Artists Describing Their Art:
Paul Ygartua - THERE IS AN ENERGY, A HIGH WHEN CREATING When you are influenced by everything around you, whether it isaEUR" the people in the world, their culture or nature itselfaEUR"it is emotional and personal. It is these emotions that one tries to aEUR"expressaEUR"an inside view of your thoughts, your feelings and your aEUR"ideas.aEUR" The next painting will be the best. It has been an ongoing struggle for perfection aEUR" being able to break through mental and physical barriers, pushing the envelope to realizing and developing that vision until ultimately a style is born. Then taking that style and working it until it cannot be developed further and only then moving on to adapt this to new ideas, taking you on a journey of versatility and determination to the next painting. I am always looking to improve on each work so as to fine tune my coordination between body, mind and spirit with emphasis on reaching the point whereby my hands almost are moving without consciously guiding them. Speed is an integral part of the process as it forces one to not dwell on exactitude rather it forces a continuous flow of inspiration and passion. My concept of painting is the ...
Robert Pelles - As an award-winning practitioner of Hungarian commercial graphic art (a career he forsake after 20 years of owning his own successful design firm in order to commit himself solely to painting), Pelles understands and delights in using the idiom of abstract forms. His paintings tell stories about people. Even his houses-- memory scraps on Robert's' never-land landscapes -- come to vividly throbbing life in the absence of figurative forms. The conceptual quality of Pelles' art, his superior drawing skills, concordant use of color and structural harmony have made him one of the most sought-after Central European artists today. ...
Michael Kehrlein - painter,sculptor,textile artist ,My creations fit perfectly(sic) in a wabi sabi urban zen environment. Because I stubbornly believe all the care my hands give to each and every process of my textile creations or stone sculpture creates something more than just a "look." It may be subtle, but you know when you wear or touch. You know when that piece ages with you. You feel the thought of that person, who made it for you, the invisible. I work with "slow" materials, not flashy, not necessary pretty, not cheap, not easy, but those that will give a soul to the piece. I would like to offer you the best and unique. I hope you enjoy them as much as I do. ...
Andrea Benetti - Manifesto of Neo Cave Art was presented by Andrea Benetti at the 53rd Venice Biennale in the Natura e sogni aEURoeNature and DreamsaEUR pavilion in the Ca Foscari University, San Giobbe, Cannaregio, Venice, Italy MANIFESTO DELLARTE NEORUPESTRE Manifesto of Neo Cave Painting by Andrea Benetti Since the dawn of humanity, well before the invention of written language, Man felt the need to communicate, to leave some trace of his passage through this world. This he accomplished through painting. Early Man had to deal with the sun, the earth, the waters and the sky every dayaEUR| had to find a way to find his place in the balance of Nature. And even when Nature was unthreatening, he was in awe of Her, treating Her with the respect due a Deity, in full awareness of his own human limitations. Contemporary Man has denied those limits and trampled that respect, placing himself at the center of the universe and giving his own selfish needs absolute priority. In doing so, he has stupidly destroyed the enchantment and desecrated the sanctity of Life and Nature. So letaEURtms take a step backward. LetaEURtms start over, with the proper respect for Nature and for human ...
Eduardo Guelfenbein - Eduardo Guelfenbein's art has always been dominated by the commanding presence of the figure. Close to a free narrative figuration which represents a South American expression, an imprint of energy of speed and movement, he constructed certain of the latter works in free of form, leaving the work to express itself, exploding the outlines of faces and bodies, favoring gesture and color. Waves in vibrant colors create shadows and in a picture as "Peopled" it is practically impossible to decipher the puzzle that mixes the faces and the bodies in colored whirls. Some suggestive signs arise such as an eye, or a profile inseparable from a movement that runs, encompassing the entire canvas. This fluidity, that gives the title to the exposition, characterizes perfectly the latter animated work of a volcanic spirit close of the primordial and veiled force that presided Creation. Here, Guelfenbein finds the way of an "almost abstraction", whirling, lively, that comes close to European pictorial experiences such as Cobra, and particularly of Lindstrom (not exactly Cobra), of which the research corresponded to the exploration of the basic energies translated by the usage of the bold colors and the "sculpture" of pictorial matter. ...
