Paintings For Sale - Price Range: $5000 - $10000

Page 6 of 89
Discover 2,570 original painting artworks for sale between $5000 - $10000. Contemporary emerging artists: Luise Andersen, Bridget Busutil, Asbjorn Lonvig, Jose Luis Lazaro Ferre, Micha Nussinov, Emilio Merlina, Isaac Brown, Tary Socha, Eve Co, Hans-ruedi Kammermann, Wayne Wilcox, Jack Earley, Richard Lazzara, Philip Hallawell are exhibiting their affordable original art. You can buy artwork online and browse 89 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Bridget Busutil: 'African mask 3', 2007 Acrylic Painting, Abstract Figurative.  the spirituality of African masks.pigments with binder on canvas ...
Abstract Figurative - Painting
75 x 150 cm (29.5 x 59.1 inches)
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Asbjorn Lonvig: 'watch your mouse', 2007 Acrylic Painting, Abstract.  Yellow cat looking down - with the text
Abstract - Painting
139 x 139 cm (54.7 x 54.7 inches)
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Asbjorn Lonvig: 'Pri Dana 25 Years', 2007 Acrylic Painting, Abstract.  Pri- Dana is a major Printed Circuit Board Manufacturer. The key- competencies are fine- line and ultra- thin multilayer PCBs.Pri- Dana celebrates its 25 years anniversary. Do you see 2 and do you see 5? ...
Abstract - Painting
139 x 139 cm (54.7 x 54.7 inches)
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Asbjorn Lonvig: 'PriDana 25 Years', 2007 Acrylic Painting, Abstract.  Pri- Dana is a major Printed Circuit Board Manufacturer. The key- competencies are fine- line and ultra- thin multilayer PCBs.Pri- Dana celebrates its 25 years anniversary. Do you see 2 and do you see 5? ...
Abstract - Painting
139 x 139 cm (54.7 x 54.7 inches)
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Bridget Busutil: 'Mermaid2', 2006 Encaustic Painting, Abstract Figurative.  Encaustic on wood.Follow leavingThis Mermaid reflects her sadness of leaving.  She is bent under the weight of the suffering, , , , ...
, 2006
Abstract Figurative - Painting
60 x 50 inches (152.4 x 127.0 cm)
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Asbjorn Lonvig: 'This horse belongs to Laerke', 2007 Acrylic Painting, Abstract.  This horse belongs to Laerke.Concerning Copyrights: If you want to buy copyrights please contact Copy- Dan, Society PICTORIAL ART, Copenhagen, Denmark - billedkunst@ copydan. dk - Asbjorn Lonvig's Copy- Dan contract number is 1549. ...
Abstract - Painting
139 x 201 cm (54.7 x 79.1 inches)
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Jose Luis Lazaro Ferre: 'Ava Gardner', 2007 Acrylic Painting, Portrait.
Portrait - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Micha Nussinov: 'Lightness of being', 2002 Acrylic Painting, Fantasy.
Fantasy - Painting
193 x 163 cm (76.0 x 64.2 inches)
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Micha Nussinov: 'Traveling through languge', 2006 Acrylic Painting, Abstract Figurative.  Layers upon layers of landscapes with transition, crossroads, convergence,   and scenarios. As if we are traveling through languistic markings that keep changing its references.  ...
Abstract Figurative - Painting
192 x 161 cm (75.6 x 63.4 inches)
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Luise Andersen: 'ENTER BLACK MIRROR    ', 2006 Acrylic Painting, Other. This master piece is in Italy, Camaver Kunsthaus International Show Rooms, Lecco, Italy,  with part of collection of Mignon Series. Was ( 2nd time in historical' Cesi' Palace) ,  exhibited with chosen contemporary art works, created  by selected international artists on global basis.  Draws many visitors/ art appreciators  close.  Touches uncountable cores. ...
Other - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Emilio Merlina: 'dreams in black and white', 2006 Acrylic Painting, Inspirational. acrylic on canvas...
Inspirational - Painting
200 x 150 cm (78.7 x 59.1 inches)
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Isaac Brown: 'at the throne', 2006 Oil Painting, Abstract.
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Isaac Brown: 'the ceramony', 2006 Oil Painting, Abstract.
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Isaac Brown: 'americana', 2006 Oil Painting, Abstract.
, 2006
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Tary Socha: 'Pacific Recollections', 2006 Acrylic Painting, Abstract. Fragmented Recall series. This series is premised on the fact that we all have memories or thoughts just out of reach on the tip of our tounges. Like a painted image on an old barn or the patina wear on fragmented copper, layers of textures and subtle color variations are ...
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Luise Andersen: 'MELANCHOLIE           ', 2006 Acrylic Painting, Other. AVAILABLE FOR COLLECTION THROUGH CAMAVER KUNSTHAUS INTERNATIONAL GALLERY, ITALY- - Was exhibited in Ancient Palaces Exhibition/ Camaver Kunsthaus International Galleries, Italy & Municipalities of Acquasparta during June 2007.===============================COMPLETED. . .  AT LAST. . . .  You followed this painting through all the advancing stages. . .  and now. . You see it finished. . . .  Dr. Carlo Cerroni, Pres. , Camaver Kunsthaus ...
Other - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Eve Co: 'Kosher Pig', 2006 Acrylic Painting, Abstract. Kosher PigAcrylic on Canvas36 x 24March 12, 2006Emotion - Anger - - - - - - - - - -A Lie realized is disappointing as well as causing anger to arise.  Instead of further losing my temper towards one person who speaks before thinking.  I took my anger to canvas. . .  ...
, 2006
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Hans-ruedi Kammermann: 'song of the earth', 2005 Oil Painting, Inspirational.
Inspirational - Painting
150 x 180 cm (59.1 x 70.9 inches)
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Wayne Wilcox: 'Still Life Red Yellow Blue', 1975 Oil Painting, Still Life.
Still Life - Painting
56 x 71 inches (142.2 x 180.3 cm)
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Jack Earley: 'The Fog Rolls Out', 2005 Acrylic Painting, Landscape. The awakening of this rural village, envoloped in morning fog, is anticipated by the acrobatic stirrings of seven birds....
Landscape - Painting
72 x 60 inches (182.9 x 152.4 cm)
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Jack Earley: 'The Coming Spring', 2005 Acrylic Painting, Landscape. A rural landscape, The Coming Spring looks chilly in the background but the near hillside is bursting with new green, and the near tree hints of new leaves....
Landscape - Painting
72 x 60 inches (182.9 x 152.4 cm)
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Tary Socha: 'Nebula', 2005 Acrylic Painting, Abstract. Space, universe, the macrocosm and the microcosm. All part of our place in this existence....
, 2005
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Richard Lazzara: 'puzzle story', 1991 Acrylic Painting, Culture. puzzle story by Richard Lazzara is found in the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
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Richard Lazzara: 'pranapitha', 1992 Acrylic Painting, Culture. pranapitha by Richard Lazzara is from the
, 1992
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
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Richard Lazzara: 'pancha siva', 1997 Acrylic Painting, Culture. pancha siva by Richard Lazzara is found in the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
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Richard Lazzara: 'shinto marriage of two rocks', 1997 Acrylic Painting, Culture. shinto marriage of two rocks by Richard Lazzara is from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
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Jack Earley: 'Tecumseh Foresees', 2005 Acrylic Painting, Other. Through an ancient sycamore, Tecumseh sees the future. . . houses stacking up all around. Written on the painting are the words Tecumseh thinks, and decides . . . destiny. In the upper right corner is written in small yellow script the words sometimes genocide whispers....
Other - Painting
60 x 54 inches (152.4 x 137.2 cm)
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Jack Earley: 'Strings for Kate', 2002 Acrylic Painting, Other. My wife Kate is a natural musician. This painting started out as an interplay between geometry and nature, yet somehow ended up as an instrument. I knew if Kate could get her hands on this instrument, she would make beautiful music with it. Thus the name. ...
Other - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Philip Hallawell: 'Paris and Helen', 1986 Oil Painting, Mythology. This painting is also part of the Iliad series, and depicts Helen and Paris being swept up by their passion for one another. It is done in oils on canvas over wood....
Mythology - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Bessie Papazafiriou: 'Hera and Zeus', 2003 Oil Painting, Mythology.      According to Greek mythology, the gods often disguised themselves to trick or seduce other gods or mortals.  Here Zeus becomes a cuckoo in order to gain Hera' s favor.  She unknowingly caresses Zeus who eventually becomes her husband....
Mythology - Painting
25 x 33 inches (63.5 x 83.8 cm)
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(Page 6 of 89) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Wayne Wilcox - Artist's statements have always seemed redundant to me. The work generally speaks for itself. But here goes For me it's about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective; they're all the same. Light against dark, color against color, line intersecting line. I'm as comfortable with super realism as I am with abstract expressionism. Then, of course, there's the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on it's own. It's like magic. With one stroke something appears before your eyes that wasn't there before. An image. An emotion. With each stroke or drip it changes. It's an amazing experience. I highly recommend it. And then there's image. I am a visual artist. I'm after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength . I want the painting or drawing to stand on it's own. I am a painter. I cannot escape that fact. There have been times I've tried but I always return. It's not what I do. It'...

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....