Paintings For Sale - Price Range: $700 - $799

Page 18 of 39
Discover 1,112 original painting artworks for sale between $700 - $799. Contemporary emerging artists: Muriel Van Marion Kasmin, Daryl Budd, Eric Salisbury, Eduardo Diaz, Larry Seiler, Maryjean Galivan, Cecilia Boggi, Wendy Clayton Kindl, Paul Burnham, Nora Begona, Caroline Macdonald, Gerald Porter, Nancy B Jackson, Julie Hall- Rainey, Di Maria Luiz Alberto, Marilyn Itrat, Jeanie Merila, Peggie Clara, Neil Loewen, Dan Osmundson are exhibiting their affordable original art. You can buy artwork online and browse 39 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Daryl Budd: 'LITTLE TENNIS PLAYER', 2005 Acrylic Painting, Children. Painting is acrylic paint on masonite panel. Unframed....
Children - Painting
16 x 20 inches (40.6 x 50.8 cm)
Eric Salisbury: 'Pure Elegance', 1996 Acrylic Painting, Representational. NEW! ! ! The title says it all. The edition is a giclee, fresh of the press, deckled edges and enhanced by the artist to create a one of a kind signed original reproduction.Isn' t she exquisite?...
Representational - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Eduardo Diaz: 'Four windows', 2005 Oil Painting, Culture. Art work from the Meztizo Project by C. Granillo & E. Diaz  Second Exibition...
Culture - Painting
70 x 40 inches (177.8 x 101.6 cm)
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Muriel Van Marion Kasmin: 'doggy porkys addiction', 2004 Oil Painting, Dogs. in general a dog looks like his boss, watch porky and you know with whom you are dealing with...
Dogs - Painting
60 x 40 cm (23.6 x 15.7 inches)
Larry Seiler: 'Last Snows of Ginny Creek', 2005 Oil Painting, Landscape. While much of the country was beginning to enjoy a sense of spring, northern Wisconsin received its typical last ten inches of snow.  It was beautiful for painting and I stood with my portable easel knee deep along Ginny Creek in Oneida County to capture this one. ...
Landscape - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Maryjean Galivan: '2 Women 1 Organism', 2005 Acrylic Painting, Figurative. This began with an old photoraph of my mother that I merged with a photograph I took in the carwash.  I then used this as inspiration for the painting....
Figurative - Painting
45 x 38 inches (114.3 x 96.5 cm)
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Cecilia Boggi: 'Maybe Flowers', 2005 Oil Painting, Abstract.
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Wendy Clayton Kindl: 'Whats for Tea', 2004 Acrylic Painting, Animals. I always feel that Giraffes have a humour about them, that' s why I have protrayed this one looking through the window asking What' s for Tea? ...
Animals - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Paul Burnham: 'Flowers of the Lake', 2003 Oil Painting, Fantasy. Painting extends onto frame...
Fantasy - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Nora Begona: 'Blowing a new World', 2000 Acrylic Painting, Fantasy. Acrylic on canvas...
Fantasy - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Caroline Macdonald: 'Scottish Lochs', 2004 Acrylic Painting, Abstract.
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
Eduardo Diaz: 'Globera', 2004 Oil Painting, Culture.
, 2004
Culture - Painting
54 x 36 inches (137.2 x 91.4 cm)
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Eduardo Diaz: 'Viejo', 2004 Oil Painting, Culture.
, 2004
Culture - Painting
38 x 38 inches (96.5 x 96.5 cm)
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Eduardo Diaz: 'Global', 2004 Oil Painting, Culture.
, 2004
Culture - Painting
38 x 38 inches (96.5 x 96.5 cm)
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Eduardo Diaz: 'I want to be you', 2004 Oil Painting, Culture.
Culture - Painting
38 x 38 inches (96.5 x 96.5 cm)
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Caroline Macdonald: 'Surfer', 2003 Oil Painting, Abstract.
, 2003
Abstract - Painting
22 x 28 inches (55.9 x 71.1 cm)
Caroline Macdonald: 'The Dawn', 2002 Oil Painting, Family.
, 2002
Family - Painting
39 x 36 inches (99.1 x 91.4 cm)
Gerald Porter: 'Old Man at Prayer', 2004 Acrylic Painting, Undecided.
Undecided - Painting
16 x 20 inches (40.6 x 50.8 cm)
Nancy B Jackson: 'Prophet Elijah Fed by Birds', 2001 Tempera Painting, Religious. AVAILABLE NOWEgg tempera on carved wood panel. The dwelling place of Elijah was Mount Carmel, a high uninhabited mountain. The wilderness received the hermit but it was the soul that constituted all for this righteous man and the provision for his life' s journey was hope in God. Yet ...
Religious - Painting
12 x 15 inches (30.5 x 38.1 cm)
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Julie Hall- Rainey: 'Sunwindow', 2003 Acrylic Painting, Floral. This is a very colorful painting did in reds greens & yellows . It is a rough textured painting with lots of paint has an outdoor feeling very happy painting of my sunwindow . ...
, 2003
Floral - Painting
34 x 30 inches (86.4 x 76.2 cm)
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Di Maria Luiz Alberto: 'Red angel', 2002 Oil Painting, Abstract. This is the power of the my spirit. . ...
, 2002
Abstract - Painting
70 x 100 cm (27.6 x 39.4 inches)
Marilyn Itrat: 'Viejo pescador', 2003 Acrylic Painting, Seascape.
Seascape - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Jeanie Merila: 'Burano Afternoon', 2002 Acrylic Painting, Landscape. Burano Afternoon is an acrylic landscape painting showing  two- point perspective buildings on a street overlooking the canal on Burano island in Venice, Italy.  The forground shows a boat in a canal with wavy reflections.  On the right is a surreal- like shadow in shades of green.  The plaza in ...
Landscape - Painting
26 x 20 inches (66.0 x 50.8 cm)
Peggie Clara: 'union', 2003 Acrylic Painting, Abstract.
, 2003
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Eduardo Diaz: 'The inclener', 2003 Oil Painting, Abstract.
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Eduardo Diaz: 'Degenaration', 2003 Oil Painting, Abstract.
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Neil Loewen: 'My Enemies without cause', 2003 Acrylic Painting, Judaic. This painting is based on an actual event of witnessing several crows attacking another crow.  This vivid recollection prompted me to sketch it from memory, and later I painted this
Judaic - Painting
24 x 18 inches (61.0 x 45.7 cm)
Eduardo Diaz: 'El garnica', 2003 Oil Painting, Abstract.
, 2003
Abstract - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Dan Osmundson: 'Blue Twisters', 1996 Oil Painting, Abstract.
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Eduardo Diaz: 'Virginity ', 2002 Oil Painting, Culture.
, 2002
Culture - Painting
30 x 40 inches (76.2 x 101.6 cm)
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(Page 18 of 39) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Muriel Van Marion Kasmin - A life in Art Painting for me is an expression, not of reality, but of a personal experience. Everyone has a "child within" and by expressing these feelings I can communicate more easily through my art. I find detail unimportant and express myself with bold statements, use of primary colours and paint rhythms. My leading thought is that of growth, maturity and decay. It sometimes takes courage to let go of the usual techniques and open your eyes to see things differently. Over the years I have developed different styles and I do not feel bound by any rules. Painting for me creates happiness and I hope I can pass on these positive feelings to others. My paintings are just like my life; a continuous search for alignment and harmony between people and element, body and soul. My work reflect my inner feelings and is inspired by the abundant colours of other cultures, seen in my extensive travels. Constantly balancing figurative with abstract, I use the 4 elements of water, air, fire and earth in all my paintings. I began drawing at the age of five, and by twelve I was already under the spell of Vermeer, Van Gogh and ...