Donna Bernstein - PLEASE VISIT MY WEBSITE AT:
Artur Pashkov - Artur Pashkov is an artist originally from Russia. He arrived to New York in 2001 to explore the land of the opportunity in his career and passion. Here, Artur Pashkov wants to pursue a goal of a successful artist that can reach an audience by expressing his feelings and emotions through his Art. Artur graduated with BFA from Pace University in 2007. Fine Art is Artur's gateway to share with other people his way of seeing everything around him. In this way some people can perceive through his representations and visions the world in different perspective and color.It's not easy for Artur to describe his creativity, because it's a process that he's not fully aware of. His visions are like dreams, and are not easily understood or explained. Every time he takes a brush in hand, his visions are coming from nowhere, and he does not know where they will take him. Some of Artur's paintings appear to come from another world, crazy and even scary. Artur Pashkov is a painter practically from birth, when other kids wanted a bike or a plane Artur wanted to paint. Over the last few years Artur Pashkov ...
Carlos Pardo - IN SHORT: INSPIRATION: Concious and unconcious perceptions, my background, all circunstances of my life, experiences, past and present, books and newspapers that I read, films, Internet aEUR|feelings, emotions and a fertile imagination sometimes, all them aid to weave a story that will change alongside the execution of a piece. In my opinion our tradition, for thousands of years, the Arts reflect the vision of a trascendent life beyond our tangible life. THEME: Unreal cityscapes let us a special kind of plasticity. The imagination and feelings are active agents that are modeling the perceptible reality. Transcendent and oniric themes entered and remain in my artwork. In my imaginary urban landscapes there are overlaid elements of towns he has visited, some imagined, and maybe dreamed, but all with a unique feminine soul. The Town is a mother, lover, or daughter of the actions, dreams and passions of those who dwell in them or recall them in the distance. It is an idea in which wander those who have been caught up in its infinite labyrinth. PROCESS: I usually have not idea about what I will show on the surface. There is a lack of a script or previous sketch. Forms are born...
Angel Piangelo - ANGEL PIANGELO is my Artistic Name and I sign ALL my Artworks as ANGEL P. my ID Name is Angel Papangelou JOB PROFESSION Fine Arts PROFESSOR in a Private College and a Public School of Art in Thessaloniki Greece, where I work and live most of the time of the year, although my main residence is in Germany Mauerkircherstrasse 68A, 81925, Munich -- I also give Painting Sculpture PRIVATE LESSONS to students who want to enter Fine Arts Universities. ARTISTIC SKILLS SCULPTOR and PAINTER Paintings Drawings} Mostly Classical, Fantasy and Modern Artworks Also I am a SWORD MAKER, but I make 100 Original ARTWORKS SCULPTED HANDMADE SWORDS - Project A<
> - UNIQUE in world ... ...
Angel Piangelo -
Roberto Rossi - Roberto Rossi is a self-taught art worker. Born in the city of Sao Paulo, Sao Paulo State, Brazil, he has been working in the advertising field for 29 years. Art has been present since this artist's early ages, when he has great opportunities to closely watch the activities related to graphic arts that, in the future, would be extremely important for its professional career. Roberto Rossi begins his professional life in 1971, working as reviser for the most reputable juridical book publishing company at the time. In 1976 he is invited to work as copy reviser for the most important advertising agency of the country, where he would stay until 1988. At the same time, he contributes with his professional abilities for Brazilian literature, participating in projects involving very important private editions, some of them dedicated to art and Brazilian colonial furniture. His writer friends look for him when editing their books, in which he helps with copy desk, review, production and creative work in graphical projects. All this background has taken Roberto Rossi to know and search for learning, in details, the daily activities of photographic techniques, both studio and lab tasks, besides art studio, ...