Paintings For Sale - Price Range: $5000 - $10000

Page 7 of 93
Discover 2,678 original painting artworks for sale between $5000 - $10000. Contemporary emerging artists: Jack Earley, Youri Messen-jaschin, Philip Hallawell, Silvano Battimiello, Paul Ygartua, Claire Petit, Robert Pelles, Reiner Poser, Stephen Vattimo, Michael Kehrlein, Andrea Benetti, Eduardo Guelfenbein, Donna Bernstein, Artur Pashkov are exhibiting their affordable original art. You can buy artwork online and browse 93 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Youri Messen-jaschin: 'Moving II', 1997 Tempera Painting, Optical. Gouache on paperKinetic ArtA(r) 1997. by ProLitteris, Po. Box CH- 8033 Zurich / A(c) 1997 by Youri Messen- Jaschin Switzerland ...
, 1997
Optical - Painting
60 x 80 cm (23.6 x 31.5 inches)
Youri Messen-jaschin: 'Point I', 1997 Tempera Painting, Optical. Gouache on paperKinetic ArtA(r) 1997. by ProLitteris, Po. Box CH- 8033 Zurich / A(c) 1997 by Youri Messen- Jaschin Switzerland ...
, 1997
Optical - Painting
60 x 80 cm (23.6 x 31.5 inches)
Youri Messen-jaschin: 'Big Building', 1996 Tempera Painting, Optical. Gouache on paperKinetic ArtA(r) 1996. by ProLitteris, Po. Box CH- 8033 Zurich / A(c) 1996 by Youri Messen- Jaschin Switzerland ...
Optical - Painting
60 x 80 cm (23.6 x 31.5 inches)
Philip Hallawell: 'Judgement of Paris', 1987 Oil Painting, Mythology. Part of my Illiad Series, this paintings interprets the Judgement of Paris, which is actually prior to the Illiad, but the mythical event that caused the Trojan War. In my view, we are still obliged to choose as Paris had to....
Mythology - Painting
70 x 80 cm (27.6 x 31.5 inches)
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Silvano Battimiello: 'operazione mediatica', 2006 Oil Painting, Figurative. OPERACIA
Figurative - Painting
100 x 70 cm (39.4 x 27.6 inches)
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Paul Ygartua: 'misconstrued', 2021 Acrylic Painting, Abstract. Acrylic on canvas abstract by Paul Ygartua...
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Paul Ygartua: 'black danube', 2021 Acrylic Painting, Abstract. Acrylic on canvas abstract by Paul Ygartua...
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Paul Ygartua: 'break in', 2021 Acrylic Painting, Abstract. Acrylic on canvas abstract by Paul Ygartua...
, 2021
Abstract - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Paul Ygartua: 'hope', 2021 Acrylic Painting, Surrealism. Inspired by a new administration in the United States. The year 2021 brings hope. ...
, 2021
Surrealism - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Paul Ygartua: 'scatterbrain', 2021 Acrylic Painting, Abstract. Acrylic on canvas by Paul Ygartua...
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Paul Ygartua: 'fallen leaves', 2021 Acrylic Painting, Abstract. Abstract art painted with acrylics on canvas by Paul Ygartua...
Abstract - Painting
72 x 48 inches (182.9 x 121.9 cm)
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Paul Ygartua: 'inner darkness', 2021 Acrylic Painting, Abstract. Inner Darkness acrylic on canvas abstract painting by Paul Ygartua...
Abstract - Painting
72 x 48 inches (182.9 x 121.9 cm)
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Claire Petit: 'floating dream', 2008 Oil Painting, Children. Little girls are swimming, floating, like in a dream.  ...
Children - Painting
120 x 150 cm (47.2 x 59.1 inches)
Claire Petit: 'on the run', 2009 Oil Painting, Children. Little girl running in a green fieldShe s on the run, craving for freedom and craving for her whole life to come...
, 2009
Children - Painting
160 x 130 cm (63.0 x 51.2 inches)
Claire Petit: 'sieste sur l herbe', 2009 Oil Painting, Love. Two little girls sleeping in a green field.  They are suspended in time in nsouciance, peace, childhood, friendship and sisterhood s symbolism. ...
Love - Painting
130 x 160 cm (51.2 x 63.0 inches)
Robert Pelles: 'my days i', 2020 Acrylic Painting, Abstract. Based on my inner intuition, inspiration. ...
, 2020
Abstract - Painting
180 x 80 cm (70.9 x 31.5 inches)
Robert Pelles: 'my days v diptych', 2020 Acrylic Painting, Abstract. Based on my inner intuition, inspiration. ...
Abstract - Painting
160 x 80 cm (63.0 x 31.5 inches)
Robert Pelles: 'summertime diptych', 2020 Acrylic Painting, Abstract. Based on my inner intuition, inspiration. ...
Abstract - Painting
200 x 200 cm (78.7 x 78.7 inches)
Reiner Poser: 'pomegranats and pears', 2020 Oil Painting, Still Life. Fruits and flowers in oil painting,Pointillism- painting...
Still Life - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Stephen Vattimo: 'peter took his eye off jesus', 2019 Acrylic Painting, Portrait. Peter took His Eye off Jesus and began to sink.Medium: Acrylic on canvasSize: 11aEURx 15aEURDate: 2019- 2020This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7.This painting illustrates Jesus rescuing peter, as he start ...