    Daryl Budd - As an artist, I endeavor to visually convey emotion using a photorealistic, detailed style. My goal is to focus the viewers eye upon the essence of the piece. I'm alive when I paint. My spirit is lifted to a higher level and I'm connected to the world around me. I try to make you feel the emotion, taste the colors, feel the breeze, smell the air,etc,etc. Hopefully some of these components will be experienced when you view my work....

    Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...

    Larry Seiler - Painting is first and foremost an obsession and passion, not based upon sales, notoriety, nor convenience. I am most fully alive when painting, and every part of my being feels most engaged in actively celebrating life. When searching, perhaps even "hunting" for a place to set up and paint...I have learned to trust and give way to my instincts. There is this need to go beyond all the trappings of information overload that lesser experienced painters get caught up in when painting on location. I am intent to hone in, locate...and find those few elements that demanded of me, "Paint me!" What I call a process of finding the, "ah-HAH!" What is it that spoke of beauty? How is beauty hiding itself? Modestly dressed in nature's subtleties? Camoflaged behind an explosion of color and distraction? The plein air painter finds beauty often in the mundane and ordinary, and a new sense of mission to awaken the public's eyes. A public caught in the routine of daily obligations; whisking along burdened, pressed, and weighed down with cares. People unaware that losing that sense of thanksgiving for the gift of living, caught in the cares of life......

    Maryjean Galivan - Over the years my art has evolved into a personal introspective search. The constant denominator is a strong sense of color, though the subject matter can range from whimsical to disturbing. I feel my inspiration stems from a past saturated with LSD and a present filled with ADD. The combination of these two ingrediants as well as my jaded perception of life are the fulcrum of my creative energy. Since I have lived in Arizona for the last 20 something years, I am inspired by the colors and textures of the desert. For the last year I have been incorporating them into my work. ...

    Wendy Clayton Kindl - I began painting in 1999 when a friend took me to a Folk & Decorative Arts class using acrylics. I then ventured into Watercolours under the watchful eye of my tutor. I began teaching Folk Art to others and quickly realised I needed to expand my knowlegde of Drawing and set off a self taught path reading and practising whenever I could. I trip overseas from my home country of Australia, entered me into being commisioned to paint for United Nations Staff Members and I now have about 40 paintings all over the world. I now live in Austria with my Austrian husband and have just had my first exhibition here. ...

