Paintings For Sale - Price Range: $5000 - $10000

Page 6 of 90
Discover 2,601 original painting artworks for sale between $5000 - $10000. Contemporary emerging artists: Tary Socha, Luise Andersen, Eve Co, Hans-ruedi Kammermann, Wayne Wilcox, Ron Ogle, Jack Earley, Richard Lazzara, Philip Hallawell, Bessie Papazafiriou, Jessica Dunn, Caren Keyser, Franziska Turek, Youri Messen-jaschin are exhibiting their affordable original art. You can buy artwork online and browse 90 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


Contemporary Art / Painting Categories / Painting / Previous / Next
Luise Andersen: 'MELANCHOLIE           ', 2006 Acrylic Painting, Other. AVAILABLE FOR COLLECTION THROUGH CAMAVER KUNSTHAUS INTERNATIONAL GALLERY, ITALY- - Was exhibited in Ancient Palaces Exhibition/ Camaver Kunsthaus International Galleries, Italy & Municipalities of Acquasparta during June 2007.===============================COMPLETED. . .  AT LAST. . . .  You followed this painting through all the advancing stages. . .  and now. . You see it finished. . . .  Dr. Carlo Cerroni, Pres. , Camaver Kunsthaus ...
Other - Painting
24 x 30 inches (61.0 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Eve Co: 'Kosher Pig', 2006 Acrylic Painting, Abstract. Kosher PigAcrylic on Canvas36 x 24March 12, 2006Emotion - Anger - - - - - - - - - -A Lie realized is disappointing as well as causing anger to arise.  Instead of further losing my temper towards one person who speaks before thinking.  I took my anger to canvas. . .  ...
, 2006
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Hans-ruedi Kammermann: 'song of the earth', 2005 Oil Painting, Inspirational.
Inspirational - Painting
150 x 180 cm (59.1 x 70.9 inches)
Like It   indepth artwork information   Add To Shopping Cart
Wayne Wilcox: 'Still Life Red Yellow Blue', 1975 Oil Painting, Still Life.
Still Life - Painting
56 x 71 inches (142.2 x 180.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Ron Ogle: 'Kathe 2', 1992 Oil Painting, Portrait. Our desperate need is to realize that we need both qualities in life: We need individuality and we also need relationship to a particular person. We can' t have one at the expense of the other; no man can be fully an individual unless he is fully related, and ...
, 1992
Portrait - Painting
15 x 19 inches (38.1 x 48.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jack Earley: 'The Fog Rolls Out', 2005 Acrylic Painting, Landscape. The awakening of this rural village, envoloped in morning fog, is anticipated by the acrobatic stirrings of seven birds....
Landscape - Painting
72 x 60 inches (182.9 x 152.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jack Earley: 'The Coming Spring', 2005 Acrylic Painting, Landscape. A rural landscape, The Coming Spring looks chilly in the background but the near hillside is bursting with new green, and the near tree hints of new leaves....
Landscape - Painting
72 x 60 inches (182.9 x 152.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tary Socha: 'Nebula', 2005 Acrylic Painting, Abstract. Space, universe, the macrocosm and the microcosm. All part of our place in this existence....
, 2005
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'lala rasa guru', 1990 Acrylic Painting, Culture. lal rasa guru by Richard Lazzara is from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'inner life skins', 1996 Acrylic Painting, Culture. inner life skins by Richard Lazzara is found in the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'chakra garden', 1995 Acrylic Painting, Culture. chakra garden by Richard Lazzara is available from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'atma revealed', 1992 Acrylic Painting, Culture. atma revealed by Richard Lazzara is from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jack Earley: 'Tecumseh Foresees', 2005 Acrylic Painting, Other. Through an ancient sycamore, Tecumseh sees the future. . . houses stacking up all around. Written on the painting are the words Tecumseh thinks, and decides . . . destiny. In the upper right corner is written in small yellow script the words sometimes genocide whispers....
Other - Painting
60 x 54 inches (152.4 x 137.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jack Earley: 'Strings for Kate', 2002 Acrylic Painting, Other. My wife Kate is a natural musician. This painting started out as an interplay between geometry and nature, yet somehow ended up as an instrument. I knew if Kate could get her hands on this instrument, she would make beautiful music with it. Thus the name. ...
Other - Painting
48 x 36 inches (121.9 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'Paris and Helen', 1986 Oil Painting, Mythology. This painting is also part of the Iliad series, and depicts Helen and Paris being swept up by their passion for one another. It is done in oils on canvas over wood....
Mythology - Painting
60 x 80 cm (23.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Bessie Papazafiriou: 'Hera and Zeus', 2003 Oil Painting, Mythology.      According to Greek mythology, the gods often disguised themselves to trick or seduce other gods or mortals.  Here Zeus becomes a cuckoo in order to gain Hera' s favor.  She unknowingly caresses Zeus who eventually becomes her husband....