Portrait - Painting
11 x 15 inches (27.9 x 38.1 cm)
Michael Kehrlein: 'abduction of ganymede', 2016 Oil Painting, Erotic. Zeus looked down on the earth and saw Ganymede the most beautiful human. Changing onto the form of an eagle Zeus swept down and abducted the beautiful young man. With one set of claws he held the young mans thigh and the other grasping his genitalia Zeus flew off to ...
Erotic - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Andrea Benetti: 'Mulini a vento', 2009 Other Painting, Abstract. olio e cacao e acrilico su tela...
Abstract - Painting
150 x 100 cm (59.1 x 39.4 inches)
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Eduardo Guelfenbein: 'jeux', 2015 Acrylic Painting, Abstract. I reveal a process of discovery, infinite patterns and never- ending forms that much resemble a cosmic creation. I aim to create interesting acrylic texture, where light refracts strongly, with contrasting carved gestural strokes....
, 2015
Abstract - Painting
130 x 97 cm (51.2 x 38.2 inches)
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Eduardo Guelfenbein: 'hope', 2020 Acrylic Painting, Abstract Figurative. I reveal a process of discovery, infinite patterns and never- ending forms that much resemble a cosmic creation. I aim to create interesting acrylic texture, where light refracts strongly, with contrasting carved gestural strokes....
, 2020
Abstract Figurative - Painting
140 x 140 cm (55.1 x 55.1 inches)
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Eduardo Guelfenbein: 'Powerfully', 2015 Acrylic Painting, Abstract. I reveal a process of discovery, infinite patterns and never- ending forms that much resemble a cosmic creation.  I aim to create interesting acrylic texture, where light refracts strongly, with contrasting carved gestural strokes....
, 2015
Abstract - Painting
140 x 114 cm (55.1 x 44.9 inches)
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Donna Bernstein: 'jumper ii', 2019 Acrylic Painting, Minimalism. Modern equine art. Minial, cave walls, yet highly styled and designer inspired. ...
, 2019
Minimalism - Painting
42 x 54 inches (106.7 x 137.2 cm)
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Donna Bernstein: 'jumper', 2019 Acrylic Painting, Animals. Abstractive and eloquent equine - the equestrian art of movement and simplicity, in art and in form...
, 2019
Animals - Painting
42 x 54 inches (106.7 x 137.2 cm)
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Donna Bernstein: 'inspiration', 2019 Acrylic Painting, Animals. The energetic and ephemeral power of the equine. . inspire by the rat on primitive cave walls - elemental and complete ...
Animals - Painting
54 x 42 inches (137.2 x 106.7 cm)
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Artur Pashkov: 'night lily', 2019 Oil Painting, Floral. Original oil painting on canvas using high quality oils. I use objects from real life and use them as basis for my art to make a painting. ...
, 2019
Floral - Painting
36 x 36 inches (91.4 x 91.4 cm)
Carlos Pardo: 'as an astronaut', 2018 Oil Painting, People.  As an astronaut amid so many peopleOil on canvas 47. 4x35. 4 inches 2018 Sometimes we feel isolated or misunderstood, watching this world as a strange planet. . .  so far away from us.  Networking seems to have a paradoxical effect an isolate people instead of really connecting them.  We are losing...
People - Painting
35 x 47 inches (88.9 x 119.4 cm)
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(Page 7 of 93) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Paul Ygartua - THERE IS AN ENERGY, A HIGH WHEN CREATING When you are influenced by everything around you, whether it isaEUR" the people in the world, their culture or nature itselfaEUR"it is emotional and personal. It is these emotions that one tries to aEUR"expressaEUR"an inside view of your thoughts, your feelings and your aEUR"ideas.aEUR" The next painting will be the best. It has been an ongoing struggle for perfection aEUR" being able to break through mental and physical barriers, pushing the envelope to realizing and developing that vision until ultimately a style is born. Then taking that style and working it until it cannot be developed further and only then moving on to adapt this to new ideas, taking you on a journey of versatility and determination to the next painting. I am always looking to improve on each work so as to fine tune my coordination between body, mind and spirit with emphasis on reaching the point whereby my hands almost are moving without consciously guiding them. Speed is an integral part of the process as it forces one to not dwell on exactitude rather it forces a continuous flow of inspiration and passion. My concept of painting is the ...

    Claire Petit - In my work, beings of dream and intimacy migrate slowly to the merry-go-round of birth, death, and rebrith. Different periods and series rub shoulders in my decades of paintings. Duality breathes deeply, and from one life to the next, powerful feminine energy dominates moving, introspective, multiple, often wrapped in a gentle violence. Since 1989, I have been traveling and working between France and the United States. I had my first solo show in 1999 at the 24 Gallery in New York City. In 2004 my work was represented and exhibited at the Grant Gallery. In 2005 I left for Mexico, where I maintained a studio for three months in Oaxaca. From 2005 to 2010, my work was represented and exhibited by the Opera Gallery in New York City. During those years I regularly painted in New York. Since 2010 my work has been exhibited in Paris, Brussels, Luxembourg, Metz, and Nancy, where I live. A beautiful 140pages book on my painting has just been released If youd like to purchase a copy please go to the News page of my website. ...

    Robert Pelles - As an award-winning practitioner of Hungarian commercial graphic art (a career he forsake after 20 years of owning his own successful design firm in order to commit himself solely to painting), Pelles understands and delights in using the idiom of abstract forms. His paintings tell stories about people. Even his houses-- memory scraps on Robert's' never-land landscapes -- come to vividly throbbing life in the absence of figurative forms. The conceptual quality of Pelles' art, his superior drawing skills, concordant use of color and structural harmony have made him one of the most sought-after Central European artists today. ...

    Michael Kehrlein - painter,sculptor,textile artist ,My creations fit perfectly(sic) in a wabi sabi urban zen environment. Because I stubbornly believe all the care my hands give to each and every process of my textile creations or stone sculpture creates something more than just a "look." It may be subtle, but you know when you wear or touch. You know when that piece ages with you. You feel the thought of that person, who made it for you, the invisible. I work with "slow" materials, not flashy, not necessary pretty, not cheap, not easy, but those that will give a soul to the piece. I would like to offer you the best and unique. I hope you enjoy them as much as I do. ...

    Andrea Benetti - Manifesto of Neo Cave Art was presented by Andrea Benetti at the 53rd Venice Biennale in the Natura e sogni aEURoeNature and DreamsaEUR pavilion in the Ca Foscari University, San Giobbe, Cannaregio, Venice, Italy MANIFESTO DELLARTE NEORUPESTRE Manifesto of Neo Cave Painting by Andrea Benetti Since the dawn of humanity, well before the invention of written language, Man felt the need to communicate, to leave some trace of his passage through this world. This he accomplished through painting. Early Man had to deal with the sun, the earth, the waters and the sky every dayaEUR| had to find a way to find his place in the balance of Nature. And even when Nature was unthreatening, he was in awe of Her, treating Her with the respect due a Deity, in full awareness of his own human limitations. Contemporary Man has denied those limits and trampled that respect, placing himself at the center of the universe and giving his own selfish needs absolute priority. In doing so, he has stupidly destroyed the enchantment and desecrated the sanctity of Life and Nature. So letaEURtms take a step backward. LetaEURtms start over, with the proper respect for Nature and for human ...

    Eduardo Guelfenbein - Eduardo Guelfenbein's art has always been dominated by the commanding presence of the figure. Close to a free narrative figuration which represents a South American expression, an imprint of energy of speed and movement, he constructed certain of the latter works in free of form, leaving the work to express itself, exploding the outlines of faces and bodies, favoring gesture and color. Waves in vibrant colors create shadows and in a picture as "Peopled" it is practically impossible to decipher the puzzle that mixes the faces and the bodies in colored whirls. Some suggestive signs arise such as an eye, or a profile inseparable from a movement that runs, encompassing the entire canvas. This fluidity, that gives the title to the exposition, characterizes perfectly the latter animated work of a volcanic spirit close of the primordial and veiled force that presided Creation. Here, Guelfenbein finds the way of an "almost abstraction", whirling, lively, that comes close to European pictorial experiences such as Cobra, and particularly of Lindstrom (not exactly Cobra), of which the research corresponded to the exploration of the basic energies translated by the usage of the bold colors and the "sculpture" of pictorial matter. ...

    Donna Bernstein - PLEASE VISIT MY WEBSITE AT:

    Artur Pashkov - Artur Pashkov is an artist originally from Russia. He arrived to New York in 2001 to explore the land of the opportunity in his career and passion. Here, Artur Pashkov wants to pursue a goal of a successful artist that can reach an audience by expressing his feelings and emotions through his Art. Artur graduated with BFA from Pace University in 2007. Fine Art is Artur's gateway to share with other people his way of seeing everything around him. In this way some people can perceive through his representations and visions the world in different perspective and color.It's not easy for Artur to describe his creativity, because it's a process that he's not fully aware of. His visions are like dreams, and are not easily understood or explained. Every time he takes a brush in hand, his visions are coming from nowhere, and he does not know where they will take him. Some of Artur's paintings appear to come from another world, crazy and even scary. Artur Pashkov is a painter practically from birth, when other kids wanted a bike or a plane Artur wanted to paint. Over the last few years Artur Pashkov ...