    Paul Burnham - These samples can be considered an alternative to all of the other visual aspects of the physical universe. Furthermore, there are numerous other examples of this anomaly available by request, and many of these can be purchased in their original form from Paul Burnham upon contact. Paul has reached a point where it is imperative to continue allowing these images to enter the wavebands of light percieved by the physical being's sensory functions, such as eyes. ...

    Caroline Macdonald - Caroline MacDonald's fascination for variety, energy, contrasting lights, colours and peoples are her inspiration and passion. There is joy, love, laughter, kindness and heartbreak everywhere in equal measures. Her aim is to express the emotions that inspire her, she paints in reaction to all she sees and feels. She does not intend to paint photographically but rather to initiate an emotional response in her viewers, to the passion which inspired her. Caroline MacDonald has lived all over the world; she is married to a civil engineer and has two children. They are as important to her as her art. She has enjoyed every new situation. There is vitality, a life force, an energy, a quickening, that is translated through you into action, and because there is only one of you in all time, this expression is unique. And if you block it, it will never exist through any other medium and will be lost. Martha Graham ...

    Gerald Porter - We can never really know the world. It has too many faces and is inexhaustible even if behind the facade it is really very small. We can only behold it and allow ourselves to fully drink in what unfolds before us. We can never fully see the world, instead we must be content with sensing its inchoate shapes and colors beyond what our physical senses can reveal. Painting like all art is suggestion. The unknown and mysterious world is revealed by art which points towards what the viewer may notice. Even though people for the most part don't know it, they are staring into a void - a void that is everything and nothing, a pregnant emptiness. If you stare at a blank wall long enough you will begin to see things emerge like messages from a magic eight-ball. If you stare long enough mere images evolve into whole realities. As an artist, as a painter, I suggest what you as an observer might notice as you unwittingly create your reality. I can help shape that reality to be more engaging and exciting. But since you as the observer are creating your own experience, I am ultimately serving ...

    Nancy B Jackson - From the beginning, it has been my intent to look at humanity on a spiritual level, focusing my attention on the Sacred in the Ordinary. Images of movement, change and transformation and a sense of being guarded, protected and nurtured in the transformative process are important to my vision. My understanding of being "guarded, protected and nurtured" does not lead to happiness, comfort and security. Instead, it acknowledges suffering as native to human existence. These visions are pursued within the mid-20th Century understanding of the shallow picture plane, which is particularly well suited to shapes and methods that are natural to iconography & tapestry....

    Julie Hall- Rainey - Growing up in Mississippi and the daughter of a farmer one learns to love the land ,seasons, and the southern way of life. Finding a way to express this love has been a life long struggle. How do you express the smell of a sweet wild jasmine, the feel of fresh plowed red clay under your bare feet, the sounds of a creek as it rambles down to the muddy Mississippi River or the taste of boiled coffee in a syrup bucket on the banks of a river? Trying with color, feeling, and hard work on a road less traveled, but one that you can hear the wind as it blows though the dry corn stalks on....

    Di Maria Luiz Alberto - I am back here to offer them my paints again, accept your proposal. Thanks, DI MARIA....

    Jeanie Merila - Art surrounds my life like a blanket, filling my senses with joy and giving me a place to weep with color. Sometimes art is a mirror of my life, but other times it is what remains after life filters through my vision. My art is about color and light. The way light bounces off buildings in the afternoon sun, shadows flickering like transforming clouds. The colors vibrate next to each other, the patterns of leaves and bricks create harmony. The wavering reflections in windows, puddles and canals continue to fascinate me - sky and water become one. I have painted flowers over and over for 20 years, yet the pure hues continue to blend and dance in my watercolors like newborns. The silence of the ocean as I swim below the surface inspires me. The waves above leave twisting shadows on the progressing, swirling sand. The rainbow fish darting among the coral remind me of insects hovering around thriving buds as I gaze into the mystery of the deep azure, waiting for the turtle, manta or shark. The breath of my soul is often revealed through the mystical depths of the ocean or the burst of color on a fragrant bloom. ...

    Peggie Clara - Peggie Clara's vision extends beyond ordinary subject matter. The movement of the paintings, the colors and textures are seductive in the moment and suggest ethereal beauty of other dimensions and connections. Peggie Clara comes from the school of thought that believes in the pureness of potential,this is reflected in her luminous works that capture the intellect as well as the heart. current and past exhibitions. 2001-Big Wave 111 -Andrew Shire Gallery Wilshire, Los Angeles. Gallery Representation: LMS DESIGN GROUP/Showroom 4011 Industustrial Rd Las Vegas, NV 89103 ...

    Neil Loewen - Form, movement and colour fascinate me. I view life holistically, take pleasure in variegated meaning and context as means to transcend realistic representation into the world of spirit, ideas and values. I hope to engage the viewer long enough to look beyond the surface of my last layer of paint, into a realm of contemplation where together we can interface with the voice of creative consciousness. ...

    Dan Osmundson - The the last two that you see here deal with animated landscapes, i.e., my fantasy vision of nature- moving, changing, alive. There are also several other paintings in this series that I'll try to put up at my website: