, a permanent cultural enjoyment, a luxury instead of the normal dinners out and vacations, during these restrictive times. Please do not feel timid about suggesting your own price for the works mentioned above. As an artist, I too, am suffering economic hardship, so you would be helping ME as well as helping yourself. I do not accept charge cards or paypal, but a personal check or a cashiers check would be fine. I cannot offer extended time-payment plans for any of my work. I am ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Donna Gallant - Dave Martsolf - Dave Martsolf Dave Martsolf was born in 1949 in Kansas, moved to Western Pennsylvania in early childhood and at age 12 moved to New Hampshire where he resides today. MartsolfaEURtms father and grandfather were architects and his mother a professional photographer. Martsolf attended MIT and later UNH where he earned a degree in Fine Arts. His early work was influenced by the great masters and others such as the post-impressionists Miro, Matisse, Kandinsky, Klee, Picasso, and the surrealist Salvador Dali. Architectural instincts developed due to his close association with architecture in his youth. DaveaEURtms focus has been in visual arts his entire life. His style extends from realism to surrealistic to fantasy and abstraction. His work uses the mediums of oils, watercolors, inks and pencils, to the more technically-oriented media of computer-based art. Beginning in the late 80aEURtms Martsolf spent productive time with the tools of Bryce, Poser, KaiaEURtms Power Tools, and similar photo editing and photo manipulation products. He was creator, owner and artistic director of Damsel Software Group in the 1990aEUR2s as a producer and manufacturer of original content screen savers. Today, Dave has returned to handmade art. He continues ...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Noel Stavropoulos - There is great power being an artist. They have influenced and recorded every culture's histories. Much of our knowledge of ancient and modern history today is taken from artifacts (art-i-facts). To have the ability to translate the growth of our civilization today is a gift. I want to give future generations tangible evidence from their history to contemplate and compare to the world we built for them, all the good times as well as the bad. They may learn from our mistakes and take the human race another step in the eternal journey of progression toward "Unity." I seek exhibitions in different countries and cities around the world. This allows me to see how wide, or limited my visual vocabulary really is. Not just from one cultural point of view, but from the masses of the Earth, the people. I then learn from the "Earth's Public" what ideas to expand or abandon. However, in the end, I am still the one who decides the direction of my works. When I create works I am conscious of the world around, so political and social undertone is imminent. I don't think about this while I'm working...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Yoli Salmona - I paint to capture an experience, a feeling, and strive to share it through colour, form, and light. AERIAL LANDSCAPES It's a different beauty from the air, more poignant and more objective in its apparent immobility. Whether formal or natural, the landscapes seen from the air become become more abstract. I can playfully re-order and move around details and elements of reality- mostly trees and shadows- like tesserae in a mosaic. PORTRAITS To portray is for me to express an unequivocal presence, a feeling for an actual person. Sometimes, there can be an ambivalence, an invitation to a question, particularly fascinating when painting young people. For me, a successful portrait has an element of timelessness, while revealing something about the subject's present circumstance. BACKGROUND Born in France, I was a child who was drawing all the time. But for various reasons, I was unable to attend Art school growing up, and became a clothes/costume designer for ten years before studying (section Communication Visuelle) at the Paris Ecole Nationale Superieure des Arts Decoratifs. My aim then was to reach a wide audience trough Print, and Paris Art Publisher Flammarion gave me the first of a...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...