Mythology - Painting
25 x 33 inches (63.5 x 83.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Bessie Papazafiriou: 'Demeter and Poseidon', 2004 Oil Painting, Mythology.        Due to Demeter' s sorrow over Hades' abduction of her daughter Persephone, Demeter had no interest in Poseidon' s advances.  She transformed herself into a white mare and fled to Arcadia.  Poseidon found her and transformed himself into a black stallion.   ...
Mythology - Painting
36 x 24 inches (91.4 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jessica Dunn: 'Six Musicians', 2004 Oil Painting, Portrait.
Portrait - Painting
161 x 140 cm (63.4 x 55.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Wayne Wilcox: 'Studio Still Life', 1975 Oil Painting, Representational.
Representational - Painting
60 x 70 inches (152.4 x 177.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'The Sentry', 1986 Oil Painting, Mythology.
, 1986
Mythology - Painting
80 x 60 cm (31.5 x 23.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Caren Keyser: 'Whispers in the Light of Angels', 2003 Acrylic Painting, Floral. Day Lilies dance lightly on the breeze like whispers hinting of hidden secrets beyond.  This seductive painting suggests unseen wonders beyond the flowers.  The mood changes subtly as the light in the room changes.  It can be a sunny morning or a dreary cloudy day.  The yellow flowers danceabove twisted ...
Floral - Painting
60 x 40 inches (152.4 x 101.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Franziska Turek: 'satori', 2003 Other Painting, Abstract.
, 2003
Abstract - Painting
125 x 125 cm (49.2 x 49.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Franziska Turek: 'light horizon', 1996 Other Painting, Abstract.
Abstract - Painting
130 x 130 cm (51.2 x 51.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'Metamorphosis V', 1982 Oil Painting, Inspirational. Part of a series called Metamorphosis, which investigates the process of awareness, also related to the Encounter and Mask themes. ...
Inspirational - Painting
60 x 80 cm (23.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Youri Messen-jaschin: 'Hommages aux Indiens', 1996 Tempera Painting, Optical. Gouache on paperKinetic Art (r) 1996. by ProLitteris, Po. Box CH- 8033 Zurich (c) 1996 by Youri Messen- Jaschin Switzerland ...
Optical - Painting
60 x 80 cm (23.6 x 31.5 inches)
Youri Messen-jaschin: 'Moving II', 1997 Tempera Painting, Optical. Gouache on paperKinetic ArtA(r) 1997. by ProLitteris, Po. Box CH- 8033 Zurich / A(c) 1997 by Youri Messen- Jaschin Switzerland ...
, 1997
Optical - Painting
60 x 80 cm (23.6 x 31.5 inches)
Youri Messen-jaschin: 'Point I', 1997 Tempera Painting, Optical. Gouache on paperKinetic ArtA(r) 1997. by ProLitteris, Po. Box CH- 8033 Zurich / A(c) 1997 by Youri Messen- Jaschin Switzerland ...
, 1997
Optical - Painting
60 x 80 cm (23.6 x 31.5 inches)
Youri Messen-jaschin: 'Big Building', 1996 Tempera Painting, Optical. Gouache on paperKinetic ArtA(r) 1996. by ProLitteris, Po. Box CH- 8033 Zurich / A(c) 1996 by Youri Messen- Jaschin Switzerland ...
Optical - Painting
60 x 80 cm (23.6 x 31.5 inches)
Philip Hallawell: 'Judgement of Paris', 1987 Oil Painting, Mythology. Part of my Illiad Series, this paintings interprets the Judgement of Paris, which is actually prior to the Illiad, but the mythical event that caused the Trojan War. In my view, we are still obliged to choose as Paris had to....
Mythology - Painting
70 x 80 cm (27.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Jessica Dunn: 'Musicos', 2000 Oil Painting, Portrait. Large oil painting depicting young musicians at a folklore festival at the village of Alte ( Algarve, Portugal) on May 1st ( Labour Day) ....
, 2000
Portrait - Painting
185 x 135 cm (72.8 x 53.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
(Page 6 of 90) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Wayne Wilcox - Artist's statements have always seemed redundant to me. The work generally speaks for itself. But here goes For me it's about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective; they're all the same. Light against dark, color against color, line intersecting line. I'm as comfortable with super realism as I am with abstract expressionism. Then, of course, there's the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on it's own. It's like magic. With one stroke something appears before your eyes that wasn't there before. An image. An emotion. With each stroke or drip it changes. It's an amazing experience. I highly recommend it. And then there's image. I am a visual artist. I'm after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength . I want the painting or drawing to stand on it's own. I am a painter. I cannot escape that fact. There have been times I've tried but I always return. It's not what I do. It'...

    Wayne Wilcox - Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    Jessica Dunn -

    Